David Suzuki reports on a wide range of green buildings, from large community…
Biophilic Design
- Description
- Reviews
- Citation
- Cataloging
- Transcript
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Biophilic Design is an innovative way of designing the places where we live, work, and learn. We need nature in a deep and fundamental fashion, but we have often designed our cities and suburbs in ways that both degrade the environment and alienate us from nature.
The recent trend in green architecture has decreased the environmental impact of the built environment, but it has accomplished little in the way of reconnecting us to the natural world, the missing piece in the puzzle of sustainable development.
Come on a journey from our evolutionary past and the origins of architecture to the world's most celebrated buildings in a search for the architecture of life. Together, we will encounter buildings that connect people and nature--hospitals where patients heal faster, schools where children's test scores are higher, offices where workers are more productive, and communities where people know more of their neighbors and families thrive.
Featured are communities and buildings from Scandinavia, Germany, France and Britain to the Canadian and American northwest, American southwest, and New England. They include: California Academy of Sciences, Doernbecher Children's Hospital, Fallingwater, Viaduc des Arts, Google/YouTube Headquarters, Sahlgrenska Hospital (Psychiatric Department), High Point (Seattle Housing Authority), Johnson Wax Building, Sidwell Friends Middle School, Oxford Museum of Natural History, Village Homes (Davis, CA), and Kroon Hall (Yale School of Forestry and Environmental Studies).
Amongst those interviewed are: Edward O. Wilson, Bill McDonough, Judi Heerwagen, Jason McLennan, Tim Beatley, Bill Browning, Bert Gregory, Kent Bloomer, Claire Cooper Marcus, Michael Taylor, David Orr, Gus Speth, and Richard Louv.
Biophilic Design points the way toward creating healthy and productive habitats for modern humans.
'Biophilic Design extends the theory and practice of green building into a new dimension--the realm of human connection with nature and sense of place. If designers and planners want to create truly sustainable places that people will love and care for now and many generations to come, they need to give this film their close attention. We are using it as an important resource for teaching in our college.' Louise Chawla, Professor, College of Architecture and Planning, University of Colorado, Editor and co-Author, Growing Up in an Urbanizing World
'At a time when our society faces such extraordinary environmental and social challenges because of our separation from nature, this film is a breath of fresh air and takes us on journey of possibility and hope. This inspiring film features some of the leading visionaries in architecture and design, people who understand the real world need to design residential and commercial buildings and cities that are not only functional but feed our souls by reconnecting us to nature. Biophilic Design is essential viewing for policy makers, planners, designers and anyone engaged in re-designing the future.' Bryony Schwan, Executive Director, The Biomimicry 3.8 Institute
'Natural environments are not amenities, and they are not mere 'resources' or quaint luxuries. They are essential to human mental, physical and social well-being, most urgently for our children. Stephen Kellert has yoked health and environment in a new and powerful way for all who view Biophilic Design.' Dr. Richard Jackson, Pediatrician, Professor and Chair, Environmental Health Sciences, University of California-Los Angeles
'I was truly impressed with, as well as inspired by Biophilic Design.... [It] should be a required part of any design curriculum, not just for architects but also for engineers, interior designers, and even landscape architects. I can also see practicing designers using the film as an effective tool in talking with clients about the value of using 'the poetry we find in nature' for many different kinds of projects. I can see Biophilic Design extending beyond the design community. It will resonate with and inspired anyone remotely interested in the intersection of nature and design.' Naomi Sachs, ASLA, EDAC, Founder and Director, Therapeutic Landscapes Network
'This film goes well beyond the current concern with `green' building design...Provides convincing evidence from a wide range of types of settings that the reintroduction of nature into our everyday living environment profoundly impacts our individual health and well-being...Biophilic design could be a critical step in fostering a necessary societal level change of consciousness: through the broad reintroduction of nature into human habitats citizens will be more likely to become aware of their love of, and mutual connectedness with, nature and become passionate advocates for global change in how we work to sustain life on earth.' Roger Hart, Director, The Children's Environments Research Group, Professor, Environmental and Developmental Psychology and Earth and Environmental Sciences, City University of New York
'Progress has certainly been made with the more measurable and verifiable aspects of environmental design, such as minimizing the use of energy, water and materials. In the end, however, it is perhaps the depth of our emotional connection to the natural world that is most important to our environmental future. Deep affinity and resonance with nature give the environment its compelling value that ultimately leads to its measurable conservation. Biophilic Design, The Architecture of Life fills a huge void in our understanding the role of the natural world in modern life. It brings home why nature's presence in our daily lives is central to our existence and what we can do to reverse a centuries old decline.' Stephen Kieran, FAIA, Founding Partner, KieranTimberlake, Co-Author, Loblolly House: Elements of a New Architecture
'Unlike many environmental documentaries, this film does not dwell on much discussed problems but discusses concrete solutions...Biophilic Design is a professionally produced documentary and a clear argument for the benefits of design that brings people in closer contact with nature. It packs a lot of excellent examples and expert testimony in its hour long running time.' Tom Ipri, Drexel University, Educational Media Reviews Online
'A thought-provoking study brimming with invaluable ideas, especially for architects, policy makers, and interior designers, Biophilic Design is highly recommended.' The Midwest Book Review
Citation
Main credits
Kellert, Stephen R. (screenwriter)
Kellert, Stephen R. (narrator)
Finnegan, Bill (film producer)
Finnegan, Bill (screenwriter)
Finnegan, Bill (film editor)
Finnegan, Bill (cinematographer)
Miller, Florence (narrator)
Other credits
Additional camera, Taylor Gentry, Charles Divak, Hilary Byrne, Daniel Shearer; music, Peter Land, Jaime Garamella.
Distributor subjects
American Studies; Anthropology; Art/Architecture; Conservation; Design; Ecology; Environment; Environmental Ethics; Geography; Green Building; Habitat; Health; Mental Health; Natural Resources; Psychology; Renewable Energy; Social Psychology; Sociology; Sustainability; Sustainable Development; Urban and Regional PlanningKeywords
WEBVTT
00:00:01.000 --> 00:00:06.000
[quiet contemplative music]
00:00:15.700 --> 00:00:17.233
- I look at these suburbs.
00:00:17.267 --> 00:00:24.133
I see monotony,
a dulling of the spirit.
00:00:24.167 --> 00:00:25.533
- We knew all about
this community,
00:00:25.567 --> 00:00:27.133
and so we wanted to get a place
over here.
00:00:27.167 --> 00:00:28.933
You can just send your kids
out the back door
00:00:28.967 --> 00:00:31.033
to go and play
with a bunch of kids
00:00:31.067 --> 00:00:35.100
and not have to worry.
00:00:35.133 --> 00:00:39.933
- Standard basic office design
is pretty tragic.
00:00:39.967 --> 00:00:43.567
- We proposed
a human-friendly building
00:00:43.600 --> 00:00:48.733
experiencing a garden.
00:00:48.767 --> 00:00:50.867
- Inside the other building,
there wasn\'t much light.
00:00:50.900 --> 00:00:53.533
It would all be
fluorescent lights and stuff.
00:00:53.567 --> 00:00:55.233
And this is more open.
00:00:55.267 --> 00:01:00.600
We connected more
to what was around us.
00:01:00.633 --> 00:01:02.133
- If we are stressed...
00:01:02.167 --> 00:01:04.733
And certainly, most people
in the hospital are stressed...
00:01:04.767 --> 00:01:07.633
If we step out
into a green place,
00:01:07.667 --> 00:01:09.433
our blood pressure goes down.
00:01:09.467 --> 00:01:11.300
Our heart rate slows down.
00:01:11.333 --> 00:01:14.433
Our immune response improves.
00:01:17.300 --> 00:01:21.067
- People possess an inborn need
for contact with nature
00:01:21.100 --> 00:01:23.733
essential to their physical
and mental health,
00:01:23.767 --> 00:01:25.833
productivity,
and well-being.
00:01:25.867 --> 00:01:28.233
This is something
we have called biophilia.
00:01:28.267 --> 00:01:30.933
Satisfying this need
for contact with nature
00:01:30.967 --> 00:01:32.533
in the modern built environment
00:01:32.567 --> 00:01:35.667
is something we are calling
biophilic design.
00:01:37.400 --> 00:01:39.967
People\'s biological need
for contact with nature
00:01:40.000 --> 00:01:42.767
originates in our long history
as a species
00:01:42.800 --> 00:01:44.500
where we evolved in a natural,
00:01:44.533 --> 00:01:47.400
not an artificial
or human-constructed world.
00:01:47.433 --> 00:01:50.833
Consequently, our senses,
our emotions,
00:01:50.867 --> 00:01:52.333
and even our intellect developed
00:01:52.367 --> 00:01:54.767
in close association
with nature.
00:01:54.800 --> 00:01:57.233
This biological need
for contact with nature
00:01:57.267 --> 00:01:58.767
continues to be important
00:01:58.800 --> 00:02:03.000
even in our highly built
and increasingly urban society.
00:02:03.033 --> 00:02:06.133
Indeed, the natural habitat
of modern people
00:02:06.167 --> 00:02:08.733
has in many ways become
the built environment,
00:02:08.767 --> 00:02:14.033
where, on average,
we spend 90% of our time.
00:02:14.067 --> 00:02:18.033
Unfortunately, many if not
most of our buildings and cities
00:02:18.067 --> 00:02:21.533
have become places of extensive
environmental damage
00:02:21.567 --> 00:02:24.733
and increasing separation
from nature.
00:02:24.767 --> 00:02:27.433
Recent progress
in sustainable design
00:02:27.467 --> 00:02:29.900
has certainly improved
the situation,
00:02:29.933 --> 00:02:33.533
but most sustainable design
focuses only on reducing
00:02:33.567 --> 00:02:36.500
environmental damage
from waste and pollution
00:02:36.533 --> 00:02:41.133
or excessive use of resources
like energy and water.
00:02:41.167 --> 00:02:43.133
Biophilic design is thus about
00:02:43.167 --> 00:02:45.167
creating good habitat for people
00:02:45.200 --> 00:02:46.800
in a modern built environment
00:02:46.833 --> 00:02:50.200
that satisfies their need
for beneficial contact
00:02:50.233 --> 00:02:52.833
with the natural world.
00:02:52.867 --> 00:02:55.033
But what specifically do we mean
00:02:55.067 --> 00:02:56.467
by biophilic design,
00:02:56.500 --> 00:02:58.600
and how could it
be accomplished?
00:02:58.633 --> 00:03:00.967
In addressing
these important questions,
00:03:01.000 --> 00:03:03.667
we will confront
such intriguing findings as:
00:03:03.700 --> 00:03:06.967
more productive and satisfied
manufacturing workers
00:03:07.000 --> 00:03:09.967
when they move to facilities
with natural light,
00:03:10.000 --> 00:03:15.433
restored landscapes,
and other biophilic features;
00:03:15.467 --> 00:03:17.700
people recovering faster
from major illnesses
00:03:17.733 --> 00:03:18.967
and medical surgery
00:03:19.000 --> 00:03:23.700
when they have contact with
and views of nature;
00:03:23.733 --> 00:03:25.733
children having higher
test scores,
00:03:25.767 --> 00:03:28.533
being less absent,
and showing better attention
00:03:28.567 --> 00:03:31.567
when they are in schools
with greater natural lighting,
00:03:31.600 --> 00:03:37.333
access to the outdoors,
and fewer artificial materials;
00:03:37.367 --> 00:03:40.533
many of the world\'s most revered
and celebrated buildings
00:03:40.567 --> 00:03:42.800
being filled with shapes
and forms
00:03:42.833 --> 00:03:47.500
inspired by designs
found in nature.
00:03:47.533 --> 00:03:50.633
We are therefore convinced
that environmental degradation
00:03:50.667 --> 00:03:52.333
and alienation from nature
00:03:52.367 --> 00:03:55.000
are not inevitable consequences
of modern life
00:03:55.033 --> 00:03:56.500
but rather failures
00:03:56.533 --> 00:03:58.200
in how we have
deliberately chosen
00:03:58.233 --> 00:04:01.167
to design our buildings
and our cities.
00:04:01.200 --> 00:04:03.700
We designed ourselves
into this predicament,
00:04:03.733 --> 00:04:05.833
and we can design ourselves
out of it
00:04:05.867 --> 00:04:08.900
with the help
of biophilic design.
