An exploration of how we all live and die, and dealing with end-of-life…
Facing Death
 
									- Description
- Reviews
- Citation
- Cataloging
- Transcript
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Elisabeth Kubler-Ross devoted her life to death and dying and achieved world fame in the process. Through her strong commitment to the subject, she has done much to de-stigmatize dying and to draw attention to the treatment of the terminally ill. This remarkably intimate film was produced in 2002, when Kublerr-Ross lived secluded in the desert, and was awaiting - as she says - her own death, on the verge of the transition she researched so passionately.
Her story is a remarkable one. Born in Zurich in 1926 as a 2-pound triplet, she studied medicine in defiance of her parents' wishes and struggled for recognition as a psychiatrist in the United States. In 1969 she achieved international fame through her work with terminally ill patients in Chicago and her book On Death and Dying. This initial success was followed by countless workshops and lecture tours around the world, and the establishment of a healing center in Virginia, which was destroyed by arsonists in 1994. In the late Nineties, Elisabeth Kubler-Ross suffered a series of strokes, and finally succumbed on August 24th, 2004. 
Conversations with Elisabeth Kubler-Ross in Arizona form the core of the film. She looks back on her life, describes her childhood and her work, and explains how she herself faces aging and impending death. Interviews with her sisters, friends and colleagues, as well as extensive archival material provide a comprehensive look into the life and work of this extraordinary woman.
'An excellent resource [and] valuable document.'-The Bulletin of the History of Medicine
'Elisabeth Kubler-Ross has been widely recognized as one of the foremost authorities in the field of death, dying and transition for over 20 years. It might well be said that she invented this field as an area of legitimate discourse in the medical community. Her now-classic first book, 'On Death and Dying,' is today considered the master text on the subject, and is required reading in most major medical and nursing schools and graduate schools of psychiatry and theology.'- Health World Online
'Recommended! FACING DEATH serves as both a concise biography and a compelling forum for Ross's discussion of her work, bolstered by numerous interviews with close friends, colleagues, and... siblings. Never morbid or depressing... this is a powerful and thoughtful film.'- Video Librarian
'A wonderfully done film. Everything blends together to make a beautiful video and a remarkable story of a true pioneer in our field. It is a film that should be seen by all students in the field of Thanatology, all hospice volunteers and professions, medical personnel, and all those who care about the end of life. [FACING DEATH is] a work of true quality... How could he go wrong with such a remarkable subject?'- Dana G. Cable, Professor of Psychology and Thanatology, Hood College, for the Journal of Hospice and Palliative Care
'A marvelous look at the forces that shaped Elisabeth Kubler-Ross and her life's work... The strength of this film lies in its honesty. The viewer is privy to the admirers as well as the detractors, the strengths of Dr. Ross as well as her foibles, and with a balanced presentation is then left to draw her own conclusions about this important teacher in the arena of death and dying.'- Journal of Psychosocial Oncology
'Highly Recommended!'- Kleine Zeitung (Austria)
Citation
Main credits
								Haupt, Stefan (film director)
Faust-Kübler, Erika (on-screen participant)
Bacher-Kübler, Eva (on-screen participant)
Imara, Mwalimu (on-screen participant)
Gordon, Audrey K. (on-screen participant)
Luethy, Frances. (on-screen participant)
							
Other credits
Camera, Christian Davi, John Erne, Patrick Lindemaker; editor, Stefan Kälin; music, Klaus Wiese, Peter Landis.
Distributor subjects
Aging; Bioethics; Biographies; Death and Dying; Ethics; Family Relations; Health Care Issues; History of Science; Medicine; Psychology; Women's StudiesKeywords
WEBVTT
 
 00:00:00.000 --> 00:00:08.000
 [sil.] [music]
 
 00:02:05.000 --> 00:02:13.000
 Don\'t think about death
 
 00:02:15.000 --> 00:02:19.999
 or you might die before your time.
 
 00:02:20.000 --> 00:02:24.999
 Don\'t talk about it or you could tempt it.
 
 00:02:25.000 --> 00:02:29.999
 If you stay silent,
 
 00:02:30.000 --> 00:02:34.999
 death will spare you. [music]
 
 00:02:35.000 --> 00:02:43.000
 At the end of the 1960\'s,
 
 00:02:45.000 --> 00:02:49.999
 a book is published in the United States.
 It will become a best seller
 
 00:02:50.000 --> 00:02:54.999
 around the world, over 1 million
 copies sold, with translations into
 
 00:02:55.000 --> 00:02:59.999
 26 languages. On Death and Dying, a book
 
 00:03:00.000 --> 00:03:04.999
 about the great mystery,
 a taboo subject, not to
 
 00:03:05.000 --> 00:03:09.999
 be discussed. [music]
 
 00:03:10.000 --> 00:03:18.000
 A baptism, a wedding banquet, a
 
 00:03:20.000 --> 00:03:24.999
 a wake.
 
 00:03:25.000 --> 00:03:29.999
 We act as if we were here forever
 
 00:03:30.000 --> 00:03:34.999
 but one beat of time\'s wings
 and all is no more. The whole
 
 00:03:35.000 --> 00:03:39.999
 crowd vanished.
 
 00:03:40.000 --> 00:03:44.999
 Or will we sit on the branches of
 the tree of life, dangling our
 
 00:03:45.000 --> 00:03:49.999
 feet,
 
 00:03:50.000 --> 00:03:54.999
 watching the people scurrying
 below and smiling? [music]
 
 00:03:55.000 --> 00:04:03.000
 The woman who wrote the
 book about death and dying
 
 00:04:10.000 --> 00:04:14.999
 now lives in the Arizona desert,
 withdrawn from the world and alone,
 
 00:04:15.000 --> 00:04:19.999
 on the verge of that final journey she
 researched so passionately. [sil.]
 
 00:04:20.000 --> 00:04:28.000
 I\'m very choosy about
 who should wait for me
 
 00:04:30.000 --> 00:04:34.999
 on the other side. I want to meet Gandhi. I
 
 00:04:35.000 --> 00:04:39.999
 want to meet Carl Gustav Jung. A handful
 
 00:04:40.000 --> 00:04:44.999
 of people. Pestalozzi. When I was little,
 
 00:04:45.000 --> 00:04:49.999
 people called me Pestalozzi.
 Wish I could have met him.
 
 00:04:50.000 --> 00:04:54.999
 Jung and Gandhi are my favorites.
 I didn\'t meet them.
 
 00:04:55.000 --> 00:04:59.999
 I\'ll meet them when I die. That\'s
 something to look forward to.
 
 00:05:00.000 --> 00:05:04.999
 But it was a good life.
 It was fantastic. [sil.]
 
 00:05:05.000 --> 00:05:13.000
 [sil.]
 
 00:05:20.000 --> 00:05:28.000
 When a new life begins, we fear
 for it\'s safety. Thus from the
 
 00:05:50.000 --> 00:05:54.999
 very beginning of life, we already sense
 
 00:05:55.000 --> 00:05:59.999
 death and our
 
 00:06:00.000 --> 00:06:04.999
 awareness of death transforms our
 perceptions of life. Life is now.
 
 00:06:05.000 --> 00:06:09.999
 It cannot be postponed.
 It\'s happening now. [music]
 
 00:06:10.000 --> 00:06:18.000
 I find that exhausting. [sil.]
 
 00:08:15.000 --> 00:08:23.000
 [sil.]
 
 00:09:25.000 --> 00:09:29.999
 When Elisabeth asks me about her
 funeral these days or when she starts
 
 00:09:30.000 --> 00:09:34.999
 talking about her death, the way I take it is
 that she is really feeling very much down.
 
