WEBVTT

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If we rehearse individually,
what’s going to happen?

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We are going to play separately...

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We are not going to
set the beat right

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we are not used to playing
as a group, right?

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Don\'t you think?

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But I think we should
schedule more rehearsals

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just like the one we had today.

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The songs we have rehearsed today

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have turned out well

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those we have practised
turned out well

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but with the others there
are some difficulties.

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Since they are new songs

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sometimes it gets complicated

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We know how to read music
but we are not perfect

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so, we have to rehearse.

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Besides, the marking that
the conductor proposes...

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it is very important...

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so we can all join in together.

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But the contractor was very happy.

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Yes, he was happy.

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Or maybe you already
belong to another band?

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No, now I am a
freelance musician.

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As I told you, I rehearse
only in the afternoons.

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When I was at school

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I practiced at home alone

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I always like to
learn new things…

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And if you don\'t get
the scholarship…

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Can I propose you something?

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I need you in the band.

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Here is the headquarters
of the national university.

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Did you know?

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The headquarter is here
so you can rehearse

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at the same time,
you can play

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earn some money

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and study at the university here.

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But of course...

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only if you like the careers
that are offered here.

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I\'m thinking of
studying civil engineering

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and there is no
such career here.

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I\'m actually a bit confused

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because if I don\'t get
the scholarship...

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Is the scholarship exclusively
for civil engineering?

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Or can you choose any
other profession?

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It is for any career
related to civil engineering.

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- You get a technical degree.
- Architecture or something.

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Sure, you graduate as a technician

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and then you can specialize.

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Ah, ok, it\'s just a three-year studies

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and then you add any specialisation.

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Santiago de Chuco, La Libertad.
Peruvian northern highlands.

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Here, in 1892, the poet
César Vallejo was born.

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It\'s beautiful, isn\'t it?

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- He tells himself not to be afraid.
- Of course.

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- Perhaps, we can reenact that moment...
- Okay...

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As if, of course, there
are no stairs here

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but as if you were climbing
up the bell tower

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where you can\'t see anything

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and say to yourself out loud:
\"Don\'t be afraid, Santiago, don\'t be afraid\"

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Yes, sure.

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We have a...

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You want it to go along
the lines of the text, right?

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\"Don\'t be afraid, Santiago,
don\'t be afraid.\"

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And if you want, you can
add your own spin to it.

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Of course.

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Of course, you do with it
what you wish... Okay?

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- Sure, let\'s recreate it.
- We\'ll recreate it, sure.

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We don\'t have a cane, but we do
have a stick, is that ok?

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Sure.

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What else would you need?
We don\'t have much, but...

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I think that will do, but...
I believe that, perhaps

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you know, we didn’t
rehearse this in advance

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but let\'s see,
we\'ll just do it.

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- A practice run.
- Yes, a practice run.

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Now, it says there
in the text that

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he\'s almost up against
the wall, right?

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Hitting the walls, right?

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So, I don\'t know, but here...

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how much space do I have...?

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Let\'s see how much space you have...?

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- From here.
- To here.

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Yes, and in the same way,
let\'s mark it over here.

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- From here...
- Yes, from there…

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and to this point,
exactly there.

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In front of this...

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too far, just a step back.

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There.

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You can start over there as well...

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I have to talk with
the right posture

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I\'m playing an older person.

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They sometimes have the
habit of talking to themselves

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don\'t they?

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They talk to themselves, so,
let\'s see, whatever comes to me.

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Let\'s see a practice run.
Whenever you are ready.

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It\'s a practice run.

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It\'s now that time.

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What can I do?

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It\'s time to ring the bells.

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But, my back hurts already, and every
day I have to climb to the top

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Oh well...

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Okay, okay, okay.

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It\'s scary.

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Don\'t be afraid,
Santiago, don\'t be scared.

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Nothing will happen.
Don\'t be frightened.

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But, boy! Here I come,
here I come.

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I\'m getting up there in age.

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Here I am...

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Until the Redeemer
comes to pick me up.

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I wonder when that\'ll be?

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My father died.

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And he used to tell me: \"Hey! Santiago!\"

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\"Help me here!\", \"Help me there!\".

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All my life he has been with me.

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And everything has been well.

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Until I come of age.

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The age of having.

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So, this man is leaving.

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Something like that?
With that monologue?

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Like that? Was that okay?
I gave it a try.

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About everything
there is to know

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But when Vallejo says, right?

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It says: Blind Santiago
is ringing six o\'clock

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and it\'s already pretty dark.

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Mother said she
wouldn’t be late, right?

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And it reads: Be careful
going around there

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where stooped souls in
torment have just passed

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twanging their memories,
toward the silent barnyard

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and where the hens
still getting settled

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had been so frightened.

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So, what does the
silent barnyard mean?

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The hens were in the coop

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and when the hens crowed slowly, then
there was a kind of fear, of dread.

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Perhaps in that way, probably
with that sense, right?

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Vallejo takes on that sense.

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Sure, there\'s no explanation,
there\'s just that idea.

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A fear he had when he
went up to ring the bells

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and then repeated to himself,
\"Don\'t be afraid, Santiago,\" right? And...

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He gave himself courage, of course.

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And, that seemed like a very
poetic image to me, didn\'t it?

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Almost a metaphor for
a lot of things, right?

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So, I had this idea in my head
that different bell ringers

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would come up to this bell
tower to ring the bells

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and play with this idea
of not being able to see.

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Of course.

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And another thought is that
perhaps, as he was ringing the bells

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suddenly the character was unknown

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and Vallejo named him,
blind Santiago.

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Because I don\'t think that when
he went up the bell tower

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he was truly blind, was he?

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Instead, because of the
theme of the poem...

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So, Vallejo characterised
him that way, right?

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Because for him to come from his
house and head up the bell tower...

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It seems to me that
he wasn\'t, in fact, blind.

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- It\'s \"blows,\" not \"glows\".
- Listen! Did Cesar Vallejo die here?

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- No.
- Did he?

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This is where they put his grave
because Cesar Vallejo died in...

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- In Paris!
- In Paris, in his bed.

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- Here?
- Because of illness.

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Here, I don\'t know, they
just put the grave here.

00:12:18.581 --> 00:12:22.119
Because, if we pull all this out,
Vallejo\'s body is not going to be there.

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I saw a tomb that...

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So, if we stomp on it, nothing
will happen to us.

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Because there is no
dead body here.

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And what if
there is one?

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No. Look!

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Isn\'t that...

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But, a hairy one,
it\'s very hairy.

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There are blows in life, so
powerful… I don\'t know!

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Blows as from the
hatred of god; as if...

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facing them, the undertow
of everything suffered...

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Hey, it\'s better if we both
do it at the same time.

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Okay.

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There are blows in life, so
powerful… I don\'t know!

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Blows as from the hatred
of god; as if, facing them

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the undertow of everything
suffered welled up in the soul…

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I don\'t know!

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They’re few; but they are…

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They open dark trenches

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in the fiercest face and
the strongest back.

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Perhaps, they are the
colts of barbaric Attilas

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or the black heralds
sends to us by Death.

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They are the deep falls
of the Christs of the soul

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Of some adored faith
blasphemed by Destiny.

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The sign on your table
says candy from Otuzco.

00:14:26.059 --> 00:14:27.797
Yes, the owner is from there.

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I work with the lady
to make a living.

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- You\'re not from Otuzco then.
- No, I\'m from Santiago.

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And how long have you
been selling candy here?

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Well, selling my products...
It\'s been about 11 years now.

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- 11 years?
- Yes.

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- And what did you do before?
- I worked in construction, security...

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every job that came my way.

00:15:04.936 --> 00:15:07.552
And, why did you
switch to candy?

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Because of my age and
the surgeries, I\'ve had.

00:15:11.399 --> 00:15:16.272
I couldn\'t work anymore.
That was the reason.

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When you were young,
studying here or living here...

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Did you learn to love Vallejo like
everyone else or not so much?

00:15:28.238 --> 00:15:32.114
Well, I wasn\'t born here.

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I lived further inland,
west, near Ancash.

00:15:38.854 --> 00:15:41.478
In a place called La Yaguada.

00:15:41.678 --> 00:15:44.424
That\'s where my parents are from.

00:15:44.624 --> 00:15:45.624
that\'s where I was born.

00:15:45.824 --> 00:15:51.171
When I was nine years old, I came
to the farm here, to Temple.

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That\'s where
I became a man.

00:15:53.119 --> 00:15:55.242
At 19, I started
traveling to Trujillo.

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I came here as
a young man...

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To buy a little house,
we settled down

00:16:01.719 --> 00:16:06.794
we went to Trujillo with my parents
when they were already elderly.

00:16:07.043 --> 00:16:08.324
I lost my parents over there

00:16:08.524 --> 00:16:11.253
stayed there with my siblings.

00:16:11.453 --> 00:16:12.453
I\'m the only one here.

00:16:12.653 --> 00:16:15.115
My siblings are in Trujillo,
my children are in Trujillo.

00:16:16.376 --> 00:16:18.364
And why did you
decide to come here?

00:16:18.564 --> 00:16:22.102
Well, it\'s the countryside,
it\'s always...

00:16:22.302 --> 00:16:25.420
The farm can sometimes be tedious,
every day the same thing.

