WEBVTT
00:00:43.585 --> 00:00:45.754
The lessons were also actually
00:00:45.754 --> 00:00:47.797
used by the Soviet military to
00:00:47.797 --> 00:00:50.467
tune communications equipment.
00:00:50.467 --> 00:00:52.761
So it\'s actually one of the only
00:00:52.761 --> 00:00:55.013
Soviets and the only synthesizers
00:00:55.013 --> 00:00:56.681
ever to actually have a military
00:00:56.681 --> 00:00:57.682
application.
00:01:06.107 --> 00:01:07.901
The the way that this is all written
00:01:07.901 --> 00:01:09.819
is just too much fun,
00:01:09.819 --> 00:01:11.738
because if you know Russia,
00:01:11.738 --> 00:01:12.781
none of us is in Russia.
00:01:15.116 --> 00:01:17.410
But I\'ve been interested in
00:01:17.410 --> 00:01:18.411
Russia.
00:01:19.204 --> 00:01:21.081
Stopper agents, I mean, some of the
00:01:21.081 --> 00:01:22.999
first music that I actually did,
00:01:22.999 --> 00:01:24.292
I did by taking shortwave
00:01:24.292 --> 00:01:25.835
shortwave radio broadcasts from
00:01:25.835 --> 00:01:27.796
Russia and then splicing
00:01:27.796 --> 00:01:28.797
it up and tapes
00:01:29.839 --> 00:01:30.840
and.
00:01:34.427 --> 00:01:36.221
This has been labeled as the
00:01:36.221 --> 00:01:37.722
largest collection of Soviet
00:01:37.722 --> 00:01:39.557
synthesizers in the United States.
00:01:40.809 --> 00:01:42.435
We started doing jam sessions in
00:01:42.435 --> 00:01:45.021
Puerto Rico because of the acoustics
00:01:45.021 --> 00:01:46.815
in the way that it sounds.
00:01:46.815 --> 00:01:49.526
It is just amazing.
00:01:49.526 --> 00:01:51.528
I\'m the curator operations manager
00:01:51.528 --> 00:01:53.363
there, so it\'s my
00:01:53.363 --> 00:01:55.657
job basically to oversee
00:01:55.657 --> 00:01:57.617
animal husbandry
00:01:57.617 --> 00:01:59.869
and the animal operations there.
00:01:59.869 --> 00:02:01.329
So you pick the fish?
00:02:01.329 --> 00:02:02.413
Yes.
00:02:02.413 --> 00:02:04.082
It seems like fish and since of your
00:02:04.082 --> 00:02:05.416
two biggest creatures?
00:02:05.416 --> 00:02:06.376
Pretty much.
00:02:06.376 --> 00:02:08.378
Yeah. And I tie them together
00:02:08.419 --> 00:02:09.379
whenever I can.
00:02:57.260 --> 00:02:58.928
When you work with an animal for so
00:02:58.928 --> 00:03:00.805
long, you almost
00:03:00.805 --> 00:03:02.390
just kind of develop a connection
00:03:02.390 --> 00:03:03.892
with them. I mean, it\'s almost kind
00:03:03.892 --> 00:03:05.727
of like a little I don\'t
00:03:05.727 --> 00:03:07.228
want to say a psychic connection,
00:03:07.228 --> 00:03:09.272
but it is sort of, you know,
00:03:09.272 --> 00:03:10.648
I can tell what\'s going on with
00:03:10.648 --> 00:03:11.774
that. I don\'t know if they know
00:03:11.774 --> 00:03:12.358
what\'s going on
00:03:12.358 --> 00:03:14.152
with me, but I
00:03:14.152 --> 00:03:15.236
can tell what\'s going on.
00:03:33.588 --> 00:03:34.297
Then how do you
00:03:34.297 --> 00:03:36.341
truly educate somebody on
00:03:36.341 --> 00:03:37.175
that?
00:03:37.175 --> 00:03:39.177
And there is a very big difference
00:03:39.177 --> 00:03:41.054
between a television show and
00:03:41.054 --> 00:03:42.055
the real life.
00:03:43.139 --> 00:03:45.475
And so these animals act as
00:03:45.475 --> 00:03:46.517
almost like an
00:03:46.559 --> 00:03:48.394
ambassador or an emissary
00:03:48.394 --> 00:03:49.395
to the wild.
00:03:56.569 --> 00:03:58.446
One question that.
