Art and Ritual as Transformative Tools: Women as agents of change.
Bloodtime
- Description
- Reviews
- Citation
- Cataloging
- Transcript
BLOODTIME MOONTIME DREAMTIME is a poetic three-part documentary work by Emmy Award winning filmmaker, Roberta Cantow which recontextualizes the experience of menstruation, blood, creativity and power for women today. With stunning visual images, a haunting musical score, and an original approach, this work delves into the values of the ancient “wise woman” ways. As a whole, Bloodtime Moontime Dreamtime provides a bird’s eye view of a culture within our culture which has begun to have influence over how women think and feel about their bodies and the earth and about personal and spiritual transformation. Combining notions of spirituality with the philosophy of the expressive arts movement and eco-feminism, this trilogy presents a landscape of women creatively engaged in the meaning making of their lives.
Together, the three parts provides a tapestry of contemporary ideas and practices that bespeak a need in the culture and in our times to invest our most elemental experiences of ‘life passage’ with new meanings. Touches on themes with interdisciplinary appeal to: women’s studies; contemporary ethnography; sociology; religion and spirituality; myth and ritual; culture and performance studies; depth psychology, expressive arts, etc.
Bloodtime: Claiming the Territory - (The meanings and metaphors of blood) (20:00)
Moontime: Celebrating the Blessing - (Honoring a girls' entrance into womanhood) (36:00) (Featuring interview with Laura Owen, author of Her Blood is Gold and others participants)
Dreamtime: Creating Art and Ritual (Art and Ritual as Transformative tools; Women as agents of change. (62:00) (Includes Ccommentary with Judith Greer Essex, PhD, Expressive Arts and artist, Helen Redman, among others)
Citation
Main credits
Cantow, Roberta (film director)
Cantow, Roberta (film producer)
Cantow, Roberta (publisher)
Cantow, Roberta (distributor)
Other credits
Music, Bronwen Jones.
Distributor subjects
Women's StudiesKeywords
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(soft mystical music)
00:00:11.095 --> 00:00:13.845
(waves crashing)
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- [Speaker 1] I like to remind myself
00:00:33.690 --> 00:00:37.290
that we're actually made of stardust,
00:00:37.290 --> 00:00:41.553
that our blood also is
literally made of stardust.
00:00:54.660 --> 00:00:57.180
- [Speaker 2] As cosmologist,
Brian Swimme puts it,
00:00:57.180 --> 00:00:59.490
leave hydrogen gas alone long enough,
00:00:59.490 --> 00:01:04.450
and it will turn into
giraffes, rosebuds, humans.
00:01:10.710 --> 00:01:13.440
- I love to think of how it is not just
00:01:13.440 --> 00:01:17.790
a philosophical idea, how
it is a biological fact,
00:01:17.790 --> 00:01:22.560
that we are one with the universe,
00:01:22.560 --> 00:01:25.980
and our blood is one little proof of it.
00:01:25.980 --> 00:01:30.723
I try to keep that in mind,
that we are made of stardust.
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(Haunting music continues
with choral voices)
00:01:44.963 --> 00:01:48.270
- The baby comes out having a blue tint,
00:01:48.270 --> 00:01:51.543
and as it opens its mouth, Wah!
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And that air gets into the baby's lungs.
00:01:57.420 --> 00:01:59.940
You will see this beautiful pink color
00:01:59.940 --> 00:02:03.090
traveling up the neck and into the head.
00:02:03.090 --> 00:02:06.570
And it's a beautiful sight
to see this transfer of color
00:02:06.570 --> 00:02:08.220
from blue to red.
00:02:08.220 --> 00:02:11.250
And what it is is the
blood being oxygenated,
00:02:11.250 --> 00:02:13.962
and the baby is now an
independent breather.
00:02:13.962 --> 00:02:15.870
[Music Continues]
00:02:15.870 --> 00:02:19.563
- So, she who bleeds is
she who brings forth life.
00:02:27.390 --> 00:02:29.553
- There's something
called a red egg party.