00:04:08.933 --> 00:04:12.600
[inspiring music]
00:04:24.600 --> 00:04:27.900
[calming piano music]
00:04:27.933 --> 00:04:31.133
- Humanity had grown up
in nature, so to speak,
00:04:31.167 --> 00:04:33.633
over millions of years,
00:04:33.667 --> 00:04:38.800
and our very survival,
generation by generation,
00:04:38.833 --> 00:04:41.500
over countless generations
00:04:41.533 --> 00:04:46.733
was dependent upon
the connection with nature,
00:04:46.767 --> 00:04:49.200
understanding
of other organisms,
00:04:49.233 --> 00:04:53.200
the love of parts of nature.
00:04:53.233 --> 00:04:55.900
People everywhere
around the world
00:04:55.933 --> 00:04:57.600
want to see other living things.
00:04:57.633 --> 00:05:00.567
They want to have them
around them, and they...
00:05:00.600 --> 00:05:04.933
In most societies that have
any extra means,
00:05:04.967 --> 00:05:08.233
they want to be able to return
to natural environments
00:05:08.267 --> 00:05:10.900
and be there for a while.
00:05:10.933 --> 00:05:13.733
That is not just
for our pleasure,
00:05:13.767 --> 00:05:16.667
but as it was
in Paleolithic times,
00:05:16.700 --> 00:05:20.700
necessary for our survival.
00:05:20.733 --> 00:05:22.900
- We tend to like things
that are good for us.
00:05:22.933 --> 00:05:25.600
We seek out trees and shade
because it\'s been important
00:05:25.633 --> 00:05:28.800
to sort of be able to find
that sense of refuge and shade,
00:05:28.833 --> 00:05:30.867
to be able to climb a tree
if we have to, quickly,
00:05:30.900 --> 00:05:32.833
to get out of harm\'s way.
00:05:32.867 --> 00:05:34.300
Water is one of those things.
00:05:34.333 --> 00:05:37.133
We absolutely essentially
need water.
00:05:37.167 --> 00:05:41.733
- A waterfall signifies
an abundant supply
00:05:41.767 --> 00:05:45.100
of fresh and healthful water.
00:05:45.133 --> 00:05:49.733
Flowers represent
the bursting forth of nature.
00:05:49.767 --> 00:05:51.767
They represent
the happy feelings
00:05:51.800 --> 00:05:54.867
of being there
when nature is coming forth
00:05:54.900 --> 00:05:58.300
and is bountiful.
00:05:58.333 --> 00:06:05.800
I think beauty is our word
for the perfection
00:06:05.833 --> 00:06:09.333
of those qualities
of environment
00:06:09.367 --> 00:06:13.833
that have contributed the most
to human survival.
00:06:21.800 --> 00:06:23.967
- If you look at it
in terms of its negative,
00:06:24.000 --> 00:06:25.433
if we\'re deprived
of the opportunity
00:06:25.467 --> 00:06:27.267
to affiliate with nature,
00:06:27.300 --> 00:06:29.033
it also affects us.
00:06:29.067 --> 00:06:30.700
If we were in a room,
for example,
00:06:30.733 --> 00:06:33.067
that had no windows,
00:06:33.100 --> 00:06:36.467
that had just artificial light
and processed air
00:06:36.500 --> 00:06:39.133
that was six inches
above your head,
00:06:39.167 --> 00:06:40.533
even though you could have
00:06:40.567 --> 00:06:43.233
all the elements that would
keep you alive in that room,
00:06:43.267 --> 00:06:47.167
after a while, you would feel
very, very uncomfortable.
00:06:47.200 --> 00:06:51.233
You would experience fatigue,
and your morale would flag.
00:06:51.267 --> 00:06:52.967
You would start to sweat.
00:06:53.000 --> 00:06:55.167
Basically you wouldn\'t want
to be there for very long,
00:06:55.200 --> 00:06:57.167
and if you were there
for very long,
00:06:57.200 --> 00:07:00.100
if somehow you couldn\'t
escape from that room
00:07:00.133 --> 00:07:02.667
for a relatively small
period of time,
00:07:02.700 --> 00:07:04.533
I\'d say a couple days,
00:07:04.567 --> 00:07:08.267
you would start to have
a kind of a sensory deprivation.
00:07:15.133 --> 00:07:16.333
- If you look at sustainability,
00:07:16.367 --> 00:07:18.100
it really is what impact
does people
00:07:18.133 --> 00:07:20.367
and their behaviors
have on the natural environment?
00:07:20.400 --> 00:07:22.400
And biophilia
turns that on its head and says,
00:07:22.433 --> 00:07:24.700
\"What impact
does nature have on us?\"
00:07:28.300 --> 00:07:30.900
Great architects have
intuitively sensed these things
00:07:30.933 --> 00:07:33.300
without probably
even articulating
00:07:33.333 --> 00:07:36.267
or being able to articulate
why they did what they did.
00:07:36.300 --> 00:07:41.067
It just seemed right.
00:07:41.100 --> 00:07:44.133
And those buildings
that have consistent appeal
00:07:44.167 --> 00:07:46.667
tend to have these elements
of biophilia
00:07:46.700 --> 00:07:48.133
throughout the ages.
00:07:53.400 --> 00:07:56.133
- For too long,
we\'ve seen our cities develop
00:07:56.167 --> 00:08:01.500
with such an absence of life.
00:08:01.533 --> 00:08:03.367
And even green building,
00:08:03.400 --> 00:08:05.933
even though the main point
behind green building
00:08:05.967 --> 00:08:07.933
is to reduce
environmental impact
00:08:07.967 --> 00:08:11.000
and have less of a burden
on the environment,
00:08:11.033 --> 00:08:12.000
there hasn\'t been enough
00:08:12.033 --> 00:08:15.200
of an explicit
sort of connection
00:08:15.233 --> 00:08:19.800
with the idea of making sure
that life and nature itself
00:08:19.833 --> 00:08:22.700
is brought into architecture,
that\'s brought into the design,
00:08:22.733 --> 00:08:25.200
and there certainly have been
a lot of projects
00:08:25.233 --> 00:08:27.000
that have been called \"green\"
00:08:27.033 --> 00:08:29.200
and perhaps use less
energy and water
00:08:29.233 --> 00:08:31.033
than their
traditional counterparts,
00:08:31.067 --> 00:08:33.233
but they still are
fairly sterile environments,
00:08:33.267 --> 00:08:34.967
so they still don\'t allow people
00:08:35.000 --> 00:08:37.433
to reach
their fullest potential.
00:08:39.433 --> 00:08:44.433
[bright electric guitar music]
00:08:48.267 --> 00:08:50.500
female narrator: Given the
benefits of connecting people
00:08:50.533 --> 00:08:52.800
in the built environment
to nature,
00:08:52.833 --> 00:08:56.500
how do we accomplish
biophilic design?
00:08:56.533 --> 00:08:57.500
There are many ways
00:08:57.533 --> 00:08:59.400
biophilic design
can be achieved,
00:08:59.433 --> 00:09:01.200
some direct and obvious,
00:09:01.233 --> 00:09:04.767
others more subtle and indirect.
00:09:04.800 --> 00:09:06.367
Biophilic design strategies
00:09:06.400 --> 00:09:08.967
can occur singly
or in combination:
00:09:09.000 --> 00:09:12.167
for example, a building
of stone and wood
00:09:12.200 --> 00:09:15.000
flooded with daylight;
00:09:15.033 --> 00:09:17.533
an interior atrium
filled with plants
00:09:17.567 --> 00:09:20.300
and decorations
that mimic natural forms
00:09:20.333 --> 00:09:25.867
all within an open
yet secure space.
00:09:25.900 --> 00:09:27.533
We will explore
these different elements
00:09:27.567 --> 00:09:28.900
of biophilic design
00:09:28.933 --> 00:09:32.800
in both historic and modern
buildings and communities.
00:09:51.100 --> 00:09:53.633
- I would suggest to the young
architects of the world
00:09:53.667 --> 00:09:57.067
that they cultivate an eye
to see nature,
00:09:57.100 --> 00:09:59.567
a heart to feel nature,
00:09:59.600 --> 00:10:06.433
and I would suggest the boldness
to follow nature at all hazards.
00:10:09.967 --> 00:10:11.533
- \"Fallingwater,\" the irony is
00:10:11.567 --> 00:10:13.067
it\'s built right
into a stream course.
00:10:13.100 --> 00:10:15.333
You couldn\'t possibly
do that today.
00:10:15.367 --> 00:10:18.733
It uses far more materials
and consumes far more materials
00:10:18.767 --> 00:10:20.100
than you would want.
00:10:20.133 --> 00:10:24.900
And yet, the structure oozes
a positive and affirmative
00:10:24.933 --> 00:10:27.067
and aesthetically
compelling relationship
00:10:27.100 --> 00:10:29.700
between people and nature.
00:10:29.733 --> 00:10:32.367
- It really is a part
of the falls.
00:10:32.400 --> 00:10:34.633
You don\'t really
see the falls much.
00:10:34.667 --> 00:10:36.033
You hear them,
00:10:36.067 --> 00:10:37.533
you sense them,
00:10:37.567 --> 00:10:39.400
and the building and the falls,
00:10:39.433 --> 00:10:41.933
in a way, are one.
00:10:41.967 --> 00:10:45.133
If he had built downstream
looking back at the falls
00:10:45.167 --> 00:10:50.200
from that famous view
but without the building there,
00:10:50.233 --> 00:10:52.933
you\'d be a spectator.
00:10:52.967 --> 00:10:54.367
And with the building as it is,
00:10:54.400 --> 00:10:56.567
you\'re really a participant.
00:11:00.133 --> 00:11:03.467
- In many ways, the new
California Academy of Science
00:11:03.500 --> 00:11:05.333
is sort of the un-museum,
00:11:05.367 --> 00:11:09.267
because what Renzo
and the exhibit designers did
00:11:09.300 --> 00:11:11.867
was approach museum design
in a very different way.
00:11:11.900 --> 00:11:14.267
And so instead of having
a very dark building
00:11:14.300 --> 00:11:18.300
full of long, hallowed halls
and dark, dusty areas,
00:11:18.333 --> 00:11:20.167
we have a light-filled building,
00:11:20.200 --> 00:11:21.567
there\'s glass everywhere,
00:11:21.600 --> 00:11:22.933
and immediately, I think,
00:11:22.967 --> 00:11:24.367
you can see connections
with nature
00:11:24.400 --> 00:11:25.633
between our exhibits
00:11:25.667 --> 00:11:28.567
and the outside park
where we are.
00:11:28.600 --> 00:11:30.400
And indeed,
the living roof above us,
00:11:30.433 --> 00:11:33.333
the notion of that was
you\'ve lifted the park up,
00:11:33.367 --> 00:11:35.133
built a museum underneath it,
00:11:35.167 --> 00:11:36.607
and then dropped
the roof back down...
00:11:36.633 --> 00:11:40.667
A living roof back down
on top of our museum.
00:11:40.700 --> 00:11:42.600
And so it\'s all a part
of that whole idea
00:11:42.633 --> 00:11:44.400
of bringing nature
into the building
00:11:44.433 --> 00:11:46.100
and yet still being able
to relate to nature
00:11:46.133 --> 00:11:47.233
outside the building as well
00:11:47.267 --> 00:11:48.833
as opposed
to a hard concrete wall
00:11:48.867 --> 00:11:52.467
between the two.
00:11:52.500 --> 00:11:54.500
We want people to learn things.
00:11:54.533 --> 00:11:57.300
However, you can\'t
make people learn things.
00:11:57.333 --> 00:11:59.133
What we hope happens here is,
00:11:59.167 --> 00:12:01.500
because of the nature
of the building
00:12:01.533 --> 00:12:04.000
and then because of the nature
of the exhibits,
00:12:04.033 --> 00:12:06.033
we touch people\'s emotions.
00:12:06.067 --> 00:12:07.367
So the emotional aspects
00:12:07.400 --> 00:12:09.467
of coming to a facility
like this are key.
00:12:09.500 --> 00:12:11.033
Without those emotional aspects,
00:12:11.067 --> 00:12:12.700
without the emotional
connection,
00:12:12.733 --> 00:12:16.633
learning and certainly caring
is unlikely to follow.
00:12:21.233 --> 00:12:23.367
- When we first stuck
the green roof out there,
00:12:23.400 --> 00:12:24.833
there were little sedum plugs,
00:12:24.867 --> 00:12:27.567
and tiny little
no-see-um bugs started coming,
00:12:27.600 --> 00:12:29.800
then ladybugs,
bugs following the bugs,
00:12:29.833 --> 00:12:31.733
small birds following the bugs,
00:12:31.767 --> 00:12:34.867
and then ultimately,
we end up with predatory birds.
00:12:34.900 --> 00:12:36.133
There\'s kestrels,
00:12:36.167 --> 00:12:38.800
which hunt the small birds
on our roof right now,
00:12:38.833 --> 00:12:40.800
so this idea
that life follows life,
00:12:40.833 --> 00:12:42.033
that you can make a difference...