 00:09:35.000 --> 00:09:39.999
 She\'s really feeling quite down
 because, um, she\'s an enormously
 
 00:09:40.000 --> 00:09:44.999
 active person and wants to be active
 and wants to do things and she simply
 
 00:09:45.000 --> 00:09:49.999
 can\'t. She, she has
 partial paralysis on, on
 
 00:09:50.000 --> 00:09:54.999
 one side and, uh, it just restricts, her
 movement is so restricted. For someone who is
 
 00:09:55.000 --> 00:09:59.999
 basically a, an athlete,
 she moved and lived like
 
 00:10:00.000 --> 00:10:08.000
 an athlete and, uh, this has got to be a
 terrible, uh, experience for her. [sil.]
 
 00:10:40.000 --> 00:10:48.000
 [music]
 
 00:11:55.000 --> 00:11:59.999
 Zurich in the early 20th
 
 00:12:00.000 --> 00:12:04.999
 century, a peaceful and lively
 city in the middle of Europe.
 
 00:12:05.000 --> 00:12:09.999
 Everything that is fine and incomparable
 about this town beguiles the
 
 00:12:10.000 --> 00:12:14.999
 heart, writes the Zurich poet Albin
 Zolinger (ph) at that time. A new cinema,
 
 00:12:15.000 --> 00:12:19.999
 a coffee house, the skating rink, the
 chiming of the trams, the Sunday church
 
 00:12:20.000 --> 00:12:24.999
 bells, the asphalt covered in
 autumn leaves, the smell of
 
 00:12:25.000 --> 00:12:29.999
 the trains, all that is Zurich.
 Here Elisabeth Kubler is born
 
 00:12:30.000 --> 00:12:38.000
 on July 8th, 1926.
 
 00:13:25.000 --> 00:13:29.999
 My life began as a triplet.
 A two-pound triplet.
 
 00:13:30.000 --> 00:13:34.999
 Weighing 31 ounces. With very
 little chance of survival.
 
 00:13:35.000 --> 00:13:39.999
 I arrived first.
 
 00:13:40.000 --> 00:13:44.999
 The second came 15 minutes later.
 Another two-pound triplet.
 
 00:13:45.000 --> 00:13:49.999
 My mother kept saying, \"There\'s more.
 
 00:13:50.000 --> 00:13:58.000
 There\'s more coming.\" [music]
 
 00:15:15.000 --> 00:15:23.000
 When the triplets are 4 years old, the
 
 00:16:15.000 --> 00:16:19.999
 family leaves the cramped city apartment
 and moves to the country, to Myland (ph),
 
 00:16:20.000 --> 00:16:24.999
 a village known for it\'s wine growing
 tradition, located a half hour\'s train
 
 00:16:25.000 --> 00:16:29.999
 ride away from the city. Our
 kindergarten teacher had
 
 00:16:30.000 --> 00:16:34.999
 unconditional love for the three of us. She
 was the only person who could tell us apart,
 
 00:16:35.000 --> 00:16:39.999
 Erika, Eva, and Elisabeth.
 The others called us the
 
 00:16:40.000 --> 00:16:48.000
 triplets or the Kublers but
 never by our first names.
 
 00:17:25.000 --> 00:17:29.999
 One night, the four year old Elisabeth is rushed
 to the Children\'s Hospital in Zurich with
 
 00:17:30.000 --> 00:17:34.999
 high fever. The diagnosis,
 pneumonia, possibly fatal.
 
 00:17:35.000 --> 00:17:39.999
 She spends long weeks in a glass cage,
 isolated from her surroundings, deprived
 
 00:17:40.000 --> 00:17:44.999
 of human contact, the worried faces of
 her parents on the other side of the
 
 00:17:45.000 --> 00:17:49.999
 glass. It\'s an experience Elisabeth
 will remember all her life.
 
 00:17:50.000 --> 00:17:54.999
 Recovery is slow, but she
 finally begins to get better
 
 00:17:55.000 --> 00:17:59.999
 at home on the balcony, with the view
 over the landscape and the lake.
 
 00:18:00.000 --> 00:18:04.999
 In a school essay a few
 years later, she writes:
 
 00:18:05.000 --> 00:18:09.999
 I want to study life. I want
 to study human nature. More
 
 00:18:10.000 --> 00:18:14.999
 than anything else in the
 world, I want to be a doctor.
 
 00:18:15.000 --> 00:18:23.000
 Around that time, a neighboring farmer
 suffers a serious accident. [music]
 
 00:19:40.000 --> 00:19:48.000
 [music]
 
 00:21:30.000 --> 00:21:38.000
 [music]
 
 00:22:20.000 --> 00:22:28.000
 [sil.]
 
 00:23:10.000 --> 00:23:18.000
 [sil.]
 
 00:24:40.000 --> 00:24:48.000
 [sil.]
 
 00:25:40.000 --> 00:25:48.000
 A lively childhood
 
 00:25:50.000 --> 00:25:54.999
 spent close to nature, in
 loving, sheltered surroundings.
 
 00:25:55.000 --> 00:25:59.999
 A sharp contrast to the
 
 00:26:00.000 --> 00:26:04.999
 second World War raging just across the
 border. Her father brings home the family\'s
 
 00:26:05.000 --> 00:26:09.999
 first radio. The news is full of reports
 about refugees, the persecution of
 
 00:26:10.000 --> 00:26:14.999
 the Jews, and the advancing Nazis. Many
 
 00:26:15.000 --> 00:26:19.999
 refugees make it over the border into
 neutral Switzerland. Others, many others,
 
 00:26:20.000 --> 00:26:24.999
 are denied entry. For the
 teenage Elisabeth, one this is
 
 00:26:25.000 --> 00:26:29.999
 clear. She wants to help,
 wherever and however she can.
 
 00:26:30.000 --> 00:26:34.999
 At the mountain cabin in Amden, Elisabeth
 gets to know a group of young people who
 
 00:26:35.000 --> 00:26:39.999
 are members of Service Civil
 International, the International Voluntary
 
 00:26:40.000 --> 00:26:44.999
 Service for Peace. She learns about
 volunteer projects, work camps,
 
 00:26:45.000 --> 00:26:49.999
 pacifism, and promoting international
 understanding. Shortly after the end of the war,
 
 00:26:50.000 --> 00:26:54.999
 she volunteers for a work camp in France,
 rebuilding the village of (inaudible)
 
 00:26:55.000 --> 00:26:59.999
 , which has been almost
 completely destroyed.
 
 00:27:00.000 --> 00:27:04.999
 Her parents are worried about their 19
 year old daughter. There are many dangers:
 
 00:27:05.000 --> 00:27:09.999
 unexploded ammunition,
 landmines, buildings likely to
 
 00:27:10.000 --> 00:27:14.999
 collapse, contagious diseases, but
 Elisabeth will not change her mind.
 
 00:27:15.000 --> 00:27:19.999
 She wants to help.
 
 00:27:20.000 --> 00:27:24.999
 She volunteers for further
 work camps in Belgium, Italy,
 
 00:27:25.000 --> 00:27:33.000
 Sweden, and Poland, where she
 helps set up an infirmary.
 
 00:28:55.000 --> 00:28:59.999
 From now on,
 
 00:29:00.000 --> 00:29:04.999
 nothing can stop her, not even her father,
 who has forbidden her from pursuing a
 
 00:29:05.000 --> 00:29:09.999
 university education. As a
 result of their conflict,
 
 00:29:10.000 --> 00:29:14.999
 she\'s forced to leave her parent\'s home.
 She moves into a tiny attic
 
 00:29:15.000 --> 00:29:19.999
 room in Zurich\'s safe held quarter. During
 the day, she works as a lab technician
 
 00:29:20.000 --> 00:29:24.999
 at the University Hospital. Nights are
 spent studying at her desk. Her goal
 
 00:29:25.000 --> 00:29:33.000
 is to become a doctor.
 
 00:32:25.000 --> 00:32:29.999
 1958. Elisabeth graduates from
 medical school in Zurich and marries
 
 00:32:30.000 --> 00:32:34.999
 Emmanuel Ross. The young
 couple moves to New York.
 
