00:00:40.000 --> 00:00:41.560
"Beautiful Princess".

00:00:50.360 --> 00:00:51.360
As a family,

00:00:51.440 --> 00:00:55.480
what we like doing
is pretty conventional

00:00:55.560 --> 00:00:56.840
Walking,

00:00:57.960 --> 00:01:00.240
discovering that there are things

00:01:00.960 --> 00:01:03.240
that are different to
what we have back home.

00:01:04.520 --> 00:01:08.000
We have 190 kilometres of canal,

00:01:09.080 --> 00:01:11.600
some parts you can pass through.

00:01:25.360 --> 00:01:27.800
I guess he's got a problem.

00:01:27.920 --> 00:01:28.920
Why?

00:01:29.000 --> 00:01:30.720
He has lost his...

00:01:32.040 --> 00:01:33.320
What do we do now?

00:01:34.160 --> 00:01:35.520
We're all going to die!

00:01:39.480 --> 00:01:41.360
There's no backup.

00:01:42.840 --> 00:01:44.560
Oh!

00:01:45.880 --> 00:01:47.640
Thank you.
-Thank you!

00:01:50.000 --> 00:01:52.200
We should have sung Titanic.

00:01:58.400 --> 00:01:59.880
I'm a musician,

00:01:59.960 --> 00:02:02.280
but I'm an amateur.

00:02:02.360 --> 00:02:04.400
I went to music school

00:02:04.480 --> 00:02:06.280
to learn the trumpet.

00:02:06.360 --> 00:02:09.920
I found the experience quite difficult.

00:02:10.560 --> 00:02:14.000
And I didn't want the same
for the children.

00:02:15.880 --> 00:02:18.760
I wonder who's been eating this...

00:02:19.640 --> 00:02:21.560
It wasn't our intention

00:02:21.640 --> 00:02:24.360
to have children
and turn them into musicians.

00:02:25.080 --> 00:02:28.640
But we had a lot of instruments at home,

00:02:28.720 --> 00:02:31.160
guitars, trumpets...

00:02:31.440 --> 00:02:32.800
All I have is for you

00:02:33.960 --> 00:02:36.240
I can't keep things for myself

00:02:36.320 --> 00:02:39.080
And one day I noticed

00:02:39.160 --> 00:02:41.160
that Isaac wanted to...

00:02:42.160 --> 00:02:43.160
...blew.

00:02:43.640 --> 00:02:45.280
So I said, "Isaac,

00:02:46.320 --> 00:02:49.880
if you want to play

00:02:49.960 --> 00:02:52.200
the trumpet,
I can help you,

00:02:52.280 --> 00:02:53.680
I can accompany you."

00:02:54.000 --> 00:02:56.840
Every day, every day

00:02:56.920 --> 00:02:59.560
Go a little further

00:03:00.720 --> 00:03:04.680
To finally feel that freedom exists

00:03:05.680 --> 00:03:07.960
One day we played the trumpet for a bit,

00:03:08.040 --> 00:03:09.480
my dad and I.

00:03:09.560 --> 00:03:12.920
We started

00:03:13.000 --> 00:03:14.960
when I was seven years old.

00:03:15.440 --> 00:03:18.320
And we would play a little every day.

00:03:18.880 --> 00:03:22.160
I remember being a bit
jealous of Isaac,

00:03:22.480 --> 00:03:26.160
because I'd never played music before.

00:03:26.600 --> 00:03:29.040
And, yeah, I remember that.

00:03:29.400 --> 00:03:30.960
I was always a bit annoyed

00:03:31.040 --> 00:03:32.640
with my brother.

00:03:32.720 --> 00:03:34.600
Nora wanted to join in.

00:03:34.680 --> 00:03:35.840
So,

00:03:37.360 --> 00:03:40.760
she started playing and singing.

00:03:42.200 --> 00:03:45.640
Every day, more every day

00:03:47.280 --> 00:03:49.560
When I started singing,

00:03:49.880 --> 00:03:53.560
I was really happy and I thought
I was the best singer in the world.

00:03:53.640 --> 00:03:55.840
The best girl singer in the world.

00:03:56.400 --> 00:03:57.720
Isaac.

00:04:04.000 --> 00:04:06.120
In the end,
me playing the guitar,

00:04:06.200 --> 00:04:08.480
Isaac on the trumpet

00:04:08.560 --> 00:04:10.120
and Nora singing

00:04:10.200 --> 00:04:14.040
was the birth of our family band.

00:04:14.160 --> 00:04:17.200
And we'll never be apart again

00:04:23.240 --> 00:04:25.400
We'll never be apart

00:04:25.480 --> 00:04:28.360
Playing music with your children,

00:04:28.440 --> 00:04:30.040
seeing the evolution,

00:04:30.760 --> 00:04:34.280
it was incredibly emotional for me.

00:04:34.640 --> 00:04:35.840
Go on.

00:04:38.760 --> 00:04:40.160
Last popcorn.

00:05:24.640 --> 00:05:26.280
Our band name is

00:05:26.640 --> 00:05:29.120
Daniel, Me Estás Matando.

00:05:29.960 --> 00:05:31.840
Yep, that's us.
Me and him.

00:05:32.640 --> 00:05:34.480
We play "bolero glam".

00:05:34.560 --> 00:05:35.920
I invented that genre.

00:05:36.280 --> 00:05:37.280
And I copied him.

00:05:37.360 --> 00:05:40.320
Forgive me, my love

00:05:41.160 --> 00:05:42.240
My indiscretion

00:05:43.320 --> 00:05:46.400
Can't you see I'm in a hurry?

00:05:47.200 --> 00:05:48.960
Bolero's lots of things.

00:05:49.040 --> 00:05:50.680
And glam's a lot of others.

00:05:50.760 --> 00:05:51.800
Wonderful.

00:05:51.880 --> 00:05:55.320
Bolero glam is the synthesis

00:05:55.400 --> 00:05:56.480
between Kubrick

00:05:56.600 --> 00:05:58.160
and Chopin.

00:05:58.920 --> 00:06:00.960
Forgive me, my love

00:06:01.360 --> 00:06:03.680
The insinuation

00:06:03.760 --> 00:06:07.640
Remember, it's a pact

00:06:08.760 --> 00:06:09.800
You choose...

00:06:09.880 --> 00:06:11.640
Let's get going.

00:06:11.720 --> 00:06:13.360
Hi!

00:06:13.440 --> 00:06:14.640
Hi!
-Hey there.

00:06:15.480 --> 00:06:18.240
Direct from another...

00:06:18.320 --> 00:06:20.920
from another continent,
God bless.

00:06:21.280 --> 00:06:23.040
Hey!
-Hey, how're you doing?

00:06:23.120 --> 00:06:24.600
Great.
-Check out your look.

00:06:25.000 --> 00:06:26.920
They're taking it everywhere.

00:06:27.560 --> 00:06:29.520
We're recording "Dos Gardenias",

00:06:29.600 --> 00:06:30.680
my dear friends.

