In Her Words
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Narrated by LGBTQ+ historian Lillian Faderman and illuminated through interviews with trailblazers like Jewelle Gomez (The Gilda Stories), Dorothy Allison (Bastard Out of Carolina), and Sarah Waters (Tipping the Velvet), In Her Words: 20th Century Lesbian Fiction charts a literary journey from post-war lesbian pulp to modern bestsellers. Highlighting the successful and controversial, directors Lisa Marie Evans and Marianne K. Martin skillfully delve into stories that defined eras of lesbian writers, and the changing socio-political landscapes that encouraged an evolution of the genre. In Her Words: 20th Century Lesbian Fiction pays loving tribute to this evolution of lesbian and queer fiction, told through a lens of broader American history. Starting in 1928, readers fell into The Well of Loneliness — a groundbreaking lesbian novel, albeit a tragic one. By the late 1990s, lesbian fiction had climbed out of the well and into a diverse world of stories and storytellers who were publishing increasingly multifaceted stories (some of them even happy ones). This film will inspire lit lovers of any age to return to old favorites, while igniting curiosity for a new literary tryst or two.
“In Her Words: 20th Century Lesbian Fiction leaves few stones unturned in its celebration of a sprawling cast of lesbian literary behemoths. With remarkable archival footage and a host of illuminating interviews, this captivating documentary charts the events that shaped their craft and raises a glass to their triumphs.” — Queer Screen Mardi Gras Film Festival
Citation
Main credits
Martin, Marianne K. (film director)
Evans, Lisa Marie (film director)
Pletcher, Cheryl (film producer)
Other credits
Cinematography/editing, Lisa Marie Evans; music, Kriss Avery, Lisa Marie Evans.
Distributor subjects
Queer Studies,Lesbian,LiteratureKeywords
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Well, I looked of course for well of loneliness.
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The well of loneliness. The well of loneliness.
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The well of loneliness. The well of loneliness.
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The
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Well of loneliness.
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The Redcliffe Hall. Well, of loneliness,
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Which everybody reads the well of loneliness,
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was kind of the entree to lesbian literature for so many people,
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because it was the best known novel throughout the 1950s.
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It\'s never very sexual. Uh, clearly Steven is,
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is madly in love first with a married woman. Then she forms a, uh,
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domestic relationship with a woman who had been straight. Uh,
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it\'s clearly a sexual relationship in both cases,
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except that Hull never tackles that specifically.
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And what she writes about,
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the closest she comes to describing the sexuality of Steven
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and Mary is one scene where she ends it saying,
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and that night, they were not divided,
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even as tame as that line was.
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She did get into trouble with the sensors in England.
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The novel was banned.
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It came out in America the following year in 1929.
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And there were actually attempts to ban the well of loneliness in America using
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the Comstock Act, which had prohibited pornography.
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Where was the pornography? And, and that night, they were not divided,
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but just the fact that it mentioned love between two women
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and one woman who actually describes herself as a sexual
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invert. But the courts wouldn\'t go for it.
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And it was not censored in America,
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as it was in England in the 19th century,
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these sexologists emerged that wrote about
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congenital inversion and described women that we would
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call lesbians as men trapped in women\'s bodies,
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and they were born that way.
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Radcliffe Hall really emphasized that theory in the well of loneliness,
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that from the beginning,
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Stephen Gordon is a congenital invert,
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can\'t help who she is nowadays. Of course, I I think that, uh,
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we would probably describe Stephen Gordon not as a lesbian,
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but as a transgender person, even as a trans man.
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Significantly the same year that the well of Loneliness was
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published, Virginia Wolf published Orlando 1928,
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Orlando,
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Virginia Wolf\'s main character is sometimes a woman and sometimes a
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man, Virginia Wolf was writing about Vita Sgo West,
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a woman who had been her lover, a woman who often walked around,
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particularly when she visited Paris. And people would not know her there,
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walked around a male garb with her arms around another woman.
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Viole tr refuses. But it,
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it was clearly a lesbian novel for those of us who knew what she was
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really writing about.
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I think the height of freedom for women that we would call lesbian,
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although they might not have used that term themselves,
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was in the first women\'s movement,
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the first feminist movement with the rise of the new woman.
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The suffrage movement was very strong.
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And the fact is that so much of the leadership of the suffrage movement
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were women that we would call lesbian today.
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So many of them had long-term relationships with other women.
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In the 1930s.
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Many women felt guilty about taking jobs as a result of the Great
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Depression. And I think in many cases,
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employers would feel guilty about giving women a job when they should give the
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job to a man with a family to support.
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And so there was something of a retreat in terms of women\'s progress.
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On the other hand,
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I think that the Great Depression also gave lesbians some
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necessary cover because it,
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it was important if you were unmarried to find someone to share the expenses
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of the household. With
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We, tour Drifting was written in 1935,
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astonishingly popular.
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I think that Gail Wilhelm rode the crest of popularity of
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the Well, of loneliness. It\'s very Hemingway esque in its style.
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I think one reason it was as popular as it was because it wasn\'t
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very different from the well of loneliness.
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That too ends tragically. So it,
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it wasn\'t much a step forward in terms of the lesbian image.
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But I think that by then,
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lesbians had had learned to read in a certain kind of way to,
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to take the, the great stuff out of these lesbian novels.
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The fact that lesbians could fall in love with one another in these
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novels, could say lovely romantic things to one another,
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could kiss one another, could clearly go to bed together.
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I think lesbians read those novels for the sake of, of, uh,
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seeing in print an affirmation of their lesbianism,
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and they learned how to ignore the conclusion.
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Nightwood came out in 1936.
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Jah Barnes intended this for a wider audience, and she succeeded.
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She actually got the probably top American poet,
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TS Elliot, to write a little introduction to Nightwood,
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and one could see why he would, first of all, it\'s beautiful prose,
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really astonishing in its style,
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and also it says nothing positive about lesbian relationships.
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And so it\'s not terribly surprising that it would\'ve appealed to
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a large, straight audience.
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The Nancy Drew series was actually conceived of by a man,
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a publisher,
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and he hired different authors to write under the name Carolyn
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Keene.
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Nancy Drew became a lesbian icon in the 1970s and
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eighties and nineties. She was independent. She drove a car,
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she flew an airplane.
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She had these incredible adventures for lesbians.
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What Nancy did was a dream come true
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In World War ii. We were in that war for four years.
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I think America understood that men who were of draft age had to go
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fight, and who would do the office jobs connected with the military.
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It was realized that there was a huge population out there who could do those
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non-combat jobs in the military, and that was women.
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The Women\'s Army Corps was established in 1942.
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The Navy opened to hundreds of thousands of women,
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many of them lesbians who were thrilled to be in the military and help
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America. Throughout the 20th century,
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more and more people moved from rural areas to the big city.
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What increased that movement in the 1940s was the defense industry
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that was very often established in big cities,
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particularly in port cities all over America.
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And so people from rural areas came in droves to big cities like,
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uh, Los Angeles, San Francisco, New York.
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There were a lot of people in big cities, and if there were a lot of people,
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there was a critical mass that could attend businesses such as
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gay bars.
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And so gay bars began to be established in greater numbers during World War ii,
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and they realized this is a place I wanna come back to.
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It\'s gonna be much easier to be lesbian or to be gay than it would be
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in a, a little town.
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The first novel that we would call a pulp was published in 1950
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by Toska Torres. It was called Women\'s Barracks.
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It was originally written in French.
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It was about women in the free French Army.
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I don\'t think Toska Torres was particularly sympathetic to lesbians
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and did not want that novel to be known as the first lesbian
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pulp. But what she actually said in interviews is I talk about,
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um, five main characters.
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Only one and a half of those characters is about lesbian relationships.
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Why do critics just point that one and a half out? L
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Dick Carroll was the new editor of a line of paperback originals called
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Gold Medal Books.
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I was one of Dick\'s secretaries who didn\'t know how to take shorthand.
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So I was assigned to read books,
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thought to have potential selected from the slush pile.
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A would be writer.
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I very often finished reading a new manuscript thinking I can do that.
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I did an outline of a story and I gave it to Dick to read.
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You might have a good story here, Dick said, but you\'d have to do two things.
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The girls would have to be in college,
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and you cannot make homosexuality attractive.
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No happy ending. You see paperbacks go through the mails.
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They have to pass inspection.
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If one book is considered sensible,
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the whole shipment is sent back to the publisher.
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If your book appears to processize for homosexuality,
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all the books sent with it to distributors are returned.
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You\'ll take all your colleagues with you.
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You have to understand that I don\'t care about anybody\'s sexual preference,
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but I do care about making this new line successful.
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After Dick read the final manuscript, he said,
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we have to jazz up the title and wrap it in a sexy cover.
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In 1952, when Spring Fire was published,
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it sold 1 million
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four hundred and sixty three, nine hundred and seventeen copies
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in its first printing.
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The price of salt was really an iconic novel for
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lesbians.
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It was before the huge proliferation of lesbian pulp
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novels, and it actually had a semi happy ending.
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Not entirely happy,
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but it\'s about two women who meet and fall in love.
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One woman is married,
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has a daughter in order to be with the woman she loves.
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She really has to risk giving up her daughter. And it\'s,
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it\'s fairly clear that she has lost her daughter to this, uh,
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terrible husband. Um, but nevertheless, the two women remain together.
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They don\'t commit suicide. They don\'t, uh,
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go to mental hospitals because they\'re lesbians,
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and they don\'t drown in a well of loneliness.
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There was this push that started right after the war,
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but really became huge in the 1950s.
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It was an attempt to send women back to the home.
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By the mid 1950s,
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I think it was the worst time to be a homosexual,
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certainly in the 20th century, maybe in in American history.
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Um, because if, if it was known that you were a homosexual,
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not only were you a sinner as far as the church was concerned,
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you were a criminal in every state of the union.
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Every single state in the 1950s had sodomy laws.
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And women too lesbians were, um, included.
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If you were a lesbian or a gay man, you were also considered crazy by the,
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so-called Mental health profession,
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which really proliferated in the 1950s with the attempts to cure
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homosexuality.
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America was so worried about the threat of the Soviet Union,
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the communist threat. It really became a witch hunt,
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first of communists, but then it spread, it spread to homosexuals.
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If you worked for the federal government in any capacity,
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you might be in the position to steal state secrets. And so,
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if you were a homosexual, because homosexuality was such a terrible thing,
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you could be blackmailed by the Soviets to give away state secrets.
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And so in 1953,
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almost as one of his first acts in office as president of the United States,
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Dwight d Eisenhower signed executive order ten four fifty.
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That said, if you were a threat to national security,
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you could not work for the federal government. And people who were threats were,
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um, dope addicts and alcoholics, and sexual perverts,
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meaning all homosexuals.
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You had all of that to deal with this, this sense that you were sick,
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the sense that there was no hope unless you lived with the facade
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of a normal life, the sense that you were a menace to little children.
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You were a child abuser just by living. You could lose your children.
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You could lose your job, your friends would turn against you. And I,
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I was in that boat. I had two little kids and a husband.
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It was an awkward time in my life because I had just married,
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but I was determined to be somebody in my own right.
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I had written a story in which there were two young women in the sorority who
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developed intense feelings for each other.
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And I was a little bit embarrassed to write about it,
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so I just delicately broached the subject.
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And then I sort of put the girls over in a corridor in a shadow,
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quite literally. After my husband and I moved to the East Coast,
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we were living near Philadelphia. And on a drugstore shelf,
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I found a book called Spring Fire.
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And that was about sorority girls in a big 10 university as
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I had been. And I thought, my gosh, you know, I can, I can do this too.
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So I wrote to Mary Jane Meer and of all things, I got a,
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a nice note back from her. She said,
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if you can get up to New York and bring whatever you\'ve written,
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I will take it over to my editor.
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I think I would\'ve crawled up there on my hands and knees if I\'d had to.
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My husband,
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after much cajoling and the assurance that I would be staying at a women\'s
231
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hotel, said, reluctantly, okay,
232
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you can go, but I, you know, one week I want you back.
233
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I did go to the hotel and I did rent a room,
234
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but then Mary Jane came over to pick me up the first night I was there and took
235
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me out to dinner. We hit it off.
236
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So Mary Jane Meeker took me in to meet Dick Carroll,
237
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who was the editor in chief,
238
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been called in from Hollywood to run this new project, pulp Paperback originals.
239
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I left the manuscript with him. I went home with my fingers crossed,
240
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and, and within a couple of days, I heard from him, he said,
241
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take those two girls that fell in love with each other,
242
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because that\'s what happened,
243
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and take them out of the dark corners and tell their story. He said,
244
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that\'s your book.
245
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So I sat down full of spit and fire and rewrote the book.
246
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Then I went back up manuscript hand,
247
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and they accepted it. They never changed one word.
248
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I think Mary Jane and I were lucky that we had gold medal books behind us
249
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because they did a wonderful job of, um, promoting the books.
250
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They got them out there where people could easily find them.
251
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And the the old pulp paperbacks at,
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at this time were being distributed as if they were magazines.
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They were bundled up, and they were taken out,
254
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and they were distributed to newsstands and drug stores and,
255
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uh, train stations and airports.
256
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It was not a, a, a friendly time,
257
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and we all hid behind pseudonyms of one kind or another. Um,
258
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it was too dangerous really,
259
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to be out. Um, there,
260
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there was a lot of hostility and a minimum of understanding.
261
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But you could take a book home and under the covers at night with a
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flashlight or something, you could enter a world. You would be thinking,
263
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if I could just get to San Francisco or la if I could just get to Chicago,
264
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if I could just get to New York, there\'d be people there who would understand.
265
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And that was true. We were sort of writing the,
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the Cook\'s tour of what we, we knew. We didn\'t know that much ourselves,
267
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but about what was beginning to become the gay and lesbian
268
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movement.
269
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But I really didn\'t feel that I was the one with background
270
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and the personal experience. And I, and I was right after I met Mary Jane,
271
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that changed. But, uh,
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at the time that I was getting to know Mary Jane,
273
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she was falling in love with Patricia Highsmith.
274
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So that never worked out, but it, it was opening a door,
275
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and I didn\'t feel quite so dumb after that.
276
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So I have to say, I, I sort of took a plunge and hoped for the best,
277
00:18:53.385 --> 00:18:58.365
and it worked out. And then I, I had the good luck to invent Beebo. It was a,
278
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a long, hard road. And, um,
279
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and here we are, and there\'s, we\'re still on the, on the journey.
280
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There had been a vital women\'s movement in the 19th century,
281
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in the early 20th century,
282
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but it began to focus entirely on women getting the vote.
283
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And finally we got the vote, and it was like,
284
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we didn\'t know what else to ask for, for a while.
285
00:19:28.665 --> 00:19:31.125
And so the women\'s movements sort of disappeared.
286
00:19:31.525 --> 00:19:36.525
I think what helped to trigger it was the 1963 publication of Betty
287
00:19:36.675 --> 00:19:39.565
Friedan\'s, the Feminine Mystique.
288
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But suddenly it caught fire because here was a new generation
289
00:19:45.145 --> 00:19:50.005
of women, and there was a lot of discontent going on.
290
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Women looked at other kinds of discontent going on.
291
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There was a black civil rights movement.
292
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There was an anti-Vietnam War movement.
293
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And I think it created the kind of atmosphere where more and more
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women were thinking, there\'s something wrong with,
295
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with the way I\'m being forced to live my life,
296
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I\'m going to join a movement to change that.
297
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Jane Rule wrote a novel in the early 1960s,
298
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published in 1964 as Desert of the Heart.
299
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And it was published in hardcover, and it got good reviews,
300
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and the characters did not end in suicide.
301
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They did not end by being committed to insane asylums or,
302
00:20:39.985 --> 00:20:44.525
or being lonely forever. It was actually a pretty happy ending.
303
00:20:44.825 --> 00:20:48.045
So that was a remarkable pioneering novel.
304
00:20:49.905 --> 00:20:51.875
When Desert of Heart first came out,
305
00:20:52.035 --> 00:20:54.915
a number of people in Hollywood did ask for options.
306
00:20:56.055 --> 00:21:00.355
And this was 19 65, 66. At that time,
307
00:21:00.515 --> 00:21:03.115
I knew perfectly well what they would do with the book. Uh,
308
00:21:03.265 --> 00:21:07.195
they would turn it into a Hollywood happy ending that is one of them would have
309
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to kill herself, and the other one would have to get married.
