Marta and Manu are two Brazilian actresses that decide to move to Moscow…
Rompiente
- Description
- Reviews
- Citation
- Cataloging
- Transcript
View on the Pragda STREAM site
It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.
Citation
Main credits
Schnitman, Juan (film director)
Schnitman, Juan (screenwriter)
Schnitman, Juan (film producer)
Donizetti, Paolo (film producer)
Jaco, Ryki (film producer)
Barberini, Juan (actor)
Infantino, Julián (actor)
Villa, Malena (actor)
Other credits
Cinematography, Soledad Rodríguez; editors, Daniel Casabe, Juan Schnitman.
Distributor subjects
Women; Cinema Studies; Mental HealthKeywords
00:00:37.320 --> 00:00:38.440
Yes, I’m recording.
00:00:38.440 --> 00:00:42.520
Perfect. Don’t cut.
Go all the way.
00:00:42.560 --> 00:00:43.280
Ok.
00:00:43.440 --> 00:00:47.000
Ok. I need this to be very well hidden,
nobody can know that I’m wearing a mic.
00:00:48.120 --> 00:00:52.560
Right. I can stick it to your chest and
I can fasten this to your ankle if its ok with you.
00:00:52.600 --> 00:00:54.200
I don’t think anyone will notice.
00:00:54.280 --> 00:00:56.760
No, that fine by me.
As long as no one notices it.
00:00:56.800 --> 00:00:58.960
Ok.
I think we’ll be fine.
00:00:59.040 --> 00:01:01.720
Ok. Are the batteries full?
00:01:01.800 --> 00:01:06.080
Yes, I just changed them.
We can check them when we stop for lunch.
00:01:06.160 --> 00:01:09.920
Ok. If you need to change them
come talk to me about something else and we’ll do it elsewhere.
00:01:10.000 --> 00:01:11.200
Ok, got it.
00:01:11.680 --> 00:01:14.360
Good. I’ll stick this to your chest,
you pull it from inside...
00:01:14.440 --> 00:01:16.920
... and I’ll fasten the transmitter
to your ankle.
00:01:17.000 --> 00:01:18.040
Let’s do it.
00:01:25.560 --> 00:01:26.520
What’s up with you?
00:01:26.520 --> 00:01:30.200
Yes, cool. And you?
00:01:30.440 --> 00:01:31.400
Fine, fine.
00:01:35.840 --> 00:01:37.720
Now I’ll put the wire
through your pants…
00:01:37.800 --> 00:01:41.160
Yeah, there you go.
00:01:41.560 --> 00:01:43.440
- I'll fasten it here.
- Yes.
00:01:43.520 --> 00:01:46.360
- Adjusting the wire.
- Perfect.
00:01:47.000 --> 00:01:49.440
So, we’re ok like this,
you can’t see it, right?
00:01:49.480 --> 00:01:51.920
No, I can’t see it.
I’ll let you know if it shows…
00:01:51.960 --> 00:01:53.240
Let me check.
00:01:53.360 --> 00:01:57.360
Let’s see, hello.
Lucio, hello. Are we ok?
00:01:57.800 --> 00:01:59.440
- We are.
- Ok.
00:01:59.520 --> 00:02:03.400
- Let me know if it shows.
- Ok.
00:02:12.360 --> 00:02:14.160
So, are we ready?
00:02:14.240 --> 00:02:17.120
We'll try this and then
we'll be ready to start.
00:02:17.320 --> 00:02:21.800
I need you to be shooting all the time.
00:02:22.120 --> 00:02:23.400
Who?
00:02:23.400 --> 00:02:27.720
The actors. Shoot all the
time and focus on them.
00:02:28.200 --> 00:02:31.280
Keep the camera running
without them realizing.
00:02:31.280 --> 00:02:34.680
If they notice and get
nervous or uncomfortable,
00:02:34.680 --> 00:02:37.560
or ask you about it,
then turn it off.
00:02:37.560 --> 00:02:39.880
Pretend it was
a mistake.
00:02:39.880 --> 00:02:41.320
Ok. Did you
tell them?
00:02:41.320 --> 00:02:43.520
No. That’s why
I’m telling you.
00:02:43.520 --> 00:02:44.000
Alright.
00:02:45.000 --> 00:02:47.120
I’m going to tell Lucio
the same. Ok?
00:02:47.120 --> 00:02:48.760
Go ahead.
00:02:49.880 --> 00:02:51.520
Now?
00:02:51.520 --> 00:02:53.240
Yes, all the time.
00:02:56.120 --> 00:02:58.320
It doesn’t matter
if it’s sloppy.
00:02:58.320 --> 00:03:01.400
Do whatever you need to do
to keep them in frame.
00:03:02.440 --> 00:03:04.920
Like this, for example.
I leave it like this.
00:03:04.920 --> 00:03:07.520
Yes, perfect. Set it up so that
they are in the shot.
00:03:07.520 --> 00:03:09.560
It’s ok if we have
sloppy moments.
00:03:09.560 --> 00:03:11.120
Alright.
00:03:12.720 --> 00:03:14.440
Should I go near them?
00:03:14.440 --> 00:03:17.320
Yes, that’s fine. I need them
not to notice.
00:03:17.320 --> 00:03:18.600
Alright.
00:03:18.600 --> 00:03:20.800
So I’m going to ask you
not to become friends with them.
00:03:20.800 --> 00:03:23.680
Don’t engage them socially
so that they don’t talk to you.
00:03:23.680 --> 00:03:26.040
Because when they’re
here, I’ll probably...
00:03:26.040 --> 00:03:28.400
...need you to be here.
Just like you are now.
00:03:29.440 --> 00:03:31.440
Pretending
I’m not…
00:03:31.440 --> 00:03:33.720
Yes, just rest with the
boom and try to get them.
00:03:33.720 --> 00:03:34.720
Got it.
00:03:34.720 --> 00:03:39.120
It’s better if they don’t talk to you,
so don’t be overly friendly.
00:03:42.440 --> 00:03:45.680
You can go near them
as if you were going...
00:03:45.680 --> 00:03:48.920
... to put on their mikes
or something.
00:03:48.920 --> 00:03:52.160
Be unfriendly so they
don’t trust you that much.
00:03:57.400 --> 00:03:58.680
Just…
00:03:58.680 --> 00:03:59.000
Yes, that´s all.
00:04:00.000 --> 00:04:01.400
Ok.
00:04:01.400 --> 00:04:03.760
There´s nothing except
this, that’s the idea.
00:04:03.760 --> 00:04:06.120
There’s nothing outside.
00:04:07.080 --> 00:04:10.040
We’re not going to show
any other space.
00:04:11.800 --> 00:04:14.760
We’ll focus
on this one.
00:04:15.560 --> 00:04:17.920
So, we get
in the bed.
00:04:17.920 --> 00:04:19.760
- You’ll be inside already.
- We’ll be inside.
00:04:19.760 --> 00:04:21.600
- Yes.
- Ok.
00:04:21.600 --> 00:04:24.000
Right. We won’t establish any
space other than the bed.
00:04:25.000 --> 00:04:29.680
As if it was floating in space.
This is all we’re going to show.
00:04:30.400 --> 00:04:31.000
Perfect.
00:04:32.120 --> 00:04:33.440
Are you missing
something?
00:04:33.440 --> 00:04:35.240
Missing…
No…
00:04:35.240 --> 00:04:36.560
Nothing?
Are you ok?