00:06:30.760 --> 00:06:32.280
Two gardenias for you

00:06:33.680 --> 00:06:35.520
They tell you...

00:06:35.600 --> 00:06:36.720
Wonderful.

00:06:36.800 --> 00:06:38.360
...I love you

00:06:38.600 --> 00:06:42.400
"Dos Gardenias" is the first song
I heard in the club.

00:06:42.480 --> 00:06:45.280
I think the song
really represents the genre.

00:06:46.240 --> 00:06:47.600
And I really like that.

00:06:47.680 --> 00:06:49.880
They are your heart

00:06:49.960 --> 00:06:51.400
and mine

00:06:51.480 --> 00:06:52.840
There's room for something else.

00:06:53.400 --> 00:06:55.200
Some electric guitar, I guess.

00:06:55.280 --> 00:06:59.240
Electric would be cool,
like Los Zafiros had.

00:06:59.320 --> 00:07:00.760
Yeah, like a...

00:07:01.320 --> 00:07:02.480
A trembling part there.

00:07:07.240 --> 00:07:09.800
Isaac and his dream guitar.

00:07:15.040 --> 00:07:16.360
Okay.

00:07:16.440 --> 00:07:17.600
With the melody.

00:07:17.680 --> 00:07:20.000
These kids are special,

00:07:20.080 --> 00:07:23.680
it's Nico who gets nervous,
their father.

00:07:23.760 --> 00:07:25.840
They're super laid-back,

00:07:25.920 --> 00:07:29.160
they were made to do shows.

00:07:29.840 --> 00:07:31.520
Just there.
-Yes.

00:07:33.040 --> 00:07:34.520
You can get closer.

00:07:34.600 --> 00:07:35.800
Are you ready?

00:07:35.880 --> 00:07:36.880
Yeah? Okay.

00:07:36.960 --> 00:07:38.040
Nora,

00:07:38.440 --> 00:07:40.400
this is the verse you're singing.

00:07:40.480 --> 00:07:43.280
It's just missing this,

00:07:43.360 --> 00:07:47.720
technical stuff...
They need to tweak some things.

00:07:47.800 --> 00:07:50.680
Listen to him explaining.
She's no idea what you're saying.

00:07:50.760 --> 00:07:51.920
Again, go for it.

00:07:54.760 --> 00:07:57.480
Two gardenias for you

00:07:57.560 --> 00:08:00.160
They tell you

00:08:01.280 --> 00:08:02.800
I love you

00:08:03.880 --> 00:08:04.880
I adore you...

00:08:04.960 --> 00:08:06.000
I've just done it.

00:08:06.080 --> 00:08:08.160
...My everything

00:08:09.160 --> 00:08:12.640
Give them all your attention

00:08:12.720 --> 00:08:15.280
For they are your heart

00:08:15.960 --> 00:08:18.120
And mine

00:08:19.280 --> 00:08:22.280
Give them...
-Give them...

00:08:22.360 --> 00:08:24.600
A bit...
- Give them all your...

00:08:24.680 --> 00:08:26.280
And mine

00:08:26.360 --> 00:08:29.400
And mine
-Both were a bit high

00:08:30.080 --> 00:08:31.400
for me.

00:08:34.080 --> 00:08:37.000
Two gardenias for you

00:08:37.360 --> 00:08:39.760
They tell you

00:08:40.520 --> 00:08:42.320
I love you

00:08:43.360 --> 00:08:44.680
I adore you

00:08:45.480 --> 00:08:47.800
My everything

00:08:48.640 --> 00:08:50.600
That take was beautiful.
-Perfect.

00:08:50.680 --> 00:08:53.560
What about the pronunciation
of "I love you"?

00:08:53.640 --> 00:08:56.640
I think it's... it's good.

00:08:56.720 --> 00:08:59.760
The long R in "I adore you"
is a bit much.

00:08:59.840 --> 00:09:01.280
Okay, we can do it again.

00:09:01.360 --> 00:09:04.760
Go on.
-"I adore you", Nora, not "I adorrre you".

00:09:05.440 --> 00:09:06.880
Okay, " I adore you ".

00:09:06.960 --> 00:09:07.960
Yes.

00:09:09.600 --> 00:09:11.720
Yes. "I adorrre you".

00:09:11.800 --> 00:09:14.440
I adore you,
I adore you

00:09:19.520 --> 00:09:22.120
Isaac, a bit harder perhaps.

00:09:22.200 --> 00:09:23.560
Bada, bada

00:09:23.640 --> 00:09:24.880
A bit more...

00:09:26.360 --> 00:09:27.360
¿Así?*

00:09:27.520 --> 00:09:28.520
Yeah, a bit...

00:09:28.600 --> 00:09:29.760
Con un poco más de ataque.*

00:09:29.840 --> 00:09:31.360
Como si fuera una sección.*

00:09:31.480 --> 00:09:32.560
Okay.

00:09:33.000 --> 00:09:36.760
We're very excited
to show you this great piece,

00:09:36.840 --> 00:09:39.360
it's bohemian and bursting with drama.

00:09:49.000 --> 00:09:51.880
Two gardenias for you

00:09:52.200 --> 00:09:54.800
They tell you

00:09:56.000 --> 00:09:57.520
I love you

00:09:58.240 --> 00:09:59.800
I adore you

00:10:00.440 --> 00:10:02.680
My everything

00:10:03.640 --> 00:10:04.840
They give it a tenderness.

00:10:04.920 --> 00:10:08.000
I think that's one of the pillars
of this project.

00:10:08.080 --> 00:10:09.240
Not because they're kids.

00:10:09.320 --> 00:10:12.520
Their understanding
comes from that tenderness,

00:10:12.600 --> 00:10:13.600
it's not their age.

00:10:13.680 --> 00:10:16.120
Two gardenias for you

00:10:16.440 --> 00:10:19.240
With all the warmth

00:10:19.800 --> 00:10:23.200
of a kiss

00:10:23.280 --> 00:10:25.360
Those kisses I gave you

00:10:25.440 --> 00:10:28.440
That will never find you...

00:10:28.520 --> 00:10:30.440
Daniel sings so well,

00:10:30.520 --> 00:10:32.240
it's kind of magical.

00:10:33.120 --> 00:10:35.840
At your side they will live

00:10:37.040 --> 00:10:38.800
And talk to one another

00:10:38.880 --> 00:10:42.560
Like when you're with me

00:10:42.960 --> 00:10:45.000
Nora's natural charisma,

00:10:45.080 --> 00:10:47.240
she performs as if she's been

00:10:47.320 --> 00:10:48.560
doing it for 60 years.

00:10:49.480 --> 00:10:51.800
I love you

00:10:52.640 --> 00:10:55.320
But if one afternoon

00:10:55.440 --> 00:10:58.760
The gardenias of my love

00:10:58.840 --> 00:11:01.840
should die...

00:11:02.520 --> 00:11:05.240
...It's because they know

00:11:05.320 --> 00:11:07.520
Your love has betrayed me

00:11:07.600 --> 00:11:10.960
That you love another

00:11:20.680 --> 00:11:22.520
Isaac is a committed

00:11:22.600 --> 00:11:24.400
conservatory musician.