 00:32:35.000 --> 00:32:39.999
 For one year, they both work as interns
 at the same hospital. Their meager wages
 
 00:32:40.000 --> 00:32:44.999
 are barely enough to pay for rent and food.
 To her sister Erika on the other side
 
 00:32:45.000 --> 00:32:49.999
 of the Atlantic, she writes: The
 cocktail party is the most barbaric
 
 00:32:50.000 --> 00:32:54.999
 of American rituals. You find
 yourself pushed into the corner of a
 
 00:32:55.000 --> 00:32:59.999
 crowded room, where you\'re expected to
 sip a perfectly foul drink and eat tiny
 
 00:33:00.000 --> 00:33:04.999
 artificially flavored sausages off
 toothpicks while having to listen to a
 
 00:33:05.000 --> 00:33:09.999
 neurotic woman tell you how she\'s fallen
 in love with her therapist. It\'s a world I
 
 00:33:10.000 --> 00:33:14.999
 don\'t know.
 
 00:33:15.000 --> 00:33:19.999
 The first years in the United
 States are difficult. Elisabeth is
 
 00:33:20.000 --> 00:33:24.999
 offered a position in pediatrics but then is not
 permitted to take the job because she has become
 
 00:33:25.000 --> 00:33:29.999
 pregnant. Desperate to earn a living
 somehow, she accepts a job in the psychiatry
 
 00:33:30.000 --> 00:33:34.999
 department of Manhattan State Hospital
 and then she suffers a miscarriage.
 
 00:33:35.000 --> 00:33:39.999
 A year later, she misses out on
 the pediatrics job a second time.
 
 00:33:40.000 --> 00:33:44.999
 Once again, she\'s pregnant
 and again she loses the baby
 
 00:33:45.000 --> 00:33:49.999
 but finally in the summer of 1960,
 she gives birth to a healthy child,
 
 00:33:50.000 --> 00:33:54.999
 a son Kenneth. Soon after,
 she receives news that her
 
 00:33:55.000 --> 00:33:59.999
 father is dying. She takes the baby and
 flies to Zurich, brings her father
 
 00:34:00.000 --> 00:34:04.999
 home from the hospital and
 nurses him until his death.
 
 00:34:05.000 --> 00:34:09.999
 Three years later, her daughter
 Barbara is born. [sil.]
 
 00:34:10.000 --> 00:34:18.000
 [music]
 
 00:36:25.000 --> 00:36:33.000
 In the summer
 
 00:36:40.000 --> 00:36:44.999
 of 1965, the family moves to Chicago.
 
 00:36:45.000 --> 00:36:49.999
 Elisabeth writes to her mother: I\'m
 really beginning to feel more at home
 
 00:36:50.000 --> 00:36:54.999
 in America. For instance, I now
 actually enjoy supermarkets,
 
 00:36:55.000 --> 00:36:59.999
 hamburgers, hot dogs, and
 processed breakfast food.
 
 00:37:00.000 --> 00:37:04.999
 Don\'t be too shocked to hear that I wear pants
 as often as I wear a skirt, even when I
 
 00:37:05.000 --> 00:37:09.999
 go out visiting. The one thing I
 don\'t think I\'ll ever get used to
 
 00:37:10.000 --> 00:37:14.999
 is the importance given here to money.
 America
 
 00:37:15.000 --> 00:37:19.999
 is sort of a dollarocracy. If people
 have money, they\'re considered
 
 00:37:20.000 --> 00:37:24.999
 important and successful.
 If they don\'t, they\'re not.
 
 00:37:25.000 --> 00:37:29.999
 Elisabeth
 
 00:37:30.000 --> 00:37:34.999
 finds work at the renowned Billings Hospital
 as Assistant Professor in the psychiatric
 
 00:37:35.000 --> 00:37:39.999
 department. Here, she discovers
 a field that will occupy
 
 00:37:40.000 --> 00:37:44.999
 her for the rest of her life, the
 treatment of dying patients, dealing with
 
 00:37:45.000 --> 00:37:53.000
 death. One day,
 
 00:38:15.000 --> 00:38:19.999
 some students from the Chicago Theological
 Seminary knock on her door. They\'re also working
 
 00:38:20.000 --> 00:38:24.999
 on the topic of death and dying and
 ask the young professor for her
 
 00:38:25.000 --> 00:38:29.999
 help. The first seminars take place
 in the form of weekly talks with
 
 00:38:30.000 --> 00:38:38.000
 dying patients. Never before has death been examined
 in this way. Her first published article on the
 
 00:39:00.000 --> 00:39:04.999
 topic appears in 1966, The Dying
 Patient as Teacher. Although
 
 00:39:05.000 --> 00:39:09.999
 she\'s not yet known outside of professional circles,
 Elisabeth\'s work on this controversial topic
 
 00:39:10.000 --> 00:39:14.999
 has already begun to spark medical
 and theological debates. Just
 
 00:39:15.000 --> 00:39:19.999
 mentioning death to somebody
 who may be dying seems so
 
 00:39:20.000 --> 00:39:24.999
 bizarre then. It was considered to be bizarre,
 ghoulish. To talk to somebody who was
 
 00:39:25.000 --> 00:39:29.999
 near death about their experience
 was, was, was, uh, uh, related
 
 00:39:30.000 --> 00:39:38.000
 to a kind of voyeurism and so on. So it was, that was totally,
 uh, rejected. While she was in the hospital, she polarized
 
 00:40:15.000 --> 00:40:19.999
 the faculty and the medical students.
 That is, you were either for or again
 
 00:40:20.000 --> 00:40:24.999
 her. There was never a middle ground
 with Elisabeth. But she was really
 
 00:40:25.000 --> 00:40:29.999
 loved, even in the very early
 beginnings, um, by the
 
 00:40:30.000 --> 00:40:34.999
 ordinary people in the hospital.
 Uh, the maids,
 
 00:40:35.000 --> 00:40:39.999
 uh, the nurses, the LPNs,
 uh, the, the students, the
 
 00:40:40.000 --> 00:40:44.999
 clerks because she was so available.
 Elisabeth
 
 00:40:45.000 --> 00:40:49.999
 was in the right place at the
 right time, that she was
 
 00:40:50.000 --> 00:40:54.999
 part of a movement to bring autonomy to
 
 00:40:55.000 --> 00:40:59.999
 disenfranchised groups like women\'s
 rights and gay rights and the
 
 00:41:00.000 --> 00:41:04.999
 great Panthers and Elisabeth was bringing
 
 00:41:05.000 --> 00:41:09.999
 autonomy and rights to the
 person who was dying and she fit
 
 00:41:10.000 --> 00:41:14.999
 in to that whole movement
 of the Vietnam War
 
 00:41:15.000 --> 00:41:19.999
 and the protests and the civil rights and all
 of the things that were going on at the time.
 
 00:41:20.000 --> 00:41:24.999
 1968.
 
 00:41:25.000 --> 00:41:29.999
 A year of turmoil in the United States.
 Martin Luther King is
 
 00:41:30.000 --> 00:41:34.999
 assassinated. Resistance to
 the war in Vietnam increases.
 
 00:41:35.000 --> 00:41:39.999
 During the Democratic National Convention,
 Chicago too becomes the scene of violence.
 
 00:41:40.000 --> 00:41:44.999
 Elisabeth, now Americanized, still
 maintains close contact with home.
 
 00:41:45.000 --> 00:41:49.999
 Together with her young family, she flies
 to Switzerland once a year. [music]
 
 00:41:50.000 --> 00:41:58.000
 A New York publisher invites Elisabeth
 
 00:42:40.000 --> 00:42:44.999
 to write about her experiences
 with the seminars.
 