00:04:36.560 --> 00:04:37.880
A bit nervous.
00:04:37.880 --> 00:04:39.520
Alright, all the better.
00:04:39.520 --> 00:04:41.160
But ok.
00:05:03.440 --> 00:05:06.720
Azul, can we
get gum?
00:05:07.480 --> 00:05:09.320
- Chewing gum?
-Yes, could we get some?
00:05:09.320 --> 00:05:10.400
- Yes.
- Perfect.
00:05:10.400 --> 00:05:11.560
Spearmint?
00:05:11.560 --> 00:05:12.720
What flavor?
00:05:13.320 --> 00:05:14.480
Spearmint.
00:05:15.520 --> 00:05:16.680
Spearmint.
00:05:19.960 --> 00:05:22.480
Are we about to start, Juancho?
00:05:22.480 --> 00:05:28.120
We’re almost there.
We’ll start when her make up is done.
00:05:32.640 --> 00:05:34.520
Are we
getting there?
00:05:36.120 --> 00:05:37.600
Yes.
00:05:44.520 --> 00:05:49.200
We’ll start easy, ok?
We’ll see what you need.
00:05:49.520 --> 00:05:50.200
Ok.
00:05:50.200 --> 00:05:54.640
I want you to be there, to try
things and we’ll work from there.
00:05:56.360 --> 00:05:58.960
I like that the space
is a bit bare.
00:05:58.960 --> 00:06:03.360
Like there’s not much
more than this. Sure.
00:06:06.680 --> 00:06:08.480
We’ll see how it goes,
don’t worry.
00:06:08.640 --> 00:06:11.800
Juan, should I put shorts on?
Or should I stay like this?
00:06:12.520 --> 00:06:13.920
No, shorts.
00:06:13.920 --> 00:06:15.320
Shorts.
00:06:15.320 --> 00:06:16.720
Yes. Alright.
00:06:20.400 --> 00:06:22.200
Do you want to go in?
00:06:56.640 --> 00:06:58.920
Can you do
something for me?
00:06:58.920 --> 00:07:01.000
Can you take off your bra
from under your shirt?
00:07:03.520 --> 00:07:06.600
What? But it’s
kind of see through.
00:07:07.160 --> 00:07:09.240
Yes? No.
00:07:11.480 --> 00:07:16.480
Yes. I brought this sport bra
to use under the shirt.
00:07:19.600 --> 00:07:24.200
You can kind of see it. Alright.
We’ll see. You’re comfortable like this.
00:07:24.200 --> 00:07:25.360
Yes, so far.
00:07:25.360 --> 00:07:26.520
Alright.
00:07:27.040 --> 00:07:29.560
You’re talking to
each other.
00:07:29.560 --> 00:07:32.080
Like you’re having
a “pre sex” conversation.
00:07:32.080 --> 00:07:33.120
Ok.
00:07:33.120 --> 00:07:34.760
- Right? Intervened…
- Do I…
00:07:34.760 --> 00:07:37.640
Maybe you can take your shirt off.
Maybe during the shot. Alright?
00:07:38.320 --> 00:07:41.200
Alright. But we’re talking
and I’m already…?
00:07:41.200 --> 00:07:45.440
Talking in bed. A conversation
interrupted by kisses and caresses.
00:07:45.440 --> 00:07:47.280
Sort of intimate.
00:07:47.280 --> 00:07:50.680
Yes, exactly.
Like building trust.
00:07:52.240 --> 00:07:53.640
Perfect.
00:07:53.640 --> 00:07:57.600
That’s the main idea.
We’ll take it from there.
00:07:57.600 --> 00:07:58.680
Alright.
00:07:58.680 --> 00:08:00.360
- Are you ok?
- Yes.
00:08:00.560 --> 00:08:04.760
It’s cool that there are few of us.
We’re in an atmosphere of trust.
00:08:04.760 --> 00:08:10.520
We all talked about this. We’ll try to
give you the intimacy you need.
00:08:11.200 --> 00:08:15.880
It’s a bit like the whole crew
will be doing what you’re doing.
00:08:16.440 --> 00:08:18.120
That’s the vibe.
Ok?
00:08:18.120 --> 00:08:18.960
Yes.
00:08:18.960 --> 00:08:22.120
Well, not quite, but
we’ll be here for you.
00:08:22.120 --> 00:08:24.280
You should all
get naked then.
00:08:24.880 --> 00:08:27.840
Well, who knows?
00:08:29.000 --> 00:08:31.240
- Alright, shall we?
- Ok.
00:08:35.040 --> 00:08:37.720
Juan, we never got
the chewing gum…
00:08:38.840 --> 00:08:40.560
Here it is!
00:08:40.560 --> 00:08:42.760
You are the best. Thanks.
00:08:46.240 --> 00:08:48.280
- Yara, are you ready to go?
- Yes.
00:08:48.320 --> 00:08:52.400
They are kind of nervous, but I think
that will be sorted out once we begin, right?
00:08:52.560 --> 00:08:55.080
Ok, we’re ready.
00:08:55.760 --> 00:08:58.200
Well. Are we ready to go?
Yara?
00:08:58.240 --> 00:08:59.520
- Yes.
- Perfect.
00:08:59.640 --> 00:09:01.280
Shall we begin?
00:09:01.600 --> 00:09:03.920
Yes.
At your own pace.
00:09:03.920 --> 00:09:09.040
We’ll start and you’ll take
as long as you need. Ok?
00:09:09.040 --> 00:09:11.080
Alright.
00:09:11.080 --> 00:09:14.360
We have a lot of time to
do this. There’s no rush.
00:09:15.680 --> 00:09:17.720
Ok.
00:09:36.400 --> 00:09:38.000
The T-shirt…
00:09:47.480 --> 00:09:52.040
Right, you were hot and
took your shirt off.
00:10:04.680 --> 00:10:07.480
- Ready? Are you ok guys?
- Yes.
00:10:07.480 --> 00:10:10.960
Alright. Silence!
Let’s roll.
00:10:11.680 --> 00:10:13.640
- Is it ok, Yara?
- Perfect.
00:10:13.640 --> 00:10:15.960
Is this ok? ´Cause I think you
can’t see me.
00:10:15.960 --> 00:10:18.480
- What?
- Me like this.
00:10:18.480 --> 00:10:22.600
No, it’s fine. You can change
your position when he takes his shirt off.
00:10:22.600 --> 00:10:24.520
Right? But it’s ok if
you start like that.
00:10:24.520 --> 00:10:26.440
Ok.
00:10:28.120 --> 00:10:30.920
Let’s go. Silence
please! Sound.
00:10:31.240 --> 00:10:32.200
Recording.
00:10:32.200 --> 00:10:34.880
24, 1, second.
Camera.
00:10:35.280 --> 00:10:37.120
Speed.
00:10:41.160 --> 00:10:42.000
Action.
00:11:19.840 --> 00:11:21.720
Cut!
00:11:22.840 --> 00:11:25.840
Alright. It looks good.
00:11:27.360 --> 00:11:30.160
Ok, let’s try one more.
00:11:30.680 --> 00:11:34.400
I was just thinking that it might
be cool if… now you’re shirtless.
00:11:34.400 --> 00:11:35.840
Right. Yes.
00:11:35.840 --> 00:11:40.960
This position is good. And Male, you should
act like you’re soothing him.
00:11:40.960 --> 00:11:46.720
Like he’s a scared dog that you just found
and you’re soothing it. Right?