00:11:24.480 --> 00:11:27.360
Those are qualities that are hard to find

00:11:27.440 --> 00:11:32.200
in other artists, adults,
they're highly valued.

00:11:32.520 --> 00:11:34.720
At your side they will live

00:11:35.840 --> 00:11:36.960
And talk to one another

00:11:37.800 --> 00:11:41.080
Like when you're with me

00:11:42.360 --> 00:11:45.040
And until you believe it

00:11:45.800 --> 00:11:47.280
They will tell each other

00:11:48.480 --> 00:11:49.640
I love you

00:11:49.720 --> 00:11:52.360
I also think it's lovely

00:11:52.440 --> 00:11:53.840
that their parents are here,

00:11:53.920 --> 00:11:55.160
caring for them,

00:11:55.240 --> 00:11:58.440
that it's a family thing.
I think

00:11:58.520 --> 00:12:00.000
that must be nice for everyone.

00:12:01.040 --> 00:12:03.640
It's because they know

00:12:03.720 --> 00:12:06.520
Your love has betrayed me

00:12:06.600 --> 00:12:10.680
Because you love another

00:12:10.880 --> 00:12:13.960
It's because they know

00:12:14.040 --> 00:12:16.080
Your love has betrayed me...

00:12:18.440 --> 00:12:23.680
...Because you love another

00:12:30.080 --> 00:12:31.360
Good.

00:12:31.440 --> 00:12:33.560
Stunning.
-Bravo!

00:12:33.640 --> 00:12:34.880
Amazing.

00:12:34.960 --> 00:12:37.160
Bless the Lord, God bless.

00:12:37.240 --> 00:12:39.240
Let them take my heart.

00:12:40.560 --> 00:12:43.640
And... and drag it
across the whole of Latin America.

00:12:49.080 --> 00:12:50.240
Nora.

00:12:50.880 --> 00:12:52.400
Hi.
-Catherine, Nicolás, Isaac,

00:12:52.480 --> 00:12:53.600
pleased to meet you.

00:12:55.040 --> 00:12:56.960
Welcome to the National Music Library.

00:12:59.080 --> 00:13:03.160
If people came here
and listened to everything we have,

00:13:03.240 --> 00:13:07.160
they would have to spend
about 14 or 15 years here,

00:13:07.240 --> 00:13:11.200
sitting and listening to
what we've digitalized

00:13:11.280 --> 00:13:12.600
to a...

00:13:12.680 --> 00:13:14.880
Well, very high quality.
Take a seat.

00:13:14.960 --> 00:13:16.760
Come this way so I can

00:13:16.840 --> 00:13:18.960
show you some some of it.

00:13:19.040 --> 00:13:22.280
You already know
that bolero was born in Cuba

00:13:22.360 --> 00:13:24.840
and that it has
the same rhythm as danzón .

00:13:25.160 --> 00:13:27.400
They're similar because
they share a rhythm

00:13:27.480 --> 00:13:28.720
called cinquillo .

00:13:28.800 --> 00:13:31.080
Cinquillo is kind of a secret language.

00:13:31.160 --> 00:13:34.000
The rhythm goes
bam, bam, bam, bam, bam, bam.

00:13:34.080 --> 00:13:36.080
It's the secret language

00:13:36.160 --> 00:13:37.520
of the slaves

00:13:37.600 --> 00:13:39.920
who arrived from
the same place in Africa.

00:13:40.000 --> 00:13:43.280
And, gradually,
the music came to Mexico.

00:13:43.360 --> 00:13:47.400
They say that the first bolero
to be written in Mexico

00:13:47.480 --> 00:13:49.520
was in 1918.

00:13:49.600 --> 00:13:51.440
So it turned 100 very recently.

00:14:02.120 --> 00:14:04.240
We have a conservation building.

00:14:04.320 --> 00:14:06.520
It's small, like I said,

00:14:06.600 --> 00:14:09.800
a small maze
of all the sounds we have.

00:14:17.280 --> 00:14:19.280
Here they are, you see.

00:14:19.360 --> 00:14:22.760
Inside each of the trolleys,

00:14:22.840 --> 00:14:24.560
you open them up and inside them

00:14:24.640 --> 00:14:27.120
you have the sound reels.

00:14:33.880 --> 00:14:36.920
I've always liked
these records the most,

00:14:37.000 --> 00:14:39.720
the 78-revolution records.

00:14:39.800 --> 00:14:42.440
These are the oldest.

00:14:42.520 --> 00:14:45.320
Look, this record

00:14:45.400 --> 00:14:47.360
is from 1953.

00:14:47.440 --> 00:14:49.560
These are the old records.

00:14:49.640 --> 00:14:50.680
Seventy-eight.

00:14:50.760 --> 00:14:53.360
Seventy-eight revolutions.
-Yes, for gramophones.

00:14:53.440 --> 00:14:55.000
For gramophones.
-Yes.

00:14:55.080 --> 00:14:57.360
This is a record by Pedro Infante.

00:14:57.440 --> 00:14:58.920
It's...

00:14:59.000 --> 00:15:01.040
"If You Loved Me".
-"If You Loved Me".

00:15:01.120 --> 00:15:03.240
Every box contains around

00:15:03.320 --> 00:15:04.440
fifty of these records.

00:15:06.480 --> 00:15:07.920
There are around 7000 records.

00:15:08.000 --> 00:15:10.160
These records are between
70 to 100 years old.

00:15:13.200 --> 00:15:16.760
Here's a selection
of the formats we have.

00:15:16.840 --> 00:15:18.960
We know this one.

00:15:19.040 --> 00:15:20.680
How many do you know?
-I know...

00:15:21.520 --> 00:15:23.520
The cassette.
-The cassette, yes.

00:15:23.600 --> 00:15:26.160
This too.
-Film.

00:15:26.240 --> 00:15:28.160
And USB.
-Yes.

00:15:28.240 --> 00:15:29.760
And USB.

00:15:29.840 --> 00:15:31.440
And USB, yes.

00:15:31.520 --> 00:15:33.160
This was the very first.

00:15:33.240 --> 00:15:34.800
Edison invented this

00:15:34.880 --> 00:15:37.240
in 1878.
-Magic.

00:15:37.320 --> 00:15:39.840
Pure magic.
I think it's still magic today.

00:15:39.920 --> 00:15:42.320
Imagine. Put it on
and we're listening

00:15:42.400 --> 00:15:44.520
to what was happening 130 years ago.

00:15:44.600 --> 00:15:47.360
It's rather funny to say we like

00:15:47.440 --> 00:15:49.960
very old things

00:15:50.040 --> 00:15:53.600
and, in the end,
it's thanks to new technologies

00:15:53.680 --> 00:15:55.320
that we're here.

00:15:55.720 --> 00:15:57.200
I'd like to ask you a favour,

00:15:57.280 --> 00:15:59.200
to sing for the library,

00:15:59.280 --> 00:16:01.880
so that your visit here is preserved

00:16:01.960 --> 00:16:03.400
at the library.
-Of course.