00:16:26.342 --> 00:16:31.344
In those times, when I came here,
we had already heard about Vallejo

00:16:31.544 --> 00:16:34.806
we heard about his legend

00:16:35.006 --> 00:16:37.931
we studied his life a little bit.

00:16:38.131 --> 00:16:42.120
But not on the farm,
there\'s nothing.

00:16:42.320 --> 00:16:44.859
- It\'s a different kind of life.
- A different life.

00:17:23.298 --> 00:17:28.558
- Where are you coming from?
- We are filmmakers...

00:17:28.758 --> 00:17:34.443
Oh! How nice, well, well...
It\'s perfect...

00:17:34.643 --> 00:17:40.174
- Where do you live? Trujillo? Lima?
- We are living in Lima.

00:17:40.374 --> 00:17:41.937
But we are from different places.

00:17:42.137 --> 00:17:45.408
Oh, sure! Very well. Good.

00:17:45.608 --> 00:17:48.931
So welcome to our
land of Vallejo

00:17:49.131 --> 00:17:56.558
it’s also, the cultural and religious
land of the Apostle Santiago.

00:17:56.758 --> 00:17:59.172
He is the patron saint
of Santiago de Chuco.

00:17:59.372 --> 00:18:02.695
Here we have many
more customs.

00:18:04.265 --> 00:18:06.335
You wonder what
we are doing…

00:18:06.535 --> 00:18:11.947
I guess you are doing an
interview to make a movie

00:18:12.147 --> 00:18:14.560
to make a news report

00:18:14.760 --> 00:18:20.408
to highlight our poet
Cesar Vallejo

00:18:20.608 --> 00:18:25.096
and our war commander
Luis Felipe de la Puente

00:18:25.296 --> 00:18:28.784
and many more
important characters

00:18:28.984 --> 00:18:32.828
whose names I don\'t recall.

00:18:33.514 --> 00:18:34.679
Everyone facing forward, okay.

00:18:34.879 --> 00:18:38.589
When the music starts,
what do we do?

00:18:38.789 --> 00:18:46.249
One, two, one, two, one,
two... facing forward.

00:18:46.583 --> 00:18:48.321
Carlos! Quiet,
Gerald! Okay?

00:18:48.521 --> 00:18:49.521
But, Miss...

00:18:49.721 --> 00:18:52.262
Luciana, take your hands
out of your mouth.

00:18:52.526 --> 00:18:55.593
Leave her alone. One, grab
your dress, one, two.

00:18:55.687 --> 00:19:01.370
Now go, the couple comes out,
you kneel down, that\'s it.

00:19:01.570 --> 00:19:05.525
Give her the flower, make a
hole with your arm, that\'s it.

00:19:05.725 --> 00:19:06.725
Dance.

00:19:09.083 --> 00:19:16.132
Over there, that\'s it,
yes, kneel, very well

00:19:16.332 --> 00:19:18.865
make a hole with
your arm, that\'s it.

00:19:19.065 --> 00:19:22.518
Over there, let\'s keep
going, Carlitos Ulloa.

00:19:22.618 --> 00:19:25.329
Go over there, over
there! Next to Kiarita.

00:19:27.174 --> 00:19:28.866
This kid!

00:19:28.966 --> 00:19:31.564
Okay, Carlitos, keep going.

00:19:34.848 --> 00:19:36.689
Kneel down, that\'s it.

00:19:36.889 --> 00:19:40.095
Make a hole with
your arm, dancing.

00:19:41.123 --> 00:19:43.820
Luciana and Renzo take
a few steps forward.

00:19:44.020 --> 00:19:45.020
That\'s it.

00:19:47.186 --> 00:19:49.231
Kneel down, curtsy. Very well.

00:19:49.476 --> 00:19:50.576
Luciana, use the other hand.

00:19:50.776 --> 00:19:52.844
Luciana, take the flower
with the other hand! Again.

00:19:55.966 --> 00:19:57.730
Kneel down, give
her the flower.

00:19:58.058 --> 00:20:00.778
Luciana, take the flower,
not with that hand!

00:20:03.241 --> 00:20:06.172
Oh, sweetheart! Let\'s
imagine he has a flower

00:20:06.211 --> 00:20:07.372
and he\'s giving it to you.

00:20:07.572 --> 00:20:09.454
Kneel down, give
her the flower.

00:20:09.559 --> 00:20:10.654
Which one do you
grab it with?

00:20:10.674 --> 00:20:11.854
With that one, yes.

00:20:12.054 --> 00:20:14.144
And now? That\'s it.

00:20:14.344 --> 00:20:16.380
Now we make
a circle, dancing.

00:20:16.580 --> 00:20:21.313
One, two,
turning, turning.

00:20:21.513 --> 00:20:26.882
We\'ve already rehearsed
in the classroom, watch me.

00:20:27.082 --> 00:20:28.082
One, two.

00:20:29.643 --> 00:20:34.524
Let\'s turn, turn,
turn, turn.

00:20:35.075 --> 00:20:38.523
One, two, one, two.

00:20:38.723 --> 00:20:42.210
Stand up straight, like
princes and princesses!

00:20:42.410 --> 00:20:43.587
One, two.

00:20:43.787 --> 00:20:46.328
Now, the girls enter the
circle, you know this already

00:20:46.528 --> 00:20:50.089
they enter holding their
flower up and spin around.

00:20:50.273 --> 00:20:52.265
You guys keep turning,
the boys continue to turn.

00:20:52.465 --> 00:20:57.627
That\'s it. You kneel down
with your flower, that\'s it.

00:20:57.827 --> 00:21:03.628
Stand up, up, up,
very well.

00:21:03.828 --> 00:21:13.746
Continue, keep turning,
keep turning.

00:21:13.946 --> 00:21:16.592
Yes, with one hand
behind your back.

00:21:16.792 --> 00:21:22.785
Allow me to tell you that
I am an agronomy student.

00:21:22.985 --> 00:21:25.395
My name is
Manuel Guevara Valencia

00:21:25.595 --> 00:21:27.117
and I am studying here

00:21:27.317 --> 00:21:30.636
at the Victor Andres Belaunde
Institute in Santiago de Chuco.

00:21:30.836 --> 00:21:33.428
- Are you studying agronomy?
- Yes, Agronomy.

00:21:33.628 --> 00:21:38.012
It has to do with plants, including
livestock, meaning animals.

00:21:38.212 --> 00:21:39.767
We examine everything
about animals

00:21:39.967 --> 00:21:42.604
and in agriculture, we also learn
about all kinds of fruit trees.

00:21:42.804 --> 00:21:46.578
And what would you like to do?
Within your field.

00:21:46.678 --> 00:21:48.997
What would you like to do, in
which area would you like to...?

00:21:49.197 --> 00:21:54.768
In agronomy, I would like to improve
on what already exists, the varieties.

00:21:54.968 --> 00:21:57.818
I am referring to
fruit trees, specifically.

00:21:58.018 --> 00:22:00.529
I would like to go further
into the area of grafts.

00:22:00.729 --> 00:22:03.594
I mean, connecting fruits that
are from the same family.

00:22:03.794 --> 00:22:05.668
For instance, avocado
and orange.

00:22:05.723 --> 00:22:07.452
It\'s a family I would
like to create.

00:22:07.852 --> 00:22:10.529
- Grafting an avocado with an orange.
- Grafting, that\'s it.

00:22:11.344 --> 00:22:12.358
Is there such a thing?

00:22:12.558 --> 00:22:16.574
It doesn\'t exist in Peru yet,
but it does abroad.

00:22:16.774 --> 00:22:19.497
That is, in other more
developed countries

00:22:19.697 --> 00:22:24.480
let\'s say, they have better
technology, better engineers

00:22:24.580 --> 00:22:25.988
which we are still
lacking here in Peru.

00:22:26.188 --> 00:22:30.877
So, how would the avocado
and orange graft come out?

00:22:31.077 --> 00:22:36.504
It would be a hybrid,
say, almost acidic.

00:22:36.704 --> 00:22:41.032
If we chose the avocado
to be the rootstock

00:22:41.132 --> 00:22:43.390
the result would be a
sort of sour avocado

00:22:43.590 --> 00:22:44.788
That\'s what it
would be like.

00:22:44.988 --> 00:22:49.041
The main step of the Pallo,
this daring warrior dance

00:22:49.118 --> 00:22:51.108
is this movement

00:22:53.825 --> 00:22:58.062
This is the step most
used by the communities.

00:22:58.596 --> 00:23:02.212
But, when they master it,
they can do it this way

00:23:02.357 --> 00:23:04.505
but let\'s say this
is the basic step.

00:23:04.605 --> 00:23:06.921
Today, when it comes
to this dance

00:23:07.121 --> 00:23:10.969
the folklore groups
stomp it out a bit.

00:23:11.169 --> 00:23:13.435
They do it this way,
changing it.

00:23:15.564 --> 00:23:19.963
There\'s another step, this way

00:23:22.390 --> 00:23:24.592
lifting your left foot.

00:23:27.546 --> 00:23:30.546
There\'s also the
Drunken Pallo step.

00:23:30.746 --> 00:23:33.907
It\'s almost the same except
your hands are here

00:23:34.107 --> 00:23:36.986
and elbows there, and the
head projects the direction.

00:23:37.186 --> 00:23:40.989
One, two, and so on.