00:11:46.720 --> 00:11:54.800
You’re going to go to him. You’ll calm
him down and make him trust you.
00:11:59.120 --> 00:12:00.760
- Juan.
- Yes.
00:12:00.760 --> 00:12:06.400
Can I ask you guys to get out of bed
for a while? I have to move the light.
00:12:14.440 --> 00:12:16.800
Cover yourself if you
want to, Julian.
00:12:20.760 --> 00:12:25.080
So she proposes this game.
You’re comfortable with it.
00:12:25.880 --> 00:12:33.200
It’s your first chance in a long time
to be comfortable in a situation. Ok?
00:12:34.360 --> 00:12:38.120
Yes. Where are we
shooting the ship scene?
00:12:38.840 --> 00:12:42.600
We’re still looking into that.
But perhaps towards the end.
00:12:43.000 --> 00:12:44.280
Alright.
00:12:46.840 --> 00:12:49.640
There are some options, but it’s not
decided yet. It’s a short part anyway.
00:12:50.080 --> 00:12:54.240
And it’s only the ship’s exterior.
It would be cool if we could...
00:12:56.040 --> 00:12:59.360
...take it out instead of
having it docked.
00:13:00.160 --> 00:13:03.000
That’s what we are aiming for.
Yes, that would be incredible.
00:13:19.920 --> 00:13:21.160
Cut.
00:13:21.600 --> 00:13:22.840
- Yara.
- What?
00:13:22.840 --> 00:13:25.320
Lens change? Should we
use a tighter one?
00:13:25.320 --> 00:13:27.800
Ok, I’ll cut.
00:13:28.600 --> 00:13:30.640
Why did you cut before?
00:13:30.960 --> 00:13:33.000
Because I had to
adjust things.
00:13:33.000 --> 00:13:35.040
But I need you not to cut.
00:13:35.040 --> 00:13:37.080
But I have to cut eventually.
00:13:37.080 --> 00:13:40.560
But you can adjust… What did I say?
I don’t care if it’s sloppy, I need you not to cut.
00:13:40.560 --> 00:13:43.440
Well, now I have to change
lenses. What should I do?
00:13:43.440 --> 00:13:45.480
You can cut to change
lenses, but that’s it.
00:13:45.480 --> 00:13:47.520
If you have to adjust lights
move them without cutting.
00:13:47.840 --> 00:13:49.880
And the camera
and setting up?
00:13:49.880 --> 00:13:52.800
- Change positions and…
- I can’t be shooting all day.
00:13:52.800 --> 00:13:55.720
Well, that’s what we´re going to do.
We aren’t doing anything else.
00:13:55.720 --> 00:13:58.280
Well, we should have
prepared differently…
00:13:58.280 --> 00:14:00.400
But you knew we were
shooting sequence shots.
00:14:00.400 --> 00:14:02.520
Sequence shots is one thing,
but this is shooting nonstop.
00:14:02.520 --> 00:14:04.400
Well, that’s what I need.
00:14:04.400 --> 00:14:05.840
So I have to follow them
all the time…
00:14:05.840 --> 00:14:07.280
Well, yes.
00:14:08.000 --> 00:14:11.200
- I don’t know. Alright.
- I need you to do that. Can you?
00:14:12.320 --> 00:14:14.600
You mean like a reality show?
00:14:20.000 --> 00:14:23.640
Come Juli. We’ll begin
in a second, ok?
00:14:24.200 --> 00:14:25.960
Yes.
00:14:29.320 --> 00:14:33.680
We’re going to do the same now.
We have this situation...
00:14:33.680 --> 00:14:37.080
...situation in which
you´re beginning to trust her,
00:14:37.080 --> 00:14:40.840
she’s bringing you
to her space.
00:14:41.600 --> 00:14:44.440
I need you to change
abruptly and grab her.
00:14:44.840 --> 00:14:45.680
Yes.
00:14:45.680 --> 00:14:49.200
You grab her, you kiss her.
Become dominant.
00:14:49.480 --> 00:14:51.320
Right. But what…?
00:14:51.680 --> 00:14:55.600
Whatever you want.
However you feel more dominant.
00:14:55.600 --> 00:15:01.440
I want to see that clearly: suddenly
you´re full of confidence and become dominant. Ok?
00:15:01.440 --> 00:15:02.840
Right.
00:15:03.200 --> 00:15:04.600
That.
00:15:18.880 --> 00:15:26.680
Well, we´ll start with the same again and…
Can you take off your shorts?
00:15:28.200 --> 00:15:31.040
Yes. But the sheets
cover me anyway, right?
00:15:31.040 --> 00:15:35.400
Yes, but I’d need no shorts
and a bit less sheets.
00:15:35.400 --> 00:15:39.040
Maybe what you did before.
Move around a little more.
00:15:39.040 --> 00:15:42.680
Let’s try to start this take…
00:15:44.520 --> 00:15:48.160
5, 6, 7, 8, 9, 10.
00:16:00.560 --> 00:16:03.120
- Are you alright?
- Yes.
00:16:03.520 --> 00:16:06.080
- Sorry!
- You just surprised me.
00:16:06.880 --> 00:16:09.440
Cut. What happened?
00:16:10.400 --> 00:16:12.960
He surprised me.
I didn’t know…
00:16:13.520 --> 00:16:15.320
- That he was going that way?
- Right.
00:16:15.320 --> 00:16:17.840
- So what happened? You were surprised…
- No.
00:16:17.840 --> 00:16:20.360
- … but it’s fine.
- Yes, I didn’t stop.
00:16:20.800 --> 00:16:23.320
No, I freaked out.
00:16:24.040 --> 00:16:27.160
- Ok, no problem.
- It’s alright.
00:16:27.960 --> 00:16:30.280
Was it someting
like this or…?
00:16:30.560 --> 00:16:33.200
It’s fine. I asked him
to go that way.
00:16:33.200 --> 00:16:35.840
It seemed like spontaneity
was the way to go.
00:16:35.840 --> 00:16:38.480
What happened to you
was good too.
00:16:38.480 --> 00:16:42.440
Your position came out clumsy,
but I think that’s good.
00:16:44.000 --> 00:16:47.960
We could do it more
step by step.
00:16:48.520 --> 00:16:53.440
No, I think thats good. If you want
you can touch her, but in a clumsy way.
00:16:54.760 --> 00:16:58.680
This situation with
her touching you a...
00:16:58.680 --> 00:17:02.520
...and dominating you
looks good.
00:17:02.520 --> 00:17:06.120
She´s comfortable and
it’s ok if you’re clumsy.
00:17:06.680 --> 00:17:09.600
So, it’s ok if it’s abrupt.
00:17:11.640 --> 00:17:14.000
You can touch her clumsily
as a previous step, right?
00:17:17.880 --> 00:17:20.720
Maybe that
surprises you.
00:17:23.760 --> 00:17:26.800
If she’s startled,
don’t mind her.
00:17:27.120 --> 00:17:29.680
- Got it.
- Right.
00:17:29.680 --> 00:17:32.240
And go for it.
00:17:52.600 --> 00:17:54.360
Yes.
00:17:54.840 --> 00:17:57.120
When…? How?
00:17:58.880 --> 00:18:00.720
You’ll realize, trust me.
00:18:00.720 --> 00:18:03.880
Should we put something…
00:18:03.880 --> 00:18:08.960
- We’re not getting there yet.