00:16:03.480 --> 00:16:04.480
You will?
-Yes.

00:16:04.560 --> 00:16:06.480
What song will it be, Nora?

00:16:06.560 --> 00:16:08.480
We're going to perform "The Witch".

00:16:08.560 --> 00:16:10.920
Lovely, I love that song.

00:16:11.000 --> 00:16:12.280
Well, we're going to listen.

00:16:37.960 --> 00:16:42.200
How lovely to fly

00:16:43.280 --> 00:16:47.400
At 11 o'clock at night

00:16:48.400 --> 00:16:52.600
At 11 o'clock at night

00:16:53.760 --> 00:16:56.480
How lovely to fly

00:16:56.560 --> 00:16:58.240
Ay, mama

00:16:58.520 --> 00:17:02.480
To soar and let yourself fall

00:17:04.000 --> 00:17:08.800
Into the arms of a soldier

00:17:09.440 --> 00:17:14.200
Into the arms of a soldier

00:17:14.600 --> 00:17:19.160
Until I want to cry, ay, mama

00:17:19.760 --> 00:17:22.560
The witch grabs me

00:17:22.640 --> 00:17:24.920
Takes me to her house

00:17:25.000 --> 00:17:27.120
Turns me into a pot

00:17:27.200 --> 00:17:30.040
And into a pumpkin

00:17:30.120 --> 00:17:32.600
The witch grabs me

00:17:32.680 --> 00:17:34.640
Takes me to her quarters

00:17:34.720 --> 00:17:38.440
Turns me into a pot

00:17:38.520 --> 00:17:40.440
And gives me food

00:17:41.040 --> 00:17:43.480
I ask her to take me...

00:17:43.560 --> 00:17:46.960
We're talking to Isaac and Nora.

00:17:47.040 --> 00:17:51.160
And, of course,
the talented creator, supporter,

00:17:51.240 --> 00:17:52.920
the heart behind it all,

00:17:53.000 --> 00:17:54.880
their father, Nicolás.

00:17:54.960 --> 00:17:56.360
You already know that they're

00:17:56.440 --> 00:17:58.640
real influencers,

00:17:58.720 --> 00:18:02.080
they've got lots of followers,
lots of people subscribe

00:18:02.160 --> 00:18:03.800
to their channels,

00:18:03.880 --> 00:18:07.840
their beautiful videos
have millions of views.

00:18:08.520 --> 00:18:11.680
So candid,
a simple landscape,

00:18:12.520 --> 00:18:13.960
countryside,

00:18:14.520 --> 00:18:16.240
and the repertoire

00:18:16.920 --> 00:18:19.360
is what we really enjoy.

00:18:21.400 --> 00:18:23.720
Would you please say hello

00:18:23.800 --> 00:18:26.720
to all our friends,
the listeners of

00:18:26.800 --> 00:18:29.000
our show Horizonte?

00:18:29.080 --> 00:18:32.600
Okay, hello to the Horizonte listeners.

00:18:33.320 --> 00:18:35.600
Okay, now say "Horrizonte".

00:18:35.680 --> 00:18:36.920
"Horrizonte".

00:18:37.400 --> 00:18:38.400
Kisses.

00:18:38.960 --> 00:18:40.760
Through the air...

00:18:40.840 --> 00:18:42.880
We're playing in Medellín, in Bogotá,

00:18:42.960 --> 00:18:44.520
in Colombia.

00:18:44.600 --> 00:18:48.160
We're playing in Arequipa
and in Lima, in Peru.

00:18:48.240 --> 00:18:50.880
And finally, we're playing

00:18:50.960 --> 00:18:52.600
in Santiago, Chile.

00:18:52.680 --> 00:18:54.600
A full schedule.

00:18:54.680 --> 00:18:59.240
What's more, in the countries
where much of your music comes from,

00:18:59.320 --> 00:19:00.920
what you play.

00:19:37.720 --> 00:19:41.880
Trying to cross the ocean swimming

00:19:41.960 --> 00:19:43.000
Colombia.

00:19:43.080 --> 00:19:45.320
The traffic,

00:19:45.400 --> 00:19:47.680
the people...

00:19:47.760 --> 00:19:49.920
It's a country of...

00:19:50.000 --> 00:19:53.040
of dance, of partying, everything.

00:20:05.680 --> 00:20:06.720
Hi.

00:20:06.800 --> 00:20:09.440
Welcome to the
Francisco el Hombre Academy.

00:20:10.160 --> 00:20:11.320
Isaac and Nora and...

00:20:11.400 --> 00:20:13.800
the teacher, the maestro.

00:20:16.040 --> 00:20:18.000
What brings you here,
to the academy?

00:20:18.080 --> 00:20:20.040
We want to learn cumbia.

00:20:21.080 --> 00:20:22.280
You want to learn.

00:20:22.360 --> 00:20:23.560
Okay.

00:20:23.640 --> 00:20:25.800
Isaac, do you want to learn too?
-Yes.

00:20:25.880 --> 00:20:27.600
I follow you.

00:20:27.680 --> 00:20:31.560
I sent your videos to my students
so they could hear

00:20:31.640 --> 00:20:33.400
your voice,
its quality, the harmony.

00:20:33.960 --> 00:20:36.200
You were tiny.

00:20:36.760 --> 00:20:37.840
A baby,

00:20:37.920 --> 00:20:39.080
with your papa.

00:20:39.640 --> 00:20:40.800
I think

00:20:40.880 --> 00:20:44.520
your voice is the sweetest
I've ever heard.

00:20:44.600 --> 00:20:47.480
Thanks a lot.
-An angelic voice.

00:20:48.000 --> 00:20:50.720
As if you were sent from up above.

00:20:51.080 --> 00:20:53.360
Thanks a lot.
-A sweet voice,

00:20:53.440 --> 00:20:55.920
harmonious, soft.

00:20:56.520 --> 00:20:58.160
Here with her brother.

00:20:58.240 --> 00:20:59.360
Excellent.

00:20:59.440 --> 00:21:01.000
Hosting Isaac and Nora,

00:21:01.080 --> 00:21:04.320
is a blessing
for us as an academy,

00:21:04.400 --> 00:21:07.760
because they are young people
who are open to learning,

00:21:08.480 --> 00:21:09.720
to gaining knowledge.

00:21:09.800 --> 00:21:12.040
These two, open those.

00:21:13.120 --> 00:21:14.360
And close.

00:21:24.280 --> 00:21:25.520
The genre vallenato...

00:21:28.160 --> 00:21:30.200
is from the province,
from the countryside.

00:21:30.480 --> 00:21:33.120
One, two, three, four.

00:21:33.200 --> 00:21:36.360
One, two, three, four.
Ready?

00:21:36.440 --> 00:21:37.680
Let's start with this.

00:21:40.880 --> 00:21:43.360
One, two, three, four.

00:21:43.440 --> 00:21:46.160
You could say that cumbia
is the mother of music,

00:21:46.240 --> 00:21:47.960
vallenato folklore music.