00:12:42.067 --> 00:12:44.000
We can take a hot,
bubbling tar beach
00:12:44.033 --> 00:12:46.833
and make it a new
little ecosystem
00:12:46.867 --> 00:12:48.367
knitted into the one next door,
00:12:48.400 --> 00:12:50.333
and we can make the world
a better place.
00:12:50.367 --> 00:12:55.233
Life follows life.
00:12:55.267 --> 00:12:58.400
- If you have
a biophilic building,
00:12:58.433 --> 00:13:00.600
they\'re extremely pleasing.
00:13:00.633 --> 00:13:03.733
One of them
is the relatively new
00:13:03.767 --> 00:13:05.433
Finnish embassy in Washington,
00:13:05.467 --> 00:13:10.333
which is built right at the edge
of Rock Creek Park,
00:13:10.367 --> 00:13:13.833
and you\'re practically
in the woods.
00:13:13.867 --> 00:13:16.067
They didn\'t cut any trees.
00:13:16.100 --> 00:13:18.000
They built it so you can look
through the trees
00:13:18.033 --> 00:13:20.400
down towards Rock Creek itself,
00:13:20.433 --> 00:13:24.433
and that is very beautiful
and soothing and interesting.
00:13:24.467 --> 00:13:29.467
[calming synthesized music]
00:13:31.233 --> 00:13:33.233
narrator: Biophilic design
is also about the use
00:13:33.267 --> 00:13:35.800
of materials obtained
from nature.
00:13:35.833 --> 00:13:38.067
A tree converted to timber,
00:13:38.100 --> 00:13:39.533
then used as building material
00:13:39.567 --> 00:13:42.700
for walls, floors,
and furnishings.
00:13:42.733 --> 00:13:45.500
Or stone mined in a quarry
00:13:45.533 --> 00:13:51.133
used as a building facade,
a lobby, or a countertop.
00:13:51.167 --> 00:13:53.500
The use of natural materials
can make buildings
00:13:53.533 --> 00:13:55.800
more functional and beautiful,
00:13:55.833 --> 00:14:02.033
creating feelings of connection
to the natural world.
00:14:02.067 --> 00:14:05.067
- Housing in the Lake District
is more or less formed
00:14:05.100 --> 00:14:07.800
by people piling up local stones
with a bit of mortar
00:14:07.833 --> 00:14:09.133
and some slate on the roof.
00:14:09.167 --> 00:14:11.233
Not expensive in financial terms
00:14:11.267 --> 00:14:15.267
and a building that will last
thousands of years.
00:14:15.300 --> 00:14:17.067
- People have liked stones,
which kind of show
00:14:17.100 --> 00:14:19.600
kind of fossils and the kind of
life of sedimented life.
00:14:19.633 --> 00:14:21.367
We know that chalk, for example,
00:14:21.400 --> 00:14:23.033
there\'s, you know,
millions and millions
00:14:23.067 --> 00:14:24.567
of little kind of creatures,
you know,
00:14:24.600 --> 00:14:25.633
sacrificing their life
00:14:25.667 --> 00:14:27.500
to take carbon dioxide
out of the air
00:14:27.533 --> 00:14:29.467
to produce a livable environment
for us today.
00:14:29.500 --> 00:14:31.600
So, you know, we like,
maybe, limestones
00:14:31.633 --> 00:14:33.500
for those kinds of reasons.
00:14:38.233 --> 00:14:42.167
- We\'re a school that teaches
the design-build process.
00:14:42.200 --> 00:14:44.000
We teach a lot of natural
building techniques.
00:14:44.033 --> 00:14:46.100
We teach traditional
timber framing,
00:14:46.133 --> 00:14:48.533
straw bale building,
cob building.
00:14:53.400 --> 00:14:55.567
The local thing is something
that we really focus on here
00:14:55.600 --> 00:14:56.833
because we\'re in Vermont.
00:14:56.867 --> 00:15:00.600
We have wood, stone, clay.
00:15:00.633 --> 00:15:02.800
They\'re all locally
available things,
00:15:02.833 --> 00:15:06.200
and just the fact
that we use a lot of wood
00:15:06.233 --> 00:15:08.567
does bring, I think,
a sense of biophilia
00:15:08.600 --> 00:15:10.667
into the designs
that come out of Yestermorrow.
00:15:10.700 --> 00:15:12.067
It\'s handcrafted wood
00:15:12.100 --> 00:15:14.467
that you can see the hand plane
marks on it
00:15:14.500 --> 00:15:17.533
or maybe some imperfection
in a piece of wood
00:15:17.567 --> 00:15:21.833
that was felled
right down the road.
00:15:21.867 --> 00:15:25.400
- The new home of the School of
Forestry & Environmental Studies
00:15:25.433 --> 00:15:28.200
had to reflect our values
00:15:28.233 --> 00:15:31.900
and had to be an outgrowth
and a projection
00:15:31.933 --> 00:15:34.000
of what the school stood for.
00:15:34.033 --> 00:15:38.300
In other words, we wanted
a beautiful green building.
00:15:38.333 --> 00:15:41.067
- The great thing
at Kroon, really, is,
00:15:41.100 --> 00:15:43.133
we have managed
to make a building
00:15:43.167 --> 00:15:44.833
which hopefully fits into Yale
00:15:44.867 --> 00:15:48.100
and will go the distance
in terms of time,
00:15:48.133 --> 00:15:52.333
so relatively traditional
stone facades,
00:15:52.367 --> 00:15:54.733
but then, actually,
you go around the corner,
00:15:54.767 --> 00:15:56.200
and the ends
are completely glazed.
00:15:56.233 --> 00:16:00.700
It\'s clearly a modern,
contemporary building.
00:16:00.733 --> 00:16:05.100
- The paneling is mostly from
our school forest.
00:16:05.133 --> 00:16:06.700
Our builders
are trying to tell us
00:16:06.733 --> 00:16:09.567
this is the first time
that they have worked
00:16:09.600 --> 00:16:13.267
on the wood issue
from the very beginning.
00:16:13.300 --> 00:16:16.600
They are involved
in the selection of the trees,
00:16:16.633 --> 00:16:19.467
the cutting of the trees,
sustainably,
00:16:19.500 --> 00:16:22.000
the certification
of our forest activities
00:16:22.033 --> 00:16:27.333
by the Forest
Stewardship Council.
00:16:27.367 --> 00:16:29.133
It makes it very special for us
00:16:29.167 --> 00:16:32.933
because here we are
in our forest.
00:16:32.967 --> 00:16:35.000
[upbeat piano music]
00:16:35.033 --> 00:16:37.400
- The magic of natural materials
00:16:37.433 --> 00:16:39.000
is that each panel is similar.
00:16:39.033 --> 00:16:41.333
I mean, you can tell
this is the same wood
00:16:41.367 --> 00:16:43.100
from the same species...
From red oak...
00:16:43.133 --> 00:16:46.700
And yet every panel
has its own difference
00:16:46.733 --> 00:16:49.667
in grain and texture and color,
00:16:49.700 --> 00:16:52.033
which will not only be
at one point in time;
00:16:52.067 --> 00:16:53.400
it\'ll be across time,
00:16:53.433 --> 00:16:57.967
because natural materials
always age and change over time.
00:16:58.000 --> 00:17:01.267
And so there\'s stimulation
that comes from complexity
00:17:01.300 --> 00:17:04.067
that is coherent and organized.
00:17:04.100 --> 00:17:09.100
[upbeat piano music]
00:17:13.067 --> 00:17:14.700
narrator:
More subtly, biophilic design
00:17:14.733 --> 00:17:15.900
can be accomplished
00:17:15.933 --> 00:17:18.133
by bringing the forms
and patterns of nature
00:17:18.167 --> 00:17:20.100
into a building.
00:17:20.133 --> 00:17:21.800
For example, we might encounter
00:17:21.833 --> 00:17:23.867
ornamentation
reminiscent of vines
00:17:23.900 --> 00:17:28.100
rising on treelike columns
that support a rooftop.
00:17:28.133 --> 00:17:30.000
Or we might experience
building interiors
00:17:30.033 --> 00:17:32.233
that convey a feeling
of spaciousness
00:17:32.267 --> 00:17:34.433
and the motion of natural light,
00:17:34.467 --> 00:17:37.033
as sometimes occurs
in great cathedrals
00:17:37.067 --> 00:17:40.367
or even modern airports.
00:17:40.400 --> 00:17:42.500
- What we were doing
at Reagan Airport
00:17:42.533 --> 00:17:44.200
was to build a window
00:17:44.233 --> 00:17:47.500
that had certain properties
of the outdoors
00:17:47.533 --> 00:17:49.400
and of a boreal nature
00:17:49.433 --> 00:17:52.233
and at the same time,
properties of the indoors,
00:17:52.267 --> 00:17:54.100
of the artifice of the building.
00:17:54.133 --> 00:17:57.067
So in fact, it was a mediator.
00:17:57.100 --> 00:18:00.700
The ornamented window
and ornament in general
00:18:00.733 --> 00:18:04.000
allows you to physically
and fully engage
00:18:04.033 --> 00:18:09.567
certain aspects
of what is beyond.
00:18:09.600 --> 00:18:14.100
If you look at the great
temples, the great palaces,
00:18:14.133 --> 00:18:17.900
you will find that they do
address nature
00:18:17.933 --> 00:18:20.200
even in the most protected parts
00:18:20.233 --> 00:18:23.867
of their buildings
through ornament.
00:18:23.900 --> 00:18:26.133
You go into the nave
of a great cathedral,
00:18:26.167 --> 00:18:28.367
it protects you
from the outside,
00:18:28.400 --> 00:18:29.400
but when you go in,
00:18:29.433 --> 00:18:31.400
you look up
at the great windows.
00:18:31.433 --> 00:18:33.667
The great windows
turn in tracery,
00:18:33.700 --> 00:18:35.800
and they take you out
into what they call the heavens,
00:18:35.833 --> 00:18:41.000
back out into nature.
00:18:41.033 --> 00:18:43.300
- In the Welcome Center,
on the floor inset
00:18:43.333 --> 00:18:48.100
are these beautiful casts
of tree rings,
00:18:48.133 --> 00:18:50.667
and you can feel the surface,
00:18:50.700 --> 00:18:52.333
so it\'s tactile
for the kids as well,
00:18:52.367 --> 00:18:53.967
and they can sit there
and count rings.
00:18:54.000 --> 00:18:56.633
It\'s a subtle way of looking
at sustainability
00:18:56.667 --> 00:18:58.333
and stewardship and caretaking,
00:18:58.367 --> 00:19:02.233
and there\'s that element of,
\"Whoa, come check this out!\"
00:19:02.267 --> 00:19:03.867
And they see the fish
in the sink.
00:19:03.900 --> 00:19:05.367
And the message of
00:19:05.400 --> 00:19:07.733
\"Everything goes down the drain,
and we\'re all connected\"
00:19:07.767 --> 00:19:10.667
happens there.
00:19:10.700 --> 00:19:13.967
- We\'re trying to describe
the attributes of nature
00:19:14.000 --> 00:19:16.300
for designers to think about,
00:19:16.333 --> 00:19:18.333
so when we look to nature,
00:19:18.367 --> 00:19:19.933
especially if you
look to a forest
00:19:19.967 --> 00:19:22.067
or any part, it\'s in balance.
00:19:22.100 --> 00:19:23.667
It\'s restful on your eyes.
00:19:23.700 --> 00:19:26.000
Rhythm and form and texture,
00:19:26.033 --> 00:19:29.300
some people would describe
as beautiful, perhaps.
00:19:29.333 --> 00:19:31.667
But we\'re striving to achieve
00:19:31.700 --> 00:19:35.967
something that is even
remotely close
00:19:36.000 --> 00:19:40.400
to the poetry we find in nature.
00:19:40.433 --> 00:19:43.467
- We cross the stream
between these four big trees
00:19:43.500 --> 00:19:46.767
and then come into
a grove of trees
00:19:46.800 --> 00:19:48.333
that happens to have
a roof over it.
00:19:48.367 --> 00:19:51.267
[laughs]
Conceptually, that was the idea.
00:19:51.300 --> 00:19:56.167
You\'ll almost only see
trees holding up the roof,
00:19:56.200 --> 00:19:57.433
these same trees,
00:19:57.467 --> 00:20:00.700
with a notion that
you\'re still in the forest
00:20:00.733 --> 00:20:02.600
even though you go in the house.
00:20:02.633 --> 00:20:06.300
So you blur that connection
between outside and inside.
