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Rain in a Dry Land

In 2004, thirteen thousand Somali Bantu refugees realized their dream of coming to America. They are now living in fifty cities across the country, becoming the largest African group from a single minority to settle in the United States at one time.

RAIN IN A DRY LAND chronicles two years in the lives of two extended Somali Bantu families as they leave behind a two-hundred year legacy of oppression in Africa to face new challenges in a strange new land. The film begins in January, 2004, at the Kakuma refugee camp in Kenya, where our featured families are stunned by what they learn about America in their 'Cultural Orientation' class: refrigerators, stoves, bathtubs, elevators, stairs, buildings taller than one storey, schools, and all the things we take for granted in modern life. As their awe and excitement grow, the audience fears for them. How will these illiterate Muslim farmers who speak no English manage to survive in America?

These opening scenes in Kakuma introduce our featured families, both dynamic, charismatic, and very different in nature. Arbai is quick, strong, affectionate, a single mother of four with a great sense of humor and an easy contagious laugh, despite her devastating past.

Madina is fierce, vulnerable, wounded, strong; her husband Aden is volatile, moody, soulful, determined to provide for his huge family but uncertain and a bit naive about the life that lies ahead. Their witty, resourceful teenage sons, Ali (17) and Warsame (15), figure prominently in the film, as do Arbai's beautiful teenage daughters, Sahara (13) and Khadija (16).

The documentary follows these two families to America and through their first two years in their new homes. Aden and Madina, sponsored by Jewish Family Service, settle in the grim mill-town of Springfield, Massachusetts; while Arbai's family settles in Atlanta.

Despite racism, poverty, failures of the school system, and severe culture shock, both families do find ways to survive in America, and to create a safe haven for their war-torn families. The film ends with two vivid celebrations: the naming ceremony of Aden and Madina's first American-born child; and the traditional wedding of Arbai's oldest daughter, a colorful reunion of hundreds of Somali Bantu families converging on Atlanta from all over America.

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