00:21:48.040 --> 00:21:49.120
Like its grandmother.

00:21:49.320 --> 00:21:51.400
This rhythm came about

00:21:51.480 --> 00:21:56.400
when the Spanish invaded
and brought black slaves,

00:21:56.480 --> 00:21:59.160
and when the English
brought slaves to our nation.

00:21:59.280 --> 00:22:01.360
And they brought us
the sound of the cumbia.

00:22:01.440 --> 00:22:05.120
It was popular
and the percussion got fused

00:22:05.200 --> 00:22:07.560
with the incipient cumbia here.

00:22:07.640 --> 00:22:09.720
And it brought about that rhythm.

00:22:09.800 --> 00:22:12.120
It has a lot to do with being a slave.

00:22:12.200 --> 00:22:13.640
Even the dance, which...

00:22:13.720 --> 00:22:15.640
which goes like this,
with the hips.

00:22:15.720 --> 00:22:18.760
Not intentionally,
but because they were wearing...

00:22:18.840 --> 00:22:21.520
shackles,
with an iron ball.

00:22:22.320 --> 00:22:24.120
The slave couldn't take off,

00:22:24.200 --> 00:22:26.400
but they had enough spirit
to sing and dance.

00:22:26.480 --> 00:22:29.960
Let's try and do a four-beat strum.

00:22:30.040 --> 00:22:32.600
Tan, tacan, tan, tan, tacan.

00:22:32.680 --> 00:22:34.400
Tan, tan, tacan.

00:22:34.480 --> 00:22:36.200
Tan, tan, tacan.

00:22:36.280 --> 00:22:37.920
Tan, tan, tacan.

00:22:38.000 --> 00:22:39.520
Tan, tan, tacan.

00:22:39.600 --> 00:22:41.360
Tan, tan, tacan.

00:22:41.440 --> 00:22:43.000
Tan, tan, tacan.

00:22:43.080 --> 00:22:44.800
Tan, tan, tacan.

00:22:44.880 --> 00:22:46.920
Tan, tan, tacan.

00:22:47.000 --> 00:22:48.600
Tan, tan, tacan.

00:22:49.080 --> 00:22:50.320
All right.

00:22:50.960 --> 00:22:53.240
Tan, tan, tacan.

00:22:54.200 --> 00:22:55.720
There and we start to dance.

00:22:55.800 --> 00:22:57.520
Tan, tan, tan.

00:22:57.600 --> 00:23:00.360
Tan, tan, tan.

00:23:02.320 --> 00:23:03.760
There.

00:23:12.440 --> 00:23:14.760
Go on.

00:23:23.240 --> 00:23:24.840
How were you born into music?

00:23:26.040 --> 00:23:28.240
Do you like music?
-Yes.

00:23:28.320 --> 00:23:29.720
Since when?

00:23:30.320 --> 00:23:32.280
Those are tricky questions.

00:23:32.560 --> 00:23:34.320
He doesn't want to say.

00:23:34.960 --> 00:23:36.680
Juan Guillermo's even younger.

00:23:36.760 --> 00:23:40.360
I... I was born into...

00:23:40.440 --> 00:23:43.640
With music, I mean...
-Bless the Lord.

00:23:44.080 --> 00:23:46.760
I started listening to music very young.

00:23:46.840 --> 00:23:49.080
Okay, that makes me very happy.

00:23:49.160 --> 00:23:50.720
And you'll continue with music?

00:23:50.800 --> 00:23:53.320
Well, you've got Nora.

00:23:53.400 --> 00:23:56.720
And Isaac, you've got our support
here in Colombia, whenever you come.

00:23:56.800 --> 00:23:58.960
We've got musicians galore.

00:23:59.040 --> 00:24:00.200
The boys...

00:24:01.960 --> 00:24:04.000
Eran muy agradables.*

00:24:07.560 --> 00:24:11.760
I learned things
about cumbia and everything.

00:24:11.840 --> 00:24:15.000
We played a bit.

00:24:15.080 --> 00:24:16.760
I played the accordion.

00:24:16.840 --> 00:24:18.680
My brother played a bit of percussion.

00:24:18.760 --> 00:24:21.200
And my father played a bit of guitar.

00:24:22.680 --> 00:24:25.880
I really like the rhythm
of cumbia and...

00:24:26.880 --> 00:24:30.280
I hope we learn more cumbia.

00:24:59.560 --> 00:25:00.800
Okay.

00:25:01.760 --> 00:25:05.720
The only downside to our experience

00:25:05.800 --> 00:25:07.520
is not being able

00:25:07.600 --> 00:25:11.600
to bring the school
and the teachers on our travels.

00:25:11.680 --> 00:25:13.840
And their friends.
-And their friends too.

00:25:13.920 --> 00:25:15.840
Their friends' parents

00:25:15.920 --> 00:25:17.800
would make it a great production too.

00:25:21.840 --> 00:25:24.640
So we do school from afar.

00:25:24.720 --> 00:25:27.320
Catherine tutors Nora.

00:25:27.400 --> 00:25:31.120
It's her last year of primary school.

00:25:31.920 --> 00:25:35.560
And I tutor Isaac.

00:25:36.680 --> 00:25:37.680
De acuerdo.*

00:25:39.080 --> 00:25:41.280
Trabajamos todos los días,
tenemos siempre programado*

00:25:41.360 --> 00:25:42.160
qué hacer.*

00:25:42.440 --> 00:25:44.680
The girls are very serious.

00:25:45.600 --> 00:25:46.600
Yes.

00:25:47.320 --> 00:25:49.960
Y todos los meses
con Nora hemos tenido*

00:25:50.040 --> 00:25:52.200
hemos tenido muy buenos
resultados, ha ido muy bien.*

00:25:52.280 --> 00:25:53.320
Cuarenta y nueve.*

00:25:55.160 --> 00:25:57.000
The difference

00:25:57.080 --> 00:25:59.400
from normal school

00:25:59.480 --> 00:26:02.560
is that you can take the time you need.

00:26:02.640 --> 00:26:05.040
You can look back over the classes

00:26:05.120 --> 00:26:07.800
if you've forgotten something.

00:26:08.120 --> 00:26:11.920
You can ask your parents

00:26:12.000 --> 00:26:14.000
if there's something that...

00:26:14.080 --> 00:26:19.000
Well, Isaac got great grades this year.

00:26:21.440 --> 00:26:23.680
*Y ahora, ¿de qué color es
la llama cuando se completa

00:26:23.760 --> 00:26:24.760
la combustión?*

00:26:25.120 --> 00:26:27.240
Any family can do it,

00:26:27.320 --> 00:26:29.520
you learn so much...

00:26:29.600 --> 00:26:32.360
From the children themselves.
-...about children.