- We’re not getting there yet. Sure. I had a doubt…
00:18:08.960 --> 00:18:13.120
I need it to look like there’s
availability beforehand.
00:18:13.120 --> 00:18:14.840
- Right.
- So…
00:18:14.840 --> 00:18:19.320
I’d like to have a pillow,
like we said.
00:18:19.320 --> 00:18:21.840
Right, that was
my question…
00:18:21.840 --> 00:18:26.400
Because if we’re not getting to that yet
I understand that it’s justified…
00:18:26.400 --> 00:18:28.840
- Let’s not worry about this now.
- Because we´re not…
00:18:28.840 --> 00:18:32.040
But I already felt
a brush.
00:18:33.080 --> 00:18:36.080
Did that make you
feel uncomfortable?
00:18:36.080 --> 00:18:40.240
We’ll set everything up
so that you’re comfortable with it, ok?
00:18:40.920 --> 00:18:47.480
Now, can we try the shirt
without the bra, Male?
00:18:49.640 --> 00:18:52.240
But it’s kind of
see through.
00:18:54.120 --> 00:18:57.600
Well, we can see the bra
because of the contrast.
00:18:57.600 --> 00:18:59.960
You have a
white shirt…
00:18:59.960 --> 00:19:01.600
I want you to feel
comfortable but…
00:19:01.600 --> 00:19:04.760
- No, I know.
- …but the bra, honestly… is it black?
00:19:04.760 --> 00:19:07.200
- Yes.
- I think that’s why we can see it.
00:19:07.200 --> 00:19:10.560
... Can you see the bra?
- Yes, but it’s kind of…
00:19:10.560 --> 00:19:14.000
How does it look on camera, Yara?
Can you see her bra now?
00:19:16.160 --> 00:19:17.440
Yes, I can.
00:19:17.720 --> 00:19:20.280
Right. The bra is black.
It’s the contrast.
00:19:20.280 --> 00:19:22.120
Do you want to try?
00:19:22.520 --> 00:19:24.360
- Ok, I’ll see if it shows.
- See if it does.
00:19:24.760 --> 00:19:26.600
If you can’t see anything,
that’s fine.
00:19:26.600 --> 00:19:28.440
We won’t do it if you’re
uncomfortable,
00:19:28.440 --> 00:19:31.160
...but it seems like the bra
is showing and that´s kind of weird.
00:19:31.680 --> 00:19:33.520
Ok, let me check.
00:19:33.760 --> 00:19:35.600
Do that.
00:19:36.440 --> 00:19:40.560
I’d like you to be comfortable
with the shirt but without the bra.
00:19:40.760 --> 00:19:43.000
It’s sort of an
arbitrary decision...
00:19:43.000 --> 00:19:45.960
...to be wearing panties
and a shirt that looks...
00:19:45.960 --> 00:19:48.480
...really good on you
and the bra seems like…
00:19:48.480 --> 00:19:50.000
No. It´s fine. Yes.
00:20:04.280 --> 00:20:06.800
- Are you ok?
- Yes.
00:20:07.320 --> 00:20:10.640
Are you concerned about
the pillow or is it more about her?
00:20:10.840 --> 00:20:14.160
- No…
- Ok.
00:20:14.680 --> 00:20:18.640
I feel like it shows but
I don’t know if it’s see through.
00:20:18.960 --> 00:20:25.040
For example, I can’t see
the skin in your shoulder. I see the shirt.
00:20:25.320 --> 00:20:27.600
- Good.
- I don’t know.
00:20:28.880 --> 00:20:31.160
You’re sure you
can´t see anything?
00:20:33.760 --> 00:20:35.640
I beg your pardon?
00:20:35.640 --> 00:20:38.000
If she takes her bra off I think
we’ll only see the white shirt.
00:20:39.000 --> 00:20:41.200
- Yes.
- Ok.
00:20:41.200 --> 00:20:44.680
Because I can’t see the color
of your skin now. It’s impossible.
00:20:45.280 --> 00:20:47.320
Alright.
00:20:52.280 --> 00:20:55.280
Perfect. I can’t see
anything. Can you, Yara?
00:20:55.720 --> 00:20:57.680
No, it's fine.
The lighting is low.
00:20:58.120 --> 00:21:01.120
Great. Thanks.
Should we try that?
00:21:01.240 --> 00:21:03.640
24, 2, fifth.
Camera.
00:21:03.960 --> 00:21:06.040
Mark.
00:21:07.480 --> 00:21:11.200
Let’s try and show
more tongue when you kiss.
00:21:11.200 --> 00:21:15.600
Let that appear or at least
don’t worry about hiding it.
00:21:16.040 --> 00:21:19.440
We’re using
a tele lens.
00:21:19.440 --> 00:21:22.840
Everything shows and
it looks kind of fake. Ok?
00:21:31.960 --> 00:21:32.960
Action.
00:21:33.320 --> 00:21:37.680
I think you can start here
in the middle. Maybe go that way.
00:21:38.720 --> 00:21:41.720
- We’re going to order lunch.
- Ok.
00:21:41.720 --> 00:21:46.320
The options are: chard, mix,
pumpkin or cheese and onion pie...
00:21:46.320 --> 00:21:51.320
...or breaded veal sandwich
or empanadas or salad.
00:21:51.800 --> 00:21:54.520
Can I get breaded veal
without the bun?
00:21:54.960 --> 00:21:59.720
I’m sure you can. I’ll ask.
Veal with what? Salad?
00:22:00.160 --> 00:22:02.200
Yes, salad.
00:22:02.200 --> 00:22:03.960
Alright.
00:22:03.960 --> 00:22:06.280
A Cesar salad for me,
or something like that.
00:22:06.400 --> 00:22:08.720
There’s Cesar salad,
or you can make your own.
00:22:08.960 --> 00:22:11.480
- That one.
- Cesar? Alright.
00:22:12.240 --> 00:22:14.560
Thanks.
00:22:15.480 --> 00:22:17.000
Well, alright.
00:22:20.000 --> 00:22:22.840
That’s it. Ok?
Without shorts, Malena.
00:22:23.080 --> 00:22:25.920
Yes, sorry.
00:22:26.920 --> 00:22:29.760
- Let’s start like…
- On our knees.
00:22:29.760 --> 00:22:32.600
Yes, on your knees.
Less sheets now.
00:22:32.600 --> 00:22:36.520
I don’t care if they appear later,
but let’s start without the sheets...
00:22:36.520 --> 00:22:40.440
...and maybe they’ll appear
and generate movement.
00:22:41.360 --> 00:22:45.280
Let’s go through the positions
with kind of a struggle.
00:22:45.280 --> 00:22:49.200
Wanting to be on top
or bottom. Right?
00:22:49.200 --> 00:22:50.120
Yes.
00:22:50.560 --> 00:22:54.480
Now the situation is less romantic
and more intense. Ok?
00:22:54.480 --> 00:22:58.400
We´re escalating to a
more sexual situation. Right?
00:23:18.720 --> 00:23:21.600
Right? We´re in
the next moment.
00:23:24.920 --> 00:23:28.360
So, don’t worry so much
about what comes across…
00:23:28.360 --> 00:23:30.800
what looks sexual,
it´s more…
00:23:31.480 --> 00:23:35.160
No, I think we have to try to cover
ourselves as much as we can...
00:23:35.160 --> 00:23:37.480
...otherwise it’s going
to look fake.
00:23:37.720 --> 00:23:40.720
Yes, we’re in a close up.