00:23:41.974 --> 00:23:45.457
Other people, who are
from the communities

00:23:45.795 --> 00:23:49.318
do this kind of move more often.

00:23:49.353 --> 00:23:51.956
Those who are from the communities.

00:23:53.260 --> 00:23:55.629
And that is what the
Pallo step looks like.

00:24:26.868 --> 00:24:30.392
I need to know about the
process of the paperwork

00:24:30.592 --> 00:24:36.841
I\'ve been waiting a long time
and still have no results...

00:24:37.647 --> 00:24:39.128
Do you have the
card number?

00:24:40.738 --> 00:24:44.300
6-3-3-9

00:24:51.001 --> 00:24:52.287
What is your name?

00:24:52.487 --> 00:24:54.865
Elder Bocanegra Rodríguez.

00:24:55.065 --> 00:24:59.151
Mr. Elder, has nobody told you that...

00:24:59.427 --> 00:25:01.358
these procedures can take some time?

00:25:01.740 --> 00:25:05.698
Yes, they told me, but I\'ve
been waiting for a long time

00:25:06.198 --> 00:25:07.677
but still nothing…

00:25:14.776 --> 00:25:17.397
Doctor Barbié!

00:25:17.597 --> 00:25:18.597
Do you have the documents?

00:26:16.332 --> 00:26:17.439
Well, good morning.

00:26:17.639 --> 00:26:20.150
my name is
Oscar Barbié Vidal

00:26:20.350 --> 00:26:25.212
and I am currently
working in the division

00:26:25.412 --> 00:26:28.889
of Education, Culture,
and Sports

00:26:29.089 --> 00:26:30.685
of the Provincial Municipality
of Santiago de Chuco.

00:26:30.885 --> 00:26:32.916
We have the official document.

00:26:33.116 --> 00:26:40.597
It says, Municipal
Resolution N°056-91.

00:26:41.724 --> 00:26:44.949
The mayor\'s office of the provincial
municipality of Santiago de Chuco.

00:26:45.149 --> 00:26:49.593
Considering that, among the
different manifestations

00:26:49.793 --> 00:26:55.202
that bring recognition for
his great poetic work

00:26:55.402 --> 00:27:00.042
which ruptured the literary
canons of Peruvian letters

00:27:00.242 --> 00:27:03.512
and that, for this reason, and
as the voice of human pain

00:27:03.712 --> 00:27:06.123
he is recognized as
a cosmic man

00:27:06.323 --> 00:27:08.861
and because he is a
reason of legitimate pride

00:27:09.061 --> 00:27:10.815
for the people of
Santiago de Chuco

00:27:11.015 --> 00:27:13.806
and to cultivate love, admiration

00:27:14.006 --> 00:27:15.908
and justice for his great works

00:27:16.108 --> 00:27:19.870
it is hereto established: Article 1

00:27:20.070 --> 00:27:24.297
shall change the names
of some main arteries

00:27:24.431 --> 00:27:28.772
of our city to the titles of
the most important works

00:27:28.972 --> 00:27:30.948
and poems of the
universal poet

00:27:31.148 --> 00:27:32.910
Cesar Abraham
Vallejo Mendoza

00:27:33.110 --> 00:27:35.129
according to
the following list

00:27:36.361 --> 00:27:40.425
the former name
Jiron Manco Capac

00:27:40.625 --> 00:27:44.444
now has the approved
name Black Heralds street

00:27:44.644 --> 00:27:50.284
jiron Cordova, changes
to Trilce Street

00:27:50.384 --> 00:27:54.373
jiron Sucre, to
Paco Yunque Street

00:27:54.573 --> 00:27:57.071
Jiron Mariano Melgar...

00:27:57.271 --> 00:28:00.874
is now Spain, take this cup
away from me Street

00:28:01.074 --> 00:28:05.560
jiron José Galvez, becomes
Human Poems Street

00:28:05.760 --> 00:28:10.728
jiron Diego Ferré, is now
The Eternal Die Street

00:28:10.928 --> 00:28:15.415
jiron Espinar, Tungsten Street

00:28:15.615 --> 00:28:19.316
jiron Tacna, Fabla Salvaje Street

00:28:19.516 --> 00:28:24.559
jiron Arica, Scales:
Melographed Street

00:28:24.759 --> 00:28:29.110
jiron Francisco Pizarro,
Art and Revolution Street

00:28:31.048 --> 00:28:38.915
jiron Diego de Almagro,
Russia 1931 Street

00:28:39.115 --> 00:28:42.898
jiron Francisco de
Zela y Tarata...

00:28:43.023 --> 00:28:46.777
now becomes Between the Two
Banks Runs the River Street

00:28:46.977 --> 00:28:47.977
jiron Huascar...

00:28:48.177 --> 00:28:52.412
is now Black Stone Lying on
A White Stone Street

00:28:52.612 --> 00:28:58.736
and jiron Ayacucho is now
known as Dead Idyll Street.

00:29:07.044 --> 00:29:10.165
We were looking for a
character who could be him

00:29:10.265 --> 00:29:11.789
and others at the same time.

00:29:12.943 --> 00:29:17.644
As if he had come out of some tale
but also, from the real world.

00:29:17.844 --> 00:29:21.429
One that could take us to
yesterday, to the present

00:29:21.629 --> 00:29:22.629
to Vallejo

00:29:22.815 --> 00:29:23.829
to cinema

00:29:24.029 --> 00:29:25.029
to poetry.

00:29:26.329 --> 00:29:30.248
If we didn\'t find him,
we were going to invent him.

00:29:38.996 --> 00:29:41.827
We are in Santiago de Chuco

00:29:41.911 --> 00:29:46.276
a local boy from this city is
going to recite a poem by Vallejo.

00:29:46.476 --> 00:29:48.408
- Tell us something, what\'s your name?
- Elder.

00:29:48.608 --> 00:29:51.018
Elder. Which of Vallejo\'s poems
do you know by heart?

00:29:51.218 --> 00:29:53.049
Black Stone on
a White Stone.

00:29:53.066 --> 00:29:55.155
Recite it for me, even if
it\'s just a few lines.

00:29:55.355 --> 00:29:56.425
Okay.

00:29:56.583 --> 00:29:58.848
I will die in Paris,
in a downpour

00:29:59.048 --> 00:30:01.721
on someday, a day which
I can already remember.

00:30:01.921 --> 00:30:04.432
I will die in Paris
–and I don’t budge–

00:30:04.532 --> 00:30:07.428
maybe a Thursday,
like today, in autumn.

00:30:07.628 --> 00:30:10.607
It will be a Thursday,
because today, Thursday

00:30:10.707 --> 00:30:11.807
As I prose these lines

00:30:12.007 --> 00:30:15.821
I have forced on my humeri
and, never like today

00:30:16.021 --> 00:30:19.930
have I turned, with all my journey,
to see myself alone.

00:30:20.030 --> 00:30:23.192
Cesar Vallejo has died,
they beat, all of them

00:30:23.292 --> 00:30:24.810
without him doing
anything to them

00:30:24.910 --> 00:30:27.113
they gave it to
him hard with a stick

00:30:27.213 --> 00:30:29.049
and hard likewise
with a rope

00:30:29.149 --> 00:30:32.561
witnesses are the Thursdays
and the humerus bones

00:30:32.661 --> 00:30:36.360
the loneliness, the rain,
the roads… Thank you.

00:30:41.730 --> 00:30:43.693
His mother had told us that

00:30:43.893 --> 00:30:46.140
we could perhaps find him
in the main square.

00:30:46.340 --> 00:30:49.080
We began to daydream about his identities.

00:30:49.280 --> 00:30:52.248
With how he would appear
now that he had grown.

00:31:17.189 --> 00:31:19.509
- He is Elder...
- He is Elder?

00:31:19.709 --> 00:31:21.009
He is Elder...

00:31:26.617 --> 00:31:28.886
He was saying
that he is not...

00:31:31.296 --> 00:31:34.020
- He is! She says he is.
- See? He is.

00:31:41.641 --> 00:31:44.071
Sofía doesn\'t let him play!

00:31:51.639 --> 00:31:53.543
We already knew the place

00:31:53.743 --> 00:31:56.463
so, we thought he could
be a merchant

00:31:56.663 --> 00:31:59.411
a musician, a dancer or a teacher.

00:32:02.318 --> 00:32:05.710
When he finishes we can talk to
him, in half an hour or so.

00:32:12.010 --> 00:32:15.582
We had also imagined
other possibilities:

00:32:15.991 --> 00:32:17.867
that he would not
want to listen to us

00:32:18.067 --> 00:32:19.468
that he wouldn\'t
understand us

00:32:19.668 --> 00:32:21.244
that he lived in
another place...

00:32:24.312 --> 00:32:28.833
That his heart had grown
older, along with his body.

00:32:41.040 --> 00:32:44.371
- Where do I sit?
- Where the line is.

00:32:51.751 --> 00:32:53.794
- Perfect.
- Standing.

00:32:55.745 --> 00:32:57.395
Standing.

00:32:58.098 --> 00:33:02.609
Well, since my mom
breeds guinea pigs

00:33:04.188 --> 00:33:08.335
some mornings, she\'d ask
me to go buy the plants

00:33:08.535 --> 00:33:09.735
for the guinea pigs.