 00:42:45.000 --> 00:42:49.999
 Just three months later, she presents him with a
 completed manuscript. In writing the book, her first
 
 00:42:50.000 --> 00:42:54.999
 priority is not to promote the prestige of
 medical science. It is it further a humanistic
 
 00:42:55.000 --> 00:42:59.999
 sympathetic approach. Her goal, to
 focus on an emotional understanding
 
 00:43:00.000 --> 00:43:04.999
 of the dying process, from the point of
 view of patients as well as doctors.
 
 00:43:05.000 --> 00:43:09.999
 To work with a dying patient
 requires a certain maturity.
 
 00:43:10.000 --> 00:43:14.999
 We have to take a good, hard look
 at our own attitude toward death
 
 00:43:15.000 --> 00:43:19.999
 and dying before we can sit quietly
 and without anxiety next to a
 
 00:43:20.000 --> 00:43:24.999
 terminally ill patient. This implies
 our own ability to face terminal
 
 00:43:25.000 --> 00:43:29.999
 illness and death. If this is
 a big problem in our own life
 
 00:43:30.000 --> 00:43:34.999
 and death is viewed as a frightening,
 horrible taboo topic, we will never
 
 00:43:35.000 --> 00:43:39.999
 be able to face it calmly and
 helpfully with a patient.
 
 00:43:40.000 --> 00:43:44.999
 In her book, she outlines
 five stages that patients
 
 00:43:45.000 --> 00:43:49.999
 may go through when suffering
 from a terminal illness: denial,
 
 00:43:50.000 --> 00:43:54.999
 anger, bargaining,
 
 00:43:55.000 --> 00:43:59.999
 depression,
 
 00:44:00.000 --> 00:44:08.000
 and acceptance.
 
 00:44:50.000 --> 00:44:54.999
 When the book is published
 in the autumn of 1969,
 
 00:44:55.000 --> 00:44:59.999
 no one imagines the incredible
 response it will receive.
 
 00:45:00.000 --> 00:45:04.999
 Just a few weeks later, LIFE
 publishes an article on Elisabeth\'s
 
 00:45:05.000 --> 00:45:09.999
 interviews with dying patients.
 Eva, 21 years old, a patient with
 
 00:45:10.000 --> 00:45:14.999
 incurable leukemia. The conversation
 with the young woman is open and honest,
 
 00:45:15.000 --> 00:45:19.999
 seemingly free of all taboos. An
 enormous number of readers are deeply
 
 00:45:20.000 --> 00:45:24.999
 moved. Elisabeth Kubler-Ross becomes an
 
 00:45:25.000 --> 00:45:33.000
 internationally recognized expert on
 death and dying. But her work irritates
 
 00:46:40.000 --> 00:46:44.999
 many of her professional colleagues,
 her sudden fame even more so. Some
 
 00:46:45.000 --> 00:46:49.999
 accuse her of exploiting her patients. They call
 her book simplistic, her research unscientific
 
 00:46:50.000 --> 00:46:54.999
 and they complain that she\'s making the
 hospital known as a place where people
 
 00:46:55.000 --> 00:46:59.999
 die, instead of a place
 for recovery and cure.
 
 00:47:00.000 --> 00:47:04.999
 If you are raised in medical school to do
 
 00:47:05.000 --> 00:47:09.999
 exclusively nothing but to cure,
 to treat, to prolong life,
 
 00:47:10.000 --> 00:47:14.999
 and to get absolutely no help,
 how to be physician to patient
 
 00:47:15.000 --> 00:47:19.999
 whose going to die on you? You naturally
 must feel like a failure. You naturally
 
 00:47:20.000 --> 00:47:24.999
 desperately trying to do something else.
 If they begin to realize
 
 00:47:25.000 --> 00:47:29.999
 that they\'re not here to
 prolong life, that we cure
 
 00:47:30.000 --> 00:47:34.999
 practically nobody but to help
 them to live as fully as possible
 
 00:47:35.000 --> 00:47:39.999
 a meaningful life then they begin
 to change their whole attitude
 
 00:47:40.000 --> 00:47:44.999
 about what it\'s like to be physician.
 Conflicts with fellow doctors at the
 
 00:47:45.000 --> 00:47:49.999
 hospital administration escalate.
 Elisabeth contract is terminated after
 
 00:47:50.000 --> 00:47:54.999
 three years. It wasn\'t the fame or the
 anything that she was doing. It was
 
 00:47:55.000 --> 00:47:59.999
 the fact that she did no research
 and the University of Chicago
 
 00:48:00.000 --> 00:48:04.999
 is a research oriented institution.
 So, when her contract,
 
 00:48:05.000 --> 00:48:09.999
 which is a probationary contract,
 came up, actually at the end of
 
 00:48:10.000 --> 00:48:14.999
 the second year is when
 they let you know, um, they
 
 00:48:15.000 --> 00:48:19.999
 did not renew her contract. It was
 because of her lack of scholarly
 
 00:48:20.000 --> 00:48:24.999
 work. She had clearly, in 19, by 19,
 
 00:48:25.000 --> 00:48:29.999
 uh, 69, outgrown this hospital
 and with the publication of On
 
 00:48:30.000 --> 00:48:34.999
 Death and Dying, um, she, I
 mean, she was in such demand
 
 00:48:35.000 --> 00:48:39.999
 that it, it just wouldn\'t work, uh,
 for her to be here any, any more
 
 00:48:40.000 --> 00:48:44.999
 and it was so, too confining.
 She had already,
 
 00:48:45.000 --> 00:48:49.999
 uh, proven her point, that people did
 well, uh, lived much better lives,
 
 00:48:50.000 --> 00:48:54.999
 families became more, more
 cohesive, when somebody
 
 00:48:55.000 --> 00:48:59.999
 was dying, to talk about it.
 
 00:49:00.000 --> 00:49:04.999
 Elisabeth receives invitations to speak all
 
 00:49:05.000 --> 00:49:09.999
 over the world. She travels about a
 quarter of a million miles a year.
 
 00:49:10.000 --> 00:49:14.999
 One lecture follows another, along with interviews,
 talk shows, other appearances on television
 
 00:49:15.000 --> 00:49:19.999
 but her priority is still
 the care of dying patients.
 
 00:49:20.000 --> 00:49:24.999
 She initiates the hospice movement
 in the United States, introduces
 
 00:49:25.000 --> 00:49:29.999
 self help groups for mourners, and she
 continues to look after patients around
 
 00:49:30.000 --> 00:49:34.999
 the world. [music]
 
 00:49:35.000 --> 00:49:43.000
 The most frustrating thing for
 you right now is that you
 
 00:49:50.000 --> 00:49:52.999
 can\'t speak well. (inaudible)
 
 00:49:53.000 --> 00:50:01.000
 . She knows that she\'s,
 um, going to die but the
 
 00:50:05.000 --> 00:50:09.999
 process is taking a long time and what is it
 that she\'s supposed to be learning through
 
 00:50:10.000 --> 00:50:14.999
 such a long process? If
 you can regard this as
 
 00:50:15.000 --> 00:50:19.999
 a challenge and not as a
 threat or a punishment or
 
 00:50:20.000 --> 00:50:24.999
 something negative, it is a real
 challenge, like you\'re able to
 
 00:50:25.000 --> 00:50:29.999
 communicate with her all the time.
 You can do communicate
 
 00:50:30.000 --> 00:50:34.999
 like this with your husband and
 with your children and with
 
 00:50:35.000 --> 00:50:39.999
 me. The one thing mother wanted to ask you
 and the thing that bothers her is that she
 
 00:50:40.000 --> 00:50:44.999
 feels that she\'s, since she\'s unable to
 use her body, what purpose is she serving
 
 00:50:45.000 --> 00:50:49.999
 and she feels like for anybody to live, they
 should have some purpose in life. And she can\'t
 
 00:50:50.000 --> 00:50:54.999
 see what her purpose is now. Yeah.
 Do, do you think it\'s more important
 
 00:50:55.000 --> 00:50:59.999
 to run around the house using
 the pool and cleaning windows?
 