310
00:21:12.375 --> 00:21:16.675
And so I said, no. My agent said, you know, with movies,
311
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what you do is take your money and run. And I said,
312
00:21:20.115 --> 00:21:24.755
I don\'t have any place to run. When Donna de approached me,
313
00:21:25.175 --> 00:21:26.635
uh, a good many years later,
314
00:21:28.615 --> 00:21:32.435
she was an independent filmmaker. She showed me every film that she had made,
315
00:21:33.135 --> 00:21:36.675
and then we talked about the kind of film she wanted to make. And I said,
316
00:21:36.675 --> 00:21:38.515
you can\'t make a film of this book.
317
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You can make your film taking whatever from the book is useful to you.
318
00:21:45.055 --> 00:21:48.035
And so, no, I don\'t wanna have anything to do with it.
319
00:21:48.155 --> 00:21:50.715
I don\'t wanna write the script. I don\'t know how to write scripts. I\'m,
320
00:21:50.935 --> 00:21:52.515
I\'m not even much of a movie goer,
321
00:21:53.255 --> 00:21:56.955
but I trust you to make a movie that I may or may not like,
322
00:21:57.455 --> 00:22:01.795
but I know it won\'t offend me. I think it was, uh, just a marvelous job.
323
00:22:02.055 --> 00:22:04.835
And of course, it gave a whole new life to the book.
324
00:22:05.655 --> 00:22:10.475
And it\'s now been translated into many different languages. It\'s sold many,
325
00:22:10.475 --> 00:22:14.235
many more copies. And so, uh, in a sense,
326
00:22:14.615 --> 00:22:17.395
the film gave the book a second birth,
327
00:22:17.735 --> 00:22:20.115
so you don\'t have to choose between one and the other. Uh,
328
00:22:20.165 --> 00:22:21.795
thank heaven we have them both. Now,
329
00:22:24.815 --> 00:22:27.955
Isabel Miller, whose real name was Alma Root song,
330
00:22:28.295 --> 00:22:30.555
she wrote a novel called A Place For Us.
331
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It was Too Hard to Find a Publisher,
332
00:22:34.015 --> 00:22:37.475
and so she published it herself in 1969.
333
00:22:37.735 --> 00:22:42.435
She did find a publisher who reissued it as patient since Sarah.
334
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They said it was like a West Side story, you know,
335
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there\'s a place for us somewhere,
336
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a place for us. Then I said, so what, you know,
337
00:22:58.695 --> 00:23:01.775
I was saying a place for us all While I was writing it,
338
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I knew it was like West Side Story.
339
00:23:04.075 --> 00:23:06.455
It was based on an actual artist,
340
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a woman by the name of Maryanne Wilson in the early 19th century,
341
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and the woman who was her partner,
342
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and how they go off and make a life together and live happily ever after.
343
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There was much excitement around Betty Friedan\'s, the Feminine Mystique,
344
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and I think a lot of women came to her to encourage the idea,
345
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but she had the most prominent name.
346
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And so they decided they would start this organization called The National
347
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Organization for Women. And it grew all over the United States.
348
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In the beginning, Betty Friedan was really homophobic,
349
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didn\'t want lesbians in her organization.
350
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She had started a conference to unite women,
351
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and then she decided she would\'ve a second conference to unite women.
352
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It was popular enough so that she could have this big auditorium rented in
353
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New York.
354
00:24:02.385 --> 00:24:06.845
The only problem is that there wasn\'t a single lesbian speaker scheduled.
355
00:24:07.975 --> 00:24:11.885
There was a big Women\'s Congress meeting, and they\'re all there, and, you know,
356
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they\'re all what you would expect, you know, perfectly nice people,
357
00:24:16.105 --> 00:24:19.845
but they did not wanna discuss anything about lesbians because they felt it
358
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would hurt the movement. Betty said, we were,
359
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she at one time made a crack about lesbians being a lavender menace and
360
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harming the women\'s movement.
361
00:24:29.305 --> 00:24:33.525
And I gathered a bunch of people together that were in these couple gay groups.
362
00:24:33.815 --> 00:24:36.485
There were a few gay groups of women. Some were very leftist,
363
00:24:36.485 --> 00:24:39.445
others were really just focused on gay things.
364
00:24:39.905 --> 00:24:42.445
So I tried to get some of these people together, and I said, you know,
365
00:24:43.225 --> 00:24:46.045
we need to go to this Congress. And a couple other people said, yeah,
366
00:24:46.365 --> 00:24:48.245
probably we do. And then we all talked about it.
367
00:24:48.735 --> 00:24:52.045
There were a couple women there that I trusted. Uh, I,
368
00:24:52.205 --> 00:24:56.685
I knew they were as good as their word. And so we got the rest together,
369
00:24:56.905 --> 00:25:01.285
and we got these T-shirts, you know, these lavender t-shirts,
370
00:25:01.285 --> 00:25:04.445
this lavender menace. And we gathered out in the atrium,
371
00:25:04.625 --> 00:25:08.485
and they were all in there, you know, all the girls. And of course,
372
00:25:08.485 --> 00:25:10.085
you\'re not supposed to say girls, but they were girls.
373
00:25:10.585 --> 00:25:15.085
And so we had somebody behind the curtain because the lesbians knew the
374
00:25:15.085 --> 00:25:18.245
technology. The straight ladies didn\'t, which is really funny.
375
00:25:18.345 --> 00:25:21.565
If you think about it. I mean, here are the lesbians doing all the male jobs,
376
00:25:22.095 --> 00:25:23.685
which is just cracks me up.
377
00:25:24.025 --> 00:25:27.605
So they cut the lights and you hear this murmur,
378
00:25:27.605 --> 00:25:31.045
and then you hear a couple of screams, you know, like Phantom of the Opera.
379
00:25:31.985 --> 00:25:35.525
And the lights came back on, and we were all down in the aisles.
380
00:25:36.425 --> 00:25:39.005
All the gay women, nobody was ugly,
381
00:25:39.945 --> 00:25:43.845
but people began to speak and say, you know, we must all be treated equally.
382
00:25:43.985 --> 00:25:48.285
We have to stand together. And that, that was the beginning of it. But it was,
383
00:25:49.535 --> 00:25:51.645
there were some women that wouldn\'t do it, but not too many,
384
00:25:51.645 --> 00:25:52.485
because by that time,
385
00:25:52.915 --> 00:25:57.645
most of the gay women who\'d been trying to work with the feminist had been
386
00:25:57.645 --> 00:26:01.205
mistreated and got it, and realized, you know, if we don\'t resolve this,
387
00:26:01.825 --> 00:26:03.125
it isn\'t just about gay women.
388
00:26:03.225 --> 00:26:08.165
It is going to really harm the future of women\'s rights across the board.
389
00:26:08.435 --> 00:26:09.885
They really did get it, most of them.
390
00:26:10.065 --> 00:26:12.925
And I think that was the beginning of the re approachment.
391
00:26:13.325 --> 00:26:17.825
I got thrown out a nail for bringing up women,
392
00:26:17.825 --> 00:26:22.625
loving women. And I was, I think I was 22. I was the youngest person there,
393
00:26:22.845 --> 00:26:27.665
so it was easy to get rid of me. Um, I didn\'t necessarily go quietly,
394
00:26:27.665 --> 00:26:32.135
though. I needed to go. So I thought I\'d write a book.
395
00:26:32.435 --> 00:26:36.775
So I did. I mean, I\'d written two books of poetry. So I wrote this book,
396
00:26:36.775 --> 00:26:39.015
and I was having a good time. I was making myself laugh.
397
00:26:39.935 --> 00:26:41.695
I think any writer wants to be published.
398
00:26:41.715 --> 00:26:45.445
It doesn\'t matter what they\'ve written, written. When I wrote this, I,
399
00:26:45.805 --> 00:26:49.645
I thought it was funny. You know, I thought it was a true coming of age story,
400
00:26:49.645 --> 00:26:52.205
which is very much a part of Western literature.
401
00:26:53.365 --> 00:26:58.365
I had no idea of the venom that would be coming my way from agents
402
00:26:58.425 --> 00:27:01.005
and publishers and stuff like this. I mean,
403
00:27:01.005 --> 00:27:05.845
I was kind of shocked that people were that narrow and, uh,
404
00:27:06.205 --> 00:27:09.605
frightened. And the worst ones were the gay ones. It wasn\'t the straight ones,
405
00:27:10.515 --> 00:27:14.245
because if the gay ones were good to you, then people might think they were gay.
406
00:27:14.865 --> 00:27:18.885
So the closet people were brutal. I learned a lot. Um,
407
00:27:19.665 --> 00:27:24.525
and finally this tiny little new publisher, daughters Press, uh,
408
00:27:25.315 --> 00:27:29.405
June, Arnold and Park, Bowman and June had inherited oil wealth.
409
00:27:30.105 --> 00:27:31.645
She was a Houston girl, I think,
410
00:27:32.225 --> 00:27:35.845
and she wanted to publish women\'s fiction stuff that couldn\'t get published.
411
00:27:36.345 --> 00:27:40.445
So the first year she published five books. Sister Jen was hers,
412
00:27:40.825 --> 00:27:44.765
and then mine, and then three others. And mine just went through the roof.
413
00:27:45.505 --> 00:27:49.605
It never had an ad, it never had a review. \'cause nobody would touch this stuff.
414
00:27:50.465 --> 00:27:54.645
And, uh, it sold 70,000 copies in about three weeks, word of mouth.
415
00:27:55.985 --> 00:28:00.205
So they couldn\'t keep up with the volume, and I had no idea what was going on.
416
00:28:00.305 --> 00:28:04.285
You know, I was like 24 years old. It was,
417
00:28:04.385 --> 00:28:05.925
it was quite an adventure.
418
00:28:07.685 --> 00:28:12.525
I think everything you\'ve observed or lived through influences your fiction.
419
00:28:13.625 --> 00:28:17.925
Um, Gloria Steinem did a funny thing.
420
00:28:18.225 --> 00:28:21.925
She read it, and then for whatever reason, she said, autobiographical.
421
00:28:21.945 --> 00:28:25.125
And it stuck. And it\'s not, it\'s not, I mean,
422
00:28:25.125 --> 00:28:27.885
there\'s some things that I observed or lived through that are in there,
423
00:28:27.885 --> 00:28:30.125
but it\'s not really autobiographical. But,
424
00:28:30.125 --> 00:28:34.325
and then everybody expected me to be this big d**e, you know? And I\'m like, no,
425
00:28:34.545 --> 00:28:38.165
I\'m just a little one. I don\'t believe there\'s lesbian literature.
426
00:28:38.445 --> 00:28:40.445
I believe there are books written by lesbians,
427
00:28:40.705 --> 00:28:42.765
but if literature is only about lesbianism,
428
00:28:42.765 --> 00:28:45.885
then there\'s really only two or three stories you can tell coming out,
429
00:28:45.935 --> 00:28:48.765
which in the beginning we had to, those stories had never been told.
430
00:28:49.265 --> 00:28:52.045
But now they\'ve been told, you know, for the most part,
431
00:28:53.185 --> 00:28:57.645
how you met the person you love, or how you had a bad love affair or whatever,
432
00:28:57.705 --> 00:29:00.805
or how you decided to have children. Those are the stories. That\'s not enough.
433
00:29:01.025 --> 00:29:03.645
If you\'re gonna write, you have to embrace the world.
434
00:29:04.345 --> 00:29:06.045
You have to have all kinds of characters.
435
00:29:06.505 --> 00:29:10.445
The great thing about Ruby for Jungle really is, it\'s funny, none of this, oh,
436
00:29:10.475 --> 00:29:14.405
whoa, is me. My life is the most painful life in the world.
437
00:29:15.465 --> 00:29:18.965
Ugh. Well, people come up and they get very worshipful, you know,
438
00:29:18.965 --> 00:29:22.325
and some of them cry and they say, you changed my life. And I say,
439
00:29:22.405 --> 00:29:24.805
I did not change your life. I opened a door.
440
00:29:25.025 --> 00:29:28.925
You still had to have the courage to go through it. Take credit, you did it.
441
00:29:31.025 --> 00:29:34.765
We all had to stay after school every day to remember our lives and rehearse.
442
00:29:35.385 --> 00:29:36.405
Ms. Potter was right.
443
00:29:36.925 --> 00:29:41.445
I was so busy trying to get everything perfect that I didn\'t have time to get
444
00:29:41.445 --> 00:29:44.685
into trouble or think about anything else except Liotta.
445
00:29:45.245 --> 00:29:47.245
I began to wonder if girls could marry girls,
446
00:29:47.315 --> 00:29:52.005
because I was sure I wanted to marry Liotta and look in her green eyes forever,
447
00:29:53.025 --> 00:29:56.085
but I would only marry her if I didn\'t have to do the housework.
448
00:29:56.605 --> 00:30:00.725
I was certain of that. But if Liotta really didn\'t wanna do it either,
449
00:30:00.925 --> 00:30:03.565
I guessed I\'d do it. I\'d do anything for Liotta.
450
00:30:06.805 --> 00:30:10.915
Sarah Aldridge, who was really Anita Marchant,
451
00:30:11.365 --> 00:30:14.355
wrote her first novels when she was in her sixties.
452
00:30:15.325 --> 00:30:19.035
After retiring from the World Bank as an attorney,
453
00:30:19.455 --> 00:30:21.475
by early 1970s,
454
00:30:22.375 --> 00:30:25.315
she realized that there was nowhere to publish them,
455
00:30:25.935 --> 00:30:29.955
and she decided she had to publish them herself.
456
00:30:30.375 --> 00:30:33.635
She had written stories for the magazine, the latter.
457
00:30:34.075 --> 00:30:37.675
Previously she knew Barbara Greer, who was of course,
458
00:30:37.675 --> 00:30:42.115
the editor part of that time after she started to investigate
459
00:30:42.715 --> 00:30:45.675
printers and how you would go about doing it,
460
00:30:46.295 --> 00:30:51.275
she was able to get the mailing list from the latter from
461
00:30:51.275 --> 00:30:56.035
Barbara. The two of them put their heads together and started NIAID Press.
462
00:30:56.735 --> 00:31:00.155
It started with Muriel Crawford, aunt Donna McBride.
463
00:31:00.425 --> 00:31:05.355
They published The Late Comer. They had a good mailing list, and it took off.
464
00:31:05.775 --> 00:31:08.355
It was a very sweet,
465
00:31:08.885 --> 00:31:13.515
historical novel about a woman crossing the ocean on a, uh,
466
00:31:13.645 --> 00:31:17.995
ocean liner and meeting another woman on the ship. And it,
467
00:31:18.215 --> 00:31:22.195
it just did what Anita wanted, which was get into the hands of readers.
468
00:31:22.745 --> 00:31:27.195
Something where there was a lesbian couple that had what she
469
00:31:27.475 --> 00:31:30.075
considered to be a sweet and normal relationship.
470
00:31:33.505 --> 00:31:35.075
Anna Alan Shock\'s,
471
00:31:35.075 --> 00:31:39.875
loving her was a remarkable novel because it was the first novel about
472
00:31:39.895 --> 00:31:42.435
an interracial lesbian couple,
473
00:31:43.135 --> 00:31:45.435
and that had never been done before.
474
00:31:45.775 --> 00:31:50.635
And I think that will go down in the annals of history for its subject matter,
475
00:31:50.645 --> 00:31:52.075
which was so remarkable.
476
00:31:54.975 --> 00:31:59.075
One of the joys of my life has always been fantasy fiction and science fiction.
477
00:31:59.415 --> 00:32:02.915
And so the making of Utopias, you know,
478
00:32:02.975 --> 00:32:04.955
how you would really like for the world to be,
479
00:32:05.215 --> 00:32:08.675
has been configured in my imagination. You know, almost all of my life,
480
00:32:09.215 --> 00:32:12.115
the Wander Ground was
481
00:32:13.815 --> 00:32:17.715
almost 90% channeled. And by that I mean,
482
00:32:17.815 --> 00:32:22.795
it had come to me in short stories that I just suddenly wanted to write.
483
00:32:22.795 --> 00:32:24.155
And it was like automatic writing.
484
00:32:24.985 --> 00:32:27.795
This is certainly true up through the first half of the book,
485
00:32:27.795 --> 00:32:30.915
through the chapter called Diana in the Moon.