00:20:06.333 --> 00:20:09.633
And the roof then echoes
the mountain range behind it,
00:20:09.667 --> 00:20:11.567
and when there\'s snow
on the ground,
00:20:11.600 --> 00:20:13.167
the snow, as it kind of
drifts around,
00:20:13.200 --> 00:20:15.033
goes up and over the roof
00:20:15.067 --> 00:20:19.300
so that then, even more so,
the forest of trees
00:20:19.333 --> 00:20:24.567
is under the snow,
and you go right through it.
00:20:24.600 --> 00:20:26.500
I don\'t really
like the word \"shelter,\"
00:20:26.533 --> 00:20:28.867
\'cause that implies there\'s
something really bad out there
00:20:28.900 --> 00:20:30.333
and I\'m gonna protect myself.
00:20:30.367 --> 00:20:32.900
Sometimes you have to do that,
hurricanes and whatnot.
00:20:32.933 --> 00:20:35.267
But I see it as more
as the connector.
00:20:35.300 --> 00:20:36.800
In a building like this,
00:20:36.833 --> 00:20:40.400
I think it\'s the connection
horizontally to the landscape,
00:20:40.433 --> 00:20:43.800
\'cause the set of columns...
00:20:43.833 --> 00:20:45.767
\'cause all these trees
are columns in a way
00:20:45.800 --> 00:20:48.233
in this great sugar grove.
00:20:48.267 --> 00:20:51.133
You\'re in a forest of columns,
00:20:51.167 --> 00:20:53.133
and if the columns come
into the inside,
00:20:53.167 --> 00:20:55.200
they become ordered.
00:20:55.233 --> 00:20:56.333
They\'re the same columns.
00:20:56.367 --> 00:20:57.733
Outside they\'re at random,
00:20:57.767 --> 00:20:59.800
and then when they
become ordered...
00:20:59.833 --> 00:21:01.700
If the inside and outside
is blurred,
00:21:01.733 --> 00:21:05.300
we can really connect
and honor this world,
00:21:05.333 --> 00:21:07.100
bring it into that world,
00:21:07.133 --> 00:21:09.867
and have them bound together.
00:21:13.867 --> 00:21:16.067
- We\'re not just talking
about decoration
00:21:16.100 --> 00:21:18.300
or aesthetics or some kind of
amenity value.
00:21:18.333 --> 00:21:21.167
We\'re talking about why people
want to be
00:21:21.200 --> 00:21:22.167
in particular spaces
00:21:22.200 --> 00:21:24.400
and how that affects
their behavior.
00:21:24.433 --> 00:21:27.567
And people feel
very, very affirmed
00:21:27.600 --> 00:21:30.433
and very satisfied
and very comfortable
00:21:30.467 --> 00:21:32.600
and very enthusiastic
about that space,
00:21:32.633 --> 00:21:34.067
but if you asked them why,
00:21:34.100 --> 00:21:36.067
they would have
a hard time saying why.
00:21:36.100 --> 00:21:39.333
If you look at the ornamentation
and the grillwork,
00:21:39.367 --> 00:21:42.533
both the ironwork
and in the plaster,
00:21:42.567 --> 00:21:46.367
you see it\'s all about
drawing inspiration
00:21:46.400 --> 00:21:48.267
from forms you see in nature.
00:21:48.300 --> 00:21:53.300
[bright electric guitar music]
00:22:04.333 --> 00:22:06.333
narrator: Biophilic design
can also convey
00:22:06.367 --> 00:22:09.200
the feeling of connection
to particular places
00:22:09.233 --> 00:22:12.300
through designs that link people
to certain landscapes
00:22:12.333 --> 00:22:15.600
or cultural traditions.
00:22:15.633 --> 00:22:18.067
- With all the many advantages
of globalization,
00:22:18.100 --> 00:22:20.200
one of the outcomes
is that we know a lot more
00:22:20.233 --> 00:22:22.067
about a lot of other places
in the world
00:22:22.100 --> 00:22:24.633
than we do about our own place,
00:22:24.667 --> 00:22:27.567
and that\'s part
of what I would describe
00:22:27.600 --> 00:22:30.600
as this kind
of place disconnect.
00:22:30.633 --> 00:22:33.500
It\'s a major challenge
for us to figure out
00:22:33.533 --> 00:22:35.933
how we can become more embedded,
00:22:35.967 --> 00:22:38.400
more rooted in the places
in which we live.
00:22:38.433 --> 00:22:40.200
It\'s important
for no other reason
00:22:40.233 --> 00:22:41.967
than the care of those places
00:22:42.000 --> 00:22:48.000
will require a citizenry that
knows about them intimately.
00:22:48.033 --> 00:22:50.433
But it\'s also about deepening
meaning in our lives,
00:22:50.467 --> 00:22:51.867
and connection to place
00:22:51.900 --> 00:22:55.600
is a really important aspect
of life and living.
00:22:55.633 --> 00:22:57.367
- Ruskin was
the intellectual giant
00:22:57.400 --> 00:23:00.300
of the mid-19th century
in England.
00:23:00.333 --> 00:23:01.967
Ruskin was a man of faith
00:23:02.000 --> 00:23:05.933
and saw nature as being a kind
of manifestation of God\'s work,
00:23:05.967 --> 00:23:08.433
and architecture
was the expression of mind,
00:23:08.467 --> 00:23:10.200
which he saw in ornament.
00:23:10.233 --> 00:23:16.500
Ruskin\'s thinking became
manifest in the Oxford Museum.
00:23:16.533 --> 00:23:19.533
This was the first building
for science in Oxford.
00:23:22.600 --> 00:23:26.200
- What Ruskin added
was local nature.
00:23:26.233 --> 00:23:29.033
He said that a worker
should take a stroll,
00:23:29.067 --> 00:23:31.633
walk the paths
around this building,
00:23:31.667 --> 00:23:34.767
see the nature, and then
come carve it in the building.
00:23:43.900 --> 00:23:46.833
- In 1938, Aldo Leopold wrote
00:23:46.867 --> 00:23:49.067
that the oldest task
in human history
00:23:49.100 --> 00:23:52.200
was to live on a piece of land
without spoiling it,
00:23:52.233 --> 00:23:54.033
and I think that\'s
the experiment
00:23:54.067 --> 00:23:55.467
we\'re all undergoing.
00:23:55.500 --> 00:23:57.233
Leopold purchased a piece
00:23:57.267 --> 00:23:59.100
of what he called
\"worn-out land\"
00:23:59.133 --> 00:24:00.767
along the Wisconsin River,
00:24:00.800 --> 00:24:02.667
but he set about restoring it...
00:24:02.700 --> 00:24:04.333
Planting thousands
of pine trees,
00:24:04.367 --> 00:24:08.000
restoring several dozen acres
of prairie.
00:24:08.033 --> 00:24:09.667
As we began to think about what
00:24:09.700 --> 00:24:11.800
The Leopold Center
would look like
00:24:11.833 --> 00:24:13.633
and how it would come together,
00:24:13.667 --> 00:24:17.167
it was fortuitous
that his own pine trees
00:24:17.200 --> 00:24:19.167
that he had planted
in the \'30s and \'40s
00:24:19.200 --> 00:24:21.133
were overstocked
and in need of thinning,
00:24:21.167 --> 00:24:24.633
and so we literally
built this building
00:24:24.667 --> 00:24:31.067
with the trees that he planted
in the 1930s and \'40s.
00:24:31.100 --> 00:24:34.033
When we set out
to build The Leopold Center,
00:24:34.067 --> 00:24:36.867
our goal was to build
the right building
00:24:36.900 --> 00:24:39.600
in the right place
for the right reasons
00:24:39.633 --> 00:24:41.100
and with the right materials.
00:24:41.133 --> 00:24:46.700
I think that\'s what
biophilic design is all about.
00:24:46.733 --> 00:24:49.667
- We use the idea of fit a lot.
00:24:49.700 --> 00:24:52.200
Does it fit the environment?
Does it fit its context?
00:24:52.233 --> 00:24:53.533
Does it fit the needs?
00:24:53.567 --> 00:24:55.567
And I think when
we ask ourselves that,
00:24:55.600 --> 00:24:58.600
it\'s really about whether or not
this place fits here,
00:24:58.633 --> 00:25:01.033
and it really
is more about the idea
00:25:01.067 --> 00:25:03.633
of creating that connection
to not only the natural world,
00:25:03.667 --> 00:25:06.633
but also the sense of the social
context that\'s involved.
00:25:06.667 --> 00:25:08.000
And so I put those all together,
00:25:08.033 --> 00:25:10.867
and it really becomes
a fit for place.
00:25:10.900 --> 00:25:14.400
- I like to think that now,
rather than having
00:25:14.433 --> 00:25:17.300
Tuscan architecture
in Austin, Texas,
00:25:17.333 --> 00:25:21.600
we\'re gonna have architecture
that belongs in Austin, Texas,
00:25:21.633 --> 00:25:24.133
or Vermont
or the Pacific Northwest.
00:25:24.167 --> 00:25:26.667
All of those places
should have architecture
00:25:26.700 --> 00:25:29.833
that\'s really particular
to their place,
00:25:29.867 --> 00:25:31.133
and by doing that,
00:25:31.167 --> 00:25:33.200
it really celebrates
that particular place.
00:25:33.233 --> 00:25:36.233
[light percussive music]
00:25:38.767 --> 00:25:40.467
narrator: We\'ve seen
how biophilic design
00:25:40.500 --> 00:25:42.667
can involve direct, indirect,
00:25:42.700 --> 00:25:47.833
and more subtle ways
of connecting people to nature.
00:25:47.867 --> 00:25:49.033
In a single location
00:25:49.067 --> 00:25:51.767
like Grand Central Station
in New York City,
00:25:51.800 --> 00:25:53.733
we can see many
biophilic design elements
00:25:53.767 --> 00:25:55.633
layered upon one another.
00:26:08.567 --> 00:26:12.100
Even a scene this replete
with biophilic design attributes
00:26:12.133 --> 00:26:14.900
can\'t reflect the full range
of strategies available
00:26:14.933 --> 00:26:17.667
to connect people with nature
through architecture.
00:26:21.600 --> 00:26:23.733
But why is this important?
00:26:23.767 --> 00:26:27.767
How does it benefit people\'s
health and productivity?
00:26:27.800 --> 00:26:29.900
A growing body of evidence
is beginning to reveal
00:26:29.933 --> 00:26:32.867
the positive effects
of biophilic design
00:26:32.900 --> 00:26:36.967
including enhanced learning,
recovery from illness,
00:26:37.000 --> 00:26:39.200
improved work performance,
00:26:39.233 --> 00:26:43.433
and more livable
and satisfying neighborhoods.
00:26:43.467 --> 00:26:45.733
We\'ll now examine
how buildings and communities
00:26:45.767 --> 00:26:50.200
can improve people\'s lives
by connecting them to nature.
00:26:50.233 --> 00:26:53.233
[light percussive music]
00:27:05.767 --> 00:27:10.333
- My work was triggered
by my own childhood
00:27:10.367 --> 00:27:12.333
in England during the war.
00:27:12.367 --> 00:27:14.367
Evacuated,
00:27:14.400 --> 00:27:18.867
and so I lived in the country
during critical childhood years
00:27:18.900 --> 00:27:21.500
when otherwise,
I might have been in London.
00:27:21.533 --> 00:27:27.367
We grow as children
by interacting with nature
00:27:27.400 --> 00:27:30.067
and learning about
the world and ourselves
00:27:30.100 --> 00:27:33.900
by turning over a rock
and seeing a beetle
00:27:33.933 --> 00:27:38.367
and climbing a tree
and looking at flowers,
00:27:38.400 --> 00:27:40.733
and that sensory...
00:27:40.767 --> 00:27:42.633
Touching things,
listening to things...
00:27:42.667 --> 00:27:45.267
Is a very important part
of childhood development,
00:27:45.300 --> 00:27:46.767
and when we cut that off,
00:27:46.800 --> 00:27:49.700
we are limiting
a child\'s development.
00:27:53.167 --> 00:27:55.000
- Nature deficit disorder
00:27:55.033 --> 00:27:57.567
is not a known
medical diagnosis.
00:27:57.600 --> 00:27:59.600
Perhaps it should be,
but it\'s not.
00:27:59.633 --> 00:28:02.167
What it is
is a kind of shorthand
00:28:02.200 --> 00:28:05.033
to describe what many of us
00:28:05.067 --> 00:28:07.300
have felt has been going on
for a long time,
00:28:07.333 --> 00:28:09.933
which is the disengagement
of children from nature
00:28:09.967 --> 00:28:13.667
and the implications of that
in terms of health.