 00:51:00.000 --> 00:51:04.999
 Or is there also a purpose
 in learning how to
 
 00:51:05.000 --> 00:51:09.999
 receive and letting go. (inaudible)
 
 00:51:10.000 --> 00:51:14.999
 . You got her there. And letting
 
 00:51:15.000 --> 00:51:19.999
 your children mother you a little bit.
 I mean, you have mothered
 
 00:51:20.000 --> 00:51:24.999
 them for so many years. Don\'t you think
 it teaches them something? (inaudible)
 
 00:51:25.000 --> 00:51:33.000
 [sil.]
 
 00:52:55.000 --> 00:52:59.999
 They told me that I have a
 disease and it was called,
 
 00:53:00.000 --> 00:53:04.999
 well, I knew what cancer was
 and, and they said, uh,
 
 00:53:05.000 --> 00:53:09.999
 cancer and I didn\'t feel really that
 
 00:53:10.000 --> 00:53:14.999
 much bad because I never
 knew what it did that bad.
 
 00:53:15.000 --> 00:53:19.999
 Well, did they tell it to you? Uh-huh.
 After I did a couple of, um,
 
 00:53:20.000 --> 00:53:24.999
 treatments and I saw how bad
 it could get, I felt real
 
 00:53:25.000 --> 00:53:29.999
 surely that I was gonna die.
 What does death mean
 
 00:53:30.000 --> 00:53:34.999
 to you, Keith? Like death, what does
 death mean to me? (crosstalk) Mm-hmm.
 
 00:53:35.000 --> 00:53:39.999
 Well, it just feels to me like
 going out of one stage into
 
 00:53:40.000 --> 00:53:44.999
 another, better stage. Mm-hmm. And, well I,
 
 00:53:45.000 --> 00:53:49.999
 I knew if I would die, I\'d go up to
 heaven, but, but I was thinking to
 
 00:53:50.000 --> 00:53:54.999
 myself I\'d miss my mom, miss my
 dad, and miss all my friends, my
 
 00:53:55.000 --> 00:53:59.999
 brother. Did you learn
 
 00:54:00.000 --> 00:54:04.999
 anything out of this experience,
 out of having cancer? Well,
 
 00:54:05.000 --> 00:54:09.999
 one thing I learned is, like you go
 through life, that life is pretty
 
 00:54:10.000 --> 00:54:14.999
 tough. [music]
 
 00:54:15.000 --> 00:54:23.000
 [music]
 
 00:57:20.000 --> 00:57:28.000
 [sil.]
 
 00:58:10.000 --> 00:58:18.000
 [sil.]
 
 01:00:50.000 --> 01:00:58.000
 What can the dying teach us about living?
 
 01:02:10.000 --> 01:02:14.999
 Elisabeth\'s work begins to extend more
 and more outside the hospital setting.
 
 01:02:15.000 --> 01:02:19.999
 Care of the dying becomes
 help for the living.
 
 01:02:20.000 --> 01:02:24.999
 One of her central concerns is tackling
 unfinished business, as she calls it, before
 
 01:02:25.000 --> 01:02:33.000
 death is near and it\'s almost too late.
 
 01:02:45.000 --> 01:02:49.999
 She beings organizing workshops,
 
 01:02:50.000 --> 01:02:54.999
 Life, Death, and Transition.
 The participants
 
 01:02:55.000 --> 01:02:59.999
 include patients, their
 relatives, nurses, clergy,
 
 01:03:00.000 --> 01:03:08.000
 and social workers. [sil.]
 
 01:04:20.000 --> 01:04:28.000
 [sil.]
 
 01:05:35.000 --> 01:05:39.999
 Response to the workshops is enormous.
 In the 1970\'s,
 
 01:05:40.000 --> 01:05:44.999
 experiments with new forms of psychotherapy
 are not limited to California.
 
 01:05:45.000 --> 01:05:49.999
 Elisabeth works in Alaska, South
 Africa, Asia, and Europe.
 
 01:05:50.000 --> 01:05:54.999
 In the United States, she\'s named Woman
 of the Year and receives dozens of awards
 
 01:05:55.000 --> 01:05:59.999
 and honorary doctorates. She
 still lives with her husband and
 
 01:06:00.000 --> 01:06:04.999
 children in Chicago. During these
 years, family ties are put to
 
 01:06:05.000 --> 01:06:13.000
 the test.
 
 01:07:55.000 --> 01:07:59.999
 Elisabeth leaves the family
 and moves to California, to
 
 01:08:00.000 --> 01:08:04.999
 Escondido, not far from San Diego,
 where she buys herself a house.
 
 01:08:05.000 --> 01:08:09.999
 Here, she fulfills a longstanding
 wish for her own independent center,
 
 01:08:10.000 --> 01:08:18.000
 Shanti Nilaya.
 
 01:08:35.000 --> 01:08:39.999
 For years, Elisabeth has been searching intensely
 for a clear definition of death. She collects
 
 01:08:40.000 --> 01:08:44.999
 testimonies of near death experiences. She\'s
 interested in children, who just hours
 
 01:08:45.000 --> 01:08:49.999
 before their death, tell her of visitors
 from the other side and she describes
 
 01:08:50.000 --> 01:08:54.999
 experiences of her own where she claims to have
 had encounters with people who already have
 
 01:08:55.000 --> 01:08:59.999
 died. Her provocative statement
 is that death does not exist.
 
 01:09:00.000 --> 01:09:08.000
 It\'s an illusion.
 
 01:10:15.000 --> 01:10:19.999
 She was looking for some way to experience,
 
 01:10:20.000 --> 01:10:24.999
 in a very material way, uh,
 what happens after death.
 
 01:10:25.000 --> 01:10:29.999
 You\'ve got to remember that
 Elisabeth is a, a, basically a
 
 01:10:30.000 --> 01:10:34.999
 scientist and a physician, a very well
 trained one, but a prominent one and she
 
 01:10:35.000 --> 01:10:39.999
 tends to want the physical, seeable
 evidence and that\'s the way she
 
 01:10:40.000 --> 01:10:44.999
 went and, but she
 passionately knew that this
 
 01:10:45.000 --> 01:10:49.999
 existed. So in her struggle to find
 the physical evidence, along comes
 
 01:10:50.000 --> 01:10:54.999
 someone who provided physical evidence
 for her and she so passionately
 
 01:10:55.000 --> 01:11:03.000
 believed that she was very easy to dupe.
 In a darkened room, channeling sessions
 
 01:11:30.000 --> 01:11:34.999
 take place. A so called spirit
 guide acting as a medium
 
 01:11:35.000 --> 01:11:39.999
 calls up shadow figures, kindred
 spirits from the other world who speak
 
 01:11:40.000 --> 01:11:48.000
 to the participants. The acting
 
 01:12:00.000 --> 01:12:04.999
 was well done but, um, the spirits
 
 01:12:05.000 --> 01:12:09.999
 don\'t show up like that and it
 was, it was easy to see that
 
 01:12:10.000 --> 01:12:14.999
 this was a staged event. One would have
 to be either drugged or very, um, I\'d
 
 01:12:15.000 --> 01:12:23.000
 say very persuaded to, to fall for it.
 Manny struggled, uh,
 
 01:13:20.000 --> 01:13:24.999
 to, um, to try to dissuade her from
 investing her time, uh, money, and
 
 01:13:25.000 --> 01:13:29.999
 energies in Shanti Nilaya
 and she was so taken with
 
 01:13:30.000 --> 01:13:34.999
 the, the, her ideas and, and just
 seeing her ideas fulfilled, uh,
 
 01:13:35.000 --> 01:13:39.999
 as they were fulfilled even though they were
 bogus, that she really gave up. She, she
 
 01:13:40.000 --> 01:13:48.000
 just really insisted, if you can\'t, if you can\'t
 go this step with me, then I\'m going. [sil.]
 