So I think it has to do...
00:23:40.720 --> 00:23:43.120
...with the way you
grab each other, right?
00:23:43.120 --> 00:23:45.880
I think you can be
more dominant, less shy.
00:23:46.760 --> 00:23:48.600
- More?
- Yes, more.
00:23:48.600 --> 00:23:50.440
And you can try
to control that.
00:23:50.440 --> 00:23:52.680
I think that if you
grab her like this,
00:23:52.680 --> 00:23:56.000
if you grab her with strength
that comes across more sexual. Right?
00:23:57.560 --> 00:23:59.880
The same for you,
move him.
00:23:59.880 --> 00:24:02.200
This kind of contact
is fine.
00:24:02.200 --> 00:24:04.520
That will move you
through the bed.
00:24:04.880 --> 00:24:10.040
If we can see tongues, if you go
at each other, this take will work.
00:24:10.040 --> 00:24:13.800
I don’t want to show you
how so as not to harden you. Try it your way.
00:24:13.800 --> 00:24:14.800
Yes.
00:24:14.800 --> 00:24:17.040
It’s ok if you try to take off
her shirt, if you try to lift…
00:24:17.040 --> 00:24:19.760
Sorry. If you try to lift her shirt
and you don’t want that.
00:24:19.760 --> 00:24:22.480
That’s fine,
play with that.
00:24:23.000 --> 00:24:26.320
Move his hands away,
but you’re not rejecting him.
00:24:26.720 --> 00:24:28.640
You move his hands
away to kiss him.
00:24:28.640 --> 00:24:31.120
- I need that. Ok?
- Ok.
00:24:48.600 --> 00:24:51.080
Sorry.
What are you doing?
00:24:52.120 --> 00:24:53.440
- Sorry, I was…
- Cut.
00:24:53.440 --> 00:24:54.000
- He hit me.
- What happened?
00:24:55.000 --> 00:24:57.440
- Didn’t you see it?
- I didn’t see it.
00:24:58.960 --> 00:25:04.440
I’m sorry. I was trying the movement
thing. I didn´t mean to hit you. No hitting.
00:25:05.000 --> 00:25:07.640
No hitting.
He pushed me.
00:25:09.200 --> 00:25:11.840
Maybe it… Ok, I sort of
asked for that.
00:25:11.840 --> 00:25:14.480
- Alright.
- I thought you understood.
00:25:14.480 --> 00:25:18.320
- No, it’s fine.
- I think I handled the sheets well…
00:25:22.200 --> 00:25:25.600
It’s alright, no problem. It’s something
I asked for. I take responsibility. Ok?
00:25:25.600 --> 00:25:27.600
- Ok.
- Did it surprise you?
00:25:27.600 --> 00:25:34.360
It was kind of weird, but I felt
the take was working and I tried it.
00:25:34.600 --> 00:25:36.840
- It’s fine.
- I was weird.
00:25:36.840 --> 00:25:38.520
No problem.
00:25:38.520 --> 00:25:40.960
Maybe it was a misunderstanding
with what I asked for.
00:25:40.960 --> 00:25:43.400
Do you want to step out
for a moment, Malena?
00:25:43.400 --> 00:25:45.840
- Yes.
- Go.
00:25:54.000 --> 00:25:57.120
Azul, do we have
some water for Malena?
00:25:57.120 --> 00:25:59.200
There she goes.
00:26:00.320 --> 00:26:02.160
Thanks.
00:26:02.640 --> 00:26:04.480
- Easy.
- No, but I saw…
00:26:04.480 --> 00:26:06.880
Yes, I hurt her.
00:26:06.880 --> 00:26:09.280
She’s skinny,
like a twig.
00:26:10.040 --> 00:26:13.320
I wanted to try
the movement.
00:26:13.320 --> 00:26:15.400
I pushed her and
almost broke her.
00:26:15.920 --> 00:26:21.240
Ok, easy. I do need
some of that. It’s alright.
00:26:21.760 --> 00:26:24.200
She’ll forget about it
in a moment.
00:26:24.200 --> 00:26:26.640
In 15 minutes
it will have blown over.
00:26:27.600 --> 00:26:30.040
- Are you ok?
- Yes.
00:26:30.040 --> 00:26:32.160
- You kind of like her, right?
- Uh?
00:26:32.160 --> 00:26:34.160
Do you have a crush on her?
00:26:36.160 --> 00:26:38.600
I don’t know. Why?
00:26:39.520 --> 00:26:42.840
It’s fine if you do.
I think it’s fine.
00:26:43.440 --> 00:26:48.000
I would if I were you.
You can go for it.
00:26:50.040 --> 00:26:51.000
No.
00:26:51.200 --> 00:26:56.800
I feel like she’s a bit nervous
and you’re sort of stuck because of it.
00:26:56.800 --> 00:27:00.080
I have that feeling.
Am I right?
00:27:00.080 --> 00:27:02.120
- I don’t know.
- It doesn’t matter.
00:27:02.720 --> 00:27:08.240
It’s not a problem.
What we’re doing is delicate.
00:27:10.200 --> 00:27:14.160
Don’t worry. What you did
was fine. I asked for it.
00:27:15.440 --> 00:27:17.680
Don’t beat yourself up, ok?
00:27:17.680 --> 00:27:19.920
Alright.
00:27:20.160 --> 00:27:22.400
I need that.
00:27:22.400 --> 00:27:25.960
If she… well, she was startled now.
It will wear off.
00:27:27.520 --> 00:27:28.000
Ok?
00:27:32.400 --> 00:27:35.520
Can you move that tripod?
00:27:38.760 --> 00:27:41.760
Maybe we could…
shorten the distance,
00:27:41.760 --> 00:27:44.440
...to prevent that.
Right?
00:27:44.440 --> 00:27:48.040
If you’re far apart,
movements can be abrupt.
00:27:48.960 --> 00:27:52.560
So I think it’s fine for Julian
to dominate, but…
00:27:53.240 --> 00:27:54.760
maybe the upper…
Sorry.
00:27:54.760 --> 00:27:56.960
If you push her in her
upper body, she´s more fragile,
00:27:56.960 --> 00:27:59.840
...so maybe grab her legs.
Right?
00:28:00.480 --> 00:28:07.320
Maybe she’s lying down and you can
sit up and manage heights.
00:28:07.840 --> 00:28:12.600
So it’s like… maybe
you can rotate her.
00:28:12.600 --> 00:28:16.480
But if you grab… sorry,
if you grab her by her waist.
00:28:16.480 --> 00:28:17.640
Yes.
00:28:17.640 --> 00:28:21.120
Fine. Perfect. Ok?
That’s it. Right?
00:28:21.120 --> 00:28:22.280
Yes.
00:28:39.880 --> 00:28:41.920
Cut!
00:28:45.760 --> 00:28:52.240
Let’s forget the pillow.
It’s clearly not working.
00:28:52.600 --> 00:28:58.400
Yes. And it’s everything…
00:28:58.480 --> 00:29:04.600
He’s a disaster. I can’t understand
a thing he’s saying to me.
00:29:05.040 --> 00:29:08.440
- Let’s do it our way.
- Yes.
00:29:08.840 --> 00:29:11.360
- With feeling.
- Yes. Relaxed.
00:29:11.440 --> 00:29:15.280
- Yes, without rushing it.
- Ok.
00:29:15.440 --> 00:29:17.960
So we can
get it right once and for all.