486
00:32:32.325 --> 00:32:36.115
After that, when I got into the matter of the, the Gentles,
487
00:32:36.775 --> 00:32:40.205
it was not quite so much channeled as it was, um,
488
00:32:41.225 --> 00:32:45.925
trying to be fitted into what I knew of what at that time was
489
00:32:46.685 --> 00:32:50.565
cultural feminism or, um, lesbian separatism,
490
00:32:50.905 --> 00:32:54.725
or whatever it was that you wanted to call, uh,
491
00:32:55.115 --> 00:33:00.005
that part of the new women\'s movement that talked about
492
00:33:00.055 --> 00:33:05.005
women taking the power into their own hands by going back to the land and
493
00:33:05.435 --> 00:33:10.205
finding their psychic powers. So the Wander ground was itself.
494
00:33:10.225 --> 00:33:14.005
It got passed around on those purple ditto sheets for years,
495
00:33:14.145 --> 00:33:18.405
and xeroxed copies of the Dittoes and then Dittoes of the Z Rocks.
496
00:33:18.405 --> 00:33:21.525
It was just being passed around at least all over the East Coast.
497
00:33:22.545 --> 00:33:25.445
And until Persephone said, we ought to publish this.
498
00:33:25.945 --> 00:33:28.925
And so when we got it published, it had become then the full,
499
00:33:29.155 --> 00:33:33.845
full vision of what I felt was the women of the world\'s
500
00:33:34.425 --> 00:33:37.645
answer to how we should deal with violence.
501
00:33:40.745 --> 00:33:42.805
In the 1970s, uh,
502
00:33:43.205 --> 00:33:47.645
suddenly all of these publishing houses appeared. There was Niaid Press,
503
00:33:47.695 --> 00:33:51.725
there was Persephone Press, there was the Women\'s Press.
504
00:33:52.305 --> 00:33:53.765
And because they appeared,
505
00:33:53.785 --> 00:33:58.565
and it was clear that women were dying for books about lesbians
506
00:33:58.595 --> 00:34:01.125
that didn\'t have us committing suicide,
507
00:34:02.205 --> 00:34:07.045
suddenly bookstores started appearing all over the country that would
508
00:34:07.045 --> 00:34:12.005
handle these books, and that would invite authors who wrote lesbian books.
509
00:34:12.345 --> 00:34:14.325
So that began in the 1970s,
510
00:34:14.345 --> 00:34:17.685
and it continued through the 1980s and the nineties.
511
00:34:21.495 --> 00:34:22.525
Annie on trial,
512
00:34:23.105 --> 00:34:27.045
how it feels to be the author of a Challenge book by Nancy Garden.
513
00:34:27.935 --> 00:34:31.005
Annie on my mind, is a story of two young women,
514
00:34:31.235 --> 00:34:34.845
high school seniors who fall in love with each other. Annie,
515
00:34:35.255 --> 00:34:38.805
along with a book called All American Boys by Frank Mosca,
516
00:34:39.385 --> 00:34:43.045
had been donated to 42 schools in and around Kansas City,
517
00:34:43.625 --> 00:34:48.085
in both Kansas and Missouri by an organization called Project 21.
518
00:34:48.715 --> 00:34:52.285
Well, good evening and welcome to Casey Online for a number of weeks.
519
00:34:52.305 --> 00:34:56.725
The top local story around Kansas City has been a couple of books at some local
520
00:34:56.725 --> 00:34:59.125
schools placed in their library. The books,
521
00:34:59.125 --> 00:35:02.725
which looked favorably on the gay lifestyle were donated by a group calling
522
00:35:02.745 --> 00:35:04.365
itself Project 21.
523
00:35:04.675 --> 00:35:09.085
Project 20 one\'s purpose is to encourage schools to include
524
00:35:09.485 --> 00:35:10.245
accurate,
525
00:35:10.245 --> 00:35:14.925
positive materials about homosexuality in their libraries and curricula.
526
00:35:15.415 --> 00:35:17.085
About long after the donations,
527
00:35:17.565 --> 00:35:21.805
a fundamentalist minister and a small group of his supporters, doused Annie,
528
00:35:21.805 --> 00:35:24.805
with gasoline, dropped at into a metal bucket,
529
00:35:25.225 --> 00:35:28.965
And it was burned on the steps of the building housing the Kansas City School
530
00:35:28.965 --> 00:35:32.085
Board. That whole saga for went on for a couple of years,
531
00:35:32.805 --> 00:35:35.005
happened 11 years after Annie was published.
532
00:35:36.715 --> 00:35:39.315
Well, I\'m, I\'m Reverend Birmingham. I I, I earned the book.
533
00:35:42.395 --> 00:35:42.515
I
534
00:35:42.515 --> 00:35:43.355
Saw you on video tape.
535
00:35:43.385 --> 00:35:44.015
Yeah.
536
00:35:44.015 --> 00:35:48.755
And I\'m committed to keep on burning and other books lack your
537
00:35:48.755 --> 00:35:53.595
book until not one homosexual pro book on the shelf by a library.
538
00:35:53.855 --> 00:35:54.688
So you not city,
539
00:35:55.455 --> 00:35:57.035
Not go online. Go Reverend
540
00:35:57.035 --> 00:35:59.995
Bernie, you go make my, comes
541
00:36:00.005 --> 00:36:03.515
Ahead. Some schools kept the donations, some returned them,
542
00:36:03.695 --> 00:36:08.155
and a few removed copies that were already in their libraries that led to cries
543
00:36:08.155 --> 00:36:11.035
of censorship, of banning. It was a lot of fussing.
544
00:36:11.035 --> 00:36:12.875
The papers and on radio talk shows,
545
00:36:13.335 --> 00:36:17.595
and eventually a group of extremely brave high school students and their parents
546
00:36:17.745 --> 00:36:20.395
from one of the towns involved. Olathe, Kansas,
547
00:36:21.065 --> 00:36:25.195
sued their school district and its superintendent for violating their first and
548
00:36:25.195 --> 00:36:28.235
14th amendment rights. Eventually, there was a trial,
549
00:36:28.455 --> 00:36:32.395
and the judge ruled that Annie had been unconstitutionally removed from the
550
00:36:32.395 --> 00:36:35.635
shelves of those school libraries and ordered that it be returned.
551
00:36:36.775 --> 00:36:39.475
Gay and lesbian teenagers who,
552
00:36:39.475 --> 00:36:43.115
when they are beginning to come out and realize that they are gay,
553
00:36:44.185 --> 00:36:47.275
have very little to go on in our society.
554
00:36:47.305 --> 00:36:51.115
They do not have open role models often,
555
00:36:52.495 --> 00:36:57.355
and if they do not have books in which they can see something to
556
00:36:57.675 --> 00:37:00.355
validate their existence, something to solace them, something to say,
557
00:37:00.355 --> 00:37:03.515
they\'re not the only ones in the world. There are other people like you.
558
00:37:03.575 --> 00:37:08.435
It is possible to be happy to be a moral productive
559
00:37:08.435 --> 00:37:12.635
member of society and be gay. They need to know this,
560
00:37:12.935 --> 00:37:17.875
and straight kids need to know this. Also, homophobia is very harmful.
561
00:37:18.415 --> 00:37:23.075
It hurts everybody, not just gay people. It hurts straight people as well,
562
00:37:23.135 --> 00:37:23.968
for many reasons.
563
00:37:24.545 --> 00:37:29.035
That is why gay kids need books in their libraries.
564
00:37:34.695 --> 00:37:38.235
In 1982, Alice Walker wrote The Color Purple,
565
00:37:38.765 --> 00:37:41.995
which was about black women in the 1930s.
566
00:37:42.735 --> 00:37:44.795
She never uses the word lesbian,
567
00:37:45.375 --> 00:37:49.315
but clearly there\'s a beautiful lesbian relationship.
568
00:37:50.145 --> 00:37:53.995
They have a love relationship. They fall in love with each other. Sealy is,
569
00:37:54.055 --> 00:37:57.875
is enamored of Suge. Even before she meets her, she sees a photograph.
570
00:37:58.375 --> 00:38:03.315
And Sealy has never been loved, uh, by, by anyone except her sister Netty,
571
00:38:03.935 --> 00:38:06.955
who ends up being sent off to Africa.
572
00:38:08.135 --> 00:38:12.795
So their relationship that they have really develops Seeley\'s
573
00:38:12.925 --> 00:38:16.875
sense of herself as a person, a real person, instead of a drudge.
574
00:38:17.545 --> 00:38:21.395
When I went to China in 1983, just after the book was published,
575
00:38:21.735 --> 00:38:26.555
it was already a bestseller in China. They didn\'t tell me about it, but it was,
576
00:38:26.655 --> 00:38:31.075
and so I said to them, well, um, why do people respond so,
577
00:38:31.255 --> 00:38:34.755
so deeply to this novel? And they said to me, well, Alice,
578
00:38:34.955 --> 00:38:39.605
it\'s a very Chinese story, because the oppression of women is global.
579
00:38:40.425 --> 00:38:44.325
The beauty of nature is what reminds us of what is divine. I mean,
580
00:38:44.325 --> 00:38:48.165
that we are already in heaven, really, it\'s just that we haven\'t noticed it,
581
00:38:48.165 --> 00:38:50.085
and we\'ve been diverted, uh,
582
00:38:50.185 --> 00:38:53.845
by people who want us to believe whatever it is they\'re basically selling us.
583
00:38:54.825 --> 00:38:59.205
Um, but if you pass by the color purple in a field and you don\'t even notice it,
584
00:38:59.625 --> 00:39:01.965
why should you even be here on the planet? I mean,
585
00:39:01.965 --> 00:39:06.885
you should notice what is here because it is wonderful and amazing and loves you
586
00:39:06.885 --> 00:39:07.718
back.
587
00:39:13.485 --> 00:39:14.965
I had written Curious Wine,
588
00:39:16.065 --> 00:39:19.445
but I had put that on the shelf because there was something wrong with it,
589
00:39:19.445 --> 00:39:21.365
and I couldn\'t quite figure out what it was.
590
00:39:21.985 --> 00:39:25.325
And I had written a draft of Amateur City,
591
00:39:25.335 --> 00:39:27.285
which was the first Kate Delafield book.
592
00:39:27.545 --> 00:39:31.205
And I had also started an emergence of green.
593
00:39:31.605 --> 00:39:33.725
I had all these projects I was working on,
594
00:39:34.505 --> 00:39:39.325
so I went to see Sheila Ortiz Taylor at Sisterhood Bookstore to
595
00:39:39.325 --> 00:39:42.845
get Fault Line signed Sheila Taylor, Los Angeles,
596
00:39:43.115 --> 00:39:47.165
June, 1982. This is a profoundly important book to me,
597
00:39:47.165 --> 00:39:49.565
because it was when everything began.
598
00:39:50.465 --> 00:39:54.365
And little did I know that Barbara Greer, uh, was there with her.
599
00:39:54.505 --> 00:39:57.845
She was on tour. And, uh, after Sheila read,
600
00:39:58.115 --> 00:40:02.205
Barbara got up and she talked about Nyad Press and what they were hoping to
601
00:40:02.205 --> 00:40:03.925
achieve at Nyad Press. And I was so,
602
00:40:05.365 --> 00:40:10.125
I was so moved and affected by everything that she said,
603
00:40:10.595 --> 00:40:14.965
that I went up to her afterward and I said, I have this novel.
604
00:40:16.155 --> 00:40:18.775
Uh, and she just looked at me and said, tell me,
605
00:40:18.775 --> 00:40:20.455
does anything happen in this novel?
606
00:40:22.525 --> 00:40:27.455
Like she had been asked this a million other times. And so I said,
607
00:40:27.595 --> 00:40:30.895
yes, I thought that a few things did happen in the book.
608
00:40:31.715 --> 00:40:33.655
And so she said, send it to me. She said,
609
00:40:33.675 --> 00:40:36.495
I\'m going up to a conference on the West Coast, but she said,
610
00:40:36.495 --> 00:40:40.695
send it to me and I\'ll look at it when I get back. So I thought, thank Heavens,
611
00:40:40.695 --> 00:40:42.895
because I need to look at the book again.
612
00:40:43.115 --> 00:40:48.055
So I took Curious Wine off the shelf and discovered that what was wrong
613
00:40:48.055 --> 00:40:49.815
with it was where it opened.
614
00:40:50.635 --> 00:40:54.815
So I fixed the opening to the book and sent it off to her,
615
00:40:55.195 --> 00:40:58.455
and she called me and she said, we would like to publish your novel.
616
00:40:58.955 --> 00:41:03.895
So that was how it all began. Curious Wine, this book that I wrote,
617
00:41:04.005 --> 00:41:07.015
just to celebrate how very beautiful women are together.
618
00:41:07.715 --> 00:41:10.655
And I wrote that book because nobody had written a book like that.
619
00:41:10.875 --> 00:41:13.695
As I have often said, I wrote the book I wanted to read,
620
00:41:14.235 --> 00:41:17.855
and it turned out that an awful lot of other women wanted to read the same book.
621
00:41:18.675 --> 00:41:23.575
So I\'ve ended up writing what is considered now a milestone book on a lesbian
622
00:41:23.685 --> 00:41:28.335
classic. A lot of people think that it\'s a romance, which it is,
623
00:41:28.485 --> 00:41:31.535
certainly it is above all. But to me,
624
00:41:31.595 --> 00:41:34.525
it was an incredibly political book when I wrote it,
625
00:41:34.525 --> 00:41:38.565
because I wrote it into all of the stereotypes of the tithe.
626
00:41:39.065 --> 00:41:44.045
One of them was that lesbians became lesbians because we were too ugly to get
627
00:41:44.145 --> 00:41:48.845
men, you know? And so Elaine is beautiful, and Diana is very, very attractive.
628
00:41:49.985 --> 00:41:50.205
Uh,
629
00:41:50.205 --> 00:41:55.045
another one was that we were seduced into this life when we were
630
00:41:55.245 --> 00:41:59.085
children or whatever. Late is 32 Diana\'s 34.
631
00:42:00.225 --> 00:42:03.565
Uh, both of them have had heterosexual experience.
632
00:42:04.355 --> 00:42:08.285
Both of them are professional women. They have all of these options.
633
00:42:09.065 --> 00:42:11.605
And out of all of these options they have in their lives,
634
00:42:11.605 --> 00:42:14.045
they choose the most difficult one, which was each other.
635
00:42:15.085 --> 00:42:18.165
I consider myself really a practitioner of the craft.
636
00:42:18.925 --> 00:42:22.165
Learning to write was really difficult for me.
637
00:42:22.465 --> 00:42:26.085
My partner at the time said, this is when I turned 40. She said,
638
00:42:26.785 --> 00:42:28.405
you\'ve always wanted to write a book.
639
00:42:28.665 --> 00:42:33.325
Why don\'t you take six months and write a book? So anyway, three years later,
640
00:42:35.305 --> 00:42:36.525
you know, when I was growing up,
641
00:42:36.525 --> 00:42:40.845
they said that gay people didn\'t have and couldn\'t have children. Well,
642
00:42:40.845 --> 00:42:42.725
we did have children, you know,
643
00:42:42.725 --> 00:42:47.245
and it was the generation coming after us was they were our children.
644
00:42:47.845 --> 00:42:49.725
I wanted life to be different for them.
645
00:42:50.125 --> 00:42:53.045
I didn\'t want them to have to go through what I went through.
646
00:42:53.185 --> 00:42:55.925
And we were criminals when I grew up.
647
00:42:57.185 --> 00:43:00.765
We were thrown out of our families. We were thrown out of the church.
648
00:43:00.985 --> 00:43:04.085
We were thrown out of our jobs. We were thrown out of the military.
649
00:43:04.865 --> 00:43:09.805
We were forced into therapy. Every book that I\'ve written,
650
00:43:10.475 --> 00:43:14.765
there\'s something in there that matters to my community. I feel very,
651
00:43:14.765 --> 00:43:17.245
very lucky to be a lesbian writer,
652
00:43:17.705 --> 00:43:21.285
and that I actually could write books that mattered to my readers.
653
00:43:25.595 --> 00:43:26.525
Oranges are not,
654
00:43:26.525 --> 00:43:31.045
the only fruit was based on Jeanette Winterson\'s own life.
655
00:43:31.225 --> 00:43:36.165
She was adopted into a fundamentalist religious family.
656
00:43:36.905 --> 00:43:40.645
And oranges are not the only fruit challenges.