00:04:00.073 --> 00:04:01.074
About the music.
00:04:02.158 --> 00:04:03.952
Whether you think there
00:04:03.952 --> 00:04:04.535
is some sort
00:04:04.535 --> 00:04:06.079
of deeper connection between your
00:04:06.079 --> 00:04:07.080
love.
00:04:07.538 --> 00:04:09.457
Your fascination with fish,
00:04:10.625 --> 00:04:12.168
with my fascination for nature and
00:04:12.168 --> 00:04:14.003
period and then yes,
00:04:14.003 --> 00:04:14.921
definitely.
00:04:14.921 --> 00:04:16.756
You know, I mean, my music is, you
00:04:16.756 --> 00:04:18.299
know, necessarily what you would
00:04:18.299 --> 00:04:20.468
refer to as an acoustic
00:04:20.468 --> 00:04:22.095
style whatsoever.
00:04:22.095 --> 00:04:23.763
It\'s hard analog.
00:04:23.763 --> 00:04:24.806
Electronics.
00:04:26.182 --> 00:04:27.767
But that it\'s
00:04:27.767 --> 00:04:28.768
that.
00:04:30.728 --> 00:04:33.147
I don\'t know how to how to explain,
00:04:33.147 --> 00:04:35.066
and it\'s very difficult, but
00:04:35.066 --> 00:04:36.901
there is there is definitely a
00:04:36.901 --> 00:04:38.987
direct connection
00:04:38.987 --> 00:04:41.197
between, you know, what
00:04:41.239 --> 00:04:43.032
I see
00:04:43.032 --> 00:04:45.118
in these animals swimming
00:04:45.118 --> 00:04:46.577
and what I see around
00:04:46.577 --> 00:04:47.578
me in.
00:04:49.205 --> 00:04:50.957
To the music that idea.
00:04:56.379 --> 00:04:57.964
Yeah, but it is
00:04:57.964 --> 00:04:58.965
a valid one,
00:04:59.799 --> 00:05:01.968
but it\'s difficult and explain
00:05:01.968 --> 00:05:03.177
it, I mean, it\'s up here.
00:05:05.930 --> 00:05:06.931
Explaining.
00:05:12.854 --> 00:05:13.563
I think you can
00:05:13.563 --> 00:05:15.398
communicate with French and I
00:05:15.398 --> 00:05:16.899
think of fish communicate with you.
00:05:18.234 --> 00:05:20.194
It added to the difficulty
00:05:20.194 --> 00:05:23.031
of that is that
00:05:23.031 --> 00:05:23.990
what they may be
00:05:23.990 --> 00:05:25.658
communicating to you is what you
00:05:25.658 --> 00:05:26.784
will never see.
00:05:26.784 --> 00:05:27.910
You won\'t notice any.
00:05:29.537 --> 00:05:31.998
And because they\'re
00:05:31.998 --> 00:05:33.666
they\'re not a person.
00:05:33.666 --> 00:05:35.376
We perceive things totally different
00:05:35.376 --> 00:05:36.377
from the.
00:05:37.045 --> 00:05:39.213
For instance, those electric eels
00:05:39.213 --> 00:05:41.632
they do, they barely can see
00:05:41.632 --> 00:05:43.634
they don\'t even really see their
00:05:43.634 --> 00:05:45.803
surroundings, but yet in that brain
00:05:45.803 --> 00:05:47.180
of theirs, they\'re taking all of
00:05:47.180 --> 00:05:48.431
these electrical signals that
00:05:48.431 --> 00:05:49.432
they\'re putting out.
00:05:50.641 --> 00:05:52.852
And they\'re building a complex
00:05:52.852 --> 00:05:54.812
map of their environment in their
00:05:54.812 --> 00:05:55.813
hands.
00:05:56.397 --> 00:05:58.232
So they\'re seeing something that it
00:05:58.232 --> 00:06:00.234
would be impossible for us to ever
00:06:00.234 --> 00:06:02.362
understand or even to come close
00:06:02.362 --> 00:06:03.279
to everything.
00:06:03.279 --> 00:06:05.156
I mean, it\'s it\'s like an alien
00:06:05.156 --> 00:06:07.075
civilization coming here and
00:06:07.075 --> 00:06:08.618
trying to communicate with us, maybe
00:06:08.659 --> 00:06:10.203
with you. You might not even know
00:06:10.203 --> 00:06:11.287
that they were communicating.