00:29:18.320 --> 00:29:22.600
Yes, besides he’s getting
hung up over some shit...
00:29:22.600 --> 00:29:28.000
that doesn’t work and
that makes everything longer.
00:29:30.280 --> 00:29:33.600
Let’s do a normal one,
a good one.
00:29:33.880 --> 00:29:36.520
If you can still
manage the sheets…
00:29:37.320 --> 00:29:39.560
Yes. It will be easier...
00:29:39.560 --> 00:29:44.040
...if I don’t have to spin you
around like you were…
00:29:45.520 --> 00:29:47.640
... a "boleadora".
00:29:48.080 --> 00:29:51.400
Yes. Let’s forget
about the pillow.
00:29:53.720 --> 00:29:57.040
Yes. Let's tidy up
the sheets.
00:30:00.480 --> 00:30:02.360
Ok. How
are we doing?
00:30:02.360 --> 00:30:04.120
- Fine.
- Fine.
00:30:04.240 --> 00:30:08.160
That’s it. Let me see
these movements clearly.
00:30:08.160 --> 00:30:09.080
Yes.
00:30:09.080 --> 00:30:11.440
Sitting up, go to horizontal,
sit up again and that…
00:30:11.440 --> 00:30:13.800
Up to that. Ok?
00:30:13.800 --> 00:30:16.800
We’ll put it toghether
like that. Alright?
00:30:16.800 --> 00:30:20.480
- Yes.
- Perfect.
00:30:20.480 --> 00:30:21.000
- Got it?
- Let’s go.
00:30:22.000 --> 00:30:24.920
Cool. Fine, we´re fine.
00:30:25.880 --> 00:30:28.800
It has to work
in the editing.
00:30:28.800 --> 00:30:31.200
What we did
was perfect.
00:30:31.200 --> 00:30:33.600
Let’s have
those details, ok?
00:30:35.000 --> 00:30:37.400
Lift it up a bit
00:30:39.600 --> 00:30:41.240
Let’s go.
00:30:41.240 --> 00:30:44.480
Silence please, we’re shooting!
Sound.
00:30:44.480 --> 00:30:46.120
Recording.
00:30:46.120 --> 00:30:49.320
- 25, 3, fourth. Camera.
- Mark.
00:30:51.080 --> 00:30:54.560
You guys start and I’ll say
action to the camera.
00:31:02.680 --> 00:31:04.800
Action.
00:31:23.240 --> 00:31:24.960
Did you like it?
00:31:25.160 --> 00:31:28.040
Weird, right? There’s something
weird about them that…
00:31:28.160 --> 00:31:31.400
I think that too,
but I don’t know what to…
00:31:32.440 --> 00:31:33.440
Let’s do another one.
00:31:33.480 --> 00:31:36.840
I can’t hear what they’re saying but…
does it look kind of stiff?
00:31:36.960 --> 00:31:38.520
Yes, right. Yes.
00:31:45.720 --> 00:31:48.040
- Are you ok?
- Yes.
00:31:48.760 --> 00:31:52.040
- I felt this one was better.
- Yes, it was more natural.
00:31:52.040 --> 00:31:54.840
The grabbing thing wasn’t there,
but it was more…
00:31:55.480 --> 00:31:58.280
...specially if we’re
talking foreplay.
00:31:58.280 --> 00:32:02.120
Later, if we go for
the moment when we…
00:32:25.200 --> 00:32:29.040
- Ok, cut.
- We don’t know what else to do.
00:32:32.240 --> 00:32:34.440
Cut.
00:32:35.720 --> 00:32:37.040
Done.
00:32:37.040 --> 00:32:39.880
Very good.
00:32:40.560 --> 00:32:43.680
We’ll take a break
for lunch now.
00:32:44.480 --> 00:32:47.600
Very good.
Thanks.
00:32:58.000 --> 00:33:01.240
- Well. Are you tired?
- A bit, yes.
00:33:01.240 --> 00:33:03.280
Alright.
00:33:05.320 --> 00:33:07.640
We’ll go again
but what I need…
00:33:08.480 --> 00:33:13.240
I need you to advance more
into sexual grounds.
00:33:13.240 --> 00:33:15.680
I need you
to fuck.
00:33:17.840 --> 00:33:20.280
How do we
do that?
00:33:23.040 --> 00:33:26.440
I don’t know. It’s like advancing
over what we accomplished,
00:33:26.440 --> 00:33:30.640
...but I need to see
you fuck now.
00:33:33.440 --> 00:33:37.560
We can try in any position,
I don’t mind.
00:33:37.560 --> 00:33:40.440
We need to advance,
but I need you to fuck...
00:33:40.440 --> 00:33:43.640
...because that’s what we
need to do. This is it.
00:33:43.640 --> 00:33:46.840
Alright. I wanted to
know how, in what way…
00:33:47.320 --> 00:33:50.520
Right. How.
00:33:50.880 --> 00:33:53.600
You mean in
which position?
00:33:53.600 --> 00:33:56.320
- Yes.
- What are you unsure of?
00:34:09.480 --> 00:34:11.800
Sure, we do this…
00:34:12.040 --> 00:34:15.160
Look for a starting
position if you like.
00:34:15.160 --> 00:34:17.920
So that you’re
not far apart.
00:34:17.920 --> 00:34:21.000
Let’s pretend the scene
started before.
00:34:21.880 --> 00:34:25.360
Maybe if you’re
on top.
00:34:27.280 --> 00:34:28.360
- Alright?
- Yes.
00:34:28.360 --> 00:34:30.520
- It seems… I don’t know.
- I don’t know.
00:34:30.520 --> 00:34:32.680
That´s fine by me.
00:34:32.680 --> 00:34:34.840
- I do this.
- Yes.
00:34:40.240 --> 00:34:46.480
Maybe you can be closer and you
don’t need to cover up because he does.
00:34:46.480 --> 00:34:48.040
Ok.
00:34:49.680 --> 00:34:52.520
- Alright? Does it look ok, Yara?
- Yes.
00:34:53.280 --> 00:34:55.160
Are we alright?
00:34:57.440 --> 00:35:00.120
Perfect.
Close up.
00:35:00.600 --> 00:35:03.280
Don’t worry,
we can’t see that.
00:35:03.560 --> 00:35:05.280
Alright.
00:35:07.720 --> 00:35:09.560
Do I… move.
00:35:09.560 --> 00:35:11.920
- Do we move like this?
- Yes.
00:35:54.000 --> 00:35:59.920
Cut. Good. Alright.
Was that too weird?
00:36:01.040 --> 00:36:09.520
No. Maybe a bit long.
Feels like that. A bit long.
00:36:10.160 --> 00:36:11.680
I doesn’t matter,
it feels long now...
00:36:11.680 --> 00:36:13.200
...but we’ll cut it
later, ok?
00:36:13.200 --> 00:36:15.080
I need to have it,
we’ll cut it later.
00:36:15.080 --> 00:36:17.280
Right, our clothes
are going to show.
00:36:17.280 --> 00:36:19.480
Well, that’s a problem.
00:36:21.040 --> 00:36:23.800
That’s why
we could try…
00:36:23.800 --> 00:36:25.760
I’d prefer if you didn’t
have any clothes on...
00:36:25.760 --> 00:36:27.240
...but I’m allowing it
because of you.
00:36:27.240 --> 00:36:28.880
Sure, yes.
That´s why.
00:36:28.880 --> 00:36:30.720
No, that´s what
we had agreed on.