657
00:43:40.795 --> 00:43:45.645
That notion of religion that has been until fairly recently
658
00:43:46.265 --> 00:43:47.885
has been so homophobic,
659
00:43:48.225 --> 00:43:51.605
so condemnatory of homosexuals.
660
00:43:54.445 --> 00:43:58.765
I was very innocent. I didn\'t understand what the difference,
661
00:43:58.825 --> 00:44:03.365
my difference was until about junior high.
662
00:44:03.665 --> 00:44:06.765
The boys started calling me Butch. At 15,
663
00:44:07.545 --> 00:44:11.925
my best friend and I fell in love. Fortunately,
664
00:44:11.925 --> 00:44:15.405
being in New York, we had Greenwich Village.
665
00:44:15.775 --> 00:44:19.005
While the adults went to the bars, the kids went to the ice cream parlor,
666
00:44:19.035 --> 00:44:19.885
that sort of thing.
667
00:44:20.105 --> 00:44:24.085
That\'s also where we found our first lesbian pulps.
668
00:44:24.965 --> 00:44:28.645
I go to college, I turn 21. I can subscribe to the latter.
669
00:44:29.385 --> 00:44:33.325
And Barbara Greer sent me Jane Rule\'s Desert of the Heart.
670
00:44:34.325 --> 00:44:37.885
I wanted to write like Jane Rule. I wanted to be Jane Rule.
671
00:44:38.625 --> 00:44:40.285
And we continued writing for the latter.
672
00:44:41.005 --> 00:44:45.165
I continued writing for sinister wisdom, and then Common Lives, lesbian Lives.
673
00:44:45.425 --> 00:44:49.885
That\'s how I met Carol cj, who became really important in women in print,
674
00:44:50.315 --> 00:44:53.125
unfounded women\'s bookstore in San Francisco.
675
00:44:54.445 --> 00:44:56.165
Nyad Press was founded up and running,
676
00:44:56.865 --> 00:45:00.925
and Barbara was making a place for us in the academic world.
677
00:45:01.385 --> 00:45:05.685
At the same time, reaching out to every closeted lesbian in the universe,
678
00:45:06.105 --> 00:45:10.845
the known universe, and maybe some others too. Knowing her, um, she,
679
00:45:11.385 --> 00:45:14.685
uh, she made it possible. She,
680
00:45:14.705 --> 00:45:19.205
she created a distribution system that made it possible for lesbians,
681
00:45:19.205 --> 00:45:24.125
even the most timid lesbians to, to read our books.
682
00:45:25.125 --> 00:45:29.685
I just wrote about what it was like coming in from Queens and
683
00:45:29.755 --> 00:45:33.765
meeting Susie under the clock by the subway, getting her cigarettes.
684
00:45:33.985 --> 00:45:35.045
She would rip off, um,
685
00:45:35.445 --> 00:45:39.205
lipstick from Kresge or awards or something,
686
00:45:39.345 --> 00:45:41.885
and we would get down to, to the village and,
687
00:45:42.225 --> 00:45:46.365
and just hang out and kind of watch the lesbians and see how they acted
688
00:45:47.305 --> 00:45:50.205
and how they talked, how they held their cigarettes.
689
00:45:50.425 --> 00:45:54.325
And they used lighters. And, uh,
690
00:45:55.665 --> 00:45:59.165
it, it was a dismal, dismal scene, really. The bars were awful.
691
00:45:59.745 --> 00:46:04.685
It was dirty and loud, and, but you could dance, you know,
692
00:46:04.685 --> 00:46:09.245
if you got to the back room, but only to an extent. I mean, it could not be
693
00:46:10.765 --> 00:46:15.645
anything risque, but we did, of course. Um,
694
00:46:17.345 --> 00:46:21.805
so that\'s, that\'s the background of this Washbox player. That\'s
695
00:46:25.025 --> 00:46:28.405
the essence of my experience in that world. I,
696
00:46:28.525 --> 00:46:32.285
I very much wanted to express, you know,
697
00:46:32.725 --> 00:46:37.285
a rebellion against the feminists express the but and,
698
00:46:37.425 --> 00:46:42.005
and the femorals, uh, because that\'s who we were. And,
699
00:46:42.025 --> 00:46:46.685
and the feminists wanted to deny that they thought we were posturing,
700
00:46:46.955 --> 00:46:50.685
wanting to be like men. Uh, and that was all wrong.
701
00:46:51.025 --> 00:46:52.405
And I\'ve been trying all life,
702
00:46:52.435 --> 00:46:56.525
life to portray that as being real for us.
703
00:46:57.225 --> 00:46:58.058
Uh,
704
00:47:00.985 --> 00:47:04.525
She walked up the subway steps, pulling the comb from her back pocket.
705
00:47:05.625 --> 00:47:09.325
The cigar shop on the corner was still open, selling Sunday papers.
706
00:47:10.265 --> 00:47:14.445
And she used its window to take the point out of her DA and to dismantle her
707
00:47:14.775 --> 00:47:18.845
pobor. She whistled Brenda, I\'m sorry,
708
00:47:19.665 --> 00:47:23.845
softly, as she wound small spit curls in front of her ears
709
00:47:30.865 --> 00:47:34.885
For a lot of feminists, they were very opposed to pornography,
710
00:47:35.345 --> 00:47:38.685
to explicit images of women\'s sexuality.
711
00:47:39.145 --> 00:47:43.885
It often included lesbian sexuality that could have been construed as
712
00:47:44.285 --> 00:47:48.325
pornographic, because the argument was, this is what men like to see.
713
00:47:48.785 --> 00:47:53.045
And there was blowback against that. A lot of lesbians were saying,
714
00:47:53.045 --> 00:47:57.085
wait a minute, this is my sexuality. I define it the way I want.
715
00:47:57.185 --> 00:48:00.605
And this began sex wars among feminists,
716
00:48:00.625 --> 00:48:04.845
not only in the lesbian community, but among radical feminists and, uh,
717
00:48:04.855 --> 00:48:06.965
mainstream feminists.
718
00:48:07.665 --> 00:48:12.565
The sex wars led to the emergence of lesbians who were
719
00:48:12.795 --> 00:48:16.205
radical in terms of sexuality. Mm-Hmm. Who said, I,
720
00:48:16.325 --> 00:48:19.965
I don\'t want my sexuality censored in any way.
721
00:48:20.105 --> 00:48:23.605
I\'m gonna make porn films that are are for lesbians,
722
00:48:23.625 --> 00:48:25.765
and I\'m gonna show what I want to show.
723
00:48:26.345 --> 00:48:30.525
I\'m going to write novels that are poor novels for lesbians.
724
00:48:30.545 --> 00:48:31.965
And I\'m not gonna hold back.
725
00:48:32.185 --> 00:48:35.605
I\'m gonna talk about a variety of sexual pleasures.
726
00:48:39.165 --> 00:48:43.805
I made a gender transition from female to male when I was about 45.
727
00:48:44.325 --> 00:48:48.125
I have been a writer my whole adult life. I began, I think,
728
00:48:48.125 --> 00:48:53.005
because it was important for me to document the origins of the
729
00:48:53.005 --> 00:48:54.245
leather dite community.
730
00:48:54.845 --> 00:48:59.325
I think that people often see sex radicalism as being self-indulgent
731
00:49:00.475 --> 00:49:05.445
libertina that is separated from any other movement for social change. To me,
732
00:49:05.625 --> 00:49:08.285
it is vital to the cause of social justice.
733
00:49:08.865 --> 00:49:10.805
We have a right to control our own bodies.
734
00:49:11.225 --> 00:49:13.365
We have a right to do what we want with our bodies,
735
00:49:13.395 --> 00:49:16.445
with other consenting adults. And by God,
736
00:49:16.505 --> 00:49:21.485
the state will take every single opportunity it has to
737
00:49:21.635 --> 00:49:26.565
push us and to tighter and tighter and more constricted ways of living.
738
00:49:27.045 --> 00:49:31.965
I also wanted to start publishing because I was a feminist and still am.
739
00:49:32.465 --> 00:49:36.805
And the anti-porn movement had gotten cranked up in San Francisco,
740
00:49:37.545 --> 00:49:42.245
and they were sort of taking over the women\'s movement and
741
00:49:42.605 --> 00:49:47.005
reducing it to this single issue campaign to get rid of
742
00:49:47.565 --> 00:49:49.645
whatever they call pornography, uh,
743
00:49:49.645 --> 00:49:53.765
which was very poorly defined and included a lot of stuff that I thought should
744
00:49:53.765 --> 00:49:56.645
have First Amendment protection. Um,
745
00:49:57.465 --> 00:50:00.765
so I wanted to write about a different kind of feminism,
746
00:50:01.085 --> 00:50:03.165
a feminism that was sex positive.
747
00:50:03.925 --> 00:50:08.325
I was one of the organizers of the first leather d**e
748
00:50:08.325 --> 00:50:12.205
organization. Samoa actually, I mean, I was the founder,
749
00:50:12.845 --> 00:50:13.678
although at that time,
750
00:50:13.785 --> 00:50:18.445
nobody was ever supposed to be a leader or take individual credit for
751
00:50:18.765 --> 00:50:23.445
anything, because the women\'s movement sort of mandated that everything be a
752
00:50:23.445 --> 00:50:28.405
collective, which is God. That\'s why I started having migraines as collectives,
753
00:50:28.485 --> 00:50:29.685
I swear. But anyway,
754
00:50:30.285 --> 00:50:35.045
I wanted to talk about the reality of sadomasochism,
755
00:50:35.505 --> 00:50:40.165
the reality of female desire. Its intensity, its variety.
756
00:50:41.045 --> 00:50:42.205
I think that we have this,
757
00:50:42.595 --> 00:50:47.245
this idea that you only come out once if you are honest with
758
00:50:47.485 --> 00:50:49.845
yourself. As you learn, as you grow,
759
00:50:50.585 --> 00:50:53.365
as your understanding of yourself and the world deepens,
760
00:50:53.745 --> 00:50:58.365
it is entirely possible that you may realize you need to add
761
00:50:58.535 --> 00:51:03.005
other things to your experience and to your identity. And that\'s okay.
762
00:51:04.025 --> 00:51:04.858
It is okay.
763
00:51:05.345 --> 00:51:09.445
We can come out over and over and over again.
764
00:51:09.755 --> 00:51:11.685
It\'s a simple matter of evolution.
765
00:51:17.525 --> 00:51:19.165
I was born in Australia.
766
00:51:19.965 --> 00:51:24.485
I have trouble speaking because I have
767
00:51:26.925 --> 00:51:31.525
a pernicious disease called
768
00:51:31.915 --> 00:51:36.395
Parkinson\'s, but it hasn\'t kept me down.
769
00:51:37.605 --> 00:51:41.245
I was determined to be published in America.
770
00:51:43.365 --> 00:51:47.965
I wrote the book into America Night,
771
00:51:49.785 --> 00:51:53.845
and I had to call back from the, um,
772
00:51:54.945 --> 00:51:59.725
my quenching voice on bomb
773
00:52:00.855 --> 00:52:03.765
night. Often I had seen, she said,
774
00:52:03.765 --> 00:52:07.245
they\'re not necessarily going to publish your book. But as it finished,
775
00:52:07.465 --> 00:52:12.445
and I had written three love scenes and the end and Everyth,
776
00:52:13.905 --> 00:52:18.485
and I said, asked need a few weeks to polish it.
777
00:52:19.385 --> 00:52:23.805
And she said, just ride it with you.
778
00:52:25.705 --> 00:52:28.765
So I did. And they accepted it.
779
00:52:29.305 --> 00:52:32.045
And it was very successful.
780
00:52:44.475 --> 00:52:48.765
I\'ve been on panels with other writers, lesbian writers,
781
00:52:49.705 --> 00:52:53.205
one that I remember very, very vividly. I don\'t know what the question was,
782
00:52:53.205 --> 00:52:54.765
but her answer was, oh my gosh.
783
00:52:54.925 --> 00:52:59.085
I get up and I look at myself every morning in the mirror,
784
00:52:59.705 --> 00:53:01.845
and I think I am a lesbian.
785
00:53:04.665 --> 00:53:08.525
And I, and, and I thought, boy, that\'s not me.
786
00:53:09.425 --> 00:53:11.565
You know? Um, if I,
787
00:53:11.885 --> 00:53:14.525
I get up in the morning and if I look at myself in the mirror,
788
00:53:14.905 --> 00:53:18.845
I\'m looking for what\'s crumbled since the night before. You know, I\'m not,
789
00:53:19.915 --> 00:53:24.245
that is not where my mind initially goes. And I think it\'s the same thing.
790
00:53:24.955 --> 00:53:28.245
Jane is a lot of things, and I\'m, a lot of things,
791
00:53:28.925 --> 00:53:32.965
a daughter and a sister. And Kathy and I,
792
00:53:33.025 --> 00:53:37.285
we have two girls who have had multiple children.
793
00:53:37.505 --> 00:53:41.165
So we have five grandkids. I\'m a writer. I\'m a lot of things.
794
00:53:41.985 --> 00:53:46.485
The kind of mystery I was writing didn\'t really allow for sex scenes.
795
00:53:48.225 --> 00:53:51.365
And I used to get all kinds of people coming up to me,
796
00:53:51.825 --> 00:53:56.605
all kinds of people saying, I need to put sex scenes in my books. I never did.
797
00:53:56.605 --> 00:53:58.845
And the rea and I have no problem with sex scenes in books,
798
00:53:59.505 --> 00:54:03.125
but the reason I didn\'t is because the traditional mystery was the kind I wrote
799
00:54:03.265 --> 00:54:06.645
and that didn\'t have sex scenes. Okay? Because of that,
800
00:54:07.765 --> 00:54:12.525
I think my books were perhaps more palatable in terms of the mainstream.
801
00:54:13.385 --> 00:54:17.755
And I think that that has helped them, um, sell,
802
00:54:18.565 --> 00:54:22.355
which has helped me stay alive as a writer. It was a very different world.
803
00:54:22.455 --> 00:54:25.235
Things were harder. I don\'t, I don\'t know that I would, I mean,
804
00:54:25.275 --> 00:54:27.875
I wouldn\'t write it that way if I were starting today.
805
00:54:28.355 --> 00:54:31.715
I loved writing the Jane Lawless series, and I still do, thankfully.
806
00:54:32.215 --> 00:54:34.035
But I just thought, well, this is it. You know,
807
00:54:34.035 --> 00:54:37.475
I\'ve reached the level I\'m going to reach. And then they called
808
00:54:39.125 --> 00:54:43.875
kinda out of the blue, the woman who called said, are you sitting down?
809
00:54:43.975 --> 00:54:48.875
And that\'s, you know, is that good or bad? And she said, we\'re,
810
00:54:48.875 --> 00:54:53.635
you know, we\'re going to make you the 2017 Grand Master. Congratulations.
811
00:54:54.585 --> 00:54:59.435
Yeah, that was huge. That was, that\'s those people, you know,
812
00:54:59.775 --> 00:55:02.155
uh, aga, the Christie and, uh,
813
00:55:02.375 --> 00:55:05.715
Alfred Hitchcock and Stephen King and Sarah Persky,
814
00:55:06.095 --> 00:55:07.155
the Mystery Writers of America.
815
00:55:07.155 --> 00:55:11.555
Grandma is the sort of the pinnacle of achievement in crime writing. And
816
00:55:14.665 --> 00:55:16.395
it\'s really, really cool.
817
00:55:21.595 --> 00:55:22.515
I was in North Hampton.
818
00:55:22.865 --> 00:55:25.835
This woman stopped me on the street because she knew I was a writer.
819
00:55:26.295 --> 00:55:30.915
She was a lesbian mom at the time with a four year old. She said to me, we,
820
00:55:31.095 --> 00:55:34.235
we don\'t have a book to read to Sarah that shows a family like ours.
821
00:55:34.235 --> 00:55:37.435
And that\'s really important. And we really want somebody to write. Well,
822
00:55:37.435 --> 00:55:40.835
you know, she just planted that seed. When I was growing up,
823
00:55:40.835 --> 00:55:43.795
there were no books for Jewish kids. My family was invisible.
824
00:55:44.535 --> 00:55:48.875
So I took this request very seriously to write this children\'s book mistakenly.
825
00:55:48.915 --> 00:55:51.235
I thought, well, how hard can it be? This, not that many words, right?
826
00:55:51.335 --> 00:55:52.595
I\'m a poet, I should know better.