00:26:45.400 --> 00:26:47.520
I know I'm to blame

00:26:47.600 --> 00:26:50.720
Sowed my own disillusions

00:26:50.800 --> 00:26:53.320
It was I who opened the door

00:26:53.400 --> 00:26:56.120
And your deceit robbed me

00:26:56.920 --> 00:26:58.680
Took my soul away

00:26:58.760 --> 00:27:01.600
Scattering its remains

00:27:01.960 --> 00:27:06.800
In this house
As cold as the reality

00:27:09.320 --> 00:27:14.280
I choose solitude
over your false company

00:27:14.800 --> 00:27:17.040
Your false sincerity

00:27:17.120 --> 00:27:19.960
Reveals more than you say

00:27:20.040 --> 00:27:23.720
And I was so innocent
So innocent

00:27:23.800 --> 00:27:25.480
That I believed you

00:27:26.280 --> 00:27:28.120
But one day I opened my eyes

00:27:28.200 --> 00:27:31.440
And couldn't close them again

00:27:32.000 --> 00:27:34.280
Where is the love

00:27:34.360 --> 00:27:37.200
you promised me?

00:27:37.280 --> 00:27:40.240
Tell me the truth

00:27:40.320 --> 00:27:43.080
Though it hurts

00:27:43.160 --> 00:27:45.640
So much hope

00:27:45.720 --> 00:27:48.400
Turned out to be false

00:27:48.480 --> 00:27:50.600
I'll celebrate

00:27:50.680 --> 00:27:54.000
Never seeing you again

00:28:06.800 --> 00:28:11.720
I won't thank you
for confirming my suspicions

00:28:12.280 --> 00:28:14.280
You discarded me

00:28:14.360 --> 00:28:17.400
A wrapper to be tossed away

00:28:17.480 --> 00:28:19.600
I had to start from zero

00:28:19.680 --> 00:28:22.920
I left the bin empty

00:28:23.240 --> 00:28:25.920
In my heart there is not

00:28:26.000 --> 00:28:28.680
a trace of your presence

00:28:29.520 --> 00:28:32.160
Where did that love go?
-Where did that love go?

00:28:32.240 --> 00:28:35.120
He promised me
-He promised me

00:28:35.200 --> 00:28:37.600
Tell me the truth
-Tell me the truth

00:28:37.680 --> 00:28:40.200
Though it hurts

00:28:40.280 --> 00:28:42.640
So much hope

00:28:42.720 --> 00:28:45.560
Turned out to be false

00:28:45.640 --> 00:28:47.960
I'll celebrate

00:28:48.040 --> 00:28:51.120
Never seeing you again

00:28:51.320 --> 00:28:54.080
Where did that love go?
-Where did that love go?

00:28:54.160 --> 00:28:56.960
He promised me
-He promised me

00:28:57.040 --> 00:28:59.720
Tell me the truth
-Tell me the truth

00:28:59.800 --> 00:29:02.360
Though it hurts

00:29:02.440 --> 00:29:04.840
So much hope

00:29:04.920 --> 00:29:07.600
Turned out to be false

00:29:07.680 --> 00:29:10.000
I'll celebrate

00:29:10.080 --> 00:29:12.600
Never seeing you again

00:29:13.200 --> 00:29:15.480
I'll celebrate

00:29:15.560 --> 00:29:17.640
Never seeing you again

00:29:17.720 --> 00:29:19.440
Never again

00:29:34.040 --> 00:29:38.200
Medellín is the strangest place
I've ever been to.

00:29:41.440 --> 00:29:44.280
It's like a city in the mountains.

00:29:53.440 --> 00:29:55.200
No es tan alto.*

00:29:55.280 --> 00:29:57.840
Si se cae, nos morimos, Nora.*

00:30:07.280 --> 00:30:09.280
La realidad es
que estás asustado.*

00:30:11.120 --> 00:30:13.720
Tendría que ir más rápido
y más alto.*

00:30:20.440 --> 00:30:24.480
I really like, I don't know,
being a bit scared

00:30:24.560 --> 00:30:26.040
and everything being

00:30:26.120 --> 00:30:27.920
high and that.
But my brother

00:30:28.000 --> 00:30:30.520
is really...

00:30:31.160 --> 00:30:32.920
He can't really do those things.

00:30:35.960 --> 00:30:36.960
Venid aquí...*

00:30:37.040 --> 00:30:38.960
*Os voy a hacer una foto
a los tres ahí.

00:30:39.040 --> 00:30:40.400
Vamos a hacer
una buena foto de turistas.*

00:30:40.480 --> 00:30:41.480
¿Estáis listos?*

00:30:41.560 --> 00:30:43.720
Poneos, vamos.*

00:30:47.720 --> 00:30:53.280
Isaac es un chico
bastante sencillo.*

00:30:54.280 --> 00:30:58.400
Creo que es muy amable
y muy simpático.*

00:31:01.320 --> 00:31:03.800
Siempre ha sido así
y seguirá siéndolo,*

00:31:03.880 --> 00:31:06.000
él nunca cambiará.*

00:31:06.160 --> 00:31:09.400
It excites me to see it

00:31:09.480 --> 00:31:12.600
I've crossed a thousand paths

00:31:13.040 --> 00:31:15.840
That boy just wants to enjoy

00:31:15.920 --> 00:31:18.640
the simple things.

00:31:18.720 --> 00:31:20.240
Here you see me

00:31:20.320 --> 00:31:22.720
Returning to what I'll never...

00:31:22.800 --> 00:31:24.400
The bananas are tiny.

00:31:29.000 --> 00:31:30.720
Nora tiene un poco más de...*

00:31:30.800 --> 00:31:32.160
Tiene un poco más de energía.*

00:31:32.240 --> 00:31:34.960
Ella tiene un poco más
de energía y siempre ha sido...*

00:31:35.040 --> 00:31:37.520
Le gusta llamar la atención,
así como también le gusta*

00:31:37.600 --> 00:31:39.720
montar su show.*

00:31:39.800 --> 00:31:44.320
En casa, Nora también
es más traviesa.*

00:31:46.320 --> 00:31:47.400
Yes.

00:31:48.120 --> 00:31:49.240
Yes.

00:31:49.680 --> 00:31:51.320
She goes to bed later.

00:31:52.120 --> 00:31:54.680
So I don't leave

00:31:54.760 --> 00:31:57.600
More and more,
she has an understanding

00:31:57.680 --> 00:31:59.080
of what's going on,

00:31:59.400 --> 00:32:02.240
what it is to be famous.

00:32:06.400 --> 00:32:07.440
But I'm not surprised,

00:32:07.520 --> 00:32:10.200
because she's a girl

00:32:10.280 --> 00:32:13.200
and I think girls catch on to

00:32:13.280 --> 00:32:16.440
what's happening in life
much faster than boys do.

00:32:18.200 --> 00:32:21.880
Isaac and Nora are very different,
at the end of the day.

00:32:30.880 --> 00:32:31.920
Look.

00:32:32.000 --> 00:32:33.440
Carlos Gardel.

00:32:35.120 --> 00:32:38.080
"Carlos Gardel.
The Creole song thrush.

00:32:38.160 --> 00:32:39.960
The most prominent performer

00:32:40.040 --> 00:32:43.520
of the Argentine tango
of all time."