00:36:30.720 --> 00:36:32.360
That´s why I’m respecting it.
00:36:32.360 --> 00:36:34.880
- 25, 1, third.
- Mark.
00:36:39.600 --> 00:36:41.240
Action.
00:36:56.240 --> 00:36:58.760
Is the arm thing
necessary?
00:36:58.760 --> 00:37:01.880
No. I’m just saying that because
he was stretching his arm.
00:37:01.880 --> 00:37:05.640
It’s not necessary. I just need
more violence in the movement.
00:37:06.080 --> 00:37:07.960
Ok?
00:37:11.080 --> 00:37:12.960
That’s it.
00:37:14.440 --> 00:37:17.160
Ready?
Go. Action.
00:37:18.960 --> 00:37:22.040
- Sorry.
- It’s ok.
00:37:29.480 --> 00:37:35.480
No, sorry. I can’t. It feels
like porn… You understand…
00:37:36.960 --> 00:37:41.680
It doesn´t feel like porn, Julián.
We can only see your back.
00:37:41.960 --> 00:37:43.000
Yes.
00:37:43.240 --> 00:37:45.320
I just need you to
grab her like this.
00:37:45.320 --> 00:37:47.400
Ok, ok, ok.
00:37:47.840 --> 00:37:50.880
I thought it was more romantic.
They have a love story.
00:37:50.880 --> 00:37:53.920
Yes, and that’s fine,
but we already have that.
00:37:53.920 --> 00:37:56.480
At some point the
characters come too.
00:37:56.480 --> 00:37:59.040
I need you to be at
a climax. Ok?
00:37:59.640 --> 00:38:02.200
That’s it. Let’s cut
for a bit.
00:38:03.040 --> 00:38:06.600
See? I have to…
Sorry guys, but I mean…
00:38:07.080 --> 00:38:09.080
Don’t worry,
we’re working.
00:38:09.080 --> 00:38:12.880
I have to… see… I have to
pump and I don’t know…
00:38:13.840 --> 00:38:16.600
Neither of us knew
this would happen.
00:38:20.280 --> 00:38:23.040
Well. If you like you
can start with a kiss.
00:38:27.360 --> 00:38:30.120
- Ready, Sole?
- Yes.
00:38:32.320 --> 00:38:36.800
Ready? Is that pillow thing
comfortable? Perfect.
00:38:39.720 --> 00:38:41.520
- Can you see it?
- Yes.
00:38:41.520 --> 00:38:43.680
- Sound.
- Recording.
00:38:43.680 --> 00:38:46.480
- 25,1, fourth. Camera.
- Mark.
00:38:49.960 --> 00:38:52.120
Action.
00:39:23.560 --> 00:39:24.760
Cut, cut, cut.
00:39:24.960 --> 00:39:26.760
- Please!
- Cut.
00:39:29.080 --> 00:39:34.120
- Are we done?
- Yes. I just need to try something.
00:39:34.360 --> 00:39:36.760
- One more take.
- One take.
00:39:36.960 --> 00:39:39.440
I’m fucking
sick of this.
00:39:40.800 --> 00:39:43.280
I’ve never shot
someting like this, really.
00:39:43.280 --> 00:39:47.840
The only information I had was that
it was supposed to be fast and simple.
00:39:47.840 --> 00:39:54.640
It’s like a fight scene. You can’t be…
I mean a fight… you do it and that’s it.
00:39:54.640 --> 00:39:56.600
And the same here.
00:39:57.000 --> 00:40:00.160
I want to get the hell
out of here right now.
00:40:04.760 --> 00:40:10.360
You do it, you give it
your best, and that’s it.
00:40:16.920 --> 00:40:23.360
Let’s do another one. Let’s try…
nothing. Like the one before.
00:40:26.400 --> 00:40:31.400
I don’t really know what to tell you.
Let’s do another one. Try whatever you like.
00:40:31.880 --> 00:40:33.520
Just because.
00:40:33.960 --> 00:40:36.280
Yes, let’s keep looking.
00:40:36.280 --> 00:40:38.000
You can try whatever
makes you comfortable.
00:40:39.000 --> 00:40:41.720
I don’t know.
I don´t want to stiffen you.
00:40:42.400 --> 00:40:46.640
You try it and we´ll see.
00:40:48.240 --> 00:40:52.480
If I was acting
I would really go for it.
00:40:53.240 --> 00:40:57.080
I’m trying to help you
look better.
00:42:05.800 --> 00:42:08.960
- Are we done or…?
- Cut.
00:42:11.360 --> 00:42:14.520
Good guys, really good.
Great.
00:42:16.480 --> 00:42:18.160
Finally.
00:42:18.160 --> 00:42:20.200
Very good.
Is it ok, Yara?
00:42:20.200 --> 00:42:22.240
Yes.
00:42:25.000 --> 00:42:27.600
Ok. Very good.
That’s it.
00:42:28.040 --> 00:42:29.600
Good.
00:42:30.320 --> 00:42:32.160
Are my pants around?
00:42:33.800 --> 00:42:35.000
Here they are.
00:42:35.000 --> 00:42:37.240
Is it ok then?
Are we done?
00:42:40.400 --> 00:42:43.560
Ok. Thanks, yes.
00:42:49.160 --> 00:42:51.960
Ok guys.
00:42:51.960 --> 00:42:54.280
Good, we’re good.
00:42:54.280 --> 00:42:57.040
We have time for one more
and we’re done.
00:42:57.040 --> 00:42:59.880
The last one was very good.
Did it feel good to you?
00:42:59.880 --> 00:43:03.400
- Good.
- Perfect. It felt good to me too.
00:43:03.400 --> 00:43:05.000
I think it’s really good.
00:43:06.000 --> 00:43:09.080
The atmosphere
you reached is good.
00:43:09.600 --> 00:43:12.720
I need the same,
let’s try to reach...
00:43:12.720 --> 00:43:15.960
...something similar,
but with that intensity.
00:43:17.880 --> 00:43:20.200
I need to see
less clothes.
00:43:21.200 --> 00:43:22.920
That’s it.
00:43:22.920 --> 00:43:26.560
We have the sheets,
that’s ok, that’s bearable.
00:43:26.920 --> 00:43:29.320
But we need
less clothes.
00:43:29.320 --> 00:43:31.720
We need you to take off
your t-shirt, Malena.
00:43:31.720 --> 00:43:34.040
What?
Show my boobs?
00:43:34.040 --> 00:43:35.880
The shot is mostly
from behind.
00:43:35.880 --> 00:43:38.200
No, we talked about this
and it’s not going to happen.
00:43:38.200 --> 00:43:40.520
I know we talked about this,
but what I’m asking is…
00:43:40.520 --> 00:43:43.800
The scene is good, it’s really
good, you’re very good.
00:43:43.800 --> 00:43:45.840
We worked hard
to get here.
00:43:45.840 --> 00:43:48.720
- Right, it’s perfect.
- But we can achieve excellence.
00:43:48.720 --> 00:43:51.240
And have a very good
scene, a very good...
00:43:51.240 --> 00:43:53.240
...performance and you
looking very good as well.
00:43:53.240 --> 00:43:54.960
You look really beautiful
on camera.
00:43:54.960 --> 00:43:58.240
What has excellence has to do with
me taking my shirt off? It’s nonsense.
00:43:58.240 --> 00:44:00.800
The scene is better, it looks better.
It looks as if you’re fully clothed.
