CultureJam
 
									- Description
- Reviews
- Citation
- Cataloging
- Transcript
A new breed of revolutionary stands poised along our information highways waging war on logos and symbols. They're 'Culture Jammers,' and their mission is to artfully reclaim our mental environment by causing a bit of brand damage to corporate mindshare. CULTUREJAM: HIJACKING COMMERCIAL CULTURE punctures the illusion of free speech in public spaces, yet gives us new hope at the same time. Scream at the TV, but don't touch that dial! Yet. 
We follow three outlandish jammers: media tigress Carly Stasko, Reverend Billy of the Church of Stop Shopping, and Jack Napier with the Billboard Liberation Front. Armed with anti-ad stickers, custom neon, and stuffed mice on crosses, these jammers hijack, subvert and reclaim corporate media space.
Ultimately Culture Jammers wage a war of meaning. They use the tools of the medium to re-wire the message. Will Disney's Mickey represent a 'world of laughter' or will he become the anti-Christ representing 'sweatshop labor practices.' The verdict of public perception lies in a battle between billion dollar PR campaigns and guerilla tactics of rebel activists.
A relatively young movement, contemporary Culture Jammers first appeared in the early 1980s in San Francisco. But the court jesters of medieval Europe, and movements like Dada, Surrealism, and the Situationist International of Paris, as well as the recent range from punk to 'post,' all provide a philosophical lineage for this new brand of rabble-rousers. 
Hard hitting, controversial, wacky and engaging, this film captures the drama of jammers in action and asks: Is Culture Jamming civil disobedience? Senseless vandalism? The only form of self-defense left?
'Highly Recommended! A thought-provoking video that... like the culture jammers themselves, aims to make people aware of and think about the omnipresence of corporate culture. Well-made and fun to watch, with creative camera work and editing. It would work well in educational settings where its message of personal over corporate power should provoke thought and discussion.' - Educational Media Reviews Online
'Hearing all opinions is what democracy is all about. Besides, if you close your ears to dissent, you could miss out on the sharp, often funny documentary CULTUREJAM: HIJACKING COMMERCIAL CULTURE.' - Marke Andrews, The Vancouver Sun
'A thought-provoking film that many teens will embrace.' - Teen Screen Video Reviews
'Edgy and entertaining.' - Journal of American Culture
Citation
Main credits
								Sharpe, Jill (Screenwriter)
Sharpe, Jill (Director)
Sharpe, Jill (Producer)
Booth, Lynn (Producer)
							
Other credits
Picture editor, Bonni Devlin; director of photography, Velcrow Ripper; original music, Doug Blackley.
Distributor subjects
Advertising and Marketing; Business and Economics; Cultural Studies; Environment; Media StudiesKeywords
WEBVTT
 
 00:00:10.000 --> 00:00:14.999
 I can’t believe how many people I talk to quite
 that have never heard of the words culture jamming.
 
 00:00:15.000 --> 00:00:19.999
 Though, I mean to someone who has never
 heard of it before, how would you describe?
 
 00:00:20.000 --> 00:00:24.999
 Okay, well, first of all, I want to be contrarian,
 well, actually I do wanna be contrarian,
 
 00:00:25.000 --> 00:00:29.999
 but I… I don’t wanna be perverse. I… I… must say I don’t
 really care if people know the words culture Jam.
 
 00:00:30.000 --> 00:00:34.999
 It really has do with activity.
 
 00:00:35.000 --> 00:00:39.999
 Speaking of the right to jam, steal the
 best ideas, remake them into your own,
 
 00:00:40.000 --> 00:00:44.999
 and go out and do something new, I mean, that’s what
 artists, and Greeks and Frances have done forever.
 
 00:00:45.000 --> 00:00:49.999
 If you think about it, it’s not entirely
 accurate. It’s culture jamming, culture,
 
 00:00:50.000 --> 00:00:54.999
 culture, culture, culture jamming culture
 and then the culture jams with me.
 
 00:00:55.000 --> 00:00:59.999
 Sort of a slap in the face, it’s a little something,
 a little bit shocking embracing about it,
 
 00:01:00.000 --> 00:01:04.999
 you know, it’s sort of a good… good healthy slap.
 You got jam as in like jamming the machinery
 
 00:01:05.000 --> 00:01:09.999
 like the lights throwing a wrench into
 the machine, jamming the machinery.
 
 00:01:10.000 --> 00:01:14.999
 We can… we can reconfigure the logos
 that confront us. We have that power.
 
 00:01:15.000 --> 00:01:19.999
 The words are there, the canvas
 is there, go use it, you know,
 
 00:01:20.000 --> 00:01:24.999
 just get out there and don’t get caught.
 I don’t get caught you.
 
 00:01:25.000 --> 00:01:29.999
 When I’m in jail, I don’t like it.
 
 00:01:30.000 --> 00:01:34.999
 There’s always that feeling in… in
 jail that they’ve lost your records.
 
 00:01:35.000 --> 00:01:39.999
 The way to protect yourself from the sort of
 insidious corporate culture is the sort of take
 
 00:01:40.000 --> 00:01:44.999
 the classic expressions of that
 corporate culture and sort of add
 
 00:01:45.000 --> 00:01:49.999
 a little sort of uh… a twist that redefines
 their meaning in a revolutionary direction
 
 00:01:50.000 --> 00:01:54.999
 and send it back in their faces.
 
 00:01:55.000 --> 00:01:59.999
 That sounds like a that’s good definition as a culture jamming, is I can come up with
 extemparating(ph). What did the… you know, what did the peasants do in the middle ages
 
 00:02:00.000 --> 00:02:04.999
 when they’re being wiped out
 by the uh… by the aristocracy,
 
 00:02:05.000 --> 00:02:09.999
 tried to get a job as court jester. That
 really wouldn’t kill them, they’d feed them
 
 00:02:10.000 --> 00:02:14.999
 they could make fun of the king and get away with
 it. I mean, the wrestling guy that backed a bit.
 
 00:02:15.000 --> 00:02:19.999
 Culture jamming, you know, in a
 essence, in a single sentence is,
 
 00:02:20.000 --> 00:02:24.999
 you know, again Semiological
 Gorilla Warfare.
 
 00:02:25.000 --> 00:02:29.999
 We have that power.
 
 00:02:30.000 --> 00:02:38.000
 [sil.]
 
 00:02:40.000 --> 00:02:48.000
 You are arrested. What for? What?
 
 00:02:50.000 --> 00:02:55.000
 [sil.]
 
 00:03:15.000 --> 00:03:19.999
 Well, I get between 5 and 20 emails
 a week from… usually from kids,
 
 00:03:20.000 --> 00:03:24.999
 or college kids, or students, or…. And
 they all, you know, a lot of them on
 
 00:03:25.000 --> 00:03:29.999
 if they want to join Billboard Liberation Front, that’s what I tell them, I write
 them all back. And I go look, you know, we’re a bunch of like 50 year old boogies,
 
 00:03:30.000 --> 00:03:34.999
 you wouldn’t like our music, you know, we
 smell bad, we’re really old and creaky.
 
 00:03:35.000 --> 00:03:40.000
 We’d have a hard time keeping up with you. Why don’t
 you start your own group? Okay, you have to read it.
 
 00:03:45.000 --> 00:03:50.000
 [music]
 
 00:04:10.000 --> 00:04:14.999
 Nobody knows where Batman lives, nobody knows where
 Superman lives, nobody knows where Spiderman lives,
 
 00:04:15.000 --> 00:04:19.999
 and nobody knows where the BLF
 lives, partly it lives with me.
 
 00:04:20.000 --> 00:04:24.999
 We’re here.
 
 00:04:25.000 --> 00:04:29.999
 [music]
 
 00:04:30.000 --> 00:04:34.999
 And this is that day, this is…
 
 00:04:35.000 --> 00:04:43.000
 this is where we decide everything. It’s
 our layer to endure. Shield activated.
 
 00:04:45.000 --> 00:04:49.999
 I’m calling a meeting to order
 a Billboard Liberation Front
 
 00:04:50.000 --> 00:04:54.999
 uh… in our 24 year now and now we’re procuring
 another outdoor advertising campaign.
 
 00:04:55.000 --> 00:04:59.999
 Wait, we don’t have a…
 a particular BLF look,
 
 00:05:00.000 --> 00:05:04.999
 we don’t have a particular graphic design
 concept. If there is any overwriting
 
 00:05:05.000 --> 00:05:09.999
 or underwriting sort of
 philosophy it’s minimalism.
 
 00:05:10.000 --> 00:05:14.999
 So we can bust those same wires
 by changing one letter, you know,
 
 00:05:15.000 --> 00:05:19.999
 why brand stand by changing the whole sign. Am I right, Jack?
 Precisely. The next slide here, the LSD job, for an instance.
 