827
00:55:53.535 --> 00:55:57.315
So I went to the library and I just started checking out children\'s books and
828
00:55:57.315 --> 00:55:58.475
reading these picture books.
829
00:55:58.735 --> 00:56:02.995
And then I tried it and I wrote the story about Heather and her two moms,
830
00:56:03.055 --> 00:56:05.275
and they do all these fun things together.
831
00:56:05.935 --> 00:56:09.795
And then she goes to preschool and nobody else has two moms.
832
00:56:09.815 --> 00:56:12.995
And then all the kids draw pictures of their families. And then of course,
833
00:56:13.215 --> 00:56:16.875
the message is that the most important thing about a family is that all the
834
00:56:16.875 --> 00:56:20.235
people in it love each other. I went to mainstream publishers,
835
00:56:20.235 --> 00:56:23.725
they weren\'t interested. I went to lesbian publishers. They were like,
836
00:56:23.825 --> 00:56:27.285
we don\'t do children\'s books. I have a very good friend, her name is Svia Gover.
837
00:56:27.625 --> 00:56:30.325
And she, at the time was a lesbian mom of a one-year-old.
838
00:56:30.705 --> 00:56:33.805
She had a desktop publishing business at the time, called, in other words,
839
00:56:34.145 --> 00:56:37.645
we decided that we would do this together. You know, two strong Jewish women.
840
00:56:37.705 --> 00:56:42.405
We can do anything. And so the first thing, of course, was that we had no money.
841
00:56:43.545 --> 00:56:48.485
So we started a Kickstarter campaign back in the
842
00:56:48.485 --> 00:56:51.845
day before computers. So what we licked envelopes, right?
843
00:56:52.285 --> 00:56:56.445
Remember that We put stamps on envelopes. We handwrote the addresses, and we,
844
00:56:56.545 --> 00:57:01.375
um, printed a flyer that explained the book and said,
845
00:57:01.475 --> 00:57:06.135
you know, if you send us $10, we will send you a copy of the book within a year,
846
00:57:06.355 --> 00:57:09.935
or we\'ll give you your $10 back. We printed 4,000 books.
847
00:57:10.535 --> 00:57:13.655
Somebody from New Words, which was the feminist bookstore in Cambridge,
848
00:57:13.655 --> 00:57:17.375
Massachusetts, contacted us and she ordered some books from us.
849
00:57:18.455 --> 00:57:21.855
A man named Sasha Allison wandered in and saw the book,
850
00:57:22.275 --> 00:57:26.575
and he called us up and he said he had just published Daddy\'s roommate.
851
00:57:27.275 --> 00:57:29.095
And so he thought maybe we should join forces.
852
00:57:29.275 --> 00:57:32.215
And he had this actual press called Allison Publications.
853
00:57:32.715 --> 00:57:36.735
He bought the back stock and then he bought the rights. And, um,
854
00:57:37.395 --> 00:57:41.825
he took over from there. It was featured in Newsweek.
855
00:57:42.885 --> 00:57:44.665
It was just a small little box.
856
00:57:45.455 --> 00:57:49.505
Basically it said that the face of the American family was changing.
857
00:57:49.925 --> 00:57:52.425
And now there were children\'s books that reflected that change.
858
00:57:52.485 --> 00:57:55.265
And it talked about Heather has true mommies and daddy\'s roommate.
859
00:57:55.365 --> 00:57:57.625
And it didn\'t really say anything positive or negative,
860
00:57:57.625 --> 00:58:00.105
it was just kind of the fact of their existence.
861
00:58:00.685 --> 00:58:03.425
So that story got picked up everywhere. You know,
862
00:58:03.825 --> 00:58:06.505
I learned when you\'re in Newsweek, you know, the world pays attention.
863
00:58:07.085 --> 00:58:10.745
One of the biggest controversies was the rainbow curriculum in New York City.
864
00:58:11.035 --> 00:58:13.385
Chancellor Joseph Fernandez lost his job,
865
00:58:13.815 --> 00:58:18.185
largely because of Heather has two mommies. I mean, this is the power of a book.
866
00:58:18.725 --> 00:58:19.375
Um,
867
00:58:19.375 --> 00:58:23.945
Senator Smith read part of the book into the congressional record
868
00:58:24.525 --> 00:58:28.265
during a session when Congress was meeting, which is just kind of amazing.
869
00:58:28.575 --> 00:58:29.165
Heather
870
00:58:29.165 --> 00:58:33.505
Has two mommies, two roommates, mama Jane and Mama Kate.
871
00:58:34.295 --> 00:58:38.105
Nice and cute. Mama Jane has a no nukes sweatshirt on.
872
00:58:42.485 --> 00:58:44.695
Then it goes on to say that they were good friends,
873
00:58:46.555 --> 00:58:49.615
and Kate and Jane wanted to have a baby. So they talked about it for a while.
874
00:58:50.315 --> 00:58:54.615
And, uh, then we have, uh, Heather,
875
00:58:55.165 --> 00:58:59.495
Heather comes into the world and it goes on
876
00:59:01.955 --> 00:59:02.788
to promote
877
00:59:06.575 --> 00:59:11.115
the lifestyle of two lesbian parents with a small child.
878
00:59:12.015 --> 00:59:16.915
He was proposing a bill that said that any school that had any gay book in its
879
00:59:16.915 --> 00:59:19.915
library would lose all his federal funding. And Heather was, you know,
880
00:59:19.915 --> 00:59:23.485
just kind of the epitome of what should not be in our public schools.
881
00:59:23.815 --> 00:59:27.125
There were fist fights around the meetings about the New York Rainbow
882
00:59:27.175 --> 00:59:31.525
curriculum. I mean, it got really intense. There was a big case in, uh,
883
00:59:31.555 --> 00:59:34.925
Wichita Falls, Texas. This woman took the book outta the library,
884
00:59:35.785 --> 00:59:38.045
and she gave it to her minister and he wouldn\'t return it.
885
00:59:38.045 --> 00:59:41.725
And the librarian reminded him, thou shall not steal. You are a minister.
886
00:59:41.745 --> 00:59:44.805
So he wanted to give her the price of the book. And she\'s like, no,
887
00:59:44.805 --> 00:59:46.605
this is a public library. It doesn\'t work this way.
888
00:59:46.605 --> 00:59:50.925
And then a big thing exploded over that I was called the Antichrist.
889
00:59:51.265 --> 00:59:53.845
The book was defecated upon in a public library.
890
00:59:54.505 --> 00:59:59.245
It was returned with his pages glued shut so nobody could open it. You know,
891
00:59:59.315 --> 01:00:02.805
poor little Heather. All kinds of things happened. On the other hand,
892
01:00:04.085 --> 01:00:08.645
I got wonderful letters from kids, from lesbian moms.
893
01:00:09.005 --> 01:00:12.365
I heard about a kid who took the book to bed with him and put it under his
894
01:00:12.365 --> 01:00:17.205
pillow every night. I got a letter from a little girl named Tasha who said,
895
01:00:17.205 --> 01:00:19.045
thank you for writing. Heather has two mommies.
896
01:00:19.085 --> 01:00:22.805
I know that you wrote it just for me. That\'s really what I tried to focus on.
897
01:00:23.405 --> 01:00:25.685
\'cause you could almost even forget that it\'s a children\'s book,
898
01:00:25.685 --> 01:00:27.925
because the adults just went crazy. You know,
899
01:00:27.965 --> 01:00:30.925
I never have heard of a child getting upset about the book.
900
01:00:31.465 --> 01:00:34.005
We are born without prejudice. You know,
901
01:00:34.005 --> 01:00:38.565
we\'re born without any notion. This is a family. This isn\'t a family.
902
01:00:38.695 --> 01:00:42.765
We\'re born. And we learn very quickly, these are the people who love me.
903
01:00:42.815 --> 01:00:46.325
These are the people who take care of me. These are the people I feel safe with.
904
01:00:53.105 --> 01:00:54.485
Desert Hearts came out,
905
01:00:54.505 --> 01:00:59.005
and it was my wife who saw the credit in the film for,
906
01:00:59.295 --> 01:01:01.685
based on the novel by Jane Rule. Oh,
907
01:01:01.685 --> 01:01:06.005
she went to the Berkeley Public Library and looked up Jane Rule and saw that
908
01:01:06.005 --> 01:01:08.645
these were cards you had to do this to go through.
909
01:01:08.985 --> 01:01:11.245
And the card said Jane Rule,
910
01:01:11.305 --> 01:01:16.005
and then her subject field underneath which subject was Lesbianism Fiction,
911
01:01:16.455 --> 01:01:20.325
which, you know, was that a crime we didn\'t know? She went to the subject index,
912
01:01:20.415 --> 01:01:21.325
lesbianism fiction,
913
01:01:21.425 --> 01:01:23.805
and started going through them alphabetically and looking for the books on the
914
01:01:23.805 --> 01:01:25.445
shelf. Two, three weeks later,
915
01:01:25.765 --> 01:01:30.365
I was sobbing my way for the second time through Curious Wine and, and going,
916
01:01:30.565 --> 01:01:32.365
I had no idea. I had no idea.
917
01:01:32.495 --> 01:01:36.565
These books were not at my library at that point. Um,
918
01:01:36.945 --> 01:01:40.125
and so I read Curious Wine, and I thought, well, this is it.
919
01:01:41.235 --> 01:01:45.685
This is the story I wanna tell, and I may never write anything so fine as this,
920
01:01:45.785 --> 01:01:48.325
but I\'m gonna try. So I took note of who the publisher was,
921
01:01:48.325 --> 01:01:53.085
which was Naya Press, and I got on their mailing list, which was legendary.
922
01:01:53.505 --> 01:01:56.645
It was, it tens of thousands of women were on their mailing list.
923
01:01:56.985 --> 01:01:59.445
And you would get these very discreet flyers once a month.
924
01:01:59.445 --> 01:02:01.765
It had all the new releases in it. It had not just theirs,
925
01:02:01.765 --> 01:02:03.925
it had other lesbian and feminist publishers books in it.
926
01:02:04.185 --> 01:02:07.325
It was this little package of wonder that you got every month,
927
01:02:07.325 --> 01:02:10.605
and then the books would come. I read a lot of those, and I thought, okay,
928
01:02:10.605 --> 01:02:13.245
I\'ll ask for their submission guidelines. My favorite part,
929
01:02:13.245 --> 01:02:15.165
which I still remember, are the submission guidelines.
930
01:02:15.345 --> 01:02:17.485
The last sentence or so was something like,
931
01:02:17.785 --> 01:02:22.245
we believe that lesbians are superior at once and your
932
01:02:22.245 --> 01:02:26.165
manuscript must reflect this. And I thought, okay,
933
01:02:27.965 --> 01:02:32.525
I can do this. So I, I sent them my first manuscript,
934
01:02:32.525 --> 01:02:34.445
which was called in every Report, and they published it.
935
01:02:34.545 --> 01:02:37.325
And my editor was Catherine Forest, who wrote Curious Wine.
936
01:02:37.705 --> 01:02:40.405
So it was just this magical progression,
937
01:02:40.405 --> 01:02:42.965
and it\'s all because of books with Touchwood.
938
01:02:43.265 --> 01:02:47.005
The reason I decided to write about an older woman was that I had been working
939
01:02:47.185 --> 01:02:48.845
for a trade association.
940
01:02:49.095 --> 01:02:52.405
Their goal was to help nonprofit providers of senior housing. I heard the,
941
01:02:52.505 --> 01:02:55.045
the muted whispers that some of the housing projects had,
942
01:02:55.315 --> 01:02:59.765
some of those people in them. And it always felt like their stories were,
943
01:03:00.675 --> 01:03:02.085
were never gonna be told by anybody.
944
01:03:02.305 --> 01:03:05.885
And then I really started to wonder if you were 70 years old and it was in the
945
01:03:06.085 --> 01:03:08.005
1990s and you were living in a,
946
01:03:08.285 --> 01:03:12.405
a senior housing complex and still hiding who you were because you were afraid
947
01:03:12.405 --> 01:03:16.405
of the repercussions from not just the other residents, but from the, you know,
948
01:03:16.405 --> 01:03:18.965
the people who manage the complex. What would that be like?
949
01:03:18.985 --> 01:03:22.005
And what would your life have been to have brought you to that place?
950
01:03:22.145 --> 01:03:23.565
And what are the different challenges?
951
01:03:23.665 --> 01:03:27.965
So I wanted to write a story about an older woman, but being in my mid twenties,
952
01:03:28.285 --> 01:03:31.165
I didn\'t really have a gateway into the character. So that\'s when I thought,
953
01:03:31.165 --> 01:03:35.245
well, what about an intergenerational romance? And then after I submitted my,
954
01:03:35.905 --> 01:03:36.125
uh,
955
01:03:36.125 --> 01:03:41.125
first manuscript to Niaid and Barbara Ger called me one of the
956
01:03:41.125 --> 01:03:43.125
things, because it\'s what she famously did,
957
01:03:43.225 --> 01:03:47.885
she informed me that I had the most excellent bookstore in the entire country,
958
01:03:48.105 --> 01:03:52.365
in the city where I lived. And why had I not gone there? So
959
01:03:54.155 --> 01:03:58.285
that became a, a, a scene I added to my novel because the,
960
01:03:58.385 --> 01:04:00.845
the adventure of going into a women\'s bookstore for the first time,
961
01:04:01.475 --> 01:04:05.805
that was also an amazing thing. And that loss of that culture is,
962
01:04:05.995 --> 01:04:08.925
I\'ve really felt that because it was for 15 years,
963
01:04:09.385 --> 01:04:12.765
you could go into a woman\'s bookstore and it\'d be immediately updated as to what
964
01:04:12.765 --> 01:04:16.045
the issues were. People were talking about what the books were that were out,
965
01:04:16.045 --> 01:04:18.725
that people were talking about. And all those women did all that work.
966
01:04:19.195 --> 01:04:21.245
They built their own bookstores and they built their own presses,
967
01:04:21.245 --> 01:04:24.605
and they built their own distribution networks. They built their own economic,
968
01:04:25.025 --> 01:04:28.885
um, realities around all of that so that people made enough money to stay in
969
01:04:29.045 --> 01:04:31.485
business. And, and I did that for 15,
970
01:04:31.485 --> 01:04:34.885
20 incredible years working 24 7 pretty much.
971
01:04:35.385 --> 01:04:37.485
And that I\'m still grateful.
972
01:04:40.625 --> 01:04:43.845
The Black Arts movement was very influential for me.
973
01:04:44.145 --> 01:04:49.005
You didn\'t go to any kind of rally or march without a poet or
974
01:04:49.045 --> 01:04:53.125
a singer kicking things off. The two movements,
975
01:04:53.185 --> 01:04:57.525
the Black Arts Movement really started me out thinking.
976
01:04:58.065 --> 01:05:02.605
And the lesbian feminist movement gave me the opportunity to publish my writing
977
01:05:02.745 --> 01:05:04.685
and, and to hone my skills.
978
01:05:05.745 --> 01:05:08.405
All of these amazing lesbian feminist
979
01:05:09.925 --> 01:05:14.445
publications and presses. It\'s like you were in a candy store, you know,
980
01:05:14.465 --> 01:05:17.725
you could turn this way. He was a fabulous, you know,
981
01:05:17.895 --> 01:05:21.085
press and you turn that way. He was this new magazine,
982
01:05:22.335 --> 01:05:25.525
Gilda was actually an incident.
983
01:05:26.245 --> 01:05:30.565
I was standing on the street corner near my
984
01:05:30.975 --> 01:05:31.808
house.
985
01:05:31.885 --> 01:05:36.845
I think my phone either was out of order or I had not paid the
986
01:05:36.845 --> 01:05:39.365
bill, but it wasn\'t working.
987
01:05:40.025 --> 01:05:43.125
So I went down to the corner to use the phone booth to call this friend of mine.
988
01:05:44.065 --> 01:05:48.925
And these two guys walked by and started that thing that they like to do.
989
01:05:49.705 --> 01:05:53.765
Oh baby, let me suck your blah blah. And I\'m like,
990
01:05:55.505 --> 01:06:00.325
mm, no. So I keep talking to my friend and they wouldn\'t go away.
991
01:06:01.565 --> 01:06:05.605
I said, excuse me, Maryanne, I\'ll be right back. I turned around,
992
01:06:06.765 --> 01:06:09.565
I screamed like a wild bashi.