00:02:32.460 --> 00:02:36.600
Within the first maybe six
months of the child's life,
00:02:36.600 --> 00:02:38.820
you invite all your friends
and the whole community,
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and have a big banquet,
and give out red eggs,
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eggs that are dyed red.
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- When I married my husband,
I was trying to decide
00:02:48.000 --> 00:02:50.600
what color dress to wear,
because I wasn't a virgin.
00:02:51.900 --> 00:02:54.840
So I decided what I really
needed was a white dress
00:02:54.840 --> 00:02:57.060
with red stains around the hem.
00:02:57.060 --> 00:03:00.240
I didn't really do that,
but this was my fantasy
00:03:00.240 --> 00:03:02.690
and everyone who heard
that was totally appalled.
00:03:04.980 --> 00:03:08.820
- [Speaker 3] In many
cultures, a woman's virginity
00:03:08.820 --> 00:03:11.823
was considered one of the
greatest treasures of the family.
00:03:12.810 --> 00:03:16.980
The proof would be the sheet
00:03:16.980 --> 00:03:19.860
on which the marriage was consummated,
00:03:19.860 --> 00:03:22.833
hung out for the rest of
the neighborhood to see.
00:03:27.660 --> 00:03:30.270
- I used to be really afraid of blood.
00:03:30.270 --> 00:03:32.883
People bleeding used
to make me wanna faint.
00:03:50.422 --> 00:03:51.930
- I got in a rock fight
00:03:51.930 --> 00:03:54.150
with a guy who lived across the street,
00:03:54.150 --> 00:03:55.530
and he hit me on the head,
00:03:55.530 --> 00:03:57.813
and my whole face was bleeding.
00:04:03.990 --> 00:04:04.823
- Cruelty.
00:04:06.510 --> 00:04:07.950
Misery.
00:04:07.950 --> 00:04:09.970
Somebody suffering somewhere
00:04:17.100 --> 00:04:17.933
- It's blood.
00:04:23.850 --> 00:04:25.950
- My associations with it are mostly pain.
00:04:35.090 --> 00:04:38.370
- In Chinese tradition,
when you get married
00:04:38.370 --> 00:04:41.070
you wear a red dress to
your wedding banquet,
00:04:41.070 --> 00:04:42.370
which is a big feast
00:04:44.190 --> 00:04:47.010
- But that was one way of
sealing a relationship, you know?
00:04:47.010 --> 00:04:49.890
You would prick yourself, and
you're gonna be blood cousins,
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or blood friends, friends for life.
00:04:56.520 --> 00:04:58.620
- [Speaker 4] Real blood
is a whole different thing
00:04:58.620 --> 00:05:01.323
from storytelling blood.
00:05:03.510 --> 00:05:07.470
- He is accessing blood that is new,
00:05:07.470 --> 00:05:10.113
a force that hasn't been tapped yet.
00:05:13.230 --> 00:05:15.150
And it goes back to the idea
00:05:15.150 --> 00:05:17.670
of who has access to the woman's sexuality
00:05:17.670 --> 00:05:18.820
for the first time
00:05:20.130 --> 00:05:23.640
- A girlfriend's mother took
it upon herself to tell me,
00:05:23.640 --> 00:05:26.280
well now you have to be careful with boys.
00:05:26.280 --> 00:05:28.620
It had absolutely no meaning for me.
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I didn't know what she meant.
00:05:30.750 --> 00:05:32.340
- [Speaker 4] No one said it, but it meant
00:05:32.340 --> 00:05:34.080
that I could get pregnant.
00:05:34.080 --> 00:05:38.610
- We'd play a game, and
the game is Joe Willie.
00:05:38.610 --> 00:05:40.890
I've made up this fictional character,
00:05:40.890 --> 00:05:44.070
and this guy is usually
the most handsome guy,
00:05:44.070 --> 00:05:48.180
and talks the smoothest,
and he cons your daughter
00:05:48.180 --> 00:05:51.300
out of all her decision making practices.
00:05:51.300 --> 00:05:53.760
So when we go down the street,
00:05:53.760 --> 00:05:55.860
it's like, is he a Joe Willie?