 00:05:20.000 --> 00:05:24.999
 Great example of a… of a massive
 alteration with zero budget,
 
 00:05:25.000 --> 00:05:29.999
 with zero technology, it’s turning their switches off
 on the hills dill sign, and make it to LSD, pal.
 
 00:05:30.000 --> 00:05:34.999
 …that didn’t costs us a dime. And matter of fact, we went back to each
 layer, we switched it back and then we turned them back off again.
 
 00:05:35.000 --> 00:05:39.999
 Now the more times we do it, the more
 profitable it is. Am I right, Jack?
 
 00:05:40.000 --> 00:05:44.999
 Well, okay. Next slide there, Billboards,
 Transit Ads and Street Furniture are
 
 00:05:45.000 --> 00:05:49.999
 the three categories of advertising
 that we’re most interested in here.
 
 00:05:50.000 --> 00:05:54.999
 And I think a lot of them are… are
 getting the \"Message.\" The message?
 
 00:05:55.000 --> 00:05:59.999
 The message. Oh, yeah, I know, the media.
 
 00:06:00.000 --> 00:06:04.999
 Okay, show your hands.
 
 00:06:05.000 --> 00:06:09.999
 Medium or message? The message.
 
 00:06:10.000 --> 00:06:14.999
 We love billboards. A big part of our mission has been
 to encourage people to go ahead and use these canvases,
 
 00:06:15.000 --> 00:06:19.999
 artists, uh… maniacs, uh…
 business people, you know,
 
 00:06:20.000 --> 00:06:24.999
 right wing, left wing, we don’t care, as
 long as you’re putting up their own message.
 
 00:06:25.000 --> 00:06:29.999
 We are Billboard and Transit advertisement
 company. Uh… we are the largest in the world.
 
 00:06:30.000 --> 00:06:34.999
 We have uh… approximately 240,000
 advertising faces in North America.
 
 00:06:35.000 --> 00:06:39.999
 We’re in Canada and we’re also in Mexico.
 We’re not out here to extinguish Billboard.
 
 00:06:40.000 --> 00:06:44.999
 No. We’re just out here to make them more of a populist
 form. And allow more people access to something
 
 00:06:45.000 --> 00:06:49.999
 that frankly most people can’t afford. There’s
 a new renaissance in… in outdoor advertising.
 
 00:06:50.000 --> 00:06:54.999
 Right, they are everywhere, and they are
 in your face, and consequently we believe
 
 00:06:55.000 --> 00:06:59.999
 that they’re common property. I
 mean, since they’re uh… ubiquitous
 
 00:07:00.000 --> 00:07:04.999
 You simply can’t avoid billboards you
 might as well have fun with them.
 
 00:07:05.000 --> 00:07:09.999
 Well, we started in December of 1997
 
 00:07:10.000 --> 00:07:14.999
 and we are inspired by another group
 the San Francisco Suicide Club
 
 00:07:15.000 --> 00:07:19.999
 where we’d go with a smaller bunch of
 people and improve the advertising copy.
 
 00:07:20.000 --> 00:07:24.999
 [music]
 
 00:07:25.000 --> 00:07:29.999
 The advertising campaigns of the ‘70s
 were pretty uh… largely happening
 
 00:07:30.000 --> 00:07:34.999
 but not very creative and we felt that they
 needed some help with their ad copies.
 
 00:07:35.000 --> 00:07:39.999
 For instance, the uh… the
 Fact Cigarette Campaign,
 
 00:07:40.000 --> 00:07:44.999
 the caption was \"I’m realistic.
 I only smoke Fact.\"
 
 00:07:45.000 --> 00:07:49.999
 Now we thought that was pretty silly,
 so we changed those Billboards to say,
 
 00:07:50.000 --> 00:07:54.999
 \"I’m real sick. I only smoke Facts.\" With an arrow going
 from the word Facts to the surgeon general’s warning
 
 00:07:55.000 --> 00:07:59.999
 and now, we… we weren’t against
 smoking or anything like that
 
 00:08:00.000 --> 00:08:04.999
 actually we’re very pro smoking. We just wanted to help them
 out with their ad campaign. So it’s a little more truthful.
 
 00:08:05.000 --> 00:08:09.999
 [music]
 
 00:08:10.000 --> 00:08:14.999
 When you’re putting something on the screen,
 that’s 4 by 6 feet on the sidewalks
 
 00:08:15.000 --> 00:08:19.999
 uh… backlit and uh… you know,
 
 00:08:20.000 --> 00:08:24.999
 people are walking by it, uh…
 you’re playing… you’re playing God.
 
 00:08:25.000 --> 00:08:29.999
 That’s correct. And if you don’t think for a moment that they’re gonna put
 a Nike shoe up on the moon then you clearly haven’t paid much attention
 
 00:08:30.000 --> 00:08:34.999
 what we’re capable of, as a race.
 
 00:08:35.000 --> 00:08:39.999
 God. Uh… there are many moves afoot
 to… to restrict more advertising.
 
 00:08:40.000 --> 00:08:45.000
 So it’s… it’s an ongoing war if you will.
 Perhaps, a friendly one but an ongoing war.
 
 00:09:00.000 --> 00:09:04.999
 Different… think different was
 pretty recent that was ‘99.
 
 00:09:05.000 --> 00:09:09.999
 And now regardless as to the value of the product, you
 know, I might say that Apple Computers are a fine product.
 
 00:09:10.000 --> 00:09:14.999
 But they’re using these images uh… of these… these
 wonderful spiritually profound people to sell a product.
 
 00:09:15.000 --> 00:09:19.999
 And we’re just taken aback, you know, we’re just saying
 okay, yeah, okay, you guys sold uh… your computer with
 
 00:09:20.000 --> 00:09:24.999
 uh… Amelia Earhart now, we’re…
 we’re taking it back for us.
 
 00:09:25.000 --> 00:09:29.999
 Yeah, I mean, it’s like what would she think? I mean,
 she flew off in a plane and disappeared, I mean,
 
 00:09:30.000 --> 00:09:34.999
 she was a doomed icon. You
 know, a very romantic image.
 
 00:09:35.000 --> 00:09:39.999
 [sil.]
 
 00:09:40.000 --> 00:09:44.999
 Oh, yeah this shit happens Billboard was the, probably, our best
 know. I think it’s… it’s actually our… our most publicized day.
 
 00:09:45.000 --> 00:09:49.999
 But that billboard was,
 of course, in response to
 
 00:09:50.000 --> 00:09:54.999
 and uh… in support of Exxon Corporation
 after they uh… had this oil spill up
 
 00:09:55.000 --> 00:09:59.999
 up in uh… southern Alaska
 and that was 1989,
 
 00:10:00.000 --> 00:10:04.999
 and uh… we were just responding this situation.
 It’s very big in the news at that time, you know,
 
 00:10:05.000 --> 00:10:09.999
 Billboard Division I said, Hits happens, it was
 a radio station billboard. And we changed it
 
 00:10:10.000 --> 00:10:14.999
 uh… to… to shit happens, making sure the blabbering the
 obvious, I suppose. I sat and watched people walking by
 
 00:10:15.000 --> 00:10:19.999
 that for hours and everybody who
 looked at it, got a chuckle out of it.
 
 00:10:20.000 --> 00:10:24.999
 People from all walks of life. And uh… that was…
 that was good, that made me feel good, I mean, fun.
 
 00:10:25.000 --> 00:10:29.999
 We did something here, you know, because it didn’t
 mean what you want? You wanted to up and spray paint,
 
 00:10:30.000 --> 00:10:34.999
 fuck Exxon on the billboard,
 I mean, that’s just tacky.
 
 00:10:35.000 --> 00:10:39.999
 [music]
 
 00:10:40.000 --> 00:10:44.999
 The culture jamming, for me, it’s
 like breathing. If you never exhaled,
 
 00:10:45.000 --> 00:10:49.999
 you’d suffocate, right? And yeah, we’re just
 supposed to sit back and just intake in like all
 
 00:10:50.000 --> 00:10:54.999
 the screaming commercials and… and… and television
 and messages and I’m supposed to take in.
 
 00:10:55.000 --> 00:11:00.000
 It’s just supposed to all
 stay inside, no way.
 
 00:11:15.000 --> 00:11:19.999
 The stickers and
 
 00:11:20.000 --> 00:11:24.999
 the jamming is more about having a dialogue
 
 00:11:25.000 --> 00:11:29.999
 where there isn’t one and where… and kind of, expressing
 a bit of resentment at the fact that there isn’t one,
 
 00:11:30.000 --> 00:11:34.999
 participating in my environment ‘cause my
 environment is filled with… with images
 
 00:11:35.000 --> 00:11:39.999
 and messages. They can
 have an impact on me and
 
 00:11:40.000 --> 00:11:44.999
 so it’s having an impact back. Feeling like there
 is some kind of, you know, like I’m alive.
 