00:33:09.935 --> 00:33:12.451
And, one morning, it
was already around

00:33:12.651 --> 00:33:17.720
seven-thirty, eight, more or less,
and my mom woke me up.

00:33:17.920 --> 00:33:20.765
And I woke up scared
because it was already late

00:33:20.965 --> 00:33:23.161
and I was no longer
going to find alfalfa.

00:33:23.361 --> 00:33:28.126
And I went down, to buy
it quickly and, indeed

00:33:28.226 --> 00:33:29.852
there was nothing
left to buy.

00:33:30.052 --> 00:33:33.365
So, I followed the road,
where they bring all the herbs

00:33:33.565 --> 00:33:38.528
and on a road curve, I saw a
backpack lying there.

00:33:38.728 --> 00:33:41.630
At first, I walked right passed it,
but then I turned around.

00:33:41.830 --> 00:33:43.330
I mean, it kind of
caught my eye.

00:33:43.530 --> 00:33:49.176
Well, it wasn\'t... the backpack
was in a good condition

00:33:49.476 --> 00:33:50.876
that\'s why.

00:33:51.076 --> 00:33:53.527
So, I went back, opened it a little bit

00:33:53.727 --> 00:33:55.147
and saw that there
were clothes inside.

00:33:55.227 --> 00:33:57.843
I said to myself: \"This surely
belongs to someone\", right?

00:33:59.066 --> 00:34:03.980
And, I went to... I wanted to leave it
at one of the houses nearby

00:34:04.380 --> 00:34:09.054
but then I wondered if they
would actually return it.

00:34:09.354 --> 00:34:10.901
I thought I better take it

00:34:11.001 --> 00:34:13.096
perhaps I could find
its owner somewhere

00:34:13.196 --> 00:34:14.842
and return it myself.

00:34:14.942 --> 00:34:17.188
And if not, maybe someone
will ask me for it.

00:34:17.288 --> 00:34:19.529
And, well, I went home

00:34:19.729 --> 00:34:21.627
I bought the alfalfa
somewhere else.

00:34:22.215 --> 00:34:24.256
When I got back,
my mom said

00:34:24.408 --> 00:34:26.900
\"What about that little bit
of alfalfa you brought?\"

00:34:27.100 --> 00:34:30.641
Because, the other place,
is called the reseller.

00:34:30.841 --> 00:34:32.141
They buy and resell it.

00:34:33.178 --> 00:34:36.702
And, I said, \"Mom, yeah, that\'s
how they sell it, like that.\"

00:34:37.005 --> 00:34:39.519
We started talking and she said:

00:34:39.523 --> 00:34:41.263
\"And that backpack?
Where did it come from?\"

00:34:41.463 --> 00:34:42.463
I said: \"I found it.\"

00:34:42.563 --> 00:34:44.587
And, she didn\'t
believe me, she said

00:34:44.787 --> 00:34:48.112
\"You found it? Who did you
take it from?\", she asked.

00:34:48.312 --> 00:34:50.641
But I said, \"No, Mom, how
could you think that?\"

00:34:50.841 --> 00:34:51.841
And, that was it.

00:34:52.041 --> 00:34:56.483
Later, we asked around and
looked for the owner

00:34:56.683 --> 00:34:58.866
but nobody came
to claim it.

00:34:59.066 --> 00:35:04.058
We found about
900 Peruvian Soles inside.

00:35:04.400 --> 00:35:06.947
And, well, the first thing
that came to mind

00:35:07.123 --> 00:35:08.673
when I saw the
900 Soles was

00:35:08.873 --> 00:35:10.870
\"My sax, Mom, let\'s
buy my sax.\"

00:35:11.766 --> 00:35:13.416
And, well, that was that.

00:35:13.602 --> 00:35:15.927
Since nobody came to
claim the backpack

00:35:16.114 --> 00:35:17.286
or even asked for it

00:35:17.452 --> 00:35:21.998
we went to Trujillo and bought the
saxophone that I have today.

00:35:39.519 --> 00:35:42.512
It turns out that the
backpack is haunted

00:35:43.717 --> 00:35:48.736
Everything that the child imagined
desired, loved, feared

00:35:48.936 --> 00:35:50.640
could spring from it.

00:35:56.860 --> 00:36:00.623
Until one day, the boy is
no longer a child

00:36:00.823 --> 00:36:05.868
and for the first time and
for real, he opens it.

00:36:52.037 --> 00:36:52.694
One more.

00:36:52.987 --> 00:36:54.230
Can you hand me
one more, Mrs.?

00:36:54.369 --> 00:36:55.933
One more, we need
two or three.

00:36:56.133 --> 00:36:58.335
He surely got in here.

00:37:00.174 --> 00:37:02.238
Here, this one
was right here.

00:37:02.433 --> 00:37:03.904
What? Should I grab it
from the neck?

00:37:04.037 --> 00:37:04.837
No, no, no.

00:37:05.037 --> 00:37:07.343
Okay, okay, I\'ll step back.

00:37:07.543 --> 00:37:08.543
There?

00:37:08.743 --> 00:37:11.799
If one comes out,
hand it to...

00:37:15.193 --> 00:37:16.514
One came out over there.

00:37:17.866 --> 00:37:19.084
There they are.

00:37:22.022 --> 00:37:24.101
No, but those
are too small.

00:37:24.301 --> 00:37:25.301
Oh, okay, okay...

00:37:28.171 --> 00:37:29.023
Okay.

00:37:32.562 --> 00:37:34.427
They\'re over here,
look, look, Mrs.

00:37:34.627 --> 00:37:36.550
What? Do they bite?

00:37:36.750 --> 00:37:37.252
No.

00:37:37.446 --> 00:37:38.452
They don\'t bite?

00:37:38.652 --> 00:37:39.652
Mrs...

00:37:46.622 --> 00:37:47.726
There they are.

00:37:48.916 --> 00:37:50.494
Just one more,
and that\'s it.

00:37:50.770 --> 00:37:53.426
Careful, make sure they don’t
jump out of the open bag.

00:37:53.626 --> 00:37:54.626
The backpack.

00:37:54.791 --> 00:37:56.496
Here Mrs., here, below here.

00:37:56.607 --> 00:37:57.896
They don\'t bite?
Are you sure?

00:37:58.096 --> 00:38:00.733
No. No, because
you have to...

00:38:01.535 --> 00:38:03.595
there, there, there,
I grabbed it...

00:38:03.795 --> 00:38:05.668
Here it is, here it is.
Okay grab it.

00:38:08.587 --> 00:38:10.740
I have it, I have it!

00:38:31.710 --> 00:38:34.330
I have it, I have it!
I have it.

00:38:34.530 --> 00:38:36.360
- Hello, little baby.
- Here it is, Mrs.

00:38:36.460 --> 00:38:38.438
Look at it, does it
look okay?

00:38:38.479 --> 00:38:40.401
Put it in the backpack.

00:38:41.446 --> 00:38:42.303
No, it\'s...

00:38:42.390 --> 00:38:45.043
No, it\'s fine, so it
won\'t get out.

00:38:45.243 --> 00:38:46.243
Hang on, hang on,
okay?

00:38:51.117 --> 00:38:52.434
Put one there.

00:38:52.563 --> 00:38:54.129
- That\'s it, you got it.
- Okay.

00:38:54.329 --> 00:38:56.306
I\'m going to open it
a little bit, okay, Mrs.?

00:38:56.406 --> 00:38:59.115
- But do we need three or...
- No, two is enough I think.

00:38:59.315 --> 00:39:01.218
- Three, three.
- No, two is enough, Mrs.

00:40:21.496 --> 00:40:23.208
Okay, Mrs., thank you very much.

00:40:23.408 --> 00:40:24.408
Yes, Mrs., see you soon.

00:40:26.730 --> 00:40:28.611
You measure the height.

00:40:28.752 --> 00:40:35.382
So, Mrs., you had a story to tell us?

00:40:35.578 --> 00:40:36.878
Very well.

00:40:37.078 --> 00:40:39.519
- Is it a story or a dream?
- A story.

00:40:39.719 --> 00:40:40.719
Who told it to you?

00:40:40.919 --> 00:40:44.228
My father told us the story
when we were children.

00:40:54.741 --> 00:40:59.801
My father would tell
us the story

00:41:00.001 --> 00:41:02.420
of a married couple
who was very poor.

00:41:06.092 --> 00:41:08.176
Anton and Lucia.

00:41:21.808 --> 00:41:27.426
And, Lucia went to take
the animals out to pasture

00:41:34.430 --> 00:41:38.620
And, when she arrived at home,
she said to her husband

00:41:38.820 --> 00:41:41.099
\"Look what I found, Anton.\"

00:41:43.046 --> 00:41:48.546
She founded a coin.

00:42:17.796 --> 00:42:19.506
And he said: \"I don\'t
believe you\"

00:42:20.692 --> 00:42:23.610
\"Where did you get
that money from?\"

00:42:30.040 --> 00:42:35.436
\"If you don\'t believe me, Anton,
then let\'s go to the priest...\"

00:42:35.636 --> 00:42:36.736
\"...And leave the
money with him.\"

00:42:36.936 --> 00:42:41.809
\"And if its owner shows up,
we\'ll return it.\"

00:42:57.692 --> 00:43:04.721
A year passed by, and
nobody claimed the coin.

00:43:19.638 --> 00:43:26.165
Again, the woman went to
take the animals out to pasture.