993
01:06:09.865 --> 01:06:14.725
So I started for them instead of packing
994
01:06:14.755 --> 01:06:18.805
away, and his friend grabbed him and they ran.
995
01:06:19.505 --> 01:06:23.885
So I go in the house and I wrote the first Gilda story, and in the story,
996
01:06:23.945 --> 01:06:28.445
she of course kills them. So, and that felt really good.
997
01:06:29.685 --> 01:06:32.845
I had these great friends in Brooklyn,
998
01:06:33.345 --> 01:06:36.725
Alexis Devoe and Gwendolyn Hardwick.
999
01:06:37.275 --> 01:06:41.085
They used to run something called the Flamboyant Lady Salon
1000
01:06:42.765 --> 01:06:46.425
in their apartment in Brooklyn, in this huge pre-war building.
1001
01:06:47.125 --> 01:06:51.705
So once a month they would invite artists to come.
1002
01:06:52.005 --> 01:06:54.905
People would just come and read. And that\'s where I read the Gilda stories.
1003
01:06:54.925 --> 01:06:55.758
The first time,
1004
01:06:57.145 --> 01:07:01.885
the response was so intense and I realized
1005
01:07:02.205 --> 01:07:06.325
I had, I had something there that I\'d created a character that people
1006
01:07:07.795 --> 01:07:12.045
responded to and felt a kinship with.
1007
01:07:14.165 --> 01:07:19.165
I wanted to do something with them, but I couldn\'t quite figure it out.
1008
01:07:20.025 --> 01:07:23.925
So I asked Audrey Lord to read them. Mm-Hmm. And,
1009
01:07:26.225 --> 01:07:30.565
you know, it was one of those situations in which she was my friend.
1010
01:07:31.445 --> 01:07:35.765
I wasn\'t her peer, but she was always very generous with her time.
1011
01:07:36.185 --> 01:07:39.885
She said, I don\'t really care for short stories that much,
1012
01:07:40.785 --> 01:07:43.845
and I definitely am not interested in vampires,
1013
01:07:45.305 --> 01:07:49.685
but I will read it. So I gave her, you know, this manuscript.
1014
01:07:50.005 --> 01:07:52.645
\'cause in those days it was paper. And, um,
1015
01:07:53.865 --> 01:07:56.925
she read it and she came back and said,
1016
01:07:59.995 --> 01:08:01.085
This is very good,
1017
01:08:02.265 --> 01:08:05.085
but it\'s a novel and you need to turn it into a novel.
1018
01:08:06.815 --> 01:08:08.935
I got an agent. He said,
1019
01:08:09.655 --> 01:08:14.455
I just want you to know how ridiculous this can be.
1020
01:08:15.065 --> 01:08:17.965
The acquisitions editor said,
1021
01:08:18.595 --> 01:08:21.725
your character is black, a lesbian,
1022
01:08:22.705 --> 01:08:25.845
and a vampire. That\'s too confusing.
1023
01:08:27.385 --> 01:08:28.285
And I\'m thinking,
1024
01:08:30.065 --> 01:08:33.855
who\'s who do you think your market is gonna be like two year olds?
1025
01:08:34.475 --> 01:08:36.695
In the meantime, uh, I,
1026
01:08:36.895 --> 01:08:41.695
I was friends with Nancy Ano who\'d founded firebrand books.
1027
01:08:42.995 --> 01:08:47.055
She said, well, jewel, when you get sick of those commercial publishing,
1028
01:08:47.155 --> 01:08:51.055
if you real, I would love to do it. So I went back and I said, Nancy, you know,
1029
01:08:51.215 --> 01:08:55.335
I think this will be, this will be fun for us to do together.
1030
01:08:56.315 --> 01:08:59.455
But it\'s a little bit helpful to know that someone started beating the ground
1031
01:08:59.605 --> 01:09:01.335
down for you.
1032
01:09:02.875 --> 01:09:06.055
She maintained a slow pace moving south,
1033
01:09:06.365 --> 01:09:11.255
then west to the edge of the city and enjoying the evening air and the memory of
1034
01:09:11.255 --> 01:09:13.415
the girl\'s soft pale skin.
1035
01:09:14.795 --> 01:09:19.335
Her resurgent dreams cast a new glow on Gilda\'s life
1036
01:09:20.235 --> 01:09:23.455
in giving dreams. She had recaptured her own.
1037
01:09:32.005 --> 01:09:35.095
Growing up in Greenville, South Carolina, you,
1038
01:09:35.595 --> 01:09:40.455
you were who your family was, and we were white trash. We were genuinely trash.
1039
01:09:40.555 --> 01:09:44.975
We were the classic definition and we were arrogant about it in the way that,
1040
01:09:45.115 --> 01:09:47.175
uh, is necessary for survival.
1041
01:09:49.335 --> 01:09:54.135
I was raped when I was five. It altered the world.
1042
01:09:55.605 --> 01:10:00.215
It\'s hard to say that that can in some ways save your life.
1043
01:10:03.645 --> 01:10:07.775
What it meant was that I had to become really,
1044
01:10:08.195 --> 01:10:10.895
really focused on survival.
1045
01:10:12.155 --> 01:10:12.988
Boy,
1046
01:10:13.125 --> 01:10:16.255
It\'s hard sometimes to even think about how you become who you are,
1047
01:10:17.275 --> 01:10:20.935
but I fell into books. Ah, I fell into books like You fall into a river,
1048
01:10:21.575 --> 01:10:22.935
I would just disappear into them.
1049
01:10:22.935 --> 01:10:26.775
It was the place I could hide and literally I would hide. You know,
1050
01:10:26.775 --> 01:10:29.975
you could read stories about what working class people and poor people,
1051
01:10:30.075 --> 01:10:33.775
and they were always kind of modeling. Um, and the, they were good,
1052
01:10:33.905 --> 01:10:38.055
inherently good. We weren\'t, and I knew this,
1053
01:10:38.635 --> 01:10:41.095
we were violent, uh, angry
1054
01:10:42.695 --> 01:10:45.855
addicted to liquor and drugs and bad behavior.
1055
01:10:46.815 --> 01:10:51.455
I wanted to find the stories that were about my people and give me some sense of
1056
01:10:51.455 --> 01:10:54.655
purpose and meaning and some way to fight the shame.
1057
01:10:55.375 --> 01:10:59.215
I remember being a sophomore in college and hearing about the first, uh,
1058
01:10:59.285 --> 01:11:02.895
consciousness raising meaning, and the first, um,
1059
01:11:03.995 --> 01:11:08.375
you know, baby gatherings of lesbians and feminists.
1060
01:11:08.635 --> 01:11:10.575
It was like the world began to crack open.
1061
01:11:11.745 --> 01:11:16.165
There has never been a separation in my life between my
1062
01:11:16.605 --> 01:11:21.525
identity, not just as a lesbian, but as a particularly difficult,
1063
01:11:22.115 --> 01:11:26.405
provocative, angry, working class lesbian.
1064
01:11:27.025 --> 01:11:30.805
It was hard to be a baby writer in the early women\'s movement,
1065
01:11:30.805 --> 01:11:35.405
which was so hungry for love stories and I couldn\'t do \'em.
1066
01:11:36.315 --> 01:11:39.775
One of the things that was lifesaving for me was daughters and Diana,
1067
01:11:39.995 --> 01:11:43.015
the two founding lesbian presses that I discovered.
1068
01:11:43.285 --> 01:11:47.375
June Arnold was looking for fiction with a social conscience.
1069
01:11:47.955 --> 01:11:50.855
The other huge thing that happened was that I read, um,
1070
01:11:53.975 --> 01:11:56.655
I read Toni Morrison, the Bluest guy.
1071
01:11:58.215 --> 01:12:00.655
I didn\'t think you could write about ancestor rape,
1072
01:12:00.655 --> 01:12:01.855
particularly the rape of children.
1073
01:12:02.315 --> 01:12:06.415
And the way that she wrote about it altered me on some essential level.
1074
01:12:07.255 --> 01:12:09.215
A bunch of stuff happened in my job.
1075
01:12:09.595 --> 01:12:12.495
And one of the things that happened is they could not pay overtime.
1076
01:12:12.605 --> 01:12:13.495
They didn\'t have any money.
1077
01:12:13.755 --> 01:12:17.095
So what they did was that they set up this system of comp time.
1078
01:12:17.315 --> 01:12:20.135
And if I didn\'t use it by the end of the year, it was going away.
1079
01:12:20.595 --> 01:12:23.255
My mother didn\'t raise a child capable of giving them back that money.
1080
01:12:23.695 --> 01:12:27.775
I needed that cash or that time, and I really needed time.
1081
01:12:28.515 --> 01:12:29.855
And they gave me the two months.
1082
01:12:31.035 --> 01:12:34.215
And a friend of mine loaned me her place.
1083
01:12:34.395 --> 01:12:39.215
She had a place out on Fire Island so that I went out there in the winter,
1084
01:12:39.305 --> 01:12:43.015
which is when nobody goes to Fire Island \'cause it\'s cold as hell and you could
1085
01:12:43.275 --> 01:12:46.935
die. I wrapped up in blankets and wrote,
1086
01:12:48.975 --> 01:12:52.415
I wrote Gospel song, Which is a,
1087
01:12:52.655 --> 01:12:54.695
a long short story in trash, um,
1088
01:12:55.395 --> 01:12:58.375
and is in the center of bastard out of Carolina.
1089
01:12:59.205 --> 01:13:01.055
That has two months changed my life.
1090
01:13:01.835 --> 01:13:06.695
It made me one a better writer. And it told me,
1091
01:13:06.835 --> 01:13:09.575
you gotta think how to get more of this time thing.
1092
01:13:10.175 --> 01:13:13.495
I knew what I wanted to do and I knew that if I did it right,
1093
01:13:14.065 --> 01:13:16.895
there were gonna be very few presses that could publish it.
1094
01:13:17.315 --> 01:13:19.735
So I can\'t give this book to Nancy Baro.
1095
01:13:20.175 --> 01:13:25.135
I have got to find a way to buy a year if possible. I had a friend,
1096
01:13:25.355 --> 01:13:28.495
um, Jeff, who wanted to be a literary agent. Lemme just say,
1097
01:13:28.875 --> 01:13:31.335
if you\'re planning to hire a literary agent,
1098
01:13:31.775 --> 01:13:36.735
possibly a calm f****t is not the way to go because he didn\'t know s**t about
1099
01:13:36.735 --> 01:13:39.455
what he was doing, and he was as uncomfortable with money as I was.
1100
01:13:39.595 --> 01:13:42.295
So it was not an entirely successful venture.
1101
01:13:44.875 --> 01:13:47.695
Oh God. Um, but at the same time,
1102
01:13:47.935 --> 01:13:52.535
I published that first chapter of Bastard as a short story. Um,
1103
01:13:52.555 --> 01:13:56.295
and it was the first short story published by the Village Voice Literary
1104
01:13:56.295 --> 01:13:59.295
Supplement. In their first issue, I won some prizes,
1105
01:14:00.185 --> 01:14:01.695
which means I got some attention,
1106
01:14:01.825 --> 01:14:06.735
which meant that when he took the proposal to talk to publishers,
1107
01:14:06.915 --> 01:14:10.975
um, they offered me money. It was shocking. Already
1108
01:14:11.105 --> 01:14:14.325
In its seventh printing the book received extraordinary praise from the New York
1109
01:14:14.325 --> 01:14:16.485
Times when it was published earlier this year.
1110
01:14:16.865 --> 01:14:19.805
It is a finalist in tomorrow night\'s National Book Awards. In it,
1111
01:14:19.805 --> 01:14:23.765
Alison Chronicles a childhood of a sexually and physically abused girl named
1112
01:14:23.795 --> 01:14:26.405
Bone who dreams of being a gospel singer.
1113
01:14:26.985 --> 01:14:31.165
The novel works. It does what I wanted it to do. I want what I really want.
1114
01:14:31.235 --> 01:14:32.365
Yeah. I want somewhere,
1115
01:14:32.365 --> 01:14:37.165
some 13 year old girl to go to the library and find this book and read it and No
1116
01:14:37.165 --> 01:14:40.565
bone and know that what\'s happening to her in her life is not her fault.
1117
01:14:40.715 --> 01:14:42.365
That she does not have to think she\'s a monster.
1118
01:14:42.915 --> 01:14:47.125
Because the way I made bone is to show you young girls who think they\'re
1119
01:14:47.125 --> 01:14:49.045
monsters, who think it\'s their fault.
1120
01:14:51.035 --> 01:14:53.075
I show you a little girl getting mean enough to survive.
1121
01:14:53.135 --> 01:14:56.435
That\'s what I wanna teach. That\'s what I wanted in this book. And
1122
01:14:56.435 --> 01:14:57.268
That\'s you.
1123
01:14:57.625 --> 01:15:00.235
Yeah. Make way. And then again, there\'s also,
1124
01:15:00.515 --> 01:15:02.675
I wanted to show a working class family trash.
1125
01:15:02.675 --> 01:15:04.235
That\'s not what everybody thinks they are.
1126
01:15:07.935 --> 01:15:09.515
Leslie Feinberg\'s,
1127
01:15:09.885 --> 01:15:14.835
stone Butch Blues came out in 1993 and it
1128
01:15:14.835 --> 01:15:18.155
was groundbreaking about the complexities of,
1129
01:15:18.575 --> 01:15:23.195
of gender and what it means to be butch and what it means to be trans.
1130
01:15:24.165 --> 01:15:28.635
Every single culture on this planet, every society,
1131
01:15:28.965 --> 01:15:30.995
every continent, including the North Pole,
1132
01:15:31.295 --> 01:15:33.595
has always had a range of gender expressions.
1133
01:15:33.655 --> 01:15:38.635
No matter how gender was expressed, the oldest, oldest written and oral,
1134
01:15:38.895 --> 01:15:43.555
uh, traditions show us that sex change was once a very,
1135
01:15:44.215 --> 01:15:46.155
uh, sacred path in ancient times.
1136
01:15:46.655 --> 01:15:51.395
And Intersexuality can be found as part of the creation stories everywhere
1137
01:15:51.575 --> 01:15:53.275
of all peoples. Um,
1138
01:15:53.455 --> 01:15:57.955
but we haven\'t always been reviled and hunted and hated that there was a
1139
01:15:57.955 --> 01:16:00.395
beginning to that. And therefore there can be an end to it,
1140
01:16:00.395 --> 01:16:03.235
and we don\'t have to accept it. That bigotry,
1141
01:16:03.335 --> 01:16:07.195
any form of bigotry or racism is just a product of human nature that we just
1142
01:16:07.195 --> 01:16:11.275
have to accept. \'cause well, you can\'t, what can you do? You know? Um,
1143
01:16:11.535 --> 01:16:16.355
but I wrote Stone Butch Blues as a novel first with
1144
01:16:16.375 --> 01:16:20.195
the intention of writing transgender warriors as my kind of one,
1145
01:16:20.195 --> 01:16:22.875
one-two punch on, on transgender.
1146
01:16:22.875 --> 01:16:27.675
Because I felt that it was one thing to reach out to people\'s thinking and say,
1147
01:16:27.675 --> 01:16:30.035
look at all this information. Look at all these photos.
1148
01:16:30.615 --> 01:16:34.635
Let it shake up your thinking. But if people hadn\'t thought about it at all,
1149
01:16:34.745 --> 01:16:39.315
then I wanted to take them with a novel through the life and
1150
01:16:39.515 --> 01:16:43.955
experiences of someone who is treated completely differently based on whether
1151
01:16:43.955 --> 01:16:47.275
they\'re perceived as a masculine woman, as a feminine man,
1152
01:16:47.335 --> 01:16:50.715
as an androgynous person. And that was stone butch blues.
1153
01:16:57.595 --> 01:17:01.595
I was a very lonely kid growing up, very demeaned by my peers.
1154
01:17:01.955 --> 01:17:03.315
I was obviously queer.
1155
01:17:03.945 --> 01:17:08.355
What had saved me sort of in my childhood and helped me get through that was
1156
01:17:08.365 --> 01:17:12.285
sport. It was swimming, competitive swimming. It was basketball,
1157
01:17:12.305 --> 01:17:16.645
it was volleyball, it was things like that. When I was coming up,
1158
01:17:16.785 --> 01:17:21.445
it was illegal to be queer and to practice homosexual sex.