 00:11:45.000 --> 00:11:49.999
 [music]
 
 00:11:50.000 --> 00:11:54.999
 There’s no… there’s no button on my
 television that… so that I can go
 
 00:11:55.000 --> 00:11:59.999
 and talk back into it and send it back to
 NBC, or ABC, or CBC, or whoever, right?
 
 00:12:00.000 --> 00:12:04.999
 There’s no… On the billboard, there’s no place where
 they say, \"Okay, what’s your… what’s your reaction?\"
 
 00:12:05.000 --> 00:12:09.999
 There’s no design in the system for my
 response for any kind of engagement
 
 00:12:10.000 --> 00:12:14.999
 or participation. So it’s just
 a way of kind of carving out
 
 00:12:15.000 --> 00:12:19.999
 that… that place in space.
 
 00:12:20.000 --> 00:12:24.999
 I went to University and I took semiotics,
 
 00:12:25.000 --> 00:12:29.999
 it’s the study of science and symbols.
 
 00:12:30.000 --> 00:12:34.999
 I like this one, it’s already got a lot on it. We had
 a book about reconstructing ads and it was just funny
 
 00:12:35.000 --> 00:12:39.999
 ’cause it’s like, well, I guess we learned how
 to deconstruct ads by writing all over them
 
 00:12:40.000 --> 00:12:44.999
 ’cause if you’re sitting back and you’re looking at
 an ad, you’re thinking, \"Man, that ad really bugs me.
 
 00:12:45.000 --> 00:12:49.999
 I want to do something back to it.\" You have
 to understand the language that the ad’s using
 
 00:12:50.000 --> 00:12:54.999
 to manipulate you, before you manipulate it back
 because you wanna use the same kind of language.
 
 00:12:55.000 --> 00:13:00.000
 There’s like this constant… it’s like this
 constant war for territory, mind share.
 
 00:13:05.000 --> 00:13:13.000
 [music]
 
 00:13:15.000 --> 00:13:19.999
 That there’s always that really interesting moment when I’m
 putting up the stickers ‘cause whoever is on… I check out
 
 00:13:20.000 --> 00:13:24.999
 the people on the train and umm… sometimes
 I’d be… I’m… I’m a little like less obvious
 
 00:13:25.000 --> 00:13:29.999
 about it and other times if I’m feeling with a brass I’m
 just like, pew it off and look man and like stick it on.
 
 00:13:30.000 --> 00:13:34.999
 They’re like, \"Yeah, you’re supposed to do that.\" But
 I did it. Like what are you going to do about it?
 
 00:13:35.000 --> 00:13:39.999
 I bet sure, you’d like it ‘cause
 it’s something interesting to watch.
 
 00:13:40.000 --> 00:13:44.999
 [music]
 
 00:13:45.000 --> 00:13:49.999
 I got comments from just pedestrians
 or like other citizens.
 
 00:13:50.000 --> 00:13:54.999
 If they see me doing this, I need to
 respond so they’ll don’t read aloud
 
 00:13:55.000 --> 00:13:59.999
 but they just go. And look at me and
 you can ask me what I mean by it
 
 00:14:00.000 --> 00:14:04.999
 or they’ll… they’ll comments on it.
 
 00:14:05.000 --> 00:14:09.999
 I’ve didn’t even had too much conflicts. I’ve had about… I’ve had
 tones of other friends who’ve got arrested or who gotten stopped
 
 00:14:10.000 --> 00:14:14.999
 and have argued their case.
 People who don’t like it
 
 00:14:15.000 --> 00:14:19.999
 usually don’t say anything. It’s weird.
 What do you think about that?
 
 00:14:20.000 --> 00:14:24.999
 I think people should have a right
 to do that. No, I don’t think so.
 
 00:14:25.000 --> 00:14:29.999
 It’s a violation
 
 00:14:30.000 --> 00:14:34.999
 of other uh… fenders, advertisements.
 
 00:14:35.000 --> 00:14:39.999
 So uh… I would think that
 many would find it offensive.
 
 00:14:40.000 --> 00:14:44.999
 And do you find it offensive?
 Yes. What do you say?
 
 00:14:45.000 --> 00:14:49.999
 I do as well. I think it’s
 really important to remember
 
 00:14:50.000 --> 00:14:54.999
 that we target the brands because the brands are
 the ones that are hovering out there above us.
 
 00:14:55.000 --> 00:14:59.999
 And the ones that the companies invest
 so much money into creating but
 
 00:15:00.000 --> 00:15:04.999
 it’s not just the brands, you know. We’re targeting that to get
 something much more deeper that we can’t necessarily access.
 
 00:15:05.000 --> 00:15:09.999
 That’s one of the reasons culture jamming
 
 00:15:10.000 --> 00:15:14.999
 is so popular among so many people because they
 can’t call up, and call Phil Knight from Nike,
 
 00:15:15.000 --> 00:15:19.999
 and tell him to have more
 responsibility labor practices.
 
 00:15:20.000 --> 00:15:24.999
 But they can access one of the many cluster of ads, Nike ads
 that are in their environment and they can start knocking
 
 00:15:25.000 --> 00:15:30.000
 that brands to have an effect.
 
 00:15:35.000 --> 00:15:39.999
 I think revolutionaries
 believe that eventually
 
 00:15:40.000 --> 00:15:44.999
 the majority will come around to…
 to uh… reclaiming their own lives.
 
 00:15:45.000 --> 00:15:49.999
 And I believe
 
 00:15:50.000 --> 00:15:54.999
 that the resistance to consumerism
 is just beneath the surface of lots
 
 00:15:55.000 --> 00:16:00.000
 and lots of people in our culture.
 
 00:16:05.000 --> 00:16:13.000
 [music]
 
 00:16:50.000 --> 00:16:54.999
 It’s that what I don’t have? All right,
 put your hands together here now.
 
 00:16:55.000 --> 00:16:59.999
 We’re gonna do a little prayer
 here, a little prayer, Halleluiah.
 
 00:17:00.000 --> 00:17:04.999
 Let’s join our souls, okay. I want
 to address the part of the sky
 
 00:17:05.000 --> 00:17:09.999
 which is not yet covered with logos.
 
 00:17:10.000 --> 00:17:14.999
 We’re gonna go to the Disney store now. And
 we’re going to challenge those products.
 
 00:17:15.000 --> 00:17:20.000
 Are you really preacher? No, I’m
 a fake preacher. You are. Yeah.
 
 00:17:25.000 --> 00:17:29.999
 Now, this is Reverend Billy. This is a character
 I’ve created, he has a set of beliefs
 
 00:17:30.000 --> 00:17:34.999
 and I’ve cast myself in this world.
 
 00:17:35.000 --> 00:17:43.000
 You know, the old dare to be foolish and never apply
 more than it is, at any time in the industry right now.
 
 00:17:45.000 --> 00:17:49.999
 Ladies and gentleman,
 
 00:17:50.000 --> 00:17:54.999
 I’m Reverend Billy from the
 Church of Stop Shopping.
 
 00:17:55.000 --> 00:17:59.999
 We are en route at this time to
 the Times Square Disney store.
 
 00:18:00.000 --> 00:18:04.999
 When we are in the Times Square,
 
 00:18:05.000 --> 00:18:09.999
 we intend, we honestly hope
 
 00:18:10.000 --> 00:18:14.999
 that we will disrupt the
 shopping process there,
 
 00:18:15.000 --> 00:18:19.999
 and take people into understanding
 that this is a sweat shop cover.
 
 00:18:20.000 --> 00:18:24.999
 Please, wake up Disney. Find
 out what other companies
 
 00:18:25.000 --> 00:18:29.999
 do this kind of thing. Thank you.
 
 00:18:30.000 --> 00:18:38.000
 [music]
 
 00:18:40.000 --> 00:18:44.999
 I’m not happy yet. No, I’m just warming up.
 
 00:18:45.000 --> 00:18:49.999
 I’m not… I’m not on it yet. Now,
 I don’t have the rhythm yet.
 
 00:18:50.000 --> 00:18:54.999
 I just sounded sort of like a whining
 liberal, which is what I am.
 
 00:18:55.000 --> 00:18:59.999
 Boycott, the Sweat shop company, Disney.
 
 00:19:00.000 --> 00:19:04.999
 I think at the beginning, I
 was really at my wit’s end.
 