00:43:26.365 --> 00:43:30.588
And she passed by a
merchant with his employee.

00:43:30.788 --> 00:43:32.943
The merchant said
to the employee

00:43:33.143 --> 00:43:39.848
\"I hate this place because
I dropped a coin here once.\"

00:43:40.048 --> 00:43:43.041
\"If you wish, I can
give it back to you\"

00:43:43.241 --> 00:43:44.695
\"I can give it back to you.\"

00:43:44.895 --> 00:43:46.192
\"The merchant took pity.\"

00:43:48.425 --> 00:43:53.570
\"It truly no longer belongs
to me, it belongs to you\"

00:43:53.823 --> 00:43:57.407
\"because if I lost it
and you found it\"

00:43:58.924 --> 00:44:01.286
\"and you have not spent it.\"

00:44:01.445 --> 00:44:03.115
\"Then I am no longer
the owner.\"

00:44:03.342 --> 00:44:06.238
\"The pair of you are now
the owners of this fortune.\"

00:44:07.125 --> 00:44:09.995
\"You deserve it because
of your integrity.\"

00:44:44.966 --> 00:44:46.967
\"And well, God willed it so.\"

00:44:47.167 --> 00:44:48.573
\"He decided it was your luck.\"

00:44:48.773 --> 00:44:52.098
Because you know,
luck isn\'t for everyone.

00:44:52.298 --> 00:44:55.087
We don\'t all have
the same luck.

00:44:55.161 --> 00:44:58.312
God knows who he gives
it to, who he rewards

00:44:58.512 --> 00:45:00.568
according to the behavior
each person has.

00:45:01.507 --> 00:45:03.371
That’s it, Miss, thank you.

00:45:04.309 --> 00:45:06.150
Thank you for telling us the story.

00:45:10.143 --> 00:45:14.317
- Now the story is complete.
- I hope it comes out pretty…

00:45:28.473 --> 00:45:30.258
Come here, Rodrigo.

00:45:30.464 --> 00:45:31.564
- Okay?
- Okay.

00:45:31.864 --> 00:45:34.887
Or give me your
number, I\'ll call you.

00:45:35.087 --> 00:45:36.087
Come here, Papi.

00:45:36.287 --> 00:45:39.836
- No, He\'s watching us.
- Who, God?

00:45:40.036 --> 00:45:43.254
God is watching us sitting
here in the hills.

00:45:43.454 --> 00:45:46.026
- He\'s watching us.
- Yes.

00:45:46.266 --> 00:45:47.873
- Are there dead people here?
- Yes, below us.

00:45:47.998 --> 00:45:49.569
- Help! He\'s watching us.
- What!?

00:45:49.769 --> 00:45:51.367
- I don\'t want to, I don\'t want to...
- Why?

00:45:51.567 --> 00:45:53.280
Because he\'s going to drag
you with him to death.

00:45:53.480 --> 00:45:55.530
But earlier you were
sitting there on a grave.

00:45:55.730 --> 00:45:56.830
But that one over there

00:45:56.930 --> 00:45:58.330
didn\'t have any
dead people in it.

00:45:58.530 --> 00:45:59.130
Yes.

00:45:59.330 --> 00:46:01.733
No, because Vallejo was
transported to Paris.

00:46:01.833 --> 00:46:04.691
Oh, where\'s Vallejo\'s body?

00:46:05.711 --> 00:46:07.278
- In Paris.
- In Paris?

00:46:07.478 --> 00:46:08.904
- Yes
- On a rainy day.

00:46:09.104 --> 00:46:10.104
Liar.

00:46:10.304 --> 00:46:11.784
Yes, that\'s where his body is.

00:46:11.984 --> 00:46:13.265
- His body is there?
- Yes.

00:46:13.426 --> 00:46:15.868
Ah, and where does it
say that\'s where his body is?

00:46:16.068 --> 00:46:17.995
- In Paris.
- But where does it say that?

00:46:18.195 --> 00:46:21.371
Where does it say that
Vallejo is in Paris?

00:46:21.571 --> 00:46:23.055
If Vallejo is buried here.

00:46:23.255 --> 00:46:24.255
- No...
- Yes, he is.

00:46:24.455 --> 00:46:26.197
- He\'s in Paris.
- Oh, in Paris.

00:46:28.101 --> 00:46:29.820
- Do you know why?
- Why, sweetie?

00:46:30.020 --> 00:46:32.860
Because it says there,
\"I will die in Paris.\"

00:46:33.034 --> 00:46:34.060
Let\'s hear it louder.

00:46:34.260 --> 00:46:37.046
I want to hear you. How
does the poem go?

00:46:41.667 --> 00:46:46.873
Mamacita, have you met the
blind Santiago the bell ringer?

00:46:47.073 --> 00:46:51.856
Yes, I did, but I was a
little girl at that time.

00:46:53.198 --> 00:46:55.948
I would have been eleven to twelve.

00:46:56.259 --> 00:46:58.573
Ten to eleven.

00:46:59.919 --> 00:47:02.622
But I have met him.

00:47:04.001 --> 00:47:07.187
- They say he was blind, but...
- Blind, yes, blind.

00:47:07.387 --> 00:47:09.542
And he didn\'t see anything?
Or something...

00:47:09.742 --> 00:47:10.742
He didn\'t see anything.

00:47:10.942 --> 00:47:13.226
As a curious girl I looked at him.

00:47:13.426 --> 00:47:15.355
And he opened his eyes

00:47:15.555 --> 00:47:19.186
and they were empty and red

00:47:20.345 --> 00:47:21.711
Well...

00:47:22.551 --> 00:47:24.906
But, yes, I have met him.

00:47:25.106 --> 00:47:28.159
And then how did he go
up to ring the bells?

00:47:28.359 --> 00:47:32.248
That has been seen by others.

00:47:32.448 --> 00:47:34.876
I didn\'t see him ring bells.

00:47:35.020 --> 00:47:38.806
But we called him \"the
blind bell ringer.\"

00:47:40.212 --> 00:47:46.466
In Vallejo\'s time, surely
he was younger?

00:47:47.593 --> 00:47:50.835
Because Vallejo mentions
the blind Santiago.

00:47:51.520 --> 00:47:54.275
Would it be the same man?
Or would it be another?

00:47:54.475 --> 00:47:56.809
The same surely!

00:47:57.009 --> 00:48:02.528
Because when I was a child,
he was already old.

00:48:02.909 --> 00:48:06.418
Santiaguito was from that time

00:48:07.408 --> 00:48:09.492
from Vallejo\'s time.

00:48:09.692 --> 00:48:13.336
Because I studied with Nelida Vallejo

00:48:13.536 --> 00:48:16.001
We studied together.

00:48:16.281 --> 00:48:21.429
And I asked her why I have not
been able to meet the poet?

00:48:21.601 --> 00:48:23.668
And she said to me:
\"You and I are the same age\"

00:48:23.868 --> 00:48:28.305
\"and the poet died five years
before we were born.\"

00:48:31.262 --> 00:48:33.452
That is why I have not met Vallejo.

00:48:33.652 --> 00:48:36.393
It is the same Santiago.

00:48:36.593 --> 00:48:41.151
It is the same. I don\'t think
there has been another.

00:48:42.322 --> 00:48:46.170
We have to investigate a
little further to know if we are

00:48:46.370 --> 00:48:51.254
talking about the same Santiago.

00:48:51.454 --> 00:48:55.417
Remember how old was
Vallejo when he died...

00:48:55.617 --> 00:49:02.373
As I told you, I was a child when
I met Santiago as an old man.

00:49:02.573 --> 00:49:05.765
I would be 10 or 11 years old.

00:49:06.062 --> 00:49:09.919
And did Mrs. Nelida wear glasses?

00:49:10.121 --> 00:49:11.808
Sure, she used glasses.

00:49:12.008 --> 00:49:14.298
But hey, I know that
she has already died.

00:49:14.498 --> 00:49:18.582
I studied with her, I studied
with Nelida Vallejo

00:49:20.423 --> 00:49:23.281
Let\'s allow our imagination
to run wild.

00:49:24.766 --> 00:49:29.012
I can assume that Santiago,
the bell-ringer

00:49:30.328 --> 00:49:36.186
was climbing the stairs and
wearing a jacket, possibly.

00:49:36.386 --> 00:49:39.098
Right? A jacket, a dress shirt…

00:49:39.298 --> 00:49:40.298
Why?

00:49:40.498 --> 00:49:44.899
Because the bell-ringer
is part of the church.

00:49:45.099 --> 00:49:50.346
He may have used one of
these jackets

00:49:51.988 --> 00:49:53.217
we think.

00:49:54.412 --> 00:49:58.158
Possibly, like this.

00:50:01.440 --> 00:50:03.440
Evidently

00:50:08.244 --> 00:50:15.130
he was about, I think,
65 to 70 years old

00:50:15.330 --> 00:50:19.452
he was a bit hunched over

00:50:19.652 --> 00:50:24.888
let\'s say, yes, and he would
walk this way.

00:50:26.881 --> 00:50:28.074
Possibly.

00:50:28.274 --> 00:50:33.639
He was also not just a bell-ringer

00:50:33.867 --> 00:50:38.029
but he was also the one
in charge of rosary duty.