1159
01:17:22.455 --> 01:17:26.845
Originally I was writing, this was in the late seventies,
1160
01:17:27.175 --> 01:17:31.045
early eighties. Sure. And I was working on, um, stories
1161
01:17:32.715 --> 01:17:36.325
that were frankly, openly lesbian stories.
1162
01:17:36.325 --> 01:17:40.605
They had lesbian sex in them. They were butch femme, um,
1163
01:17:40.865 --> 01:17:44.845
at the time, which was sort of on the borderline.
1164
01:17:44.845 --> 01:17:48.845
Then it was like around the time of the sex wars.
1165
01:17:49.095 --> 01:17:53.405
There was sort of a staunchly lesbian feminist aspect to
1166
01:17:54.015 --> 01:17:56.045
overt lesbian life in the city.
1167
01:17:56.465 --> 01:18:00.245
And then there was sort of what was considered k***y, butch,
1168
01:18:00.255 --> 01:18:03.525
found bondage and dominance, that kind of thing.
1169
01:18:03.785 --> 01:18:08.605
But I like the idea of like really frank sex between women.
1170
01:18:08.705 --> 01:18:13.325
And I wanted to write about it because I was just reading too much about fruits
1171
01:18:13.345 --> 01:18:17.805
and flowers. Whenever two d***s got into bed. And I thought, you know,
1172
01:18:17.805 --> 01:18:20.445
this is not really what I want to read,
1173
01:18:20.665 --> 01:18:23.285
so I have got to write what I want to read.
1174
01:18:23.845 --> 01:18:26.245
I was 25 when I got my first novel published.
1175
01:18:26.955 --> 01:18:30.245
Several agents rejected the book. They said, well,
1176
01:18:30.245 --> 01:18:34.485
we\'re uncomfortable with the sexuality. We don\'t quite understand the sexuality.
1177
01:18:34.835 --> 01:18:39.405
It\'s lesbian sexuality, you know, what\'s not to understand. But,
1178
01:18:39.945 --> 01:18:44.645
you know, finally got it placed in a very good house, Simon and Schuster.
1179
01:18:45.165 --> 01:18:47.525
I was very lucky. I was very fortunate.
1180
01:18:47.945 --> 01:18:51.365
And actually the way it was introduced first was that a friend of mine worked at
1181
01:18:51.365 --> 01:18:55.565
Double Day at the time, and she took it in, in the slush pile,
1182
01:18:56.145 --> 01:18:58.485
put it in the slush pile, just sort of rose to the top.
1183
01:18:59.395 --> 01:19:04.325
That was kind of the weird way that I entered becoming
1184
01:19:04.565 --> 01:19:07.725
a mainstream published author.
1185
01:19:09.525 --> 01:19:13.965
I think homosexuality as sex is a profoundly revolutionary
1186
01:19:14.865 --> 01:19:19.805
and, and potentially freeing concept.
1187
01:19:21.265 --> 01:19:24.685
In reality. It\'s freeing because it leads to ecstasy.
1188
01:19:25.235 --> 01:19:28.125
When you allow yourself to be honest about your sexuality,
1189
01:19:28.265 --> 01:19:32.885
to choose partners accordingly and really fall in love leads to surrender.
1190
01:19:32.985 --> 01:19:35.405
It leads to power, it leads to ecstasy.
1191
01:19:36.625 --> 01:19:40.525
As gay artists and as gay political activists,
1192
01:19:40.555 --> 01:19:44.045
some of us people who were brave enough to live an open,
1193
01:19:44.045 --> 01:19:47.445
honest life and to bear the potential burden of,
1194
01:19:47.545 --> 01:19:51.325
of being cast out of society, of being deemed an outlaw.
1195
01:19:51.765 --> 01:19:56.765
I think that we can push the envelope more. Whether I was a,
1196
01:19:56.965 --> 01:20:01.005
a trailblazer or whether I lucked out in terms of time,
1197
01:20:01.865 --> 01:20:03.445
the time that I was in and,
1198
01:20:03.465 --> 01:20:08.085
and the ability of society to sort of wanna reach out and try something new
1199
01:20:08.285 --> 01:20:11.885
artistically at that time. There I was, I don\'t know.
1200
01:20:12.205 --> 01:20:13.405
I don\'t know how brave I was.
1201
01:20:13.565 --> 01:20:16.365
I just know that I wrote what I had to write because I really,
1202
01:20:16.845 --> 01:20:17.965
I couldn\'t write anything else.
1203
01:20:18.465 --> 01:20:23.285
And I had decided I wanted to write the stories that I wasn\'t finding to
1204
01:20:23.315 --> 01:20:24.148
read.
1205
01:20:27.085 --> 01:20:29.405
I was a journalist in my first life.
1206
01:20:29.745 --> 01:20:34.725
The lesbian mystery novels that I write feature a journalist
1207
01:20:35.065 --> 01:20:39.645
and a police lieutenant. I am from Atlanta, Georgia.
1208
01:20:39.785 --> 01:20:42.245
I\'m a fifth generation Georgian.
1209
01:20:43.045 --> 01:20:47.645
I was raised by parents who cushioned us against
1210
01:20:48.265 --> 01:20:53.085
the most stark realities of the racism of the South.
1211
01:20:53.935 --> 01:20:58.315
It was their job to shoulder it and absorb it
1212
01:20:59.065 --> 01:21:03.765
and to give us as much as black parents could give
1213
01:21:03.965 --> 01:21:08.845
children in the South in those days so that we could see a
1214
01:21:08.845 --> 01:21:10.885
way clear to move forward.
1215
01:21:11.755 --> 01:21:15.965
When I said I wanted to be a newspaper reporter, they were like, good,
1216
01:21:16.575 --> 01:21:21.245
let\'s go do that. I also am very fortunate that in the place I grew up,
1217
01:21:21.535 --> 01:21:24.005
there were role models. There were black newspapers.
1218
01:21:25.265 --> 01:21:30.085
The first lesbian book that I read was one of Catherine Forest\'s,
1219
01:21:30.235 --> 01:21:32.005
Kate Delafield. I had the flu.
1220
01:21:32.305 --> 01:21:36.085
My then partner went to the bookstore and bought an armload of books.
1221
01:21:36.505 --> 01:21:41.165
And when she came in, she said, did you know there\'s a lesbian mystery?
1222
01:21:41.425 --> 01:21:46.365
And I said, no. And then she gave me this book and I said, well, wow.
1223
01:21:47.315 --> 01:21:50.805
Lesbian mystery. Okay. She said, well, you know,
1224
01:21:50.895 --> 01:21:53.125
while you\'re laying here not doing anything,
1225
01:21:53.585 --> 01:21:57.285
you ought to write one of these things. And I said, I can\'t, I can\'t do that.
1226
01:21:57.825 --> 01:22:01.485
And she said, sure, you can. Sure you can. You read enough of them.
1227
01:22:01.625 --> 01:22:06.125
You\'ve always read them. You know what you like, you know what makes them good.
1228
01:22:06.425 --> 01:22:10.285
Of course you can. My, uh, baby brother was,
1229
01:22:10.865 --> 01:22:15.245
was dying of aids. And I told him that I was writing this book,
1230
01:22:15.265 --> 01:22:19.085
and I think I sent the first 50 pages to niaid.
1231
01:22:19.305 --> 01:22:23.205
And the last conversation that I had with him, he said,
1232
01:22:23.205 --> 01:22:28.085
have you heard anything from the people that
1233
01:22:28.085 --> 01:22:32.965
you sent the book to? And I said, I said, no, I haven\'t. And he said,
1234
01:22:32.965 --> 01:22:36.605
well, what\'s wrong with him? Uh, he, he said, tell,
1235
01:22:36.605 --> 01:22:38.725
tell him to tell him to get on it. You know,
1236
01:22:38.745 --> 01:22:43.325
get busy Dying of AIDS was not part that had not been in in his,
1237
01:22:44.145 --> 01:22:48.925
in his game plan. And, and, and so he was like, let\'s get on with it. Let\'s,
1238
01:22:48.925 --> 01:22:53.765
you know, I got stuff to do. Let\'s, let\'s move forward. And, and he died.
1239
01:22:54.485 --> 01:22:56.045
I was just totally depressed.
1240
01:22:56.205 --> 01:23:00.325
\'cause he and I were very close and I was sitting in a dark room and Diane came
1241
01:23:00.325 --> 01:23:04.405
in and she said, uh, there\'s a phone call for you. And I said, I\'m I who? I,
1242
01:23:04.485 --> 01:23:07.885
I don\'t care. Who is it? And she said, Barbara Greer. I said,
1243
01:23:07.885 --> 01:23:11.525
I don\'t know anybody named Barbara Greer and I don\'t wanna talk to her.
1244
01:23:11.525 --> 01:23:13.685
And she said, I think you do. Um,
1245
01:23:14.075 --> 01:23:18.405
it\'s the woman from Nyad Press. I said, oh, whatever.
1246
01:23:18.465 --> 01:23:22.125
So I got up and went to the phone and it was almost like, and what do you want?
1247
01:23:23.025 --> 01:23:25.925
And, and then she said, have you finished this book?
1248
01:23:27.895 --> 01:23:29.545
Yeah, well send it to me.
1249
01:23:30.805 --> 01:23:35.345
So my baby brother, bless him. So he got that done for me.
1250
01:23:39.785 --> 01:23:43.985
I went off to the Virginia Center for the Arts, which is a writer\'s colony.
1251
01:23:44.325 --> 01:23:47.025
And I was armed with these novels I loved,
1252
01:23:47.445 --> 01:23:52.305
and lots and lots of artists drawing paper. And when I got there,
1253
01:23:53.105 --> 01:23:56.465
I just put all this drawing paper up on the walls in my studio,
1254
01:23:56.845 --> 01:23:59.985
and I diagrammed a bunch of these novels that I loved.
1255
01:24:00.105 --> 01:24:02.505
I was trying to figure out, how do you build a novel? How do you do this?
1256
01:24:02.705 --> 01:24:03.335
I have no,
1257
01:24:03.335 --> 01:24:06.745
I\'ve never really sat down and figured out the architecture of a novel.
1258
01:24:07.285 --> 01:24:10.465
But what happened was when I wrote Memory Mambo,
1259
01:24:11.585 --> 01:24:16.545
I got completely seduced by the process. I,
1260
01:24:17.625 --> 01:24:22.465
I really thought I didn\'t have it in me to have that kind of sustained attention
1261
01:24:23.485 --> 01:24:27.385
on something to be that focused on a piece.
1262
01:24:28.325 --> 01:24:32.065
You know, I was used to writing journalism, which is very quick, you know,
1263
01:24:32.065 --> 01:24:35.625
relatively speaking, when I began writing, um,
1264
01:24:36.875 --> 01:24:41.585
there was still somewhat of a robust network of
1265
01:24:41.585 --> 01:24:42.465
women\'s bookstores.
1266
01:24:44.845 --> 01:24:49.785
The book industry still operated on this idea that you
1267
01:24:49.785 --> 01:24:54.305
had to go out and promote the book personally. So these tours were, uh,
1268
01:24:55.485 --> 01:24:59.105
really kind of unreal and grueling. I remember for, um,
1269
01:24:59.525 --> 01:25:04.145
we came all the way from Cuba. I had a six week tour. It was madness.
1270
01:25:04.535 --> 01:25:08.385
They put me on a train and they just like shoved me out the door.
1271
01:25:09.245 --> 01:25:12.905
And to be on those tours where you were going from one woman\'s bookstore to
1272
01:25:12.905 --> 01:25:15.745
another was also really energizing in a lot of ways.
1273
01:25:16.245 --> 01:25:21.145
You met really powerful and intense women at all these stages as
1274
01:25:21.145 --> 01:25:22.065
you were going through it.
1275
01:25:22.425 --> 01:25:26.665
I think the thing that\'s shaped my writing more than anything else is the
1276
01:25:26.665 --> 01:25:31.625
rupture caused by leaving Cuba. We were political exiles rather than immigrants.
1277
01:25:31.645 --> 01:25:32.625
You know, I think one of the,
1278
01:25:32.685 --> 01:25:36.265
the big differences between exiles and immigrants is the,
1279
01:25:36.265 --> 01:25:38.105
the question of memory. Um,
1280
01:25:38.945 --> 01:25:43.265
\'cause immigrants can go back if they, if they don\'t, it\'s a choice.
1281
01:25:44.805 --> 01:25:47.945
In my books, everybody interacts with everybody.
1282
01:25:48.725 --> 01:25:53.225
One of the things I really was always sort of annoyed with a lot of lesbian
1283
01:25:53.635 --> 01:25:58.385
early literature was that these lesbians seem to exist in some lesbian
1284
01:25:58.865 --> 01:26:01.225
parallel universe, in which they never interacted with family.
1285
01:26:01.445 --> 01:26:05.485
If they were white, they never ran into a black person. If the, you know, if,
1286
01:26:05.585 --> 01:26:09.645
if they were, and if they did it, they was their one black friend,
1287
01:26:10.665 --> 01:26:14.965
you know? Um, and, uh, you know, they,
1288
01:26:15.545 --> 01:26:18.885
if if the story was about a Chicana,
1289
01:26:18.885 --> 01:26:23.605
then all the other Latino lesbians were also Chicanos. They, you know,
1290
01:26:24.165 --> 01:26:25.485
I was like, where is this place?
1291
01:26:28.675 --> 01:26:32.205
When I started writing in the early seventies,
1292
01:26:33.105 --> 01:26:34.845
was the start of the women\'s movement.
1293
01:26:35.765 --> 01:26:39.165
I lived in a collective and I made $50 a week.
1294
01:26:39.265 --> 01:26:43.085
And that seemed like a fortune at the time. You know,
1295
01:26:43.785 --> 01:26:48.605
we all pulled our resources and we had a seven room house,
1296
01:26:48.905 --> 01:26:53.805
and the rent was $300 a month for, you know, for seven of us.
1297
01:26:54.025 --> 01:26:57.565
So it, it was easy to live and,
1298
01:26:58.825 --> 01:27:01.365
and work and dedicate yourself to the movement.
1299
01:27:02.205 --> 01:27:05.645
I published my first novel when I was 24.
1300
01:27:05.805 --> 01:27:07.245
I wrote it when I was 21.
1301
01:27:08.405 --> 01:27:11.805
I was working in the Women\'s Center in North Hampton,
1302
01:27:11.905 --> 01:27:14.245
and I saw a flyer for Daughters Inc.
1303
01:27:15.365 --> 01:27:17.805
A new publishing company that was starting up.
1304
01:27:17.945 --> 01:27:22.925
And so I sent the manuscript to them and they said, come up and see us.
1305
01:27:23.105 --> 01:27:27.605
And so I did. I went up to Vermont and visited with June and Patty,
1306
01:27:27.745 --> 01:27:31.685
who were starting Daughters Inc. They were wonderful publishers,
1307
01:27:31.705 --> 01:27:36.525
and they were the women at the beginning of the Lesbian Publishing
1308
01:27:37.245 --> 01:27:38.078
Movement.
1309
01:27:39.685 --> 01:27:42.405
A lot of women in my generation were changing their names.
1310
01:27:43.885 --> 01:27:48.805
I changed my name from my patron of Nachman to D**e
1311
01:27:48.805 --> 01:27:53.285
Woman. I figured that\'s what I was both, both a d**e and,
1312
01:27:54.025 --> 01:27:57.725
and a woman. And I wanted to signal, um,
1313
01:27:58.945 --> 01:28:03.485
my political alliance with the causes of women.
1314
01:28:04.075 --> 01:28:08.405
When I looked around in the women\'s movement in the seventies and eighties,
1315
01:28:08.765 --> 01:28:11.765
I saw that a lot, uh,
1316
01:28:12.475 --> 01:28:17.325
activists that I knew and admired were Jewish lesbians.
1317
01:28:17.825 --> 01:28:21.805
Beyond the Pale is an ancestor novel.
1318
01:28:22.875 --> 01:28:27.285
It\'s about Jewish women and lesbians from like 1860 to
1319
01:28:27.485 --> 01:28:29.245
1912 in Russian, New York.
1320
01:28:30.085 --> 01:28:34.845
I look back and I saw all of the Jewish lesbians who were part
1321
01:28:35.105 --> 01:28:38.605
of the labor movement in the early 20th century,
1322
01:28:39.885 --> 01:28:44.285
although they didn\'t use that language and made me realize how fluid the
1323
01:28:44.645 --> 01:28:46.645
language is for how we describe ourselves.