00:32:43.600 --> 00:32:46.240
¿Quieres arrodillarte ante él,
como si fueras una monja?*

00:32:48.080 --> 00:32:49.080
De broma.*

00:32:56.040 --> 00:32:57.200
Es la letra de "Volver".*

00:32:57.400 --> 00:32:58.560
Yes.

00:32:58.640 --> 00:33:00.760
Return

00:33:00.840 --> 00:33:03.160
With a weathered brow

00:33:03.240 --> 00:33:06.840
Temples turned silver
By time's fallen snow

00:33:06.920 --> 00:33:08.960
Feel

00:33:09.440 --> 00:33:12.280
Life is but a breath

00:33:12.360 --> 00:33:14.680
Twenty years is nothing

00:33:14.760 --> 00:33:16.000
How feeble

00:33:17.000 --> 00:33:18.440
Yeah.

00:33:26.400 --> 00:33:27.840
Hey, how are you?
-Hi.

00:33:27.920 --> 00:33:30.040
Welcome to the
Casa Gardeliana Museum.

00:33:30.760 --> 00:33:32.440
Casa Gardeliana

00:33:32.520 --> 00:33:35.200
is a homage to Carlos Gardel
and to tango.

00:33:37.440 --> 00:33:39.360
Carlos Gardel died here,
in Medellín,

00:33:39.440 --> 00:33:43.400
on 24 June, 1935,

00:33:43.480 --> 00:33:45.480
at five past three in the afternoon.

00:33:45.560 --> 00:33:48.400
He died in a plane crash,

00:33:48.480 --> 00:33:51.080
when two small aircraft collided

00:33:51.160 --> 00:33:52.480
and the two planes crashed.

00:33:52.560 --> 00:33:55.080
On the plane Carlos Gardel was in,

00:33:55.160 --> 00:33:59.080
only one person survived,
and that was his guitarist.

00:33:59.280 --> 00:34:03.120
These suitcases are said
to have been rescued from the accident

00:34:03.200 --> 00:34:04.800
that happened that day.

00:34:16.560 --> 00:34:18.080
Here we have one of his first

00:34:18.160 --> 00:34:20.760
accordions and it is said that

00:34:21.680 --> 00:34:24.520
some of these shaving items

00:34:24.600 --> 00:34:27.760
were used on Carlos Gardel.

00:34:27.840 --> 00:34:31.480
We also have this and this,
some keys,

00:34:31.560 --> 00:34:33.240
copies of the keys

00:34:33.320 --> 00:34:36.200
to a house in Argentina

00:34:36.280 --> 00:34:39.440
which belonged to Carlos Gardel,
there in the cabinet.

00:34:45.200 --> 00:34:48.440
We listen to a lot of Latin music
in our house,

00:34:48.520 --> 00:34:51.160
especially

00:34:51.240 --> 00:34:52.920
Latin music from the old days.

00:34:53.000 --> 00:34:57.160
And you can't listen
to Latin music from the old days

00:34:57.240 --> 00:34:58.880
and not know who Carlos Gardel is.

00:35:10.520 --> 00:35:11.560
Isaac and Nora.

00:35:11.640 --> 00:35:13.040
Hey!

00:35:13.120 --> 00:35:14.760
Yes, yes!

00:35:15.480 --> 00:35:17.200
No, you.
-The oldie.

00:35:17.640 --> 00:35:19.520
No, no, please.

00:35:19.600 --> 00:35:21.280
I'll play you the same song.

00:35:24.160 --> 00:35:25.440
Ah.

00:35:25.520 --> 00:35:29.040
For me, tango is the height of elegance.

00:35:29.320 --> 00:35:31.360
Back with the left.

00:35:31.840 --> 00:35:34.160
Here and then the right.

00:35:34.240 --> 00:35:35.760
There.

00:35:35.840 --> 00:35:36.920
Back to base.

00:35:37.000 --> 00:35:38.640
Ready.
We're going to do that.

00:35:38.720 --> 00:35:39.760
Here.

00:35:39.840 --> 00:35:41.240
So...
-One.

00:35:41.320 --> 00:35:44.960
Forward.
-Dancing the tango was

00:35:45.040 --> 00:35:46.880
an experience I really enjoyed,

00:35:46.960 --> 00:35:48.920
but I felt a bit of pressure

00:35:49.000 --> 00:35:51.600
as I've never danced in my life.

00:35:59.640 --> 00:36:00.640
There.

00:36:01.440 --> 00:36:02.640
There.

00:36:13.200 --> 00:36:15.880
I think it was better for Nora

00:36:15.960 --> 00:36:19.440
because she loves choreographed dance.

00:36:20.240 --> 00:36:22.080
One and two.

00:36:22.400 --> 00:36:25.080
I learned really, really quickly,

00:36:25.160 --> 00:36:27.920
just the basic steps.

00:36:28.360 --> 00:36:29.440
Good!

00:36:30.320 --> 00:36:32.560
Well done the two of you.

00:36:35.160 --> 00:36:36.440
Sing for us a bit.

00:36:37.440 --> 00:36:39.880
Yes, but...
-But no tango.

00:36:39.960 --> 00:36:41.840
We won't do a tango.

00:36:42.480 --> 00:36:44.280
Relax.

00:36:44.360 --> 00:36:45.880
Ready?

00:36:45.960 --> 00:36:47.400
One, two, three.

00:36:58.560 --> 00:37:00.680
By only a head

00:37:00.760 --> 00:37:03.920
Of a pureblood colt that just

00:37:04.000 --> 00:37:07.320
at the finish line faltered

00:37:07.840 --> 00:37:10.040
And on its return

00:37:10.120 --> 00:37:11.960
Appeared to say:

00:37:12.320 --> 00:37:15.880
Don't forget, brother, again

00:37:15.960 --> 00:37:17.000
you shall not play

00:37:19.080 --> 00:37:22.720
By only a head

00:37:23.480 --> 00:37:27.320
If she forgets me

00:37:28.240 --> 00:37:31.000
What does it matter if I lose

00:37:31.080 --> 00:37:33.440
my life a thousand times?

00:37:33.520 --> 00:37:38.160
What's to live for?

00:37:40.800 --> 00:37:43.760
Beautiful!
-So beautiful.

00:37:57.440 --> 00:37:58.720
Ooh!

00:37:58.800 --> 00:38:00.160
Wow!

00:38:02.360 --> 00:38:03.640
Whoa!

00:38:03.720 --> 00:38:05.600
Me gusta este teatro.*

00:38:08.040 --> 00:38:10.080
Está bien este lugar.*

00:38:10.160 --> 00:38:11.480
No está mal.*

00:38:12.280 --> 00:38:14.600
How many people?
-One thousand.

00:38:14.680 --> 00:38:16.760
One thousand, three hundred and fifty.

00:38:17.040 --> 00:38:19.000
1350.
-Yeah?

00:38:19.080 --> 00:38:21.000
I really like the style of it.

00:38:21.080 --> 00:38:22.920
Do you like it, Isaac?
-Yes.

00:38:28.480 --> 00:38:32.320
It's amazing to be able to say
that we're going to play...

00:38:33.160 --> 00:38:34.200
here.