 00:19:05.000 --> 00:19:09.999
 I had lost my theater in San Francisco, I guess,
 I came to New York because it’s supposedly
 
 00:19:10.000 --> 00:19:14.999
 the center of my world.
 
 00:19:15.000 --> 00:19:19.999
 The Great Mecca Art theater but then
 it was systematically already on route
 
 00:19:20.000 --> 00:19:24.999
 to submitting to the transnational’s.
 Disney was signing this amazing
 
 00:19:25.000 --> 00:19:29.999
 Manifest Destiny deal,
 to a pick small vendors.
 
 00:19:30.000 --> 00:19:34.999
 And police were picking up anybody who didn’t look
 as if they were in possession of a credit card.
 
 00:19:35.000 --> 00:19:39.999
 And that was happening before my eyes and
 
 00:19:40.000 --> 00:19:44.999
 I didn’t want to be associated with… with that
 theater. So I started shouting out on the sidewalk,
 
 00:19:45.000 --> 00:19:49.999
 preaching, the Mickey
 Mouse is the anti-Christ.
 
 00:19:50.000 --> 00:19:54.999
 Now, I was doing it in Times Square
 in front of their flagship store.
 
 00:19:55.000 --> 00:19:59.999
 This is all commoditized. We’re just
 buying things and we think that that’s
 
 00:20:00.000 --> 00:20:04.999
 the way that we construct the meaning in our lives. And
 we wonder why we have an empty feeling, a dull feeling.
 
 00:20:05.000 --> 00:20:09.999
 Of course, they want us to
 have that empty dull feeling
 
 00:20:10.000 --> 00:20:14.999
 ’cause we just getting to the vicious cycle, we have to go back and buy
 something else. And don’t get me wrong, I like nice things, I like nice cars,
 
 00:20:15.000 --> 00:20:19.999
 I like nice guns, I like nice
 dinner in a nice restaurant
 
 00:20:20.000 --> 00:20:24.999
 but that’s only a part of the, you know, the
 other part is uh… I mean, it’s going out there
 
 00:20:25.000 --> 00:20:29.999
 and being with other human beings and
 having an adventure, that’s part of life.
 
 00:20:30.000 --> 00:20:34.999
 I mean doing something together,
 working together, climbing something,
 
 00:20:35.000 --> 00:20:39.999
 you know, I mean, hiking through the woods. Uh… you know,
 where you’re not just consuming a prepackaged event
 
 00:20:40.000 --> 00:20:44.999
 or a prepackaged umm… xperience.
 
 00:20:45.000 --> 00:20:49.999
 Okay, this one is really, really earnest and cheesy and like
 we should all get together and we can fix it all, okay?
 
 00:20:50.000 --> 00:20:54.999
 Navigating through the world
 in your imaginations,
 
 00:20:55.000 --> 00:20:59.999
 try not to drown in all the information
 
 00:21:00.000 --> 00:21:04.999
 that saturate itself overwhelmed by simulation.
 The only way out is to follow inspiration.
 
 00:21:05.000 --> 00:21:09.999
 The best defense against the barrage
 is to commence a culture collage.
 
 00:21:10.000 --> 00:21:14.999
 I’d like you to consider the concepts I deliver and
 times the words are with it, just as everything does
 
 00:21:15.000 --> 00:21:19.999
 ’cause the entropy rules and rules are made for
 fools to follow, and wise people to interpret.
 
 00:21:20.000 --> 00:21:24.999
 I heard it through the great vine, we just need to
 unwind. Stop being a on con, open up a closed minds.
 
 00:21:25.000 --> 00:21:29.999
 Open up a closed minds. I’d like you
 to consider the concepts, I deliver.
 
 00:21:30.000 --> 00:21:34.999
 Probably, kids see more
 
 00:21:35.000 --> 00:21:39.999
 mediated images than real people.
 
 00:21:40.000 --> 00:21:44.999
 You’ll get marketed at the same product.
 In a… in a tons of different environments
 
 00:21:45.000 --> 00:21:49.999
 where the same family of products. It can
 be a toy, and a movie, and a soundtrack,
 
 00:21:50.000 --> 00:21:54.999
 and a clothing label, and a sports
 celebrity. They’re all moving together
 
 00:21:55.000 --> 00:21:59.999
 and throughout your day you go to different places and you’ll get
 marketed one, it’s when you’re on the toilet, in the bathroom,
 
 00:22:00.000 --> 00:22:04.999
 on a commercial that’s on the stall. The other is in a magazine
 you’re reading, the other is in a television screen in the elevator.
 
 00:22:05.000 --> 00:22:09.999
 The other is uh… a logo on someone’s
 shirt or tattooed on their body,
 
 00:22:10.000 --> 00:22:14.999
 you know, the other is cultural references.
 People continually bring up in their conversation
 
 00:22:15.000 --> 00:22:19.999
 like everywhere you go, it’s very… it’s very pervasive
 and I would say, way more pervasive than it used to be.
 
 00:22:20.000 --> 00:22:28.000
 [music]
 
 00:22:30.000 --> 00:22:34.999
 What system of Information
 and Communication
 
 00:22:35.000 --> 00:22:39.999
 is out there that’s not influenced
 by interests, corporate interests?
 
 00:22:40.000 --> 00:22:44.999
 Not at all. Do what we learn in
 school is that a biased. Well,
 
 00:22:45.000 --> 00:22:49.999
 let’s just take a little scroll.
 
 00:22:50.000 --> 00:22:54.999
 Do you have any soft drinks
 that are exclusively in school?
 
 00:22:55.000 --> 00:22:59.999
 Which soft drink? Coke. So
 there’s no Pepsi nothing else.
 
 00:23:00.000 --> 00:23:04.999
 So you’ve been branded in two ways,
 
 00:23:05.000 --> 00:23:09.999
 you’ve got your mac and your coke. This
 is what our culture’s all about, right?
 
 00:23:10.000 --> 00:23:14.999
 All of these brands the reason
 that they mean anything to you is
 
 00:23:15.000 --> 00:23:19.999
 because people put a lot of work into
 just what it’s gonna mean in your head.
 
 00:23:20.000 --> 00:23:24.999
 There’s an expression called mind share.
 And companies who make brands
 
 00:23:25.000 --> 00:23:29.999
 are concerned about the mind share that
 they have, in the youth population.
 
 00:23:30.000 --> 00:23:34.999
 This is basically, they’re saying, \"Yeah,
 we’ve branded their brain really good.\"
 
 00:23:35.000 --> 00:23:39.999
 It’s like we’ve got a lot of mind share that they know what our
 brand is and they like what it means and if someone is gonna go out
 
 00:23:40.000 --> 00:23:44.999
 and do something to poke fun at
 this or to subvert it or to expose
 
 00:23:45.000 --> 00:23:49.999
 what’s really going on, suddenly that’s threatening
 some things that they’ve put so much money
 
 00:23:50.000 --> 00:23:54.999
 into in such a simple way, like you’ve been
 staring… you’ve been giving me the stare.
 
 00:23:55.000 --> 00:23:59.999
 You’ve been giving me that
 stare for like a while
 
 00:24:00.000 --> 00:24:04.999
 and I wanna know what’s going on in that head of yours like
 what… what… what are you thinking about this? You wanna
 
 00:24:05.000 --> 00:24:09.999
 publish magazines yourself?
 
 00:24:10.000 --> 00:24:14.999
 And uh… We’re on like completely different end. Where
 and how and why? Well, ‘Cause like even in this class
 
 00:24:15.000 --> 00:24:19.999
 right, like they were talking about this the
 other day, we’re learning to make media, right?
 
 00:24:20.000 --> 00:24:24.999
 And we’re learning to put together stuff to actually
 grab people’s attention and brand them or whatever.
 
 00:24:25.000 --> 00:24:29.999
 And then you’re completely like coming in on
 the other side and say, \"That’s not good.\"
 
 00:24:30.000 --> 00:24:34.999
 Yeah, see but the… but you know what
 we have in common? We both like media.
 
 00:24:35.000 --> 00:24:39.999
 A lot of them just think ads
 are just a public service.
 
 00:24:40.000 --> 00:24:44.999
 Telling them what’s out there to choose from.
 Like I still love Barbie and I can’t stop.
 
 00:24:45.000 --> 00:24:49.999
 It’s everywhere in my house, I have backpacks and gym
 bags. I have everything Barbie and I can’t stop.
 
 00:24:50.000 --> 00:24:54.999
 I have soap, Barbie soap that I still use.
 I cannot stop
 
 00:24:55.000 --> 00:24:59.999
 like that’s scary and I don’t want my kids to be like that. Have you done
 anything around Barbie like have you done any of the work on your own Barbie? No.
 