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Do you know what a Joe Willie is?
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Because she will never have to come to me
00:06:00.780 --> 00:06:03.240
if she chooses a Joe Willie,
00:06:03.240 --> 00:06:05.730
and say I didn't know who he was,
00:06:05.730 --> 00:06:08.253
because she knows who he is.
00:06:10.860 --> 00:06:13.140
- We wear red dresses
and people think that
00:06:13.140 --> 00:06:16.050
that's very whorish, or out there,
00:06:16.050 --> 00:06:18.720
and I think that is because
it's like wearing blood
00:06:18.720 --> 00:06:23.100
on the outside, having our
guts strung on our bodies,
00:06:23.100 --> 00:06:25.080
and maybe that's too much for our society.
00:06:25.080 --> 00:06:27.633
Too bright, too bold.
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Not virginal.
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Not modest.
00:06:34.830 --> 00:06:37.590
- Red makes me feel the boldness
00:06:37.590 --> 00:06:39.993
that I do have inside myself.
00:06:41.310 --> 00:06:45.120
- This was my going away
dress when I was married,
00:06:45.120 --> 00:06:46.410
and it was red.
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I never considered not having that color.
00:06:49.320 --> 00:06:52.800
I was happy being married and in love
00:06:52.800 --> 00:06:55.653
and I thought this was like a big yell.
00:07:00.870 --> 00:07:03.030
- [Speaker 2] Dear friend, I find myself
00:07:03.030 --> 00:07:05.850
living with two men, my cousins.
00:07:05.850 --> 00:07:09.090
Both of them are extremely
neat and fastidious
00:07:09.090 --> 00:07:11.430
and on antidepressants.
00:07:11.430 --> 00:07:13.650
I have this fear of
spilling menstrual blood
00:07:13.650 --> 00:07:15.960
on the wall to wall carpeting.
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I'm aware of my chaotic
femaleness around them.
00:07:20.190 --> 00:07:21.451
Strange.
00:07:21.451 --> 00:07:24.368
(soft tense music)
00:07:36.800 --> 00:07:39.467
(river flowing)
00:07:48.420 --> 00:07:50.970
- [Speaker 5] There's
something that sets us apart.
00:07:52.680 --> 00:07:53.853
There's a signature.
00:07:55.290 --> 00:07:57.338
If we were to reveal it,
00:07:57.338 --> 00:08:00.161
we'd say it's the signature of blood.
00:08:02.100 --> 00:08:05.463
The blood follows us throughout
the journey of our life,
00:08:06.300 --> 00:08:09.663
whether it's with us, or no longer there.
00:08:10.830 --> 00:08:14.073
That is part of the womanhood secret.
00:08:16.620 --> 00:08:21.000
- Women in ancient times were
not only the bringers of life,
00:08:21.000 --> 00:08:23.703
but they were also the
caretakers of death.
00:08:30.240 --> 00:08:33.510
So when that honoring of death
00:08:33.510 --> 00:08:35.410
became repressed in our culture
00:08:36.480 --> 00:08:41.250
and taken over in a way
that death then became a way
00:08:41.250 --> 00:08:46.250
to conquer things, to hold
the power of life and death
00:08:47.550 --> 00:08:50.733
in your hand became a
power over structure.
00:08:59.010 --> 00:09:03.540
And in a culture where
blood is not honored
00:09:03.540 --> 00:09:08.540
in its sacred ways, we honor
it in the more violent ways.
00:09:09.687 --> 00:09:10.800
Power over.
00:09:12.817 --> 00:09:13.650
[2 ddrum beats]
00:09:13.650 --> 00:09:16.817
Competition as opposed to cooperation.
00:09:18.840 --> 00:09:23.643
Patriarchy has repressed and
suppressed our mysteries,
00:09:24.510 --> 00:09:25.923
women's blood mysteries.
00:09:30.930 --> 00:09:32.070
- When we were moving
00:09:32.070 --> 00:09:35.970
from a matriarchal society
to a patriarchal society,
00:09:35.970 --> 00:09:39.900
this most significant substance
00:09:39.900 --> 00:09:43.863
was totally turned around.