 01:14:10.000 --> 01:14:18.000
 The end of Escondido, disillusion, divorce,
 
 01:14:20.000 --> 01:14:24.999
 and the closing of Shanti Nilaya, a
 dream has been shattered. [sil.]
 
 01:14:25.000 --> 01:14:33.000
 [sil.]
 
 01:15:30.000 --> 01:15:38.000
 [sil.]
 
 01:15:40.000 --> 01:15:48.000
 [sil.]
 
 01:16:25.000 --> 01:16:33.000
 [music]
 
 01:16:45.000 --> 01:16:53.000
 Elisabeth Kubler-Ross doesn\'t give up.
 
 01:16:55.000 --> 01:16:59.999
 Far away from urban centers, in an
 area of the east coast different from
 
 01:17:00.000 --> 01:17:04.999
 California in every way,
 she tackles a new project,
 
 01:17:05.000 --> 01:17:09.999
 even if nobody here has been
 waiting for her. [sil.]
 
 01:17:10.000 --> 01:17:18.000
 When I first started working, it
 
 01:17:20.000 --> 01:17:24.999
 was open four hours a day. It
 wasn\'t a whole lot to do and
 
 01:17:25.000 --> 01:17:29.999
 then Elisabeth Kubler-Ross moved here.
 Volume increased quite a bit
 
 01:17:30.000 --> 01:17:34.999
 and hours went to eight hours a day.
 She was my biggest
 
 01:17:35.000 --> 01:17:39.999
 customer at the time. That was kinda new
 to me and then I had to learn a lot of the
 
 01:17:40.000 --> 01:17:44.999
 rules and stuff for foreign mail, because I had
 never done that before. Um, I don\'t think anybody
 
 01:17:45.000 --> 01:17:49.999
 here had mailed much foreign
 mail before. [music]
 
 01:17:50.000 --> 01:17:58.000
 In a remote spot in the Virginia
 hills, she buys a farm with about
 
 01:18:00.000 --> 01:18:04.999
 300 acres of forest and pasture land.
 She moves there in 1984. Her
 
 01:18:05.000 --> 01:18:09.999
 plan is to start a new center for courses
 and therapy and have a functioning
 
 01:18:10.000 --> 01:18:14.999
 farm to go with it. To the
 existing farm buildings, she adds
 
 01:18:15.000 --> 01:18:19.999
 a big house to live in as well as three round
 houses for her seminars and workshops. She
 
 01:18:20.000 --> 01:18:24.999
 asked me to help with secretary,
 relieve, uh, relieve her of some
 
 01:18:25.000 --> 01:18:29.999
 of her duties. She was overburdened with her,
 uh, with her secretarial work, trying to
 
 01:18:30.000 --> 01:18:34.999
 keep up with the mail. Because Elisabeth would come in and she
 would sit up all hours of the night, typing with her two fingers,
 
 01:18:35.000 --> 01:18:39.999
 writing letters and dictating and to answering all these
 letters she got and, uh, the telephone was ringing
 
 01:18:40.000 --> 01:18:44.999
 constantly. So she asked me to take over
 the letters and the airline schedules. And
 
 01:18:45.000 --> 01:18:49.999
 so then she met me one evening and said I\'ve decided
 on an office manager and I said oh good. Who?
 
 01:18:50.000 --> 01:18:54.999
 And she kicked me under the table
 and said you. In those years, a new
 
 01:18:55.000 --> 01:18:59.999
 infectious disease appears, AIDS.
 Through workshop
 
 01:19:00.000 --> 01:19:04.999
 participants, Elisabeth learns early on
 of the tragic dimensions of the illness.
 
 01:19:05.000 --> 01:19:09.999
 She reacts quickly and develops an
 ambitious project. Next to her farm,
 
 01:19:10.000 --> 01:19:14.999
 a hospice is to be built for
 babies with AIDS. So when I became
 
 01:19:15.000 --> 01:19:19.999
 office manager, I decided to hire local
 people and they did a good job here
 
 01:19:20.000 --> 01:19:24.999
 but, uh, they didn\'t like the AIDS hospice idea and
 they wished that she would stop talking about even the
 
 01:19:25.000 --> 01:19:29.999
 idea of doing it. And one of the young ladies said
 to me one day, \"I wish she would stop talking about,
 
 01:19:30.000 --> 01:19:34.999
 uh, this AIDS hospice, \'cuz somebody\'s gonna
 kill her. Somebody\'s gonna shoot her.\" And, uh,
 
 01:19:35.000 --> 01:19:39.999
 she said, you know, this
 is hunting area out here.
 
 01:19:40.000 --> 01:19:44.999
 The resistance of the local population reaches
 massive proportions. Rumors and threats
 
 01:19:45.000 --> 01:19:49.999
 circulate. A public information event
 about the planned baby hospice can take
 
 01:19:50.000 --> 01:19:54.999
 place only under police protection. As
 soon as Elisabeth starts to speak, people
 
 01:19:55.000 --> 01:19:59.999
 whistle and call out, \"We can\'t understand
 you because you\'re a foreigner.\"
 
 01:20:00.000 --> 01:20:04.999
 In spite of support from around the
 world, the baby hospice cannot be built.
 
 01:20:05.000 --> 01:20:09.999
 Elisabeth is denied a
 building permit, a bitter
 
 01:20:10.000 --> 01:20:14.999
 disappointment, but Elisabeth
 won\'t let them drive her away.
 
 01:20:15.000 --> 01:20:19.999
 I was a member of the church (inaudible)
 
 01:20:20.000 --> 01:20:24.999
 chaplain and she and members of
 her crew used to come down every
 
 01:20:25.000 --> 01:20:29.999
 Sunday that we had church and
 I got to know her very well
 
 01:20:30.000 --> 01:20:34.999
 and I really liked her right
 off from the beginning.
 
 01:20:35.000 --> 01:20:39.999
 And all members, they knew
 when she walked in the church,
 
 01:20:40.000 --> 01:20:44.999
 there was such smiles and every once
 in a while, she would even play the
 
 01:20:45.000 --> 01:20:49.999
 piano. But she was a great lady. [music]
 
 01:20:50.000 --> 01:20:58.000
 With the farm products grown at Healing
 Waters, Elisabeth is almost completely
 
 01:22:05.000 --> 01:22:09.999
 self-sufficient. She raises
 cows, horses, chickens, pigs,
 
 01:22:10.000 --> 01:22:14.999
 sheep, and a couple of llamas.
 Virginia becomes her new home.
 
 01:22:15.000 --> 01:22:19.999
 Her sisters from Switzerland
 visit regularly, especially Eva.
 
 01:22:20.000 --> 01:22:24.999
 They spend the summers working on the farm together
 with friends and volunteers from around the world.
 
 01:22:25.000 --> 01:22:29.999
 Elisabeth has given up on the AIDS
 hospice project but the tensions
 
 01:22:30.000 --> 01:22:34.999
 persist and the sharp tone she sometimes uses
 when talking to her local employees doesn\'t
 
 01:22:35.000 --> 01:22:39.999
 help matters either. In, uh, October of
 
 01:22:40.000 --> 01:22:44.999
 1994, uh, this house that
 was Elisabeth\'s burned.
 
 01:22:45.000 --> 01:22:49.999
 Elisabeth was due to come in that
 evening and, uh, so the message
 
 01:22:50.000 --> 01:22:54.999
 got to Elisabeth when she was as far as
 Baltimore at the airport there and a friend of
 
 01:22:55.000 --> 01:22:59.999
 hers tried to get her to stay overnight. She would not.
 She had to come and see what happened here. So she
 
 01:23:00.000 --> 01:23:04.999
 walked up here from the farm house, uh, to see it
 and it was probably 11, between 11 and midnight
 
 01:23:05.000 --> 01:23:09.999
 when she, uh, came up and saw it burning.
 It was still burning when she got here.
 