00:44:00.800 --> 00:44:03.320
- Ok, no.
- You’re covered by sheets...
00:44:03.320 --> 00:44:05.960
...we can´t see your legs, we can't
see your naked torso.
00:44:05.960 --> 00:44:09.000
It looks like you are fucking
with your clothes on.
00:44:09.440 --> 00:44:12.600
People do fuck with
their cothes on sometimes.
00:44:13.280 --> 00:44:16.360
Well, it’s more interesting when they
don’t fuck with their clothes on...
00:44:16.360 --> 00:44:18.360
...especially when it’s in a
movie...
00:44:18.360 --> 00:44:22.560
But this is not the case. Juan,
I told you: “Pick bra or t-shirt”.
00:44:22.560 --> 00:44:25.800
- You picked t-shirt.
- We had a costume fitting…
00:44:25.800 --> 00:44:28.080
- I know.
- You can ask the assistant...
00:44:28.080 --> 00:44:30.360
...the dresser.
They were all there.
00:44:30.360 --> 00:44:33.160
We said I wasn’t going
to show my boobs.
00:44:33.160 --> 00:44:35.680
I know what we said.
00:44:35.680 --> 00:44:38.840
- Respect what we agreed.
- Let’s do it like we agreed.
00:44:38.840 --> 00:44:40.480
I’m not disrespecting
our agreement...
00:44:40.480 --> 00:44:42.680
I’m just proposing
something for the scene.
00:44:42.680 --> 00:44:44.320
I think the work that
you’ve done is really good...
00:44:44.320 --> 00:44:46.320
...we got to this place, the scene
was really good just now…
00:44:46.320 --> 00:44:48.320
So, you’re proposing this
and I’m saying no.
00:44:48.320 --> 00:44:49.680
Think of something else.
00:44:49.680 --> 00:44:51.040
Don’t get hung up
on that Malena.
00:44:51.040 --> 00:44:52.360
It’s better for the scene
and for your performance.
00:44:52.360 --> 00:44:53.960
No. You’re getting hung up
on shooting my boobs!
00:44:53.960 --> 00:44:55.560
I’m not getting hung up.
00:44:55.560 --> 00:44:57.640
I don’t want to shoot your boobs.
Nobody will see your boobs.
00:44:57.640 --> 00:44:59.280
Everybody is going
to see my boobs!
00:44:59.280 --> 00:45:02.920
The crew won’t see your boobs.
Nobody wants to see your boobs.
00:45:02.920 --> 00:45:05.560
You get naked then and
let people see your dick.
00:45:05.560 --> 00:45:07.920
- You want me to get naked?
- No
00:45:07.920 --> 00:45:09.600
Well. What you’re
suggesting is stupid.
00:45:09.600 --> 00:45:12.840
Nobody wants to see your boobs.
How much are your boobs worth, Malena?
00:45:12.840 --> 00:45:16.080
You’re an asshole.
A giant asshole.
00:45:16.080 --> 00:45:17.160
Malena.
00:45:17.160 --> 00:45:19.200
Don’t follow me, leave.
00:45:19.200 --> 00:45:21.240
Malena, we have half
an hour to finish this.
00:45:21.240 --> 00:45:23.760
- I’m not asking for something difficult.
- What the fuck to I care.
00:45:23.760 --> 00:45:25.800
What I’m asking for is not that hard.
I’m telling you I’m going...
00:45:25.800 --> 00:45:28.400
...to look after you, we’ll only
see your back most of the time.
00:45:28.400 --> 00:45:30.000
Is it so hard for you to understand
that I’m not showing my boobs?
00:45:31.000 --> 00:45:34.520
I’m not asking you to show your boobs,
only your naked back. That’s all.
00:45:34.520 --> 00:45:36.760
But I have to be naked, asshole!
00:45:36.760 --> 00:45:39.880
What’s the problem? Nobody is
looking at your boobs. Don’t be a kid.
00:45:39.880 --> 00:45:42.400
- Everybody is looking at my boobs.
- It’s better for your performace…
00:45:42.400 --> 00:45:45.040
- Are you filming me? Are you crazy?
- She’s not filming you.
00:45:45.040 --> 00:45:47.440
She’s filming me,
the camera is moving.
00:45:47.440 --> 00:45:49.960
She’s not filming you.
00:45:49.960 --> 00:45:52.840
- She´s moving the focus.
- Did you tell her to shoot this?
00:45:52.840 --> 00:45:55.400
Yes, I told her to keep the
camera running sometimes.
00:45:55.400 --> 00:45:57.120
You’re insane.
00:45:57.120 --> 00:45:59.280
That footage is no good,
we’ll erase it.
00:45:59.280 --> 00:46:01.000
I don’t care! You can’t film
me without my consent.
00:46:02.000 --> 00:46:03.920
You have to warn us, Juan.
00:46:03.920 --> 00:46:05.840
I’m the director of this film
and you’re the actors.
00:46:05.840 --> 00:46:08.080
You don´t get to tell me
what I can do.
00:46:08.080 --> 00:46:12.440
The work is fine, all I’m asking
is that you take your shirt off.
00:46:12.440 --> 00:46:15.120
- Director? You can’t ask me…
- Be a professional, Malena.
00:46:15.120 --> 00:46:18.040
- Who do you think you are?
- Perform! The only thing I ask...
00:46:18.040 --> 00:46:20.960
...is that you act a sex scene.
A fucking sex scene.
00:46:20.960 --> 00:46:23.040
I need your naked
back, Malena.
00:46:23.040 --> 00:46:25.360
We’ve been pretending to
fuck for 6 hours, give it a rest.
00:46:25.360 --> 00:46:29.040
That’s your job, you’re an actress
and you have to do that job.
00:46:29.040 --> 00:46:31.040
- I am doing my job.
- I chose to work as a director...
00:46:31.040 --> 00:46:33.040
...and I do this job.
Do yours.
00:46:33.040 --> 00:46:34.640
My job is not
showing my boobs.
00:46:34.640 --> 00:46:36.400
Why don’t you make use of it
and learn how to fuck, little girl?
00:46:36.400 --> 00:46:37.760
Ok. You’re an asshole.
00:46:37.760 --> 00:46:39.440
You went too far, jerk.
00:46:40.400 --> 00:46:42.080
Ok.
00:46:43.920 --> 00:46:45.600
Let´s take a short break.
00:46:45.600 --> 00:46:47.880
- No, we’re not going to “take a short break”.
- I’m talking to the crew.
00:46:47.880 --> 00:46:50.160
I’m not working here
anymore, it’s over.
00:46:50.160 --> 00:46:52.920
Guys, can you give me a minute?
Shall we go out?
00:46:54.560 --> 00:46:56.920
Shall we go out?
00:47:01.040 --> 00:47:03.400
I ask that you think of what
you’re doing, it’s shameful.
00:47:03.400 --> 00:47:05.760
You should be ashamed
of being in this stance.
00:47:05.760 --> 00:47:07.280
No.
Distributor: Pragda Films
Length: 55 minutes
Date: 2019
Genre: Narrative
Language: Spanish
Grade: High School, College, Adults
Color/BW:
Closed Captioning: Available
The is title is available for licensing on the Pragda STREAM site.
Existing customers, please log in to view this film.
New to Docuseek? Register to request a quote.
Related Films
A film critic and President of the Spanish Association of Film Critics,…
A couple withdraw a hundred thousand dollars in cash from their bank to…