00:28:18.833 --> 00:28:22.400
- We ask the question,
\"How can we use our resources
00:28:22.433 --> 00:28:25.567
\"and buildings and boardwalks
and things like that
00:28:25.600 --> 00:28:30.700
to enhance these kids\'
experience in this ecosystem?\"
00:28:30.733 --> 00:28:33.200
The aesthetics of these
particular buildings out here
00:28:33.233 --> 00:28:36.167
are very, very important
to developing, you know,
00:28:36.200 --> 00:28:38.433
the right attitude
and framework for people.
00:28:38.467 --> 00:28:40.367
Right when they get here,
they see that,
00:28:40.400 --> 00:28:43.467
and that gives them that
what we call a set induction to,
00:28:43.500 --> 00:28:47.667
\"Hey, I want to learn
about nature.\"
00:28:47.700 --> 00:28:49.533
- We wanted
to have the classrooms
00:28:49.567 --> 00:28:51.700
really out in nature.
00:28:51.733 --> 00:28:54.000
The construction was,
we used wood
00:28:54.033 --> 00:28:57.833
to rest lightly on the land,
recycled cypress
00:28:57.867 --> 00:29:01.633
from the hurricane
that had hit Shangri La.
00:29:01.667 --> 00:29:07.167
By using material
that was from this spot
00:29:07.200 --> 00:29:10.300
and using the timber
and really not overshaping it,
00:29:10.333 --> 00:29:12.500
that line between
what is a column
00:29:12.533 --> 00:29:15.400
and what is a tree
is really erased.
00:29:19.167 --> 00:29:21.400
- There was quite a movement
in California
00:29:21.433 --> 00:29:25.033
incorporating gardens
in schoolyards,
00:29:25.067 --> 00:29:28.267
and I think
that\'s a very positive measure.
00:29:28.300 --> 00:29:32.533
There\'s one very famous case
in Berkeley, King Middle School,
00:29:32.567 --> 00:29:35.433
where a large area has been
turned into a school garden,
00:29:35.467 --> 00:29:37.367
where it\'s part
of the curriculum
00:29:37.400 --> 00:29:40.267
to learn about growing food,
00:29:40.300 --> 00:29:42.600
but it\'s even more
a part of the curriculum
00:29:42.633 --> 00:29:44.267
because they harvest the food,
00:29:44.300 --> 00:29:46.033
and then they learn
how to cook it.
00:29:46.067 --> 00:29:47.633
They learn about nutrition,
00:29:47.667 --> 00:29:50.900
and they serve it in...
To other children.
00:29:50.933 --> 00:29:53.900
So the whole cycle happens.
00:29:53.933 --> 00:29:55.767
- We are doing composting
every day,
00:29:55.800 --> 00:29:59.000
so kids are turning compost
and working in the compost.
00:29:59.033 --> 00:30:02.433
Today we are planting
artichokes,
00:30:02.467 --> 00:30:06.533
and yesterday, we got a donation
of 32 bare root trees.
00:30:06.567 --> 00:30:08.533
And we have expanded our garden
00:30:08.567 --> 00:30:10.833
down to our school\'s
amphitheater
00:30:10.867 --> 00:30:12.300
right next
to the basketball court
00:30:12.333 --> 00:30:14.733
so to incorporate more nature
00:30:14.767 --> 00:30:19.500
into the more urban landscape
of our school.
00:30:19.533 --> 00:30:22.733
I don\'t think that learning
necessarily should be effortless
00:30:22.767 --> 00:30:23.900
or has to be effortless.
00:30:23.933 --> 00:30:25.333
I really believe
that there has to be
00:30:25.367 --> 00:30:26.767
some discipline involved,
00:30:26.800 --> 00:30:29.233
but it seems like there\'s
some pretty effortless learning
00:30:29.267 --> 00:30:31.500
going on in this environment.
00:30:36.667 --> 00:30:40.300
- Sidwell\'s a competitive school
in the Washington, D.C., area
00:30:40.333 --> 00:30:42.367
in terms of academics.
00:30:42.400 --> 00:30:44.867
With this building,
it\'s really a commitment
00:30:44.900 --> 00:30:47.533
and I think sort
of a physical show
00:30:47.567 --> 00:30:53.867
of our commitment
to environmental stewardship.
00:30:53.900 --> 00:30:59.833
- It was transforming
to move into this building.
00:30:59.867 --> 00:31:03.067
There\'s a lot of ways
that we can use the building
00:31:03.100 --> 00:31:05.333
to understand science concepts
00:31:05.367 --> 00:31:07.407
that teachers really
want to cover in the classroom.
00:31:07.433 --> 00:31:08.833
- Equivalent numbers
of hamburgers
00:31:08.867 --> 00:31:09.833
produced and delivered.
00:31:09.867 --> 00:31:11.000
- There\'s a story
00:31:11.033 --> 00:31:13.267
behind almost everything
in the building.
00:31:13.300 --> 00:31:16.467
It\'s like the building
comes alive.
00:31:16.500 --> 00:31:18.767
- This is our biology pond.
00:31:18.800 --> 00:31:22.433
We have fish and lily pads.
00:31:22.467 --> 00:31:23.600
- And it\'s really important
00:31:23.633 --> 00:31:26.367
because runoff causes
a lot of pollutants
00:31:26.400 --> 00:31:27.633
that are on streets and stuff
00:31:27.667 --> 00:31:29.107
to get washed
into the sewage system,
00:31:29.133 --> 00:31:31.267
and then they go
into the Chesapeake Bay.
00:31:31.300 --> 00:31:35.933
- The wetland system
helps clear out our waste.
00:31:35.967 --> 00:31:38.200
The wood on the building...
- The slats.
00:31:38.233 --> 00:31:41.867
- They were made from recycled
wine barrels that...
00:31:41.900 --> 00:31:43.600
Like, these huge barrels.
00:31:43.633 --> 00:31:47.833
- Like jumbo wine barrels,
which is kind of cool.
00:31:47.867 --> 00:31:49.633
I\'m just really excited
by all this stuff.
00:31:49.667 --> 00:31:51.767
It\'s really nifty.
00:31:51.800 --> 00:31:53.967
- I think it will be interesting
to see
00:31:54.000 --> 00:31:57.033
how this impacts their futures
for jobs
00:31:57.067 --> 00:32:02.600
and, you know,
their role in society.
00:32:02.633 --> 00:32:04.100
- We did a study
from Massachusetts
00:32:04.133 --> 00:32:08.667
and then a broader
national study on green schools.
00:32:08.700 --> 00:32:10.667
We found there were
a larger set of benefits
00:32:10.700 --> 00:32:13.733
that we\'re able to quantify.
00:32:13.767 --> 00:32:15.733
There\'s a very large
body of data
00:32:15.767 --> 00:32:17.667
showing there\'s
a positive correlation
00:32:17.700 --> 00:32:21.733
between test scores
and earnings, lifetime earnings.
00:32:21.767 --> 00:32:23.933
There\'s also a large
body of data
00:32:23.967 --> 00:32:25.600
showing there\'s
a positive correlation
00:32:25.633 --> 00:32:27.467
between study environments
00:32:27.500 --> 00:32:30.833
in terms of quality of air,
exposure to sunlight.
00:32:30.867 --> 00:32:32.300
There\'s a variety of things
00:32:32.333 --> 00:32:34.767
that impact people\'s comfort
and ability to concentrate
00:32:34.800 --> 00:32:38.400
and how they performed
on standardized work tasks,
00:32:38.433 --> 00:32:40.700
for example,
taking standardized tests.
00:32:40.733 --> 00:32:42.233
So you can combine
a relationship
00:32:42.267 --> 00:32:45.367
between design and performance
00:32:45.400 --> 00:32:47.633
and between performance
in a tested setting,
00:32:47.667 --> 00:32:49.833
that is a school,
and subsequent earnings.
00:32:49.867 --> 00:32:52.867
[bright electric guitar music]
00:32:56.767 --> 00:32:58.600
We took the most
conservative assumptions.
00:32:58.633 --> 00:33:01.233
When you translate that
back into current value,
00:33:01.267 --> 00:33:05.000
your per square foot value
of even a very small change
00:33:05.033 --> 00:33:07.167
in earnings
over the kid\'s lifetime
00:33:07.200 --> 00:33:09.500
as they become an adult
and enter the workforce
00:33:09.533 --> 00:33:12.167
turns out
to be a very large number.
00:33:17.700 --> 00:33:19.633
- We\'d like to design
buildings like trees
00:33:19.667 --> 00:33:21.467
and cities like forests.
00:33:21.500 --> 00:33:23.367
I think one
of the closest approaches
00:33:23.400 --> 00:33:25.867
to the building like a tree
is our project for Oberlin,
00:33:25.900 --> 00:33:29.067
because it makes more energy
than it needs to operate.
00:33:29.100 --> 00:33:30.767
It purifies its own water.
00:33:30.800 --> 00:33:32.733
It\'s got a garden and landscape
00:33:32.767 --> 00:33:36.600
that\'s based on food
and solar capture.
00:33:36.633 --> 00:33:42.200
It\'s operated by the students
who inhabit the organism.
00:33:42.233 --> 00:33:46.400
- Architecture
is very deeply educational.
00:33:46.433 --> 00:33:48.467
I mean, there is a pedagogy
of architecture
00:33:48.500 --> 00:33:50.467
and very instructive.
00:33:50.500 --> 00:33:52.700
One of the long-term goals
that I would have
00:33:52.733 --> 00:33:54.167
is to make every school
00:33:54.200 --> 00:33:56.400
essentially reflect
these kinds of things
00:33:56.433 --> 00:33:58.900
so students understand
where their energy comes from
00:33:58.933 --> 00:34:01.200
and where food comes from.
00:34:01.233 --> 00:34:04.233
That is very deeply
instructional.
00:34:04.267 --> 00:34:09.267
[peaceful synthesized music]
00:34:14.200 --> 00:34:15.867
narrator:
Important health care research
00:34:15.900 --> 00:34:16.967
is starting to show
00:34:17.000 --> 00:34:19.900
how biophilic design
can reduce stress,
00:34:19.933 --> 00:34:25.000
enhance healing, and improve
hospital performance.
00:34:25.033 --> 00:34:27.367
- In the medical world,
if we are thinking
00:34:27.400 --> 00:34:30.467
about evidence of the safety
and efficacy
00:34:30.500 --> 00:34:32.800
of a medication
or a medical procedure,
00:34:32.833 --> 00:34:34.967
we have pretty high demands
for evidence.
00:34:35.000 --> 00:34:37.500
We want there to have been
a randomized clinical trial.
00:34:37.533 --> 00:34:40.800
It\'s probably a higher bar
than we can or would want
00:34:40.833 --> 00:34:43.633
to apply to looking
at contact with nature.
00:34:43.667 --> 00:34:47.467
Contact with nature
has much less of a downside,
00:34:47.500 --> 00:34:51.000
and so there\'s less of a risk
of error or harm
00:34:51.033 --> 00:34:53.167
in advocating
contact with nature.
00:34:53.200 --> 00:34:55.700
That said, what we\'d like to do
00:34:55.733 --> 00:34:57.200
when it comes to contact
with nature
00:34:57.233 --> 00:35:00.633
is build the strongest
evidence base that we can,
00:35:00.667 --> 00:35:02.233
approaching, if not reaching,
00:35:02.267 --> 00:35:06.167
the idea of a randomized
clinical trial.
00:35:06.200 --> 00:35:08.433
- I was interested in the notion
00:35:08.467 --> 00:35:11.200
that experiencing nature
might be calming
00:35:11.233 --> 00:35:13.400
or in some way psychologically
00:35:13.433 --> 00:35:16.233
or even
physiologically healthful.
00:35:16.267 --> 00:35:18.433
And where was a group in reality
00:35:18.467 --> 00:35:21.067
who was experiencing
a lot of duress,
00:35:21.100 --> 00:35:24.267
spending a lot of time captive
in an environment
00:35:24.300 --> 00:35:28.933
where a view of nature
might have detectable
00:35:28.967 --> 00:35:31.700
or measurable consequences
for their health?
00:35:31.733 --> 00:35:34.433
And, of course,
hospital patients.
00:35:34.467 --> 00:35:36.733
I focused
on gallbladder surgery.
00:35:36.767 --> 00:35:38.400
The rooms were identical,
00:35:38.433 --> 00:35:42.100
but some on the same floor
looked out onto a brick wall
00:35:42.133 --> 00:35:44.767
compared to others which had
an attractive
00:35:44.800 --> 00:35:48.033
but unspectacular view of trees.
00:35:48.067 --> 00:35:51.600
I could control
for a number of factors
00:35:51.633 --> 00:35:53.300
other than the view,
00:35:53.333 --> 00:35:57.700
which could
conceivably affect recovery.