 01:23:10.000 --> 01:23:14.999
 And, uh, it, everything was destroyed,
 even the little truck that Elisabeth
 
 01:23:15.000 --> 01:23:19.999
 parked here, uh, that was hers. Everything was
 destroyed except the chimney, uh, that was built
 
 01:23:20.000 --> 01:23:24.999
 by a local stonemason. Beautiful chimney
 and, uh, with the fireplace that
 
 01:23:25.000 --> 01:23:29.999
 she so much loved and stove.
 In the end, we think it was
 
 01:23:30.000 --> 01:23:34.999
 arson. There was no reason for it to be
 burning. Elisabeth had been away on a lecture
 
 01:23:35.000 --> 01:23:39.999
 tour and she was receiving awards. She\'d been away for some
 time and, uh, there was no reason for it to burn. No one
 
 01:23:40.000 --> 01:23:44.999
 had been in the house that we knew of,
 uh, that no one knew of. And so, we, we
 
 01:23:45.000 --> 01:23:49.999
 deducted that it was arson. The, the fire department
 and, and the sheriff and all came out and they
 
 01:23:50.000 --> 01:23:54.999
 did some investigation, not much. Uh, the
 fire not only destroyed her manuscripts,
 
 01:23:55.000 --> 01:23:59.999
 it destroyed, uh, the manuscripts of, um,
 
 01:24:00.000 --> 01:24:04.999
 of writers and people in the field and
 research projects that people had, had
 
 01:24:05.000 --> 01:24:13.000
 sent her. So the material was invaluable and cannot be reproduced, uh, again.
 Kenneth wanted to get her out of here immediately. He was frightened for her
 
 01:24:50.000 --> 01:24:54.999
 so he went over to town immediately and,
 um, into Stanton and went in and had
 
 01:24:55.000 --> 01:24:59.999
 to buy new clothes of course, because she didn\'t have anything except
 what she had on her back and then the next day, he decided, uh, to take
 
 01:25:00.000 --> 01:25:04.999
 her back, take her away from here. She said I\'m
 going to rebuild. I\'m going to rebuild right
 
 01:25:05.000 --> 01:25:09.999
 away and he said no mom, you\'re not. You\'re
 gonna go back to, uh, with me. And, um, she
 
 01:25:10.000 --> 01:25:14.999
 went back to Arizona and it, stayed with Kenneth
 a short while and then bought her a home
 
 01:25:15.000 --> 01:25:19.999
 right away, not too far from him.
 About a half an hour away. [sil.]
 
 01:25:20.000 --> 01:25:28.000
 [sil.]
 
 01:26:15.000 --> 01:26:23.000
 After a series of minor strokes, she
 suffers a major one on Mother\'s Day, 1995.
 
 01:26:30.000 --> 01:26:34.999
 This time, it\'s serious. The
 result, several stays in hospital,
 
 01:26:35.000 --> 01:26:39.999
 paralysis on one side, and severe pain.
 Elisabeth is
 
 01:26:40.000 --> 01:26:44.999
 despondent, despairing, and alone.
 
 01:26:45.000 --> 01:26:49.999
 Her son Kenneth drops by
 from time to time. In
 
 01:26:50.000 --> 01:26:54.999
 the media, there are all kinds of reports
 about the death and dying lady who can\'t
 
 01:26:55.000 --> 01:27:03.000
 seem to manage her own death. [music]
 
 01:28:10.000 --> 01:28:18.000
 On one of her
 
 01:28:25.000 --> 01:28:29.999
 endlessly long days, she receives a
 phone call from a stranger, Joseph.
 
 01:28:30.000 --> 01:28:34.999
 Today, she calls him her healer.
 He will become one of her most
 
 01:28:35.000 --> 01:28:43.000
 important companions of
 these last few years.
 
 01:30:15.000 --> 01:30:19.999
 July 8th,
 
 01:30:20.000 --> 01:30:24.999
 2001. The three sisters
 celebrate their 75th birthday
 
 01:30:25.000 --> 01:30:29.999
 together. To everyone\'s great surprise,
 Elisabeth has made the trip from the United
 
 01:30:30.000 --> 01:30:34.999
 States. This will be the
 last time the triplets are
 
 01:30:35.000 --> 01:30:39.999
 all together. Erika dies a
 few months later. [sil.]
 
 01:30:40.000 --> 01:30:48.000
 [music]
 
 01:31:30.000 --> 01:31:38.000
 [music]
 
 01:32:35.000 --> 01:32:43.000
 Ladies and gentlemen, I\'m
 
 01:35:05.000 --> 01:35:09.999
 sure you\'d all like to know something
 about the new entertainment miracle
 
 01:35:10.000 --> 01:35:14.999
 Program Cell Deck. Well, the
 best way I can describe it
 
 01:35:15.000 --> 01:35:19.999
 to you is to tell you that, it makes
 the screen absolutely real and
 
 01:35:20.000 --> 01:35:24.999
 alive. Of course, these illustrations
 are only a pale suggestion of the
 
 01:35:25.000 --> 01:35:29.999
 real thing. It, it can\'t be described.
 It\'s got to be seen and experienced.
 
 01:35:30.000 --> 01:35:34.999
 I tell you, from it\'s size and
 it\'s appearance, some form of
 
 01:35:35.000 --> 01:35:39.999
 life in it. What do you want?
 What are you doing?
 
 01:35:40.000 --> 01:35:48.000
 Let me see you as you really are.
 What do you do when you\'re
 
 01:36:30.000 --> 01:36:34.999
 80 years old, lost in the woods, in
 the company of strangers? (inaudible)
 
 01:36:35.000 --> 01:36:42.999
 . (inaudible)
 
 01:36:43.000 --> 01:36:49.999
 . Katherine,
 
 01:36:50.000 --> 01:36:54.999
 are you awake? Yes. I can\'t go to sleep.
 
 01:36:55.000 --> 01:36:59.999
 Did you hear that noise in the wood?
 It\'s probably just
 
 01:37:00.000 --> 01:37:04.999
 somebody who belongs there, like a bear.
 One, two, three.
 
 01:37:05.000 --> 01:37:09.999
 Hello. No, you gotta put
 it up like this. [music]
 
 01:37:10.000 --> 01:37:18.000
 Oh please who? Please,
 
 01:37:25.000 --> 01:37:29.999
 my feet. You prayed to your... Dear
 feet, get me through this horrible
 
 01:37:30.000 --> 01:37:34.999
 ordeal. Where\'d you learn how to do
 this, Whammie (ph)? I was a belly
 
 01:37:35.000 --> 01:37:39.999
 dancer in my youth. I
 think everybody\'s life is
 
 01:37:40.000 --> 01:37:44.999
 interesting. It\'s a drama.
 You\'re knocking, Constance?
 
 01:37:45.000 --> 01:37:53.000
 Knocking. Oh dear. What have you got?
 King, Jack, Jack.
 
 01:37:55.000 --> 01:37:59.999
 You knocked on that? (crosstalk) I got 29. If you met the right
 guy today, would you fall in love with him now? I suppose. Why
 
 01:38:00.000 --> 01:38:04.999
 not? You\'re still alive. Yes. (inaudible)
 
 01:38:05.000 --> 01:38:09.999
 Is
 
 01:38:10.000 --> 01:38:14.999
 Anybody there?
 
 01:38:15.000 --> 01:38:17.999
 Here in the (inaudible)
 
 01:38:18.000 --> 01:38:19.999
 . [sil.]
 
 01:38:20.000 --> 01:38:28.000
 [music]
 
 01:38:30.000 --> 01:38:34.999
 I can\'t describe it to you
 how New York and Harlem, at
 
 01:38:35.000 --> 01:38:39.999
 that point and time, was just really
 swinging, you know? That\'s when Harlem was
 
 01:38:40.000 --> 01:38:44.999
 jumping. It was a place to be. That\'s where
 people came from all over. They wouldn\'t dare
 
 01:38:45.000 --> 01:38:49.999
 hit that door if they weren\'t dressed from
 head to toe. You didn\'t take a week off.
 