00:38:43.640 --> 00:38:45.320
Soy muy bueno en los dardos.*

00:38:47.120 --> 00:38:48.120
¡Mis labios!*

00:38:48.200 --> 00:38:49.920
Espera, voy a intentarlo.*

00:38:50.000 --> 00:38:51.960
Ya voy yo.*

00:38:53.480 --> 00:38:56.640
Isaac, no muevas la boca.*

00:38:56.720 --> 00:38:57.720
No la muevo.*

00:39:01.120 --> 00:39:02.840
¡Pero ten cuidado!*

00:39:03.080 --> 00:39:05.720
I got excited when I saw
they were coming to Colombia.

00:39:05.800 --> 00:39:07.440
I said, "Perfect."

00:39:07.520 --> 00:39:11.040
And what did you ask for?
-That will be my Mother's Day present.

00:39:11.120 --> 00:39:13.080
And here's my Mother's Day present.

00:39:13.600 --> 00:39:15.320
Espera, esta va a ser la buena.*

00:39:15.400 --> 00:39:16.640
No te muevas.*

00:39:17.200 --> 00:39:18.960
Sube la cabeza.*

00:39:19.040 --> 00:39:20.040
Pero no así.*

00:39:21.800 --> 00:39:23.680
Ahí, quédate así.*

00:39:28.360 --> 00:39:31.520
My dad puts a song on
called "Coconut Rice".

00:39:31.600 --> 00:39:33.840
Da, da, da.

00:39:35.000 --> 00:39:36.400
My co...

00:39:36.480 --> 00:39:37.640
Ay.

00:39:38.120 --> 00:39:39.880
I said, "She's...

00:39:39.960 --> 00:39:43.800
She's trying to speak more Spanish."

00:39:44.040 --> 00:39:46.000
He gets so emotional watching that girl,

00:39:46.080 --> 00:39:49.440
and years ago,
when she was younger,

00:39:49.520 --> 00:39:51.640
he said to me,
"When I'm older,

00:39:51.720 --> 00:39:54.440
I'm going to find her
and ask her to be my girlfriend."

00:40:11.160 --> 00:40:14.360
Ladies and gentlemen,
second call.

00:40:14.960 --> 00:40:17.120
Four minutes.
-Four minutes.

00:40:17.640 --> 00:40:20.960
I press start and we go.

00:40:21.040 --> 00:40:22.960
Okay?

00:40:23.040 --> 00:40:25.200
The last...

00:40:25.960 --> 00:40:28.360
Before a concert, my father

00:40:28.440 --> 00:40:30.160
always gets nervous.

00:40:30.400 --> 00:40:32.200
It's obligatory.

00:40:35.720 --> 00:40:38.680
No, it's really lovely.

00:40:38.760 --> 00:40:40.400
Please.

00:40:42.120 --> 00:40:45.040
No, don't make me nervous here.

00:40:45.760 --> 00:40:48.920
I find there's no real reason

00:40:49.000 --> 00:40:51.200
to get nervous.

00:40:52.440 --> 00:40:54.640
Let's go, guys.
-Ready?

00:40:54.720 --> 00:40:56.440
Come on, let's go.

00:41:50.360 --> 00:41:53.080
I dedicate this song to my mum,

00:41:53.160 --> 00:41:54.920
because I love you, Mama.

00:42:01.600 --> 00:42:03.720
How I miss my beautiful savannah

00:42:03.800 --> 00:42:06.560
Tucked in the mountain range

00:42:07.400 --> 00:42:09.600
Hoping that the time will come

00:42:09.680 --> 00:42:12.160
To return to my land

00:42:12.960 --> 00:42:14.800
In the valley of Pubenza

00:42:15.640 --> 00:42:18.240
A remoteness that makes me sad

00:42:18.320 --> 00:42:20.520
In my bosom a cumbia blossomed

00:42:20.600 --> 00:42:25.560
Of nostalgia
A tear escaping

00:42:25.680 --> 00:42:28.120
Cumbia of the soul
Cumbia that rises

00:42:28.200 --> 00:42:29.640
over Pubenza

00:42:29.720 --> 00:42:32.400
Desperately searching for grasses

00:42:32.480 --> 00:42:35.400
Ay, so sad, it makes me so sad

00:42:35.480 --> 00:42:38.120
Being so far away

00:42:38.200 --> 00:42:41.000
Ay, so sad, it makes me so sad

00:42:41.440 --> 00:42:44.040
Being so far from my native land

00:42:44.120 --> 00:42:45.200
Ay, so sad

00:42:45.280 --> 00:42:46.920
It makes me so sad

00:42:47.000 --> 00:42:49.640
Being, being so far away

00:42:49.720 --> 00:42:52.000
Ay, so sad, it makes me so sad

00:42:52.080 --> 00:42:55.600
Being so far from my native land

00:42:55.680 --> 00:42:57.240
Meeting

00:42:58.040 --> 00:43:01.200
Colombians like these is...

00:43:02.040 --> 00:43:04.360
it's always incredible.

00:43:06.040 --> 00:43:08.640
Merci for this gift of life.

00:43:09.200 --> 00:43:10.480
Here, here.

00:43:10.560 --> 00:43:12.520
Póntela alrededor del cuello.*

00:43:20.000 --> 00:43:25.040
My savannah is there
Expecting me to return one day

00:43:25.920 --> 00:43:28.240
Inside I feel it calling

00:43:28.320 --> 00:43:30.920
That land of mine

00:43:31.800 --> 00:43:34.080
A love that reveals itself each night

00:43:34.160 --> 00:43:36.960
That occupies the time I have left

00:43:37.320 --> 00:43:40.840
Singing for us is Nora,
ten years old.

00:43:40.920 --> 00:43:42.040
Thank you very much.

00:43:44.120 --> 00:43:47.320
On the trumpet,
Isaac, 14 years old.

00:43:48.240 --> 00:43:49.880
Bravo!

00:43:50.640 --> 00:43:54.680
On double bass, Lorenzo,
36 years old.

00:43:57.760 --> 00:44:00.680
And my father is 49 years old.

00:44:00.760 --> 00:44:03.000
Being so far from my native land

00:44:03.080 --> 00:44:06.520
So sad it makes me, so sad

00:44:06.600 --> 00:44:09.080
Being so far away

00:44:09.160 --> 00:44:11.760
So sad, it makes me so sad

00:44:11.840 --> 00:44:14.600
Being so far from my native land

00:44:30.840 --> 00:44:33.480
We'll be here every time
they decide to come back.

00:44:33.560 --> 00:44:36.440
The concert was amazing.
We adore them.

00:44:40.400 --> 00:44:43.120
And I loved,
I loved her voice.

00:44:43.200 --> 00:44:44.600
And my...

00:44:45.560 --> 00:44:47.280
favourite song was "Coconut Rice".

00:44:47.360 --> 00:44:49.920
So your dream came true.
-It was my dream.

00:44:50.000 --> 00:44:52.280
It was his dream and it came true.

00:44:52.680 --> 00:44:55.000
Thank you.
We really, really appreciate it.