 00:25:00.000 --> 00:25:04.999
 You got a lot of stuff
 you get to work with.
 
 00:25:05.000 --> 00:25:09.999
 I know that, you know, (inaudible) I knew
 all that but I really like Barbie a lot.
 
 00:25:10.000 --> 00:25:14.999
 I’d never tell them to go out and do it themselves
 without being fully aware of how responsible they are.
 
 00:25:15.000 --> 00:25:19.999
 The teacher never has to condone what we’re saying,
 the teacher says… usually the teacher says,
 
 00:25:20.000 --> 00:25:24.999
 \"I don’t condone.\" This, but you should know about it
 and I mean, it’s the same case with so many issues
 
 00:25:25.000 --> 00:25:29.999
 like kids should know about them, not necessarily
 be encouraged to it but knowledge is power.
 
 00:25:30.000 --> 00:25:34.999
 And there have been some books, as of late. Let’s
 say the ‘90s like there is probably 10 books.
 
 00:25:35.000 --> 00:25:39.999
 And Adbusters, as I’m sure, you know, there’s a magazine, an
 International magazine that’s quite popular and available in a
 
 00:25:40.000 --> 00:25:44.999
 a lot of bookstores by the way and everybody seems to
 know about that. And now the… the web has opened up.
 
 00:25:45.000 --> 00:25:49.999
 You know, and you actually culture Jamming
 is a category as you may know on the…
 
 00:25:50.000 --> 00:25:54.999
 on the search engine so. You know, it did…
 it wasn’t true about three or four years ago
 
 00:25:55.000 --> 00:25:59.999
 and so uh… it’s earned a place so to speak uh… you
 know, in this spectrum of sub cultural activities.
 
 00:26:00.000 --> 00:26:04.999
 So in that sense,
 
 00:26:05.000 --> 00:26:09.999
 it is kind of vernacular media
 criticism done by ordinary folks
 
 00:26:10.000 --> 00:26:14.999
 outside the academy. It’s academy
 hacking, in that regard.
 
 00:26:15.000 --> 00:26:19.999
 It’s drive by cultural criticism.
 
 00:26:20.000 --> 00:26:28.000
 [music]
 
 00:26:30.000 --> 00:26:34.999
 For the first step in the uh… in a process is a
 scouting actions, which usually involves a six McAfee
 
 00:26:35.000 --> 00:26:39.999
 and an additional camera and
 a lot of time on our hands.
 
 00:26:40.000 --> 00:26:44.999
 We’re trying to find that ideal mix
 that great tradeoff between traffic
 
 00:26:45.000 --> 00:26:49.999
 and accessibility.
 
 00:26:50.000 --> 00:26:54.999
 Umm… We want a high traffic location but some of them are so high traffic that
 obviously, you can’t get on without a… without an unseen satisfactory risk factor.
 
 00:26:55.000 --> 00:26:59.999
 [music]
 
 00:27:00.000 --> 00:27:04.999
 In this latest action, we wanted to find the highest
 concentration of .com billboards that we could.
 
 00:27:05.000 --> 00:27:09.999
 So we went straight to the US 101 quarter,
 between San Francisco in Silicon Valley.
 
 00:27:10.000 --> 00:27:14.999
 This is a commute route for everybody who works in the
 valley and papered with uh… with boards on both sides
 
 00:27:15.000 --> 00:27:19.999
 with enormous structures that uh… are
 some of the most expensive structures in
 
 00:27:20.000 --> 00:27:24.999
 the uh… world, by the way, it’s as much as
 $80,000 a month to get on with those babies.
 
 00:27:25.000 --> 00:27:29.999
 That’s the rental for one of these
 billboards, $80,000 a month.
 
 00:27:30.000 --> 00:27:34.999
 The next step will be creating mechanicals from
 that uh… which is where we’ll create our overlay
 
 00:27:35.000 --> 00:27:39.999
 and uh… actually put that into production.
 Our method of choice now is to pay stuff on
 
 00:27:40.000 --> 00:27:44.999
 onto a lightweight foam floor with a two-sided
 tape, double stick tape, wonderful stuff.
 
 00:27:45.000 --> 00:27:49.999
 It’s uh… easy on, easy off and uh… no
 damage to the underlying billboard, right,
 
 00:27:50.000 --> 00:27:54.999
 which… which is important to us, because we… we
 always keep in the back of mind that there are real
 
 00:27:55.000 --> 00:27:59.999
 people, who are gonna have to come up and clean up our mess
 after us. I mean, they get up there and they do some stuff.
 
 00:28:00.000 --> 00:28:04.999
 We like to make a habit of leaving uh…
 leaving a little something behind.
 
 00:28:05.000 --> 00:28:09.999
 That’s right, usually, we leave
 a 12 pack of beer and not
 
 00:28:10.000 --> 00:28:14.999
 the cheap stuff either, no Old Milwaukee. It’s… we’re
 just no big deal. We just take down and change it.
 
 00:28:15.000 --> 00:28:19.999
 It still entirely illegal but I think
 we get some points for style, yey.
 
 00:28:20.000 --> 00:28:28.000
 [music]
 
 00:28:30.000 --> 00:28:34.999
 I think it’s… it’s… it’s more challenging,
 
 00:28:35.000 --> 00:28:39.999
 more funny, it’s smarter, you know, again
 to… to uh… conduct some kind of battle
 
 00:28:40.000 --> 00:28:44.999
 at level of language, you know,
 and… and iconography then uh…
 
 00:28:45.000 --> 00:28:49.999
 What I would call this just
 cancellation or obliteration
 
 00:28:50.000 --> 00:28:54.999
 because in the long run, they’ll always be able to build those things
 back up. What we’re really talking most changing the consciousness
 
 00:28:55.000 --> 00:28:59.999
 you know and sort of encouraging
 critical perspective. Boycott Disney.
 
 00:29:00.000 --> 00:29:04.999
 There’s a sweat shop company.
 
 00:29:05.000 --> 00:29:09.999
 Take the mouse off the cross. Its
 something Catholic and I find it very,
 
 00:29:10.000 --> 00:29:14.999
 very offensive to be taking a symbol of my religion and
 putting a freaking toy on it, like it means nothing, okay.
 
 00:29:15.000 --> 00:29:19.999
 Yeah, I’ve gotta be down and that
 we were… were a certain… a certain
 
 00:29:20.000 --> 00:29:24.999
 number of people being are upset. I really want their… I
 want their symbols and their meanings to sort of fly away
 
 00:29:25.000 --> 00:29:29.999
 and… and I want that to be taking place
 and I hope, I don’t get killed doing it.
 
 00:29:30.000 --> 00:29:34.999
 You know, what was Christ if not
 
 00:29:35.000 --> 00:29:39.999
 the Andy Kaufman of this day. You know,
 
 00:29:40.000 --> 00:29:44.999
 Christ was not a Christian,
 he was a Jewish comedian.
 
 00:29:45.000 --> 00:29:49.999
 He was a mystic, he was a social
 changer, and he’s a hero of mine.
 
 00:29:50.000 --> 00:29:54.999
 I think he’d like this.
 I think he’d like this.
 
 00:29:55.000 --> 00:29:59.999
 Because Mickey is the Caesar.
 Mickey… Mickey runs the Empire.
 
 00:30:00.000 --> 00:30:04.999
 I mean, this is the moment, where the
 empire of the science strikes back.
 
 00:30:05.000 --> 00:30:09.999
 Reverend Billy has prepared the way.
 
 00:30:10.000 --> 00:30:14.999
 He has public support. He has uh…
 
 00:30:15.000 --> 00:30:19.999
 theatrical concept beyond what he’s doing
 that is considered by many people to be
 
 00:30:20.000 --> 00:30:24.999
 in a different sphere. So when
 he goes into the Disney Store,
 
 00:30:25.000 --> 00:30:29.999
 he’s not in the same position as
 someone, you know, madly running a mock.
 
 00:30:30.000 --> 00:30:34.999
 I mean, he… he has organized things and made it
 so that he really doesn’t face so much danger.
 
 00:30:35.000 --> 00:30:39.999
 The Reverend Billy belongs to
 
 00:30:40.000 --> 00:30:44.999
 a long tradition of theater activism.
 
 00:30:45.000 --> 00:30:49.999
 Children, we’re from
 
 00:30:50.000 --> 00:30:54.999
 the Church of Stop Shopping. And
 I am Reverend Billy. We’re here,
 
 00:30:55.000 --> 00:30:59.999
 today, we’re here today, children,
 
 00:31:00.000 --> 00:31:04.999
 praise be, you’re here to witness uh…
 we are here today to discover junk,
 
 00:31:05.000 --> 00:31:09.999
 the purchaser of these little
 Nordica Christmas (inaudible).
 