 01:38:50.000 --> 01:38:54.999
 If you wanted a job, you didn\'t take it off,
 because when you come back, somebody else
 
 01:38:55.000 --> 01:38:59.999
 would be working in your place. And
 this is my friend, Cab Calloway. Ella
 
 01:39:00.000 --> 01:39:04.999
 Fitzgerald. A young girl. Duke
 Ellington, the gentleman. Louis
 
 01:39:05.000 --> 01:39:09.999
 Armstrong. I had a whole stack of letters
 from him. Sixty years ago, we were
 
 01:39:10.000 --> 01:39:14.999
 doing what they\'re doing now.
 And we were just as cute.
 
 01:39:15.000 --> 01:39:19.999
 We danced just as graceful. But think
 about it. We\'re here now. A lot of these
 
 01:39:20.000 --> 01:39:24.999
 girls are too old to be dancing.
 They\'re all in their 80\'s. [music]
 
 01:39:25.000 --> 01:39:33.000
 These are some of the original ladies
 that danced in the Apollo Theater
 
 01:39:40.000 --> 01:39:44.999
 Chorus when it first opened
 in the \'30\'s. [music]
 
 01:39:45.000 --> 01:39:53.000
 [sil.]
 
 01:39:55.000 --> 01:40:03.000
 [music]
 
 01:40:05.000 --> 01:40:09.999
 In 1964, World in Action made Seven
 
 01:40:10.000 --> 01:40:14.999
 Up and we\'ve been back to film
 these children every seven years.
 
 01:40:15.000 --> 01:40:19.999
 They are now 49.
 
 01:40:20.000 --> 01:40:24.999
 Every seven years, a little pill
 of poison is injected. I wanna be
 
 01:40:25.000 --> 01:40:29.999
 a jockey when I grow up. Yeah, I wanna be a jockey when I grow
 up. What will you do if you don\'t make it as a jockey? Well,
 
 01:40:30.000 --> 01:40:34.999
 I don\'t know. At 21, Tony was
 on the knowledge and by 28,
 
 01:40:35.000 --> 01:40:39.999
 he owned his own cab. Tony was taking
 acting lessons. Now he supplements his
 
 01:40:40.000 --> 01:40:44.999
 income with occasional TV jobs.
 
 01:40:45.000 --> 01:40:49.999
 By 42, Tony and Debbie
 had left the East End.
 
 01:40:50.000 --> 01:40:54.999
 Tell me, do you have any boyfriends Susie?
 Yes. Have you got any boyfriends?
 
 01:40:55.000 --> 01:40:59.999
 I\'m very, very cynical about it.
 What\'s happened to
 
 01:41:00.000 --> 01:41:04.999
 you over these last seven years? I suppose
 
 01:41:05.000 --> 01:41:09.999
 Rupert. All those memories of the
 children growing up, it\'s like a closed
 
 01:41:10.000 --> 01:41:14.999
 chapter now. What is your attitude towards
 
 01:41:15.000 --> 01:41:19.999
 marriage? I don\'t want to answer that. I
 don\'t answer questions like that. I don\'t
 
 01:41:20.000 --> 01:41:24.999
 answer questions like that. If your spouse died,
 you could look back and think well, it was
 
 01:41:25.000 --> 01:41:29.999
 wonderful while it lasted but in a
 divorce, you can\'t look back and say
 
 01:41:30.000 --> 01:41:34.999
 these are all happy memories.
 
 01:41:35.000 --> 01:41:39.999
 When I grow up, I want to be an astronaut.
 Loved to be in politics. By 28,
 
 01:41:40.000 --> 01:41:44.999
 Neil was homeless, wandering around the
 west coast of Scotland. I can think of all
 
 01:41:45.000 --> 01:41:49.999
 kinds of things I\'d like to be doing. The
 real question is what would, how I, what am
 
 01:41:50.000 --> 01:41:54.999
 I likely to be doing. By 42,
 Neil had moved to London
 
 01:41:55.000 --> 01:41:56.000
 and was a liberal democrat on (inaudible)
 
 01:41:56.001 --> 01:41:59.999
 council. [music]
 
 01:42:00.000 --> 01:42:08.000
 This is the last tobacco
 
 01:42:30.000 --> 01:42:34.999
 festival. It\'s gonna be Farmer\'s Day Parade
 from now on is my understanding. You know,
 
 01:42:35.000 --> 01:42:39.999
 why have they changed it? Do you think
 tobacco has a bad name? [music]
 
 01:42:40.000 --> 01:42:44.999
 Well, the first thing
 
 01:42:45.000 --> 01:42:49.999
 I should say is that if things had gone
 differently, I\'d now be sitting on top an enormous
 
 01:42:50.000 --> 01:42:54.999
 family tobacco fortune.
 Fifty-two rooms. [music]
 
 01:42:55.000 --> 01:42:59.999
 But of course,
 
 01:43:00.000 --> 01:43:04.999
 a tobacco fortune would have presented it\'s
 own set of complications. Do you smoke?
 
 01:43:05.000 --> 01:43:09.999
 No, I don\'t. You\'re not supporting
 the family business. Well
 
 01:43:10.000 --> 01:43:14.999
 I know. Uh, family sort of
 got run out of business.
 
 01:43:15.000 --> 01:43:19.999
 My great grandfather, John Harvey
 McElwee, invented the famous Bull Durham
 
 01:43:20.000 --> 01:43:24.999
 brand of tobacco, made a fortune,
 but then somehow lost it
 
 01:43:25.000 --> 01:43:29.999
 all to his rival, James B. Duke.
 They cheated my grandfather and
 
 01:43:30.000 --> 01:43:34.999
 I feel like it, the least they could have
 done was given him some stock. [music]
 
 01:43:35.000 --> 01:43:39.999
 You know, there are many times where
 
 01:43:40.000 --> 01:43:44.999
 I would have rather had, uh, a cigarette
 than a beautiful woman. Uh, that\'s not a
 
 01:43:45.000 --> 01:43:49.999
 joke. When we wake up
 tomorrow morning, we\'re
 
 01:43:50.000 --> 01:43:54.999
 not smoking. We\'re non-smokers. And while
 investigating the thorny questions
 
 01:43:55.000 --> 01:43:59.999
 surrounding my family\'s tobacco legacy, I
 learned from my cousin that there\'s actually
 
 01:44:00.000 --> 01:44:04.999
 a Hollywood melodrama based on the
 life of John Harvey McElwee. With our
 
 01:44:05.000 --> 01:44:09.999
 great grandfather being featured. Exactly.
 Gary Cooper. Incredible. That\'s right. [music]
 
 01:44:10.000 --> 01:44:14.999
 Are there
 
 01:44:15.000 --> 01:44:19.999
 facts in the movie that
 confirm, in your mind, that it
 
 01:44:20.000 --> 01:44:24.999
 was your grandpa? [music]
 
 01:44:25.000 --> 01:44:29.999
 So I traveled
 
 01:44:30.000 --> 01:44:34.999
 across my home state of North Carolina, met
 lots of people who had their own tobacco
 
 01:44:35.000 --> 01:44:39.999
 stories to tell, and put them into a movie
 I decided to call Bright Leaves. [music]
 
 01:44:40.000 --> 01:44:48.000
 Everybody\'s gonna die of something, so
 
 01:44:50.000 --> 01:44:54.999
 might as well die of something
 that\'s gonna help out the, the
 
 01:44:55.000 --> 01:44:59.999
 what\'s the word? Here. The economy?
 There you go.
 
 01:45:00.000 --> 01:45:05.000
 There you go. Having a rough morning.
 [music]
 
	