00:09:46.350 --> 00:09:47.910
It is not magic.
00:09:47.910 --> 00:09:49.260
It is the lowest.
00:09:49.260 --> 00:09:51.420
It makes women low.
00:09:51.420 --> 00:09:54.750
And this was vital to the rise
00:09:54.750 --> 00:09:57.780
of the Judeo-Christian
religions and culture,
00:09:57.780 --> 00:10:00.363
that this magic be taken away from us.
00:10:03.237 --> 00:10:04.070
[Drum Beats With Hunting Music And Voies]
00:10:11.700 --> 00:10:15.720
- I worked with combat
vets in a VA medical center
00:10:15.720 --> 00:10:19.032
and sat over the course of five years
00:10:19.032 --> 00:10:21.674
listening to hundreds of stories
00:10:21.674 --> 00:10:23.417
of returned combat veterans.
00:10:26.460 --> 00:10:29.760
And one of the things was
how many of them spoke
00:10:29.760 --> 00:10:34.593
of fighting and killing
other human beings.
00:10:39.330 --> 00:10:43.740
There was, on many occasions,
the reference to blood brothers,
00:10:43.740 --> 00:10:46.080
and really what they were talking about
00:10:46.080 --> 00:10:49.830
was the incredible sense
of aliveness that they had
00:10:49.830 --> 00:10:54.035
in combat situations
where blood could be shed.
00:10:54.035 --> 00:10:54.868
(crowd applauding)
00:10:54.868 --> 00:10:57.390
We might be tempted to
call it almost a bravado
00:10:57.390 --> 00:10:59.490
and a machismo, but it really wasn't that.
00:10:59.490 --> 00:11:03.450
It was something that
happens to the human being
00:11:03.450 --> 00:11:06.750
put in these extraordinarily
powerfully stimulating
00:11:06.750 --> 00:11:09.813
circumstances where life
and death were on the line.
00:11:12.990 --> 00:11:16.680
I'll never forget the
images and the sensations
00:11:16.680 --> 00:11:18.970
of blood on their hands
00:11:21.420 --> 00:11:23.910
- And this is in stark contrast
00:11:23.910 --> 00:11:27.240
to the blood that I think
women are interested in
00:11:27.240 --> 00:11:29.460
and associate with the
blood of menstruation,
00:11:29.460 --> 00:11:30.843
the blood of childbirth.
00:11:34.260 --> 00:11:37.410
I think we still have a
preponderance of experiences
00:11:37.410 --> 00:11:40.020
that say the blood on your underpants
00:11:40.020 --> 00:11:42.603
is something to be wadded
up and hidden away,
00:11:43.620 --> 00:11:47.550
whereas in the movies, someone
is sprayed with bullets
00:11:47.550 --> 00:11:50.790
or his head cut off, or a
limb, or something else,
00:11:50.790 --> 00:11:54.060
and we seem to be able to tolerate that.
00:11:54.060 --> 00:11:56.140
I think this really has to do
00:11:57.334 --> 00:11:58.167
(gunshots firing)
00:11:58.167 --> 00:12:02.234
with the positive associations
with a warrior nation.
00:12:02.234 --> 00:12:05.244
(slow dramatic music)
00:12:05.244 --> 00:12:08.070
(artillery firing)
00:12:08.070 --> 00:12:12.703
- They spoke of an obsessive anxiety over
00:12:13.830 --> 00:12:17.700
and sensation of blood on their hands.
00:12:17.700 --> 00:12:21.450
This could happen in dreams, at night.
00:12:21.450 --> 00:12:24.273
It could also even happen
during waking hours.
00:12:25.170 --> 00:12:28.650
A few of them feeling
compelled to wash their hands
00:12:28.650 --> 00:12:31.410
or to not want to touch other people,
00:12:31.410 --> 00:12:34.290
not shake their hands
because of the sensation
00:12:34.290 --> 00:12:36.780
that they had of blood on their hands.