1324
01:28:47.955 --> 01:28:50.085
They certainly were women who loved women.
1325
01:28:50.345 --> 01:28:53.685
It was very clear in their letters and their, um,
1326
01:28:53.905 --> 01:28:58.005
and their fights with each other and their lines of support.
1327
01:28:58.105 --> 01:29:02.565
The scholarships that more wealthy women set up for working class women to
1328
01:29:03.045 --> 01:29:08.005
organize women workers beyond the Pale was very much concerned with
1329
01:29:08.185 --> 01:29:10.325
the history of Jewish lesbian activism.
1330
01:29:16.805 --> 01:29:21.125
I taught, starting in the sixties,
1331
01:29:23.275 --> 01:29:28.125
and I taught for 25 years in the public school system.
1332
01:29:29.105 --> 01:29:33.685
It is probably one of the most closeted professions
1333
01:29:33.775 --> 01:29:38.625
other than the clergy that you could get into in order to keep
1334
01:29:38.785 --> 01:29:42.905
a job, in order to keep teaching and coaching, which I love to do.
1335
01:29:43.385 --> 01:29:47.865
I had to keep my private life quiet. It had to be very carefully guarded.
1336
01:29:48.905 --> 01:29:51.385
I really couldn\'t afford, like, therapy, therapy.
1337
01:29:51.765 --> 01:29:55.665
So my cheap therapy was to write. So I continued to write,
1338
01:29:56.085 --> 01:29:59.945
and they turned into stories, and then they turned into, you know,
1339
01:30:00.795 --> 01:30:04.185
novel length work. I shared some of that with my partner,
1340
01:30:04.645 --> 01:30:06.665
and she was the one that just kept saying, well,
1341
01:30:06.685 --> 01:30:11.065
why don\'t you try to publish this or send it in to one of the publishers? And,
1342
01:30:11.085 --> 01:30:14.025
and I kept, no, no, no. I would\'ve had to use
1343
01:30:15.805 --> 01:30:19.445
a pen name and, and somehow keep that all silent.
1344
01:30:20.655 --> 01:30:24.065
When I finally did decide that I would go ahead and be published,
1345
01:30:24.335 --> 01:30:26.785
Barbara Greer on the other end of the phone asked me,
1346
01:30:26.845 --> 01:30:31.425
do you want to use a pen name? And I said, you know what?
1347
01:30:32.245 --> 01:30:36.745
I\'m gonna use my real name because that\'s my fist in the air to say,
1348
01:30:37.765 --> 01:30:40.785
I\'m done. I\'m done teaching. I\'m done being silent.
1349
01:30:41.925 --> 01:30:46.785
I\'m finally gonna have a voice, and it\'s gonna be my true voice. Love.
1350
01:30:46.785 --> 01:30:48.545
And The Balance was the first book I had written.
1351
01:30:49.005 --> 01:30:53.105
The book is based on real life murders of two lesbians,
1352
01:30:53.515 --> 01:30:58.505
Susan Pittman and Christine Puckett, probably 35 miles from where I live.
1353
01:30:58.965 --> 01:31:00.785
It wasn\'t being labeled as a hate crime.
1354
01:31:01.235 --> 01:31:04.105
Everything pointed to the fact that yes, it was a hate crime.
1355
01:31:04.635 --> 01:31:09.545
There were some small LGBT organizations that were just starting up right
1356
01:31:09.545 --> 01:31:11.945
around the time I was writing Love In The Balance.
1357
01:31:12.405 --> 01:31:17.225
And the reason I started writing it was that those organizations came
1358
01:31:17.255 --> 01:31:21.985
into play in trying to make sure that the man who
1359
01:31:22.045 --> 01:31:25.145
did this was justifiably arrested,
1360
01:31:25.605 --> 01:31:30.545
put on trial and convicted at that time. First of all,
1361
01:31:30.545 --> 01:31:35.105
there were very few people that were out marching for
1362
01:31:36.105 --> 01:31:40.625
anything gay. You know, you, you just didn\'t have that kind of freedom.
1363
01:31:40.885 --> 01:31:41.825
You were always worried.
1364
01:31:42.125 --> 01:31:46.825
So what I did was I tried to show how brave that was of
1365
01:31:46.895 --> 01:31:51.505
that many over 250 gays and lesbians,
1366
01:31:51.505 --> 01:31:55.865
but mostly lesbians who had always been silent,
1367
01:31:56.845 --> 01:31:58.985
had always been under the radar,
1368
01:32:00.265 --> 01:32:05.165
as invisible as they could possibly be out there marching in
1369
01:32:05.165 --> 01:32:08.885
front of God and everyone. The media was there.
1370
01:32:09.355 --> 01:32:13.565
Your bosses were gonna see you, your friends and family were gonna see you.
1371
01:32:14.705 --> 01:32:19.285
The bravery that it took for them to step up for the first time
1372
01:32:19.985 --> 01:32:24.525
in most of their lives and be out and open and protesting something
1373
01:32:25.035 --> 01:32:29.565
that had happened to their sisters. Today, we have that freedom today.
1374
01:32:29.625 --> 01:32:31.605
We march and we know we have support.
1375
01:32:32.875 --> 01:32:37.805
They didn\'t have straight men and women marching with them in the
1376
01:32:38.045 --> 01:32:39.965
nineties, and now we do.
1377
01:32:44.935 --> 01:32:48.365
While I wrote Tip in The Velvet, I hadn\'t written fiction before. I\'d,
1378
01:32:48.505 --> 01:32:51.685
I\'d just finished some academic work, um, a PhD thesis,
1379
01:32:51.855 --> 01:32:56.765
which was looking at lesbian and gay historical fiction for about the last 150
1380
01:32:56.765 --> 01:32:57.305
years.
1381
01:32:57.305 --> 01:33:01.005
And I finished it having read a lot of lesbian and gay historical novels and
1382
01:33:01.005 --> 01:33:04.885
wanting to write my own. So I wrote it pretty quickly, amazingly quickly.
1383
01:33:05.125 --> 01:33:08.045
I now think, given how it takes me several years to write a book now,
1384
01:33:08.045 --> 01:33:10.805
I wrote the first draft of Tipping the Velvet in about a year, actually,
1385
01:33:10.985 --> 01:33:15.525
and then began to try and find publishers, first of all. And then agents.
1386
01:33:15.845 --> 01:33:18.005
I was completely clueless. I didn\'t know what I was doing.
1387
01:33:18.025 --> 01:33:21.925
So I just basically sent it off to any publisher who caught my eye, you know,
1388
01:33:21.925 --> 01:33:24.845
saying, please publish this. And didn\'t get anywhere with publishers at all,
1389
01:33:24.845 --> 01:33:29.605
but got a bit more interest from agents and then found a very sympathetic
1390
01:33:29.615 --> 01:33:33.085
agent who\'s still my agent, who\'s great. And in the end, um,
1391
01:33:33.425 --> 01:33:35.885
we placed it with Virago, who is still my publisher,
1392
01:33:35.885 --> 01:33:39.725
who have a history of publishing books by women, by and for women,
1393
01:33:39.805 --> 01:33:43.245
a feminist publisher, but within a mainstream imprint.
1394
01:33:43.645 --> 01:33:46.765
I feel very affectionate towards the novel because it was through writing Tip in
1395
01:33:46.765 --> 01:33:50.005
the Bell. But that I kind of became a writer. I\'m still learning how to write.
1396
01:33:50.305 --> 01:33:54.245
It was a longer process than that, but it was, you know, I\'d never written a,
1397
01:33:54.445 --> 01:33:58.005
a long piece of fiction before. Um, and I was lit.
1398
01:33:58.125 --> 01:34:01.725
I was learning as I wrote. And I remember the excitement of, you know,
1399
01:34:01.725 --> 01:34:03.925
can I write a paragraph? Yes, I\'ve written a paragraph. You know,
1400
01:34:03.925 --> 01:34:07.045
can I write a scene? Oh my God, I\'ve written a scene. Can I write a chapter?
1401
01:34:07.105 --> 01:34:09.685
Can I put these chapters together? Oh, I\'ve written a book. You know,
1402
01:34:09.685 --> 01:34:11.965
it was amazing. It was, it was like nothing.
1403
01:34:11.965 --> 01:34:14.285
And no other novel I\'ve written since then has been so,
1404
01:34:14.745 --> 01:34:17.605
so exciting because I wrote it really for myself. You know,
1405
01:34:17.605 --> 01:34:20.005
I wrote it in a vacuum. I didn\'t have a publisher or an agent.
1406
01:34:20.705 --> 01:34:25.565
And so I wrote it purely for the passion of telling the story and
1407
01:34:25.565 --> 01:34:30.165
just wanting to write in ways that I hoped felt sort of authentic
1408
01:34:30.375 --> 01:34:32.845
about lesbian sex and, and fun.
1409
01:34:32.945 --> 01:34:37.685
And just capture the deliciousness really, of lesbian love and lesbian sex.
1410
01:34:37.955 --> 01:34:40.445
It\'s very romantic. I think it\'s a very romantic book, actually. I mean, it,
1411
01:34:40.505 --> 01:34:42.685
it got known at the time as quite a risque novel. I mean,
1412
01:34:42.685 --> 01:34:46.085
looking back at it now, it\'s not that risque. But, um,
1413
01:34:46.645 --> 01:34:51.325
I think it\'s more romantic than anything else For me, you know,
1414
01:34:51.365 --> 01:34:54.325
I couldn\'t have written my novels and I certainly couldn\'t have written Tip in
1415
01:34:54.325 --> 01:34:59.045
the Velvet without having had this kind of bedrock of lesbian and gay,
1416
01:34:59.105 --> 01:35:02.685
but mainly lesbian writing behind me. You know, I\'d, I\'d grown up as a reader.
1417
01:35:02.785 --> 01:35:06.325
I\'d always been an avid reader. And then from my late teens onwards,
1418
01:35:06.885 --> 01:35:09.805
I was a great reader of women\'s fiction, feminist fiction,
1419
01:35:09.805 --> 01:35:12.805
lesbian and gay fiction. So when I think back, you know,
1420
01:35:13.035 --> 01:35:17.925
writers like Ellen Alford, um, Jeanette Winterson,
1421
01:35:18.175 --> 01:35:23.125
Sarah Schulman, um, Allison Bechdel, Joelle Gomez, Dorothy Allison,
1422
01:35:23.265 --> 01:35:26.285
you know, they seemed very much of a, of a, of an era. Um,
1423
01:35:26.565 --> 01:35:28.365
I just kind of gobbled up all that stuff.
1424
01:35:28.645 --> 01:35:31.645
A really important early book for me was Isabelle Miller\'s patients and Sarah,
1425
01:35:32.095 --> 01:35:36.325
where she sort of goes back into the 19th century and, and reimagines this,
1426
01:35:36.325 --> 01:35:39.805
this kind of small lesbian relationship. It\'s absolutely beautifully done.
1427
01:35:39.885 --> 01:35:43.765
I love that novel. And a book I read at a similar time was, uh,
1428
01:35:43.765 --> 01:35:47.645
Lillian Faderman Surpassing the Love of Man, which absolutely blew me away.
1429
01:35:47.685 --> 01:35:49.285
I mean, I was a student when I bought it,
1430
01:35:49.305 --> 01:35:52.005
so I would\'ve been 20, 21 maybe at the most.
1431
01:35:52.585 --> 01:35:56.685
And I just hadn\'t realized that lesbianism had a history. You know, I just,
1432
01:35:56.845 --> 01:35:57.845
\'cause nobody had ever told me,
1433
01:35:57.945 --> 01:36:01.925
I\'d never seen it if I\'d seen lesbians represented on TV or in film.
1434
01:36:01.945 --> 01:36:04.885
It was very much as a modern phenomenon, you know,
1435
01:36:04.965 --> 01:36:06.765
a social problem or something like that.
1436
01:36:07.225 --> 01:36:09.765
And the idea that there had been a queer presence in the past,
1437
01:36:09.765 --> 01:36:12.245
whether we can call it lesbian, whatever we can call it,
1438
01:36:12.245 --> 01:36:15.725
whether it was romantic friendship, whether it was something trans, you know,
1439
01:36:16.115 --> 01:36:19.085
this, this queer presence going back through the centuries.
1440
01:36:19.105 --> 01:36:23.525
The idea that that was there was really important for me. And obviously,
1441
01:36:23.585 --> 01:36:25.565
you know, given that my novels have all been historical,
1442
01:36:25.715 --> 01:36:29.645
that was kind of a starting point for me. I think in lots of ways. You know,
1443
01:36:29.645 --> 01:36:34.325
I\'ve always felt as a lesbian reader and as a lesbian writer that, you know,
1444
01:36:34.325 --> 01:36:35.285
lesbian and gay stories,
1445
01:36:35.285 --> 01:36:37.965
they\'ve often been put in the dusty corner of the bookshop,
1446
01:36:37.965 --> 01:36:40.605
the dusty shelf on the library, as if they\'re very sort of niche.
1447
01:36:40.785 --> 01:36:43.645
But it\'s always seemed to me that, um, les, you know,
1448
01:36:43.645 --> 01:36:47.325
lesbian and gay stories can also just Beto big human stories.
1449
01:36:47.325 --> 01:36:51.205
They\'re just stories about love and loss and desire and betrayal and the,
1450
01:36:51.225 --> 01:36:54.685
the big meaty stories. So the fact that my, my,
1451
01:36:55.105 --> 01:36:59.965
my lesbian novels have been adapted in the mainstream is,
1452
01:37:00.025 --> 01:37:03.565
um, is pretty pleasing. You know, I feel like that\'s part of that,
1453
01:37:03.565 --> 01:37:08.445
that recognition that that queer stories have got more and more,
1454
01:37:08.755 --> 01:37:10.725
that they\'re not just niche,
1455
01:37:10.755 --> 01:37:13.405
they\'re not just niche stories with a niche interest.
1456
01:37:13.405 --> 01:37:14.845
They\'re much bigger than that too.
1457
01:37:20.105 --> 01:37:23.925
Her hair fitted her head like a little cap that had been sewn just for her by
1458
01:37:23.925 --> 01:37:28.525
some nimble fingered mil. I would say it was brown. Brown, however,
1459
01:37:28.745 --> 01:37:30.205
is too dull a word for it.
1460
01:37:30.625 --> 01:37:35.245
It was rather the kind of brown you might hear sung about a nut brown or a ruid.
1461
01:37:35.745 --> 01:37:39.645
It was almost perhaps the color of chocolate. But then chocolate has no luster.
1462
01:37:39.785 --> 01:37:42.805
And this hair shone in the blaze of the limes like titta.
1463
01:37:43.385 --> 01:37:46.125
It curled at her temple slightly and over her ears.
1464
01:37:46.545 --> 01:37:49.125
And when she turned her head a little to put her hat back on,
1465
01:37:49.565 --> 01:37:53.605
I saw a strip of pale flesh at the nape of her neck where the collar ended and
1466
01:37:53.605 --> 01:37:58.565
the hairline began. That for all the fire of the Hot, hot Hall made me shiver.
1467
01:38:17.195 --> 01:38:21.165
They try to silence, they try to scare us with thunder.
1468
01:38:25.425 --> 01:38:29.365
Sunday comes the rain. After rain
1469
01:38:30.455 --> 01:38:33.565
Comes the, from that pain,
1470
01:38:34.145 --> 01:38:34.978
Sea will
1471
01:38:35.035 --> 01:38:38.965
Grow taller than the sky and stronger than, you know,
1472
01:38:39.155 --> 01:38:39.988
Because
1473
01:38:53.535 --> 01:38:58.045
we\'re stronger. We\'re stronger.
1474
01:39:01.065 --> 01:39:04.805
So another question that we were very interested in, uh, because again,
1475
01:39:04.805 --> 01:39:07.885
we\'re going to be using some of this for, uh, the project that we\'re,
1476
01:39:07.885 --> 01:39:11.205
that we\'re doing with, uh, lesbian, uh,
1477
01:39:12.245 --> 01:39:14.685
literature legacies and lesbian literature. Um,
1478
01:39:16.755 --> 01:39:20.405
what do we want our footprint to be? Where do you,
1479
01:39:20.815 --> 01:39:24.645
where do you see us taking our writing today and in the future?
1480
01:39:24.675 --> 01:39:27.565
What do we want our footprint to be? What do we want reflected?
1481
01:39:27.905 --> 01:39:28.885
Or is that a big question.