 00:31:10.000 --> 00:31:14.999
 Children, we are asking you
 to boycott Disney Products.
 
 00:31:15.000 --> 00:31:19.999
 Please remember, that the people in world
 China, the people in Saipan and Sri Lanka
 
 00:31:20.000 --> 00:31:24.999
 are getting 16, 19 cents an hour
 for working 70 hours a week.
 
 00:31:25.000 --> 00:31:29.999
 We’re not allowed to cutinize,
 please, don’t buy things here.
 
 00:31:30.000 --> 00:31:34.999
 Stories considered private space but
 in order to umm… make it illegal,
 
 00:31:35.000 --> 00:31:39.999
 to arrest someone in the store, the person would have to
 be given notice that they weren’t wanted in the store
 
 00:31:40.000 --> 00:31:44.999
 and that they should remove themselves from the
 premises. Because that was what would make it clear
 
 00:31:45.000 --> 00:31:49.999
 that if a person didn’t leave, it would be a
 trespass. They’re expanded ads, children.
 
 00:31:50.000 --> 00:31:54.999
 We’re here… we’re here with the media.
 The police are coming and…
 
 00:31:55.000 --> 00:31:59.999
 The police are coming and here we have the manager of
 this wonderful store, Laura… Amen, let’s give Laura
 
 00:32:00.000 --> 00:32:04.999
 a big round of applause. She’s
 bopping, she’s bopping here,
 
 00:32:05.000 --> 00:32:09.999
 in Disney store. Laura, this is the
 
 00:32:10.000 --> 00:32:14.999
 uh… this is the BBC here.
 How do you defend your sale
 
 00:32:15.000 --> 00:32:19.999
 of sweatshop products here in 40 second screen? No, I’m gonna say anything
 on that, all I’m gonna do is ask you to leave the store one more time.
 
 00:32:20.000 --> 00:32:24.999
 You’re not gonna comment on…
 the manufacture of these items
 
 00:32:25.000 --> 00:32:29.999
 for White people on the
 other side of the world who
 
 00:32:30.000 --> 00:32:34.999
 we can’t even find them. We can’t even find the factories.
 They used to be in Haiti but then we were down there too much
 
 00:32:35.000 --> 00:32:39.999
 seeing what you were doing to them.
 Now they’re in,
 
 00:32:40.000 --> 00:32:44.999
 now they’re in China off the horizon. It’s a shame.
 It’s a… it’s a shame, it’s a shame and it’s a shame.
 
 00:32:45.000 --> 00:32:49.999
 Hallelujah. I mean, I honestly don’t know how it’s
 possible for people to come into a place like this,
 
 00:32:50.000 --> 00:32:54.999
 a company that is basically engaged in
 criminal activity around the world.
 
 00:32:55.000 --> 00:32:59.999
 A $50 billion company that is beholden
 to no one that is its own government.
 
 00:33:00.000 --> 00:33:04.999
 And it has ruined Times Square
 and turned it into Los Vegas,
 
 00:33:05.000 --> 00:33:09.999
 they must be held accountable, children. Sir, I’m
 gonna have to ask you leave the store. Laura…
 
 00:33:10.000 --> 00:33:14.999
 Laura… is bopping. Laura just bopping but,
 you know, I just feel so good meeting
 
 00:33:15.000 --> 00:33:19.999
 in a Disney store. This… this… Reverend…
 Reverend, kill me please, kill me please.
 
 00:33:20.000 --> 00:33:24.999
 Do have a Disney problem? I’ve no problem.
 I know. They’re so cute.
 
 00:33:25.000 --> 00:33:29.999
 Mickey, get out your soul. Go
 forth and shop no more child,
 
 00:33:30.000 --> 00:33:34.999
 you’ve been saved. Another saved soul, he won’t have
 to buy anything Disney for the rest of his life.
 
 00:33:35.000 --> 00:33:39.999
 Now that’s culture jamming. Thank you so much
 of coming to the tricks of stop shopping today.
 
 00:33:40.000 --> 00:33:44.999
 And I love it if I see somebody and
 their… and their… their… their jaws down
 
 00:33:45.000 --> 00:33:49.999
 and their eyes are, \"I Don’t…
 
 00:33:50.000 --> 00:33:54.999
 what is this guy doing, what…
 what… Mickey’s the devil
 
 00:33:55.000 --> 00:33:59.999
 and but he’s not a Christian or
 what… what, he’s a actor or…
 
 00:34:00.000 --> 00:34:04.999
 this… this is a stunt.\" And you see them,
 looking around or looking at the cameras,
 
 00:34:05.000 --> 00:34:09.999
 they’re trying to add it up. As soon as they can
 add it up then it’s less important to them.
 
 00:34:10.000 --> 00:34:14.999
 If that… that suspension takes place
 for two or three or four minutes,
 
 00:34:15.000 --> 00:34:19.999
 they’re gonna take that home and they’re gonna… they’re gonna still be thinking
 about it a week later. And I just like to say Laura, you’ve been very polite.
 
 00:34:20.000 --> 00:34:24.999
 Hallelujah. Good night people.
 
 00:34:25.000 --> 00:34:29.999
 You might even hesitate to
 buy a Disney product, maybe.
 
 00:34:30.000 --> 00:34:34.999
 I’m just offended by what
 just happened in this store.
 
 00:34:35.000 --> 00:34:39.999
 Where I spend my money, where I go to
 shop is my business, not anyone else’s.
 
 00:34:40.000 --> 00:34:44.999
 Especially an idiot like who… whoever he was.
 Oh, you were offended with what he had to say?
 
 00:34:45.000 --> 00:34:49.999
 Right. I’m offended that
 Disney has a sweatshop.
 
 00:34:50.000 --> 00:34:54.999
 I could see Kathy Gifford
 and the Disney… Disney.
 
 00:34:55.000 --> 00:34:59.999
 Uh… I’m gonna check it out, I’d tell you
 ‘cause I spent a lot of money in Disney.
 
 00:35:00.000 --> 00:35:04.999
 I’m sure, Andy Warhol
 
 00:35:05.000 --> 00:35:09.999
 was never challenged on his use of the
 Campbell Soup can. If Disney, for example,
 
 00:35:10.000 --> 00:35:14.999
 found what umm… Reverend
 Billy was doing insulting
 
 00:35:15.000 --> 00:35:19.999
 and had a legal basis for
 challenging it and did not think
 
 00:35:20.000 --> 00:35:24.999
 that they would alienate more people
 than they would win for friends
 
 00:35:25.000 --> 00:35:29.999
 then they would take action against him. But it is all of
 those things involved in whether or not action will be taken.
 
 00:35:30.000 --> 00:35:34.999
 This is culture jamming as making
 
 00:35:35.000 --> 00:35:39.999
 a mockery of consensus reality, during
 Zappa, Abbie Hoffman, The Firesign Theater
 
 00:35:40.000 --> 00:35:44.999
 that is to say, it is this
 marvelously, wildly suppressive,
 
 00:35:45.000 --> 00:35:49.999
 carnival last spirit that is
 all about every day data,
 
 00:35:50.000 --> 00:35:54.999
 what the situation is, who were a species
 of culture Jammer in the late 1960s,
 
 00:35:55.000 --> 00:35:59.999
 umm… very specifically as theorized
 in the writings of Guy Debord,
 
 00:36:00.000 --> 00:36:04.999
 the French situationist. They were about what
 they called \"The theatre of everyday life.\"
 
 00:36:05.000 --> 00:36:09.999
 I think it might be fair to… to identify it more
 properly uh… as a sign of a 20th century movement
 
 00:36:10.000 --> 00:36:14.999
 because I think a lot of it has to do with mass media in a
 particular action, not just against commercial interests
 
 00:36:15.000 --> 00:36:19.999
 but all but they sort of the… the propaganda
 basically of commercial interest,
 
 00:36:20.000 --> 00:36:24.999
 \"Advertising.\" I’m having a little fun
 really, it’s all like a Yippee idea,
 
 00:36:25.000 --> 00:36:29.999
 really kind of a joyous revolution.
 
 00:36:30.000 --> 00:36:34.999
 And uh… finally I know what you
 all have been waiting for.
 
 00:36:35.000 --> 00:36:39.999
 Ladies and gentlemen, I give you .com 2000.
 
 00:36:40.000 --> 00:36:44.999
 [sil.]
 