00:35:57.733 --> 00:35:59.867
And when all those variables
were controlled for,
00:35:59.900 --> 00:36:03.067
people spent less time
in the hospital
00:36:03.100 --> 00:36:04.967
if they had a nature view.
00:36:05.000 --> 00:36:08.400
They were in significantly
less pain
00:36:08.433 --> 00:36:11.767
as evidenced by reduced need
for intake,
00:36:11.800 --> 00:36:14.767
for potent narcotic analgesics.
00:36:14.800 --> 00:36:19.467
They were in better spirits,
et cetera.
00:36:19.500 --> 00:36:20.767
And in medicine,
00:36:20.800 --> 00:36:23.367
what you do often
is, as an architect,
00:36:23.400 --> 00:36:28.067
life or death.
00:36:28.100 --> 00:36:30.133
- We\'re getting into
the tip of the iceberg
00:36:30.167 --> 00:36:31.767
related to this health issue.
00:36:31.800 --> 00:36:33.800
- At Dell Children\'s,
they are finding
00:36:33.833 --> 00:36:37.067
that for similar acuity
of patients...
00:36:37.100 --> 00:36:40.233
Meaning, you know, the severity
of their illness...
00:36:40.267 --> 00:36:44.800
That the patient length of stay
is actually being reduced.
00:36:44.833 --> 00:36:47.667
- In our unit now,
just windows everywhere,
00:36:47.700 --> 00:36:49.300
and it\'s really nice as a nurse
00:36:49.333 --> 00:36:52.233
to be able to walk by
and to see our patients
00:36:52.267 --> 00:36:56.100
enjoying the beautiful
outside areas.
00:36:56.133 --> 00:36:58.800
- I like the windows
where you can see outside,
00:36:58.833 --> 00:37:01.367
and the waterfalls actually
are a really nice thing
00:37:01.400 --> 00:37:04.633
to sit outside and to relax,
00:37:04.667 --> 00:37:07.867
dealing with all the stress
that you deal with here.
00:37:07.900 --> 00:37:11.133
- Our staff retention numbers
are off the charts.
00:37:11.167 --> 00:37:12.200
At our other hospitals,
00:37:12.233 --> 00:37:16.633
we\'ll run about
a 10% turnover rate,
00:37:16.667 --> 00:37:19.667
and here, you know,
what we\'re seeing is,
00:37:19.700 --> 00:37:21.933
like, a 2% to 3% turnover rate.
00:37:21.967 --> 00:37:24.467
- I think it keeps us
more positive
00:37:24.500 --> 00:37:28.767
to feel rejuvenated just
from the outdoors coming in.
00:37:33.467 --> 00:37:38.833
- This is a high-acuity
psychiatric facility.
00:37:38.867 --> 00:37:41.800
It\'s one of the most
challenging building types
00:37:41.833 --> 00:37:46.767
to create not only
clinical efficiency,
00:37:46.800 --> 00:37:51.067
but a human environment
and a biophilic environment.
00:37:51.100 --> 00:37:54.400
Here is a facility
that just breaks all the rules
00:37:54.433 --> 00:37:56.200
and does this in a way
00:37:56.233 --> 00:38:00.600
where the building
is almost homelike.
00:38:00.633 --> 00:38:02.033
- You can open the window,
00:38:02.067 --> 00:38:05.567
have a look into the garden
or into the interior.
00:38:05.600 --> 00:38:09.267
You can take your next step,
sit here in the veranda.
00:38:09.300 --> 00:38:12.133
- I think it gives more of calm.
00:38:12.167 --> 00:38:14.300
- You can see it after one week.
00:38:14.333 --> 00:38:17.200
We could see that it was...
They were better.
00:38:17.233 --> 00:38:18.267
They feel better.
00:38:18.300 --> 00:38:20.633
- Injections,
compulsory injections,
00:38:20.667 --> 00:38:24.933
it\'s decreased to we\'re 25%.
00:38:24.967 --> 00:38:27.800
And restraints we\'re 50%
00:38:27.833 --> 00:38:31.367
if you compare the year
before we moved here
00:38:31.400 --> 00:38:33.033
and the year after.
00:38:37.767 --> 00:38:40.233
- If you reduce stress
for these patients,
00:38:40.267 --> 00:38:45.233
you tend to also cut the rate
of hostility or aggression.
00:38:45.267 --> 00:38:49.000
Is it due to the plants?
We can\'t say.
00:38:49.033 --> 00:38:52.067
It\'s impossible to disentangle
00:38:52.100 --> 00:38:55.167
given the bundle
of things it\'s done here
00:38:55.200 --> 00:38:58.967
that includes, prominently,
biophilic design.
00:39:03.867 --> 00:39:06.767
- Doernbecher is all about
bringing nature
00:39:06.800 --> 00:39:09.567
from the outside
into the inside world
00:39:09.600 --> 00:39:12.867
to help our kids heal.
00:39:12.900 --> 00:39:15.567
- This building is really
the heart and soul,
00:39:15.600 --> 00:39:17.133
I think,
of our children\'s hospital,
00:39:17.167 --> 00:39:21.100
and the animal motif
is very prominent here.
00:39:21.133 --> 00:39:23.933
The building really, I think,
is a very healing place,
00:39:23.967 --> 00:39:25.600
and if you have to be
in the hospital,
00:39:25.633 --> 00:39:27.200
it\'s a very pleasant place,
00:39:27.233 --> 00:39:31.600
and it adds to what... the care
is that the staff gives.
00:39:31.633 --> 00:39:34.500
- If you have something nice
to walk around and look at,
00:39:34.533 --> 00:39:37.433
then it\'s gonna make it better
for us to be here.
00:39:37.467 --> 00:39:39.667
Like, I don\'t mind
coming up here at all.
00:39:39.700 --> 00:39:44.500
It makes it nicer,
a lot nicer than,
00:39:44.533 --> 00:39:48.433
\"Oh, gosh, I have to go
to the hospital again.\"
00:39:48.467 --> 00:39:50.167
Different artwork
is really nice too.
00:39:50.200 --> 00:39:54.733
The kids really like
the birds when you walk in.
00:39:54.767 --> 00:39:56.300
- My message
to architects would be
00:39:56.333 --> 00:39:58.867
that if they do their job well,
00:39:58.900 --> 00:40:00.733
then they really are partners
00:40:00.767 --> 00:40:03.600
with the doctors and the nurses
who do the healing.
00:40:03.633 --> 00:40:05.033
So I think the work
of the architects
00:40:05.067 --> 00:40:06.733
is very, very important.
00:40:06.767 --> 00:40:08.267
They build a building
that will be used
00:40:08.300 --> 00:40:09.433
for half a century,
00:40:09.467 --> 00:40:12.633
and the impact
can be really long-lasting.
00:40:14.300 --> 00:40:19.300
[bright electric guitar music]
00:40:20.633 --> 00:40:22.367
narrator: Studies are beginning
to reveal
00:40:22.400 --> 00:40:25.500
how improving connections
to nature in the workplace
00:40:25.533 --> 00:40:28.033
can enhance worker productivity
and morale
00:40:28.067 --> 00:40:30.767
and even help recruit
and retain talent,
00:40:30.800 --> 00:40:32.167
all benefits that translate
00:40:32.200 --> 00:40:35.700
into any business\'s bottom line.
00:40:35.733 --> 00:40:39.533
- Working in zoos, I studied
lion-tailed macaques,
00:40:39.567 --> 00:40:40.800
looking at their behavior
00:40:40.833 --> 00:40:42.800
in sort of the typical
zoo enclosure,
00:40:42.833 --> 00:40:45.300
which is kind of
a deprived habitat,
00:40:45.333 --> 00:40:47.167
and then when they move
to the new habitat,
00:40:47.200 --> 00:40:49.633
which is a naturalistic habitat.
00:40:49.667 --> 00:40:51.100
The whole intent of that
00:40:51.133 --> 00:40:53.100
was to increase
animal well-being,
00:40:53.133 --> 00:40:55.633
social and psychological
well-being.
00:40:55.667 --> 00:40:56.800
The animals really did better
00:40:56.833 --> 00:41:00.133
in the more
naturalistic habitats.
00:41:00.167 --> 00:41:02.200
And I made a comment
that we did a better job
00:41:02.233 --> 00:41:06.133
of designing zoos for animals
than offices for people,
00:41:06.167 --> 00:41:07.600
and that struck a chord.
00:41:07.633 --> 00:41:12.300
That\'s a metaphor
that people really understood.
00:41:12.333 --> 00:41:15.933
- Standard basic office design
is pretty tragic.
00:41:15.967 --> 00:41:18.600
You know, you\'re in a box.
00:41:18.633 --> 00:41:21.567
You\'re in cubicle-ville.
00:41:21.600 --> 00:41:24.433
You may not have a view
to the outside,
00:41:24.467 --> 00:41:26.067
so it\'s one of the reasons
why we see
00:41:26.100 --> 00:41:28.367
people bring plants
into their space.
00:41:28.400 --> 00:41:29.433
That helps.
00:41:29.467 --> 00:41:34.733
We see images
and artwork of nature.
00:41:34.767 --> 00:41:37.467
And it\'s intriguing
when you think about buildings
00:41:37.500 --> 00:41:40.667
as analogues of that
African savanna environment.
00:41:40.700 --> 00:41:46.433
One of our favorite examples
of that is the great workroom
00:41:46.467 --> 00:41:50.133
at the Johnson Wax Building
by Frank Lloyd Wright.
00:41:50.167 --> 00:41:51.533
When you look at that building,
00:41:51.567 --> 00:41:55.200
you see these beautiful tree
columns in a savanna ecosystem.
00:41:55.233 --> 00:41:57.600
They are out there
in the open space.
00:41:57.633 --> 00:41:58.700
They\'re separated.
00:41:58.733 --> 00:42:00.967
The light\'s coming down
between them,
00:42:01.000 --> 00:42:03.600
the spreading disk on top.
00:42:03.633 --> 00:42:06.433
It looks like a savanna
in there.
00:42:06.467 --> 00:42:09.733
It\'s a phenomenal
piece of architecture.
00:42:09.767 --> 00:42:12.233
And for me,
what\'s most incredible about it
00:42:12.267 --> 00:42:15.600
is, you look at this space,
00:42:15.633 --> 00:42:18.233
and the grandchildren
of the people
00:42:18.267 --> 00:42:20.133
who originally worked
in that space
00:42:20.167 --> 00:42:21.933
are now working in that space.
00:42:21.967 --> 00:42:25.167
It\'s still
in its original design,
00:42:25.200 --> 00:42:28.267
and people still
love working in there,
00:42:28.300 --> 00:42:32.300
and it\'s a 70-year-old
office building.
00:42:32.333 --> 00:42:34.467
Now, for me,
that\'s really powerful.
00:42:34.500 --> 00:42:37.533
That says, \"Wow, okay,
this is some indication
00:42:37.567 --> 00:42:39.400
\"of the kind of power
00:42:39.433 --> 00:42:43.100
that really good
biophilic design can have.\"
00:42:43.133 --> 00:42:46.233
- The people that are working
in these buildings
00:42:46.267 --> 00:42:50.100
are 82% of the bottom line,
00:42:50.133 --> 00:42:52.467
so if you cut
the energy in half,
00:42:52.500 --> 00:42:54.000
that\'s a little bit of money.
00:42:54.033 --> 00:42:57.500
If you can improve productivity,
then...
00:42:57.533 --> 00:42:58.633
Now you\'re really talking,
00:42:58.667 --> 00:43:00.267
and you can get
everybody\'s attention.
00:43:00.300 --> 00:43:03.367
If we improve productivity
in the Bank of America building
00:43:03.400 --> 00:43:07.967
by 10%, that\'s $100 million
to the bottom line.
00:43:08.000 --> 00:43:11.033
If we saved all the energy,
if we used no energy,
00:43:11.067 --> 00:43:13.933
it\'s $6 million, $7 million.
00:43:13.967 --> 00:43:16.900
Of course, we\'re gonna save
as much energy as we can,
00:43:16.933 --> 00:43:18.633
save as much water as we can.
00:43:18.667 --> 00:43:20.700
We\'re gonna be
as creative as we can
00:43:20.733 --> 00:43:24.100
integrating systems so that
they all make good sense.
00:43:24.133 --> 00:43:28.700
But our focus is on providing
a biophilic environment
00:43:28.733 --> 00:43:34.467
for the people who work
in the building.