00:50:38.229 --> 00:50:43.783
That is to say, he would attend
the wakes and sing the rosary.

00:50:43.983 --> 00:50:47.276
And for the evenings
he changed his attire

00:50:47.476 --> 00:50:53.581
it was no longer the jacket,
but a poncho of that time.

00:50:54.708 --> 00:51:00.891
We can mention a poncho woven
on a loom from that time.

00:51:02.546 --> 00:51:04.846
We have one over here

00:51:06.268 --> 00:51:09.533
similar to this one, with a collar,
but woven on a loom

00:51:09.938 --> 00:51:11.973
This one\'s a little
more modern, isn\'t it?

00:51:14.603 --> 00:51:16.953
To keep warm from the cold.

00:51:17.315 --> 00:51:23.006
He could also use it to ring
the bell in the wintertime.

00:51:25.659 --> 00:51:29.982
Possibly, so he wouldn\'t get it
tangled up in the staircase

00:51:30.249 --> 00:51:32.552
he would wear it like this.

00:51:33.006 --> 00:51:33.531
Right?

00:51:33.731 --> 00:51:36.914
And it could be positioned
in the following way

00:51:37.114 --> 00:51:41.108
so that he felt safer
when pulling the rope

00:51:41.308 --> 00:51:42.308
to ring the bell.

00:51:59.489 --> 00:52:01.465
Elder\'s house.

00:52:01.665 --> 00:52:04.447
Interior night or Interior day.

00:52:04.967 --> 00:52:06.028
Two characters.

00:52:06.199 --> 00:52:09.987
The house is made of
adobe and has two floors.

00:52:10.187 --> 00:52:12.542
Elder enters the kitchen.

00:52:13.187 --> 00:52:15.686
There\'s a yellow light bulb
hanging from the ceiling.

00:52:15.886 --> 00:52:17.450
He starts to boil water.

00:52:19.622 --> 00:52:23.094
His mother is sitting in the
same space, on a chair

00:52:24.648 --> 00:52:27.186
absorbed by a sewing machine.

00:52:27.386 --> 00:52:31.233
They greet each other, but they
don\'t look at each other.

00:52:34.342 --> 00:52:37.297
His mother asks him once more

00:52:37.497 --> 00:52:38.885
about the results of the scholarship.

00:52:39.669 --> 00:52:41.173
Does he know anything?

00:52:41.373 --> 00:52:42.662
Does he have any answers?

00:52:45.382 --> 00:52:48.010
Elder remains silent.

00:52:49.659 --> 00:52:50.574
Mrs.

00:52:50.801 --> 00:52:51.774
How are you doing?

00:52:51.974 --> 00:52:53.399
Just keep doing what you\'re doing.

00:52:53.599 --> 00:52:54.599
You\'re doing great.

00:52:54.799 --> 00:52:56.514
Can we do it again?

00:52:56.714 --> 00:52:59.214
From where you asked
him how his gig went.

00:52:59.414 --> 00:53:00.012
Hmm.

00:53:00.212 --> 00:53:02.221
One more time, not from
the beginning.

00:53:02.797 --> 00:53:04.347
- You haven\'t cut, right?
- No.

00:53:04.547 --> 00:53:05.547
Okay.

00:53:05.747 --> 00:53:08.541
- Okay, let\'s do it again.
- No, please don’t sit, Mrs.

00:53:08.741 --> 00:53:10.849
Please stand up and keep cooking.

00:53:11.026 --> 00:53:13.499
What if I forget?

00:53:13.737 --> 00:53:17.644
Elder, you play for a bit
and when you stop

00:53:17.844 --> 00:53:21.298
Mrs., you ask him
how his gig went.

00:53:21.498 --> 00:53:22.498
- Okay.
- And then you start again.

00:53:22.789 --> 00:53:24.486
Let\'s see if we get it.

00:53:26.570 --> 00:53:28.584
Okay, Elder let\'s go.

00:53:28.939 --> 00:53:31.139
Play for a bit and then stop.

00:54:41.406 --> 00:54:44.460
The truth is that
talking about Vallejo

00:54:44.617 --> 00:54:46.856
leads us into a very
vast world, I think.

00:54:47.056 --> 00:54:53.032
Vallejo… It\'s not like if you
have a poem by an author

00:54:53.232 --> 00:54:57.908
and he simply speaks of
the death of a mother

00:54:58.108 --> 00:54:59.308
or the death of a father.

00:54:59.508 --> 00:55:02.724
On the contrary, with Vallejo\'s
poems I realize that

00:55:02.924 --> 00:55:06.919
in his case the pain is
not from one incident

00:55:07.119 --> 00:55:11.220
he transmits or writes his pain.

00:55:11.420 --> 00:55:12.574
I don\'t know.

00:55:12.774 --> 00:55:17.244
He has such a revolutionary way,
the way he puts things

00:55:17.542 --> 00:55:22.627
it kind of gets you
and many times it hurts

00:55:22.827 --> 00:55:27.916
many times you feel it, but then also
many times he leaves it up in the air

00:55:28.118 --> 00:55:31.605
and no, there are things
you cannot understand

00:55:31.805 --> 00:55:35.258
perhaps some things are very
good, very happy

00:55:35.378 --> 00:55:38.068
and also sometimes very sad,
because he has that nuance.

00:55:38.268 --> 00:55:42.260
In all his poems, he has nuance.
He has a little bit of everything.

00:55:42.530 --> 00:55:43.460
Okay, last question.

00:55:43.660 --> 00:55:47.295
Why do you think poetry is useful?

00:55:47.495 --> 00:55:48.495
Poetry.

00:55:48.695 --> 00:55:54.440
Well, for me, poetry is
useful in a personal way.

00:55:54.640 --> 00:55:58.831
I think, it educates us and
helps us to enrich the language

00:55:59.031 --> 00:56:05.494
I also believe that poetry
helps us to transmit

00:56:05.702 --> 00:56:07.423
and bring out what
we have inside.

00:56:07.623 --> 00:56:11.433
Because if there\'s a poem with words

00:56:11.633 --> 00:56:15.028
that people who read
it can identify with

00:56:15.290 --> 00:56:16.915
I think that person
is going to render

00:56:17.115 --> 00:56:21.215
a far better interpretation
than any reciter could.

00:56:21.415 --> 00:56:25.382
So, that enrichment that
comes from reading

00:56:25.582 --> 00:56:28.845
poetry, interpretation, reciting

00:56:29.045 --> 00:56:31.675
I believe it\'s something very fruitful.

00:56:31.875 --> 00:56:35.702
In a personal way, it is
something very fruitful, for me...

00:56:35.902 --> 00:56:38.952
I have learned many
things through poetry

00:56:39.152 --> 00:56:43.473
and it is precisely through poetry
that I came to like acting

00:57:40.804 --> 00:57:44.094
- No, yes, of course.
- Go with you...

00:57:44.294 --> 00:57:45.363
Because, sure, yes...

00:57:46.823 --> 00:57:50.697
Take a few steps to make sure
you don\'t trip over the skirt.

00:57:50.897 --> 00:57:51.956
Can you walk, okay?

00:57:53.815 --> 00:57:55.323
- I think so.
- Did you?

00:57:57.094 --> 00:57:58.988
Let\'s see, walk a little...

00:58:04.166 --> 00:58:05.291
From our…

00:58:05.491 --> 00:58:07.069
Oldest brother...

00:58:08.109 --> 00:58:11.439
the poem: Nerverstorm of Anguish

00:58:15.365 --> 00:58:18.044
Sweet Jewess

00:58:19.029 --> 00:58:22.374
unnail my clay transit

00:58:22.574 --> 00:58:25.980
unnail my nerve tension
and my pain…

00:58:26.180 --> 00:58:30.687
Unnail, eternal lover,
my protracted anxiety

00:58:31.278 --> 00:58:34.010
and the two nails
from my wings

00:58:34.071 --> 00:58:36.750
and the nail from my love!

00:58:36.950 --> 00:58:42.583
I am back from the desert
where I have often fallen

00:58:42.783 --> 00:58:46.448
put away the hemlock and
regale me with your wines:

00:58:46.648 --> 00:58:50.821
scare off my assassins
with a love snob

00:58:51.021 --> 00:58:55.148
their grimaces are the iron
blindness of Longinus!

00:58:55.348 --> 00:59:00.122
Pull out my nails,
oh, my new mother!

00:59:00.322 --> 00:59:04.653
Symphony of olives,
decant your tears!

00:59:04.853 --> 00:59:11.187
And wait, seated next
to my dead flesh

00:59:12.466 --> 00:59:16.401
as the menace subsides,
and the lark ascends!

00:59:17.812 --> 00:59:21.195
You go…
return…

00:59:22.309 --> 00:59:24.894
Your mourning plaits
my great cilice

00:59:25.094 --> 00:59:29.131
with drops of curare,
sharp edges of humanity

00:59:29.331 --> 00:59:32.287
the rocky dignity there
in your chastity

00:59:32.596 --> 00:59:35.159
and the Judithesque mercury
of your inner honey.

00:59:35.359 --> 00:59:40.594
It is eight o\'clock on a creamy,
bewitched morning…

00:59:42.147 --> 00:59:43.439
And it is cold…

00:59:44.703 --> 00:59:49.749
A dog goes by gnawing the
bone of another dog that was…

00:59:50.049 --> 00:59:52.754
And the match that I extinguished

00:59:52.954 --> 00:59:57.465
in capsules of silence start
crying in my nerves!