 00:36:45.000 --> 00:36:49.999
 Umm… Now we’re gonna be installing
 uh… several pasteovers on
 
 00:36:50.000 --> 00:36:54.999
 a variety of Internet billboards
 on the central freeway. And…
 
 00:36:55.000 --> 00:36:59.999
 and going to come up with uh… following
 campaign that kind of forcibly uh… illuminates
 
 00:37:00.000 --> 00:37:04.999
 the problem and the situation. All right. You notice the
 message here is uh… in the form of a uh… of a windows
 
 00:37:05.000 --> 00:37:09.999
 Tm error screen uh… with the message
 of fatal error, Invalid stock value
 
 00:37:10.000 --> 00:37:14.999
 uh… abort, retry, fail. And I’m not sure what happens if you press any of those
 buttons but uh… I think they all don’t work but uh… I don’t even wanna know.
 
 00:37:15.000 --> 00:37:19.999
 From a legal stand point,
 I just like to make sure
 
 00:37:20.000 --> 00:37:24.999
 that each and every one of you uh… of course,
 know that you will be at my home on Sunday,
 
 00:37:25.000 --> 00:37:29.999
 when… when, whatever happens… happens that’s where we
 all will be enjoying the barbeque. I’ll see you there.
 
 00:37:30.000 --> 00:37:34.999
 Of course. All right.
 Right, we’re all there.
 
 00:37:35.000 --> 00:37:39.999
 Exactly. At you’re house, our legal account were held… Exactly.
 …On Sunday evening from about oh, say, 4:30 till about midnight.
 
 00:37:40.000 --> 00:37:44.999
 In fact, you’re in charge of the ambrosia salad. Well,
 generally unless they’re caught in the act it’s hard,
 
 00:37:45.000 --> 00:37:49.999
 it’s not like a fingerprint. Well, I debate
 the fact that it’s illegal, actually.
 
 00:37:50.000 --> 00:37:54.999
 Umm… see property damage is illegal uh… and
 we don’t actually damage these billboards.
 
 00:37:55.000 --> 00:37:59.999
 So uh… in effect, we’re not
 really doing anything illegal,
 
 00:38:00.000 --> 00:38:04.999
 we’re just borrowing the space. There’s
 a $400 cap in terms of what’s a felony
 
 00:38:05.000 --> 00:38:09.999
 or what’s a misdemeanor. So if the kid swabs
 up the board and you can replace it for $50
 
 00:38:10.000 --> 00:38:14.999
 that’s still a misdemeanor.
 Uh… If they really destroy a
 
 00:38:15.000 --> 00:38:19.999
 uh… valuable $5,000 or $10,000
 or $20,000 a month billboard
 
 00:38:20.000 --> 00:38:25.000
 and you’re talking about a felony.
 
 00:38:30.000 --> 00:38:38.000
 [music]
 
 00:38:45.000 --> 00:38:49.999
 Try in memory though,
 
 00:38:50.000 --> 00:38:54.999
 it’s the facing private property, private
 property… Com check, com check, anybody? Over.
 
 00:38:55.000 --> 00:38:59.999
 It… it’s a shame
 
 00:39:00.000 --> 00:39:04.999
 that our society has put us in this position.
 Damn it, it’s a shame and it’s shame… shame…
 
 00:39:05.000 --> 00:39:09.999
 We have an illumination patrol at night.
 
 00:39:10.000 --> 00:39:14.999
 An occasion we’re make an arrest right there. You know, there
 are… there are certain technicalities of the law that apply.
 
 00:39:15.000 --> 00:39:19.999
 We’re like take trespassing, for instance, how many people,
 you know have ever done any hard time for trespassing?
 
 00:39:20.000 --> 00:39:24.999
 Get here. If you may get to take a
 piss, do it… do it now. (inaudible)
 
 00:39:25.000 --> 00:39:29.999
 move back in that direction and keep
 an eye on the oncoming traffic.
 
 00:39:30.000 --> 00:39:34.999
 You keep the radio uh… up and ready to go. TV
 advice, there’s a ravine between us and the bridge.
 
 00:39:35.000 --> 00:39:39.999
 All eyes forward. Okay, that’s fun,
 it has to be fun. Yeah. I mean, like,
 
 00:39:40.000 --> 00:39:44.999
 anything that we do here for not having fun, we’re… we lose.
 Making fun of corporations is all good and dandy but if
 
 00:39:45.000 --> 00:39:49.999
 we’re not enjoying ourselves or get to straight about it then
 uh… why… why the hell do it? You know, why the hell do it?
 
 00:39:50.000 --> 00:39:54.999
 I mean, they want, you know, if you never
 stick your butt, that kind of win.
 
 00:39:55.000 --> 00:39:59.999
 Yeah, you guys wanna patch one more panel up, we’re just gonna
 put uh… an existential piece in the middle of the billboard.
 
 00:40:00.000 --> 00:40:08.000
 [sil.]
 
 00:40:10.000 --> 00:40:14.999
 Helicopter! Helicopter! Helicopter, copy
 that. Thank you. Helicopter. Helicopter.
 
 00:40:15.000 --> 00:40:19.999
 Hey, everybody can sit down and don’t move.
 Third grid on the pole.
 
 00:40:20.000 --> 00:40:24.999
 They got a… got a light.
 
 00:40:25.000 --> 00:40:29.999
 [sil.]
 
 00:40:30.000 --> 00:40:34.999
 Don’t move. Oh, okay, they
 could… They could see what…
 
 00:40:35.000 --> 00:40:39.999
 I brought the video camera. Yeah.
 
 00:40:40.000 --> 00:40:44.999
 Yeah, okay. So… Copy that sir, we have…
 Thank you. There are still other ways
 
 00:40:45.000 --> 00:40:49.999
 of getting your message out rather than, you know,
 calling yourself some guerilla theater group
 
 00:40:50.000 --> 00:40:54.999
 or some guerrilla group and you wanna get this important
 message out, uh… so you’re going to face a billboard.
 
 00:40:55.000 --> 00:40:59.999
 There is no free speech anywhere,
 it’s all bought and paid for.
 
 00:41:00.000 --> 00:41:04.999
 So going out and putting out your own messages feels
 really the only free speech there is. They can call us.
 
 00:41:05.000 --> 00:41:09.999
 Many times, we have an art
 department, we have an art director.
 
 00:41:10.000 --> 00:41:14.999
 Uh… I’ve helped campaigns, we’ve helped campaigns where
 people didn’t have any money. Without any of those,
 
 00:41:15.000 --> 00:41:19.999
 companies would uh… would put… would…
 would really run at certain controversies
 
 00:41:20.000 --> 00:41:24.999
 their uh… to their bottom line, to their
 political uh… stance, I doubt they would.
 
 00:41:25.000 --> 00:41:29.999
 I don’t think it is, matter of fact, for
 in many instances where they haven’t.
 
 00:41:30.000 --> 00:41:34.999
 Where uh… political groups that came up with enough money to uh… rent a
 billboard and they would rent it to them ‘cause they didn’t like what it said.
 
 00:41:35.000 --> 00:41:39.999
 I mean, people spend harder
 and money to buy billboards,
 
 00:41:40.000 --> 00:41:44.999
 one right to some group have to go
 up into face that. There, let’s here
 
 00:41:45.000 --> 00:41:49.999
 Code green unless somebody has
 an objection. You’re okay? Okay.
 
 00:41:50.000 --> 00:41:54.999
 Down a little bit
 
 00:41:55.000 --> 00:41:59.999
 uh… clear. Beautiful. Okay uh…
 
 00:42:00.000 --> 00:42:04.999
 let’s go. Pack up the stuff.
 
 00:42:05.000 --> 00:42:09.999
 Let’s go. That went better than planned.
 
 00:42:10.000 --> 00:42:14.999
 We’re leaving junk and garbage
 that stick all out sets.
 
 00:42:15.000 --> 00:42:19.999
 Final billboard in sequence.
 We’re gonna turn the switch on
 
 00:42:20.000 --> 00:42:24.999
 and the lights are gonna do whatever the
 hell they wanna do, it… it’s alchemy.
 
 00:42:25.000 --> 00:42:29.999
 Start the one, that’s light up. Okay,
 here we go. Ow! The son of bitch is hot.
 
 00:42:30.000 --> 00:42:34.999
 That’s the last one, we’re going home.
 
 00:42:35.000 --> 00:42:39.999
 Oh, I could spend the next 40 years in uh…
 going to the public meetings and litigating
 
 00:42:40.000 --> 00:42:44.999
 and doing all that sort of thing and not
 accomplish a damn thing. Whereas, I can spend
 
 00:42:45.000 --> 00:42:49.999
 uh… a day doing a campaign, a small campaign
 together and go out and have 10,000 people see it
 
 00:42:50.000 --> 00:42:54.999
 and take photograph of it, put it on our Web
 site, and have a 100,000 people see it.
 