00:12:36.780 --> 00:12:39.393
Blood had a particular
significance to them.
00:12:41.137 --> 00:12:41.970
[Dramatic music continues in backrouns].
00:13:01.222 --> 00:13:04.350
- I do think that our particular culture
00:13:04.350 --> 00:13:07.263
loves the metaphor and imagery of war.
00:13:08.130 --> 00:13:10.800
We might not like to reflect on that,
00:13:10.800 --> 00:13:13.170
but I think it is from that,
00:13:13.170 --> 00:13:18.170
that our tolerance for the
blood of violence has sprung.
00:13:19.830 --> 00:13:24.543
We are excited and even
thrilled by the blood of war,
00:13:28.560 --> 00:13:33.510
and the sadness seems to be missing.
00:13:33.510 --> 00:13:35.040
We seem to have an appetite
00:13:35.040 --> 00:13:38.733
for war, and gore, and spilling blood.
00:13:42.039 --> 00:13:42.872
[Dramatic Music Continuess].
00:13:56.460 --> 00:13:59.040
- [Mark] I'll never
forget the helplessness
00:13:59.040 --> 00:14:04.040
that many of these guys
shared about these images
00:14:05.940 --> 00:14:10.170
that could be very intrusive,
00:14:10.170 --> 00:14:14.223
and interfere with their
daily lives at times.
00:14:23.790 --> 00:14:27.600
- And I think the imagery
of the body and birth
00:14:27.600 --> 00:14:31.200
and so on, although they
are in a way terrifying,
00:14:31.200 --> 00:14:34.170
I mean, they're very raw,
00:14:34.170 --> 00:14:37.080
but they're not aggressive
in the same way.
00:14:37.080 --> 00:14:41.550
And it leads one to think
about life and death
00:14:41.550 --> 00:14:45.453
in a very different way, a
fundamentally different way.
00:14:47.530 --> 00:14:50.970
(slow solemn music)
00:14:50.970 --> 00:14:53.253
- In many cases, there
was a sense of guilt.
00:14:56.250 --> 00:15:00.577
The bloodshed through battling
and killing the enemy,
00:15:00.577 --> 00:15:02.227
or the blood of a fallen comrade.
00:15:05.340 --> 00:15:08.913
Our culture defines the
warrior role as one of honor,
00:15:11.310 --> 00:15:14.370
and the shedding of
blood for one's country
00:15:14.370 --> 00:15:17.463
was perceived as an honorable thing to do.
00:15:19.800 --> 00:15:21.453
What it was about subsequently,
00:15:22.470 --> 00:15:24.690
turned the blood and
the meaning of the blood
00:15:24.690 --> 00:15:26.013
into something else.
00:15:32.550 --> 00:15:36.030
I was profoundly impacted by the stories
00:15:36.030 --> 00:15:38.320
of these men and some of the women
00:15:39.960 --> 00:15:42.940
who shared with me the wounding
00:15:43.800 --> 00:15:45.693
that they carried around with them.
00:15:48.000 --> 00:15:52.590
It has to do with the meaning
of the blood on their hands
00:15:52.590 --> 00:15:53.820
and in the guerilla warfare,
00:15:53.820 --> 00:15:55.170
women and children could be the enemy,
00:15:55.170 --> 00:15:56.460
and the blood on their hands may be that
00:15:56.460 --> 00:15:57.560
of women and children.
00:16:05.280 --> 00:16:08.943
That was an important hurdle to get over.
00:16:12.706 --> 00:16:13.539
[Music Shifts To Light Percussion].
00:16:17.070 --> 00:16:20.133
And it's a legacy that's
referred to again and again now,
00:16:23.670 --> 00:16:26.400
in terms of the choices to
enter into bloody combat
00:16:26.400 --> 00:16:27.543
with other countries.
00:16:35.130 --> 00:16:39.000
- This ties into the role of blood
00:16:39.000 --> 00:16:42.393
in every single female
child's development,
00:16:43.230 --> 00:16:48.180
that shock and the nexus
point of the monarchy,
00:16:48.180 --> 00:16:50.973
when she begins her fertile life,
00:16:55.410 --> 00:16:58.740
and the closing down and
shifting and changing
00:16:58.740 --> 00:17:01.560
of that flow when she enters menopause.