00:59:57.665 --> 01:00:03.325
And in my heretic soul,
coffee\'s Dionysian spleen

01:00:03.525 --> 01:00:08.780
Sings its sweet Asiatic feast…!

01:01:03.891 --> 01:01:09.168
As the only wish that the backpack
could not contain was the desire to leave

01:01:09.368 --> 01:01:13.818
In some place, Pedro and
Elder speak about the future.

01:01:23.071 --> 01:01:27.380
\"Can you imagine a cable car here?\",
one of them says.

01:01:27.580 --> 01:01:31.738
\"They\'re going to make one, I\'ve seen
the model, it\'s to bring in tourists\"

01:01:32.139 --> 01:01:36.233
\"What are tourists going
to come for?\", Pedro says.

01:01:36.542 --> 01:01:38.979
\"To visit Vallejo\'s house...\"

01:01:39.179 --> 01:01:40.179
Elder answers.

01:01:41.052 --> 01:01:41.868
\"For what?\"

01:01:44.114 --> 01:01:46.473
\"To be able to use the cable car then.\"

01:01:48.473 --> 01:01:50.886
\"How many tourists enter that cable car?\"

01:01:52.316 --> 01:01:55.500
\"I don\'t know, a couple... five...\"

01:01:55.700 --> 01:01:56.900
\"A hundred?\"

01:01:58.148 --> 01:02:00.892
\"What are a hundred tourists
going to do here?\"

01:02:01.983 --> 01:02:03.326
They both laugh.

01:02:14.439 --> 01:02:17.128
After a long pause. Elder says:

01:02:18.898 --> 01:02:22.195
\"If they build it, I\'ll get
on it and leave.\"

01:02:34.875 --> 01:02:38.550
- Okay, so then you ask me.
- I\'ll ask you, okay, I\'ll ask you.

01:02:38.595 --> 01:02:42.615
Mrs., what was it like
when you went to Trujillo

01:02:42.832 --> 01:02:44.455
to find out about
Elder\'s scholarship?

01:02:46.118 --> 01:02:53.859
Mrs., I left and traveled to Pamelita
and arrived at 11 a.m. in Trujillo.

01:02:54.059 --> 01:02:55.059
Okay.

01:02:55.985 --> 01:02:59.470
Then I went with
Roberto to PRONABEC.

01:02:59.670 --> 01:03:02.192
Roberto is the eldest?
Older than Elder?

01:03:02.392 --> 01:03:03.392
Yes, the eldest.

01:03:03.592 --> 01:03:07.224
And he went with me to
PRONABEC to the office

01:03:07.424 --> 01:03:13.004
where I entered to find out
about his documents

01:03:13.856 --> 01:03:18.594
And then I asked the office people

01:03:18.904 --> 01:03:24.308
about miss Noelia because I wanted
her to give me back the documents.

01:03:24.477 --> 01:03:26.477
\"Nobody\'s here,\" she said.

01:03:27.267 --> 01:03:29.234
\"Come on in, Ma\'am\"

01:03:30.031 --> 01:03:32.679
I went to the back and
there was a young man

01:03:32.879 --> 01:03:34.146
he handed me the documents.

01:03:34.346 --> 01:03:39.780
I took them with me
and walked out the door

01:03:40.106 --> 01:03:41.806
and said to the young man

01:03:42.006 --> 01:03:46.727
\"Why didn\'t Elder get
the scholarship?\"

01:03:46.927 --> 01:03:48.695
\"Why didn\'t they
give it to him?\"

01:03:49.930 --> 01:03:50.668
He said to me...

01:03:52.317 --> 01:03:58.839
\"Ma\'am if you only knew
that corruption is everywhere.\"

01:03:59.714 --> 01:04:00.695
That\'s what he said?

01:04:00.895 --> 01:04:04.624
I wasn\'t sure what
he meant by that, right?

01:04:05.541 --> 01:04:08.343
So, when we went outside,
and I opened the documents

01:04:09.830 --> 01:04:15.897
I realized the photocopies of
Elder\'s documents weren\'t there.

01:04:16.097 --> 01:04:19.481
- Whose documents...?
- Somebody else\'s, his friend\'s.

01:04:20.849 --> 01:04:21.807
Look.

01:04:23.545 --> 01:04:24.550
Well.

01:04:24.750 --> 01:04:27.631
And then I turned to Roberto and I said:

01:04:27.831 --> 01:04:32.464
\"Son, what does he mean
by ‘corruption’?\".

01:04:32.664 --> 01:04:34.774
\"Mom\", he said...

01:04:34.974 --> 01:04:39.297
\"He was giving you the heads
up, he may have wanted\"

01:04:39.497 --> 01:04:43.392
\"a salary\'s worth or two, don\'t
give it too much thought\"

01:04:43.592 --> 01:04:44.592
\"Mom, don\'t worry\"

01:04:44.792 --> 01:04:46.496
\"Let\'s go now, Mom.\"

01:04:46.696 --> 01:04:50.288
\"We\'ll figure out where my
brother goes to college.\"

01:04:50.488 --> 01:04:53.257
So, you think he was
asking you for money?

01:04:54.226 --> 01:04:56.551
At the minimum, otherwise,
what did he mean...

01:04:56.751 --> 01:04:58.451
if I had no idea what
that was about?

01:04:58.690 --> 01:04:59.791
- Weird, right?
- Hmm.

01:04:59.991 --> 01:05:03.484
But, if you had known, would
you have given him money?

01:05:03.684 --> 01:05:08.808
Well yes, at least something, so that
he would\'ve gotten the scholarship

01:05:09.008 --> 01:05:12.617
and been able to study
for at least three years.

01:05:12.843 --> 01:05:13.846
Yes…

01:05:14.785 --> 01:05:15.780
That\'s how it went.

01:05:17.767 --> 01:05:20.768
Sounds complicated! Right?
That was difficult.

01:05:20.968 --> 01:05:21.568
Yes.

01:05:21.768 --> 01:05:23.649
And did you tell
Elder about that?

01:05:23.849 --> 01:05:27.468
Yes, we told him when
we arrived home.

01:05:28.673 --> 01:05:30.103
\"Oh well\", he said.

01:05:30.303 --> 01:05:32.157
\"I\'m going to college
no matter what.\"

01:05:33.142 --> 01:05:34.821
Mrs., but what about music?

01:05:35.021 --> 01:05:37.552
Wouldn\'t you have wanted
him to focus on music?

01:05:37.752 --> 01:05:40.576
Well, yes that too, but not just music.

01:05:40.869 --> 01:05:42.469
He needs to study another career.

01:05:42.869 --> 01:05:49.825
And well, since he is
obedient, he left to study.

01:05:51.341 --> 01:05:52.603
Yes, miss.

01:05:57.144 --> 01:06:02.378
If we can turn that off, we\'ll keep
going for just a bit more.

01:06:48.924 --> 01:06:52.481
Well, \"Santiago, simply Santiago\"
is a theater play.

01:06:53.537 --> 01:07:00.529
that crosses all literary genres.

01:07:00.729 --> 01:07:04.114
There are ironic moments,
there are epic moments

01:07:04.314 --> 01:07:07.415
lyrical and dramatic moments, too.

01:07:07.615 --> 01:07:10.983
There are even expository,
didactic moments.

01:07:11.183 --> 01:07:17.746
Every time we put on that play

01:07:17.946 --> 01:07:27.018
I felt very committed to
the verses that I wrote.

01:07:27.766 --> 01:07:32.353
But if you asked me, where did
that inspiration come from?

01:07:32.553 --> 01:07:36.467
It came out of so much pain,
so much anger that I had.

01:07:36.667 --> 01:07:39.329
Because, as you have seen

01:07:39.529 --> 01:07:43.256
the reality of the Santiago
people is to

01:07:43.456 --> 01:07:46.833
boast about what they
have and do nothing.

01:07:47.033 --> 01:07:49.062
The poetic moment of the play

01:07:49.273 --> 01:07:55.726
is when the people\'s struggle
against the mines is represented.

01:07:55.926 --> 01:08:00.852
There is an explosion, there are
injustices, it shows on stage

01:08:00.952 --> 01:08:06.722
And after that explosion the two
peasants begin to declaim a poem

01:08:06.922 --> 01:08:10.881
that more or less says like this...

01:08:11.081 --> 01:08:14.963
Quiet the great gentlemen
who live in Vallejo\'s name

01:08:15.163 --> 01:08:21.278
Let him hide from my mouth,
those who eat his verses

01:08:22.885 --> 01:08:27.275
Long live to the Pallo,
long live to the Apostle…

01:08:28.750 --> 01:08:32.374
And the peasant who recites it,
gives it the intonation and the meaning.

01:08:32.574 --> 01:08:35.283
Because it is the feeling
of the peasant.

01:08:35.483 --> 01:08:40.244
A peasant characterized as he is,
with his own clothing.

01:08:40.444 --> 01:08:44.909
And all this as a show
of opposition

01:08:45.109 --> 01:08:48.663
As a sign that the people want to
express themselves but cannot.

01:08:48.863 --> 01:08:52.591
Well, it depends on

01:08:52.791 --> 01:08:55.448
where I am going to recite

01:08:55.648 --> 01:08:57.752
the poem I\'ve been asked to recite.