 00:42:55.000 --> 00:42:59.999
 I mean, pretty obvious.
 For me, umm… what I…
 
 00:43:00.000 --> 00:43:08.000
 [music]
 
 00:43:30.000 --> 00:43:34.999
 I mean, how you’re gonna fight it?
 You can’t. It’s like this big blob,
 
 00:43:35.000 --> 00:43:39.999
 you can’t fight it. And you said
 like to stay a few steps ahead of it
 
 00:43:40.000 --> 00:43:44.999
 so it doesn’t absorb you. I mean, what you’re gonna
 do? I mean, you got to laugh at it ‘cause if
 
 00:43:45.000 --> 00:43:49.999
 you don’t even rip your throat out.
 
 00:43:50.000 --> 00:43:58.000
 [music]
 
 00:44:10.000 --> 00:44:14.999
 When I draw on a billboard or draw on a bus shelter
 ad, I also know that anyone else who looks
 
 00:44:15.000 --> 00:44:19.999
 are normalized that kind of response to it.
 
 00:44:20.000 --> 00:44:24.999
 Now if they’ve seen one instance
 of it… it becomes an option.
 
 00:44:25.000 --> 00:44:29.999
 I was thinking that they won’t take you seriously if it’s for you to face the
 property. They’d take it seriously just in the sense that it’s their property.
 
 00:44:30.000 --> 00:44:34.999
 If their product starts to look unpopular,
 that’s the property they really care about.
 
 00:44:35.000 --> 00:44:39.999
 In one minute, it was an ad supporting a product,
 the next minute, it’s like an anti ad that exposes
 
 00:44:40.000 --> 00:44:44.999
 the hidden messages and hidden intentions of
 the company that sells that product. Right.
 
 00:44:45.000 --> 00:44:49.999
 Why is what I’m doing
 illegal, tons of things
 
 00:44:50.000 --> 00:44:54.999
 that were really important different times were illegal. I’m
 not saying it’s really important that I culture jam. Right.
 
 00:44:55.000 --> 00:44:59.999
 But why is it illegal? What… what…
 what’s so different from what I’m doing
 
 00:45:00.000 --> 00:45:04.999
 and what the big corporations are
 doing, billboard companies are doing,
 
 00:45:05.000 --> 00:45:09.999
 you know. Other than that they have money and I don’t
 and I don’t think that’s a good enough excuse.
 
 00:45:10.000 --> 00:45:14.999
 [music] Where do you draw the line as to
 
 00:45:15.000 --> 00:45:19.999
 where they can’t market? Is there
 a marketing free zone anywhere
 
 00:45:20.000 --> 00:45:24.999
 that’s just sort of your space?
 
 00:45:25.000 --> 00:45:29.999
 Do you feel like anyone’s other
 than you gonna fight for that?
 
 00:45:30.000 --> 00:45:34.999
 When I was going to school,
 there is ads in the
 
 00:45:35.000 --> 00:45:39.999
 washroom. And I didn’t mean, what more could a
 culture jammer ask for than a little closed area
 
 00:45:40.000 --> 00:45:45.000
 where no one is gonna capture it.
 
 00:45:50.000 --> 00:45:58.000
 [music]
 
 00:46:00.000 --> 00:46:04.999
 I’m always ready to argue makings like at any
 point I’m always ready to just… lay it down
 
 00:46:05.000 --> 00:46:09.999
 why I’m doing what I’m doing.
 
 00:46:10.000 --> 00:46:14.999
 It is time to be rude,
 
 00:46:15.000 --> 00:46:19.999
 it is time to be embarrassed. If you really
 do something that just makes you shake
 
 00:46:20.000 --> 00:46:24.999
 with the feeling of being inappropriate,
 you probably found a struct…
 
 00:46:25.000 --> 00:46:29.999
 a… a structure of their culture
 that was supposed to be there,
 
 00:46:30.000 --> 00:46:34.999
 you violated something. You’ve
 discovered their power.
 
 00:46:35.000 --> 00:46:43.000
 [sil.]
 
 00:46:45.000 --> 00:46:49.999
 I mean, if… if your goal is to get arrested
 
 00:46:50.000 --> 00:46:54.999
 to behave or to get stopped,
 which is often a goal,
 
 00:46:55.000 --> 00:46:59.999
 you know. Maybe at sometimes it’s better to have someone stop
 you from what you’re doing to have people pay attention.
 
 00:47:00.000 --> 00:47:04.999
 Umm… You can do things to achieve that.
 
 00:47:05.000 --> 00:47:09.999
 I’ve been… I’ve been arrested, at about a
 monthly rate, that’s about as much as my lawyer
 
 00:47:10.000 --> 00:47:14.999
 allows me to be arrested.
 I mean, I look at it from
 
 00:47:15.000 --> 00:47:19.999
 the perspective of what is the motivation
 for the state or the government
 
 00:47:20.000 --> 00:47:24.999
 or the society to suppress
 what has being done.
 
 00:47:25.000 --> 00:47:29.999
 Because you can do the same thing,
 
 00:47:30.000 --> 00:47:34.999
 one year as you did the next year
 and one year you will be arrested
 
 00:47:35.000 --> 00:47:39.999
 and the next year you won’t. So if you not have the same
 right each year your right doesn’t change, what changes is…
 
 00:47:40.000 --> 00:47:44.999
 is… is the intent and then
 the what the society,
 
 00:47:45.000 --> 00:47:49.999
 what the state wants to do, whether the
 state wants to suppress it or not?
 
 00:47:50.000 --> 00:47:54.999
 That’s the issue, not whether the human right. Of course, you
 have the right, you have any right, you know, you were certain,
 
 00:47:55.000 --> 00:47:59.999
 you’ve as much rights as one will certain… the only
 limits to your right is what the state says, no,
 
 00:48:00.000 --> 00:48:04.999
 you don’t have that right, we
 won’t let you have it today.
 
 00:48:05.000 --> 00:48:09.999
 And why you will charge me with criminal trespass in
 the evening and then I have to stay in jail overnight
 
 00:48:10.000 --> 00:48:14.999
 and in the morning it’s… there’s
 nothing, there’s no charges.
 
 00:48:15.000 --> 00:48:19.999
 You know, I call these things tactical interventions and they’re
 not strategic in fact, no intent to turn back capitalism.
 
 00:48:20.000 --> 00:48:24.999
 Oh, oh! You know that’s… that’s… that’s uh… tall
 order, you know, I mean but like you say you could,
 
 00:48:25.000 --> 00:48:29.999
 you and that level of tactics, you know, you might be able to
 say this block or that block, you know, or that newspaper,
 
 00:48:30.000 --> 00:48:34.999
 you know, you remember that theater, you know,
 or that cultural center, you know what I mean.
 
 00:48:35.000 --> 00:48:39.999
 So… so there can be… there can be small… small
 victories, you know, in a larger battle.
 
 00:48:40.000 --> 00:48:44.999
 A prank a day keeps the dog leash away.
 
 00:48:45.000 --> 00:48:49.999
 So the real crime there, the real crime…
 
 00:48:50.000 --> 00:48:54.999
 We have to discuss this with our legal department later, of
 course. The real crime, of course, nobody talks about it
 
 00:48:55.000 --> 00:48:59.999
 is we’re fucking with consumer mind share. And that’s the
 crime, it’s unforgivable in this country. That’s right.
 
 00:49:00.000 --> 00:49:04.999
 Oh, say, can you see? Cut. How pretty
 was that? Does he want’s the money?
 
 00:49:05.000 --> 00:49:09.999
 Okay, here we go, folks start the wind.
 
 00:49:10.000 --> 00:49:14.999
 Culture jamming is… is
 such a (inaudible) term
 
 00:49:15.000 --> 00:49:19.999
 because it’s… it’s… it’s
 just so over worked.
 
 00:49:20.000 --> 00:49:24.999
 And much preference from reality hacking. Now I
 would encourage the culture jamming to mean that
 
 00:49:25.000 --> 00:49:29.999
 uh… we’re… we’re forcing cultural
 efforts upon people jamming it in.
 
 00:49:30.000 --> 00:49:34.999
 There’s more than there was in uh…
 ultimately, you know, the malls will
 
 00:49:35.000 --> 00:49:39.999
 pave us over. Like, you know, they made
 there’s… there’s little pockets of resistance.
 
 00:49:40.000 --> 00:49:44.999
 [music]
 
 00:49:45.000 --> 00:49:49.999
 It’s that last, where one foot I
 call it in a supermarket where that
 
 00:49:50.000 --> 00:49:54.999
 one foot between your hand reaching
 this direction or that direction
 
 00:49:55.000 --> 00:50:00.000
 and is an emotional one. Are you
 one of those that follows the ads?