00:17:01.560 --> 00:17:06.560
These biological events
are ripe with images
00:17:07.800 --> 00:17:10.980
and metaphors and ways of
understanding our lives,
00:17:10.980 --> 00:17:15.840
that I think are, perhaps,
a helpful contrast
00:17:15.840 --> 00:17:20.613
to the images of war
and crime and violence.
00:17:26.708 --> 00:17:28.830
- [Speaker 6] I think now
we've come to the limit
00:17:28.830 --> 00:17:30.780
of what patriarchy can achieve
00:17:30.780 --> 00:17:32.313
without destroying the planet,
00:17:36.030 --> 00:17:39.180
and it looks as though we
really have to integrate
00:17:39.180 --> 00:17:42.940
the true values of the
feminine very quickly
00:17:44.520 --> 00:17:49.053
in order to avoid problems
that are irreversible.
00:18:01.440 --> 00:18:04.320
- My name's Lynn, and
I'm a menstruating woman.
00:18:04.320 --> 00:18:06.720
- I'm no longer menstruating.
00:18:06.720 --> 00:18:09.330
I am all done with periods.
00:18:09.330 --> 00:18:11.970
- I am a menstruating woman,
00:18:11.970 --> 00:18:14.160
though not menstruating at the moment.
00:18:14.160 --> 00:18:15.570
- I do bleed.
00:18:15.570 --> 00:18:17.870
- I'm a woman of full circle.
00:18:17.870 --> 00:18:19.650
- I am Paula, and I'm
a menstruating woman.
00:18:19.650 --> 00:18:20.970
- Free at last, free at last.
00:18:20.970 --> 00:18:22.050
Thank God Almighty.
00:18:22.050 --> 00:18:23.550
I'm free at last.
00:18:23.550 --> 00:18:27.150
- The culture would call me premenopausal.
00:18:27.150 --> 00:18:30.731
- And I've been around for
a long, long, long, long,
00:18:30.731 --> 00:18:33.150
long, long, long, long,
long, long, long time.
00:18:33.150 --> 00:18:36.910
- I am well beyond the menopausal stage.
00:18:36.910 --> 00:18:41.910
- We are the crones, the
older and the wiser women.
00:18:42.480 --> 00:18:44.430
- And I do bleed.
00:18:44.430 --> 00:18:46.800
- I still get my monthly cycle.
00:18:46.800 --> 00:18:50.040
- I'm at a stage in my life
that they call perimenopause,
00:18:50.040 --> 00:18:52.680
which is not as romantic as pericomo.
00:18:52.680 --> 00:18:56.190
Now after all these years of
complaining about having it,
00:18:56.190 --> 00:18:58.710
I found out that that's
what's keeping me young.
00:18:58.710 --> 00:18:59.973
- As I've gotten older,
00:19:01.080 --> 00:19:03.240
this monthly bleeding is very reassuring.
00:19:03.240 --> 00:19:04.473
- My name is Sarah,
00:19:05.340 --> 00:19:08.340
and I'm just too shy to do this.
00:19:08.340 --> 00:19:11.730
- You know, in a way, it
makes sense to have a tent
00:19:11.730 --> 00:19:13.770
or a hut, or a place to go to,
00:19:13.770 --> 00:19:17.913
and not have to deal with anybody.
00:19:25.290 --> 00:19:26.990
- [Speaker 4] It's all a metaphor.
00:19:28.320 --> 00:19:33.320
- [Speaker 6] To move us
into a place of wholeness
00:19:33.630 --> 00:19:35.517
where there are no words.
00:19:45.381 --> 00:19:50.381
(soft mystical music)
(waves crashing)
Distributor: Roberta Cantow
Length: 20 minutes
Date: 2008
Genre: Mixed
Language: English
Grade: College, Adults
Color/BW:
Closed Captioning: Available
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