00:43:34.500 --> 00:43:36.167
- When we talk about recruitment
00:43:36.200 --> 00:43:39.500
into a green biophilic
work environment,
00:43:39.533 --> 00:43:41.467
now they say,
\"Now you\'re talking.\"
00:43:41.500 --> 00:43:43.033
Recruitment and retention
of talent
00:43:43.067 --> 00:43:44.667
is extremely expensive,
00:43:44.700 --> 00:43:46.633
and we absolutely believe
00:43:46.667 --> 00:43:49.800
that having a biophilic
or a green building
00:43:49.833 --> 00:43:51.467
helps us recruit
and retain talent.
00:43:56.533 --> 00:43:58.900
- We try very hard
to walk the talk
00:43:58.933 --> 00:44:00.833
in terms of having
a set of core values
00:44:00.867 --> 00:44:03.200
that are not just
written words on a page
00:44:03.233 --> 00:44:04.900
that you hand a new employee
00:44:04.933 --> 00:44:07.800
and then you stuff it
in the drawer.
00:44:07.833 --> 00:44:11.067
It\'s really something we believe
we want to live and breathe.
00:44:11.100 --> 00:44:13.700
This building is a huge draw.
00:44:13.733 --> 00:44:15.100
It makes a huge impression
00:44:15.133 --> 00:44:17.600
in that, I think,
it conveys a message
00:44:17.633 --> 00:44:20.200
that we really care
about the environment
00:44:20.233 --> 00:44:24.067
that our employees
are working in.
00:44:24.100 --> 00:44:26.067
- The first time I came here
and saw this building,
00:44:26.100 --> 00:44:27.533
it was just a breath
of fresh air.
00:44:27.567 --> 00:44:28.533
[chuckles]
00:44:28.567 --> 00:44:30.367
I really wanted to work here
00:44:30.400 --> 00:44:31.667
because of the building.
00:44:36.800 --> 00:44:40.033
- One of the features
I like best about this building
00:44:40.067 --> 00:44:45.200
is out in the cafe,
we have a waterfall.
00:44:45.233 --> 00:44:46.233
It\'s really cool
00:44:46.267 --> 00:44:48.167
because when you go out
into the cafe,
00:44:48.200 --> 00:44:49.867
you can hear the water
falling down,
00:44:49.900 --> 00:44:52.400
and it\'s just a very relaxing
sort of feel,
00:44:52.433 --> 00:44:54.300
so, you know, when you\'re
working at your desk
00:44:54.333 --> 00:44:55.867
and you\'re a little stressed out
00:44:55.900 --> 00:44:58.133
and you just need
to go and relax,
00:44:58.167 --> 00:45:01.800
you can go into that cafe.
00:45:01.833 --> 00:45:03.600
- We all appreciate
working here,
00:45:03.633 --> 00:45:06.000
and we know that the CEO
of this company
00:45:06.033 --> 00:45:08.833
cares about us in that way
that she didn\'t just select
00:45:08.867 --> 00:45:11.833
the lowest cost building
that she could find,
00:45:11.867 --> 00:45:13.167
and she put a lot
of time into it,
00:45:13.200 --> 00:45:16.533
and I think, as an employee,
I appreciate that.
00:45:26.533 --> 00:45:27.733
- Factories are normally done
00:45:27.767 --> 00:45:30.800
on the cheapest possible
price per square meter,
00:45:30.833 --> 00:45:32.233
whereas this wasn\'t done
like that.
00:45:32.267 --> 00:45:35.300
This was really done
as a building
00:45:35.333 --> 00:45:38.500
to suit its purpose,
which was manufacturing cutlery.
00:45:38.533 --> 00:45:41.267
When you\'re doing
sort of detail work,
00:45:41.300 --> 00:45:44.167
natural light
is terribly good to work with.
00:45:44.200 --> 00:45:45.240
And I think it is important
00:45:45.267 --> 00:45:47.333
to create a good
working environment.
00:45:47.367 --> 00:45:49.433
Compared with the traditional
cutlery factory,
00:45:49.467 --> 00:45:50.567
it\'s a million miles away,
00:45:50.600 --> 00:45:52.767
and also people
enjoy working there really.
00:45:52.800 --> 00:45:57.667
I mean, we hardly ever
turn over staff.
00:45:57.700 --> 00:46:00.600
And we feel that the internal
and external environment
00:46:00.633 --> 00:46:02.900
is important if you\'re
involved in design.
00:46:02.933 --> 00:46:05.200
You can\'t be saying,
\"Oh, look, we\'re designing
00:46:05.233 --> 00:46:11.033
amazing products
in some shed.\"
00:46:11.067 --> 00:46:12.733
- Herman Miller is primarily
00:46:12.767 --> 00:46:15.067
an office furniture
manufacturing company.
00:46:15.100 --> 00:46:18.867
We\'re building
our office chairs here.
00:46:18.900 --> 00:46:21.900
Our focus on sustainability
really started in 1953
00:46:21.933 --> 00:46:24.267
with our founder,
D.J. De Pree,
00:46:24.300 --> 00:46:26.433
and back then,
he was already concerned
00:46:26.467 --> 00:46:29.600
about making sure that we were
good environmental stewards.
00:46:29.633 --> 00:46:31.000
- We were focused on the idea
00:46:31.033 --> 00:46:35.100
that people would rather
be outdoors than indoors,
00:46:35.133 --> 00:46:37.233
so we filled the building
with daylight,
00:46:37.267 --> 00:46:41.100
with fresh air
and views of the outdoors.
00:46:41.133 --> 00:46:44.600
- Bringing that outdoor in,
where we have bamboo planted.
00:46:44.633 --> 00:46:47.567
Most plants are done
in a pretty major way
00:46:47.600 --> 00:46:51.367
rather than a little pot here
and a little pot there.
00:46:51.400 --> 00:46:56.400
It does bring that life,
that greenery into the space,
00:46:56.433 --> 00:46:57.867
bringing daylight
into the building
00:46:57.900 --> 00:47:01.367
with the 8 roof monitors
and 66 skylights.
00:47:01.400 --> 00:47:03.133
That\'s huge.
00:47:12.400 --> 00:47:14.633
- People love this building
right from the start,
00:47:14.667 --> 00:47:16.233
and people take care of it.
00:47:16.267 --> 00:47:18.800
There\'s a sense
of ownership here,
00:47:18.833 --> 00:47:21.833
ownership or pride.
00:47:21.867 --> 00:47:25.067
- I love the emotional content
of the work.
00:47:25.100 --> 00:47:27.667
I love the fact
that people will call us
00:47:27.700 --> 00:47:29.067
and say, \"I love this building,\"
00:47:29.100 --> 00:47:32.033
or \"I love working here,\"
or \"I love being here.\"
00:47:32.067 --> 00:47:33.300
When we see that word \"love,\"
00:47:33.333 --> 00:47:34.700
you know you\'re on
the right track,
00:47:34.733 --> 00:47:37.200
and that\'s why biophilia
is such an interesting idea.
00:47:39.967 --> 00:47:41.633
- This building has what,
at the time,
00:47:41.667 --> 00:47:43.833
was the largest green roof
ever built,
00:47:43.867 --> 00:47:45.933
and my understanding
is that it was designed
00:47:45.967 --> 00:47:47.533
so that for a bird flying over,
00:47:47.567 --> 00:47:49.700
that it would look
like natural habitat.
00:47:49.733 --> 00:47:51.567
And the building
is really successful
00:47:51.600 --> 00:47:54.033
at integrating
daylighting strategies,
00:47:54.067 --> 00:47:55.867
natural ventilation strategies,
00:47:55.900 --> 00:47:58.633
and just feeling
really nice and open.
00:47:58.667 --> 00:48:02.133
We are a technology company
trying to lead the way
00:48:02.167 --> 00:48:03.800
and always to innovate
and attract
00:48:03.833 --> 00:48:05.067
the best talent in the world.
00:48:05.100 --> 00:48:07.833
Creating a workplace that has
00:48:07.867 --> 00:48:09.500
some of these
biophilic attributes
00:48:09.533 --> 00:48:11.933
undoubtedly helps us
do that more successfully,
00:48:11.967 --> 00:48:13.500
and that\'s good business.
00:48:13.533 --> 00:48:16.533
[water lightly splashing]
00:48:20.167 --> 00:48:22.533
- This atrium is a living being,
00:48:22.567 --> 00:48:25.167
and we often refer
to the building
00:48:25.200 --> 00:48:27.267
as \"an organism,\"
00:48:27.300 --> 00:48:30.300
organism in a sense
that it adapts,
00:48:30.333 --> 00:48:33.967
that it adjusts, that it moves,
00:48:34.000 --> 00:48:35.300
that light is coming in
00:48:35.333 --> 00:48:40.133
and reflects the cycle
of day and night and seasons.
00:48:40.167 --> 00:48:42.300
- Well, it feels like
you are not in a building.
00:48:42.333 --> 00:48:44.467
It feels like you\'re outside.
00:48:44.500 --> 00:48:46.733
We found in a survey,
00:48:46.767 --> 00:48:49.167
people felt
that their sense of well-being
00:48:49.200 --> 00:48:50.900
is better in this building,
and therefore,
00:48:50.933 --> 00:48:52.433
they feel better,
and then, of course,
00:48:52.467 --> 00:48:54.500
they\'re more productive
as a result.
00:48:54.533 --> 00:48:58.800
- I sometimes wonder
why efficiency
00:48:58.833 --> 00:49:04.000
in our technical world
is not covering beauty.
00:49:04.033 --> 00:49:06.867
\'Cause if something
is not beautiful,
00:49:06.900 --> 00:49:10.967
it probably is not efficient
00:49:11.000 --> 00:49:13.133
in a holistic sense.
00:49:13.167 --> 00:49:18.167
[relaxing piano music]
00:49:21.967 --> 00:49:23.500
narrator:
Biophilic design can extend
00:49:23.533 --> 00:49:26.067
beyond individual buildings
to entire neighborhoods
00:49:26.100 --> 00:49:27.467
and even cities
00:49:27.500 --> 00:49:29.333
where connections to nature
can contribute
00:49:29.367 --> 00:49:31.900
to a higher quality of life.
00:49:31.933 --> 00:49:33.467
Biophilic design often occurs
00:49:33.500 --> 00:49:35.100
in the neighborhoods
of old cities
00:49:35.133 --> 00:49:37.067
or well-designed
modern communities,
00:49:37.100 --> 00:49:39.433
where the widespread use
of natural materials
00:49:39.467 --> 00:49:40.767
and the ordered complexity
00:49:40.800 --> 00:49:44.300
of the natural world
are revealed.
00:49:46.100 --> 00:49:49.100
[bold horn music]
00:49:51.400 --> 00:49:52.800
- A film called \"The City\"
00:49:52.833 --> 00:49:57.333
was made for the New York
World\'s Fair in 1939,
00:49:57.367 --> 00:50:00.433
and it\'s based on the ideas
of Lewis Mumford.
00:50:00.467 --> 00:50:04.033
And in that film, we see a move
00:50:04.067 --> 00:50:08.333
from the traditional town
of America
00:50:08.367 --> 00:50:10.833
in the 17th and 18th centuries
00:50:10.867 --> 00:50:14.800
through a section
which was shot in Pittsburgh
00:50:14.833 --> 00:50:18.033
which is about
the very poor quality of life
00:50:18.067 --> 00:50:20.400
which you get
if you just make a lot of steel
00:50:20.433 --> 00:50:23.867
and exploit a lot of workers
and create a lot of pollution.
00:50:23.900 --> 00:50:25.533
- Machines, inventions, power.
00:50:25.567 --> 00:50:27.900
Black out the past.
Forget the quiet cities.
00:50:27.933 --> 00:50:31.000
Bring in the steam and steel,
the iron men, the giants.
00:50:31.033 --> 00:50:32.533
Open the throttle.
All aboard.
00:50:32.567 --> 00:50:33.967
The promised land.
00:50:34.000 --> 00:50:36.967
Pillars of smoke by day.
Pillars of fire by night.
00:50:37.000 --> 00:50:40.467
- And then into
a planned community,
00:50:40.500 --> 00:50:43.667
which, in the film,
is Greenbelt, Maryland,
00:50:43.700 --> 00:50:45.100
and what we\'re looking at here
00:50:45.133 --> 00:50:49.300
is the green belt towns program
of the New Deal.
00:50:49.333 --> 00:50:52.800
There\'s a definite
progression here,
00:50:52.833 --> 00:50:54.333
and that\'s what planning is.
00:50:54.367 --> 00:51:00.167
The planning is supposed
to be better than non-planning.
00:51:00.200 --> 00:51:03.700
- When you look at the pattern
of urban growth,
00:51:03.733 --> 00:51:07.200
urbanization here in the U.S.,
particularly post-World War II,
00:51:07.233 --> 00:51:09.167
we\'ve had this phenomenon
of sprawl,
00:51:09.200 --> 00:51:12.633
that growth at the periphery
00:51:12.667 --> 00:51:15.900
using ever more land
at ever lower densities,
00:51:15.933 --> 00:51:17.267
heavily auto-dependent.
00:51:17.300 --> 00:51:20.533
So that\'s a pattern of growth,
pattern of urbanization
00:51:20.567 --> 00:51:23.400
that in some ways
takes us away from nature.
00:51:23.433 --> 00:51:25.267
We\'re spending
90-something percent
00:51:25.300 --> 00:51:27.000
of our day inside.
00:51:27.033 --> 00:51:29.000
The time that we\'re not
inside buildings,
00:51:29.033 --> 00:51:30.400
we\'re often in a car,
00:51:30.433 --> 00:51:32.100
and we know that
vehicle miles traveled
00:51:32.133 --> 00:51:34.500
has gone up dramatically
in the last several decades,
00:51:34.533 --> 00:51:37.967
so we have a crisis of place
in this country.
00:51:38.000 --> 00:51:39.833
We\'ve become
profoundly disconnected
00:51:39.867 --> 00:51:41.300
in the ways that we live,
00:51:41.333 --> 00:51:42.833
and the result is that
we care less
00:51:42.867 --> 00:51:46.067
about the places we live in.
00:51:46.100 --> 00:51:49.267
In this country, we tend
to think of cities and nature
00:51:49.300 --> 00:51:51.433
as being these kind
of polar opposites
00:51:51.467 --> 00:51:54.300
when, in fact, we need to think
about the concept of a city
00:51:54.333 --> 00:51:58.133
as being more like a garden,
full of nature, bountiful.
00:52:02.400 --> 00:52:05.400
- [speaking French]
00:53:14.167 --> 00:53:17.367
- The layout was clusters
of eight houses
00:53:17.400 --> 00:53:19.900
sharing a semiprivate space
00:53:19.933 --> 00:53:23.700
and then the entire village,
which was semipublic
00:53:23.733 --> 00:53:26.833
and shared and under the control
of the home owners.
00:53:26.867 --> 00:53:31.033
And that has built
an incredibly strong community.
00:53:31.067 --> 00:53:34.000
Next door, which is
a typical development,
00:53:34.033 --> 00:53:35.800
people know 17
of their neighbors,
00:53:35.833 --> 00:53:37.267
which I thought was pretty good.
00:53:37.300 --> 00:53:41.100
Village Homes, they know
40 of their neighbors.
00:53:42.967 --> 00:53:45.800
- What attracted me
was the space,
00:53:45.833 --> 00:53:48.800
the flow of activity
in the area,
00:53:48.833 --> 00:53:51.100
and the sociability
that I discovered.
00:53:51.133 --> 00:53:54.033
- It\'s, like, almost like
the 1970s or \'60s
00:53:54.067 --> 00:53:56.667
where you can just send
your kids out the back door
00:53:56.700 --> 00:53:58.500
to go and play
with a bunch of kids
00:53:58.533 --> 00:54:00.467
and not have to worry.
00:54:00.500 --> 00:54:02.167
It\'s amazing,
\'cause everything opens up
00:54:02.200 --> 00:54:05.133
out on to the greenbelt
or the walk paths,
00:54:05.167 --> 00:54:06.767
and then they all
kind of join together
00:54:06.800 --> 00:54:10.033
in these swale areas
where the kids can play.
00:54:10.067 --> 00:54:13.033
You know, the kids come out
rain or shine.
00:54:13.067 --> 00:54:17.300
It\'s a perfect environment
for kids to be kids.
00:54:32.433 --> 00:54:35.800
- Spatial planning
and urban planning
00:54:35.833 --> 00:54:37.467
really creates the circumstances
00:54:37.500 --> 00:54:39.967
for daily life
of millions of people.
00:54:40.000 --> 00:54:42.800
And if we create places where
you cannot explore anything
00:54:42.833 --> 00:54:47.867
or you cannot live
according to your nature,
00:54:47.900 --> 00:54:49.267
I mean, what are we doing?
00:54:49.300 --> 00:54:51.433
For me, that\'s very poor.
00:54:51.467 --> 00:54:56.167
It\'s more than just, you know,
eating, sleeping, working.
00:54:56.200 --> 00:54:58.867
It is richer like this,
and you can more grow up
00:54:58.900 --> 00:55:00.467
according
to your whole potential,
00:55:00.500 --> 00:55:04.633
to give it big names.
00:55:04.667 --> 00:55:07.167
And I saw children come in
that were very shy
00:55:07.200 --> 00:55:09.967
and, you know, was very careful
where they went
00:55:10.000 --> 00:55:12.500
and how they went along.
00:55:12.533 --> 00:55:13.933
And you saw them
after three months,
00:55:13.967 --> 00:55:18.867
they have really become
more free and more exploring,
00:55:18.900 --> 00:55:23.267
and that was great to see.
00:55:23.300 --> 00:55:24.633
- The most important area
00:55:24.667 --> 00:55:26.267
is where there\'s
the greatest need,
00:55:26.300 --> 00:55:28.900
so you probably don\'t
need to spend a lot of time
00:55:28.933 --> 00:55:32.333
looking at the homes
of people who run hedge funds,
00:55:32.367 --> 00:55:35.267
but it does make a lot of sense
to focus attention
00:55:35.300 --> 00:55:37.933
on how do we take
the most crowded places
00:55:37.967 --> 00:55:40.333
with the most
vulnerable populations
00:55:40.367 --> 00:55:42.867
and make those
better places to live in.
00:55:46.100 --> 00:55:48.133
- High Point is 120 acres.
00:55:48.167 --> 00:55:50.800
There will be
about 1,700 units here.
00:55:50.833 --> 00:55:53.533
45% will be rental housing.
00:55:53.567 --> 00:55:55.500
Part of that
is very low income rental.
00:55:55.533 --> 00:55:57.333
Part of that
is workforce housing.
00:55:57.367 --> 00:55:59.933
Then there\'s some affordable
home ownership,
00:55:59.967 --> 00:56:04.500
so it\'s a notion of a real
mixed income community.
00:56:04.533 --> 00:56:06.767
- Front porches
are very, very large.
00:56:06.800 --> 00:56:08.200
Everyone has a front porch,
00:56:08.233 --> 00:56:10.767
or they have a large
balcony space above,
00:56:10.800 --> 00:56:15.033
so you have that prospect
and refuge aspect of biophilia.
00:56:15.067 --> 00:56:17.267
We were lucky to be able
to incorporate public art
00:56:17.300 --> 00:56:18.533
throughout the project,
00:56:18.567 --> 00:56:21.067
and the artist
had a really great idea
00:56:21.100 --> 00:56:24.267
to have that tell the story
of the stormwater
00:56:24.300 --> 00:56:25.700
and the natural drainage system.
00:56:25.733 --> 00:56:28.767
And it begins with
the downspouts on the buildings.
00:56:28.800 --> 00:56:32.167
The splash blocks were cast
by the artist
00:56:32.200 --> 00:56:34.233
in multiple different patterns.
00:56:34.267 --> 00:56:36.233
This one...
- This one is my favorite.
00:56:36.267 --> 00:56:38.033
- Yeah.
- Has a little salmon.
00:56:38.067 --> 00:56:39.367
- Yeah, this one
has a salmon in it.
00:56:39.400 --> 00:56:40.900
- Spawning.
Yeah.
00:56:40.933 --> 00:56:44.533
- Spawning salmon to connect,
so you connect immediately
00:56:44.567 --> 00:56:47.500
that the water falling
on the roof has a connection
00:56:47.533 --> 00:56:52.233
to the salmon-bearing
Longfellow Creek.
00:56:52.267 --> 00:56:54.633
A lot of the biophilia
part of design
00:56:54.667 --> 00:56:56.067
is just good design.
00:56:56.100 --> 00:56:58.367
It just makes sense.
00:56:58.400 --> 00:57:00.933
In terms of designing
for community,
00:57:00.967 --> 00:57:03.033
it seems to me that one
of the most important things
00:57:03.067 --> 00:57:05.000
is to allow the possibility.
00:57:05.033 --> 00:57:07.833
Don\'t design the possibility
of community
00:57:07.867 --> 00:57:09.933
out of the neighborhood.
00:57:09.967 --> 00:57:14.967
[peaceful piano music]
00:57:50.300 --> 00:57:54.067
- Biophilia really enhances
the design palette.
00:57:54.100 --> 00:57:56.000
It gives you so many more things
00:57:56.033 --> 00:57:58.267
that you can work with,
that you can do,
00:57:58.300 --> 00:58:01.867
that we know
have positive impacts.
00:58:01.900 --> 00:58:03.833
And it doesn\'t tell you
what to do.
00:58:03.867 --> 00:58:06.000
It tells you kind of
what\'s important
00:58:06.033 --> 00:58:08.533
and gives you lots and lots
of ways to do that.
00:58:17.867 --> 00:58:20.033
- Ultimately, biophilic design
00:58:20.067 --> 00:58:22.500
is more about restoring
our connection to nature
00:58:22.533 --> 00:58:23.867
than it is about adopting
00:58:23.900 --> 00:58:27.400
a new methodology for design
of the built environment.
00:58:27.433 --> 00:58:29.900
Its accomplishment
will therefore require
00:58:29.933 --> 00:58:32.267
a fundamental shift
in human consciousness.
00:58:32.300 --> 00:58:35.100
It leads to a new ethic
of responsibility
00:58:35.133 --> 00:58:39.767
for caring for the Earth
and our relationship to it.
00:58:39.800 --> 00:58:42.200
The heart of this challenge
is a modern world
00:58:42.233 --> 00:58:43.667
that has largely forgotten
00:58:43.700 --> 00:58:47.733
how much our physical, mental,
and even spiritual well-being
00:58:47.767 --> 00:58:49.467
continues to rely on the quality
00:58:49.500 --> 00:58:51.833
of our relationship to nature.
00:58:51.867 --> 00:58:53.967
The promise of biophilic design
00:58:54.000 --> 00:58:56.400
will therefore require
a new realization,
00:58:56.433 --> 00:58:59.533
whether at home or at work,
at school or at play,
00:58:59.567 --> 00:59:02.900
indoors or outdoors,
of how much we still depend
00:59:02.933 --> 00:59:04.800
on beneficial contact
with nature
00:59:04.833 --> 00:59:08.333
to be healthy, productive,
and whole.
00:59:12.633 --> 00:59:16.067
This change will require
an ethic of responsibility
00:59:16.100 --> 00:59:17.600
for the natural world
00:59:17.633 --> 00:59:20.633
motivated not by the desire
to save nature,
00:59:20.667 --> 00:59:24.600
but by a profound realization
of our own self-interest.
00:59:24.633 --> 00:59:25.800
In the long run,
00:59:25.833 --> 00:59:27.900
we will sustain
only those things,
00:59:27.933 --> 00:59:29.967
whether buildings or species,
00:59:30.000 --> 00:59:32.867
that we are convinced
contributes to a better
00:59:32.900 --> 00:59:35.800
and more fulfilling existence.
00:59:35.833 --> 00:59:39.167
This is the moral imperative
of biophilic design.
00:59:39.200 --> 00:59:41.467
This is the understanding
at the core
00:59:41.500 --> 00:59:44.433
of the great ecologist
Aldo Leopold\'s \"Land Ethic\"
00:59:44.467 --> 00:59:47.933
when he remarked
more than one half century ago,
00:59:47.967 --> 00:59:50.867
\"There must be some force
behind conservation
00:59:50.900 --> 00:59:52.867
\"more universal than profit,
00:59:52.900 --> 00:59:54.433
\"less awkward than government,
00:59:54.467 --> 00:59:56.300
\"less ephemeral than sport,
00:59:56.333 --> 01:00:00.167
\"something that reaches
into all times and all places,
01:00:00.200 --> 01:00:01.700
\"something that
brackets everything
01:00:01.733 --> 01:00:03.700
\"from rivers to raindrops,
01:00:03.733 --> 01:00:05.767
\"from whales to hummingbirds,
01:00:05.800 --> 01:00:08.900
\"from land estates
to window boxes.
01:00:08.933 --> 01:00:11.533
\"I can see only one such force:
01:00:11.567 --> 01:00:14.000
\"a respect for the land
as an organism
01:00:14.033 --> 01:00:18.600
out of love for and obligation
to that great biota.\"
Distributor: Bullfrog Films
Length: 62 minutes
Date: 2012
Genre: Expository
Language: English; French
Grade: Grades 7-12, College, Adults
Color/BW:
Closed Captioning: Available
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