01:08:57.952 --> 01:09:01.773
For example, if they ask me to
recite a poem here in the theater.

01:09:01.973 --> 01:09:06.241
I have to come here to practice
so I can distribute my space

01:09:06.441 --> 01:09:11.228
where I will make stops, where
I will have to use my props

01:09:11.428 --> 01:09:12.428
and so on.

01:09:14.384 --> 01:09:21.317
What is the most important
thing when learning to declaim?

01:09:22.075 --> 01:09:24.517
Losing your fear of being in
front of an audience

01:09:24.717 --> 01:09:27.686
because if you\'re afraid
you\'re going to think

01:09:27.938 --> 01:09:29.856
I\'m going to get confused,
I\'m going to fall over

01:09:30.056 --> 01:09:31.056
they\'re going to laugh at me

01:09:31.256 --> 01:09:33.995
and you\'re never going to
achieve anything.

01:09:34.195 --> 01:09:37.326
After you lose your fear,
the rest is easy.

01:09:39.367 --> 01:09:43.836
In short, I have nothing with
which to express my life

01:09:44.036 --> 01:09:45.628
except my death.

01:09:45.828 --> 01:09:48.206
And, after everything

01:09:48.406 --> 01:09:53.310
at the end of graded nature
and of the sparrow in bloc

01:09:53.510 --> 01:09:58.077
I sleep, hand in hand
with my shadow.

01:09:58.277 --> 01:10:02.241
And, upon descending from the
venerable act and from the other moan

01:10:02.441 --> 01:10:07.391
I repose thinking about the
inexorable march of time.

01:10:07.591 --> 01:10:13.394
Why the rope, then,
if air is so simple?

01:10:13.594 --> 01:10:17.054
What is the chain for,
if iron exists on its own?

01:10:17.254 --> 01:10:21.732
César Vallejo, the accent
with which you love

01:10:21.932 --> 01:10:26.503
the language with which you write,
the light wind with which you hear

01:10:26.703 --> 01:10:30.205
only know of you through your throat.

01:10:30.405 --> 01:10:33.284
César Vallejo, prostrate yourself

01:10:33.484 --> 01:10:38.551
therefore, with vague pride,
with a nuptial bed of ornamental asps

01:10:38.751 --> 01:10:40.567
and hexagonal echoes.

01:10:40.767 --> 01:10:43.602
Return to the corporeal honeycomb

01:10:43.802 --> 01:10:44.802
to beauty

01:10:45.002 --> 01:10:47.863
aromatize the blossomed corks

01:10:48.063 --> 01:10:51.582
close both grottoes to be
enraged anthropoid

01:10:51.782 --> 01:10:54.970
mend, finally, your
unpleasant stag

01:10:55.170 --> 01:10:57.510
feel sorry for yourself.

01:10:57.710 --> 01:11:01.209
For there is nothing denser than
the hate in a passive voice

01:11:01.409 --> 01:11:03.449
no stingier udder
other than love!

01:11:03.649 --> 01:11:07.280
For I no longer able to walk,
except on two harps!

01:11:07.480 --> 01:11:08.480
For you no longer know me

01:11:08.680 --> 01:11:13.607
unless instrumentally,
longwindedly, I follow you!

01:11:13.807 --> 01:11:18.983
For I now, carry some timid vegetables
and others that are fierce!

01:11:19.183 --> 01:11:22.579
So the affection that ruptures
at night in my bronchia

01:11:22.779 --> 01:11:26.680
was brought during the
day by occult deans

01:11:26.880 --> 01:11:29.804
and, If I wake up pale,
it\'s because of my work

01:11:30.004 --> 01:11:33.112
and, if I go to sleep red,
because of my worker.

01:11:33.312 --> 01:11:36.856
This explains, equally
this weariness of mine

01:11:37.056 --> 01:11:40.331
and these spoils,
my famous uncles.

01:11:40.531 --> 01:11:44.058
This explains, finally,
this tear that I toast

01:11:44.258 --> 01:11:46.237
to the happiness of men.

01:11:46.437 --> 01:11:49.488
César Vallejo,
it is hard to believe

01:11:49.688 --> 01:11:51.591
that your relatives are so late

01:11:51.791 --> 01:11:53.941
knowing that I walk captive

01:11:54.141 --> 01:11:56.492
knowing that you lie free!

01:11:56.692 --> 01:11:59.514
Flashy and rotten luck!

01:11:59.714 --> 01:12:03.976
César Vallejo, I hate you
with tenderness!

01:12:04.201 --> 01:12:05.837
Thank you.

01:12:06.037 --> 01:12:07.037
Bravo!

01:12:13.461 --> 01:12:17.229
From between my own
teeth I come out smoking

01:12:17.429 --> 01:12:21.807
shouting, pushing,
pulling down my pants…

01:12:22.007 --> 01:12:25.411
My stomach empties,
my jejunum empties…

01:12:25.911 --> 01:12:32.820
I more or less understand that
when Vallejo first went to Paris

01:12:33.020 --> 01:12:38.333
the first years he was there
were really tragic for him

01:12:38.533 --> 01:12:42.213
On several occasions he
would sleep in the parks

01:12:42.413 --> 01:12:48.359
he wouldn’t eat, and I think that
inspired him to write that poem

01:12:48.559 --> 01:12:58.327
And well, it was also thanks to his
persistence that he progressed.

01:12:58.927 --> 01:13:07.077
He began to translate some texts that
were in French into Spanish and so on.

01:13:07.277 --> 01:13:12.863
He progressed thanks
to his own efforts.

01:13:13.063 --> 01:13:14.973
That\'s why I like that poem.

01:13:17.990 --> 01:13:19.949
And have you won any contests?

01:13:20.149 --> 01:13:25.568
Yes. I won first place in
this same theater

01:13:25.768 --> 01:13:32.192
during my last year of high
school in the declamation contest

01:13:32.392 --> 01:13:36.701
they do every year in
honor of Vallejo\'s death

01:13:36.901 --> 01:13:40.111
and I won with that poem.

01:13:40.311 --> 01:13:45.048
- What was the prize?
- I think it was 500 Peruvian Soles.

01:13:45.963 --> 01:13:47.315
- Great prize, right?
- Yes.

01:13:47.531 --> 01:13:50.046
Was that the only award
you won or have you…?

01:13:50.246 --> 01:13:55.254
No, when I was in elementary school

01:13:56.662 --> 01:14:00.725
I won three contests.

01:14:01.941 --> 01:14:03.871
With which poems?

01:14:03.955 --> 01:14:07.489
In elementary school,
I won with \"Mass\".

01:14:08.922 --> 01:14:10.200
It says...

01:14:10.400 --> 01:14:13.021
At the end of the battle,
the combatant dead

01:14:13.291 --> 01:14:14.870
a man approached him

01:14:15.070 --> 01:14:17.520
and said to him: \"Don\'t die,
I love you so much!\"

01:14:17.720 --> 01:14:19.710
But the corpse, alas!
Kept on dying.

01:14:19.910 --> 01:14:22.631
I won with that poem
in elementary school.

01:14:23.825 --> 01:14:25.449
Which other?

01:14:27.385 --> 01:14:30.748
With \"Village Scene\".

01:14:30.948 --> 01:14:35.473
The distant vibration
of melancholy cowbells

01:14:35.673 --> 01:14:39.842
pours the rural fragrance of
their anguish into the air.

01:14:40.042 --> 01:14:44.664
On the silent patio,
the setting sun bleeds its farewell.

01:14:47.809 --> 01:14:49.692
That\'s where the Sax comes in.

01:14:49.892 --> 01:14:51.765
Play it again, let\'s see,
again, again.

01:14:59.572 --> 01:15:00.776
You\'re lazy, I think.

01:15:00.976 --> 01:15:02.398
There\'s no Sax there.

01:15:06.237 --> 01:15:08.737
Listen, right there, see.

01:15:09.642 --> 01:15:10.967
The second part there.

01:15:12.331 --> 01:15:16.131
- What key is it in?
- It\'s in E minor.

01:15:16.331 --> 01:15:19.378
- E minor?
- For me, for you in A.

01:15:28.910 --> 01:15:30.212
That\'s tough!

01:19:25.198 --> 01:19:28.272
- I had a dream last night.
- Did you?

01:19:28.472 --> 01:19:30.233
An awful dream, Mom.

01:19:30.433 --> 01:19:32.805
What happened? What did
you dream about?

01:19:33.005 --> 01:19:39.145
I was standing at the door,
and a man came in.

01:19:39.345 --> 01:19:40.345
I can\'t remember his face

01:19:40.545 --> 01:19:45.302
I don\'t know who he was,
but he had a knife

01:19:45.502 --> 01:19:47.464
and he wanted to attack me.

01:19:49.674 --> 01:19:50.917
I don\'t know how,
but I defended myself

01:19:51.117 --> 01:19:56.962
and, suddenly, I ended up
cutting off everything

01:19:57.162 --> 01:19:58.424
his legs, everything.

01:19:58.624 --> 01:20:00.911
I felt weird when I woke up.

01:20:01.111 --> 01:20:02.111
Yes.

01:20:05.447 --> 01:20:07.936
Elder, it\'s a good dream, son.

01:20:08.136 --> 01:20:09.045
Really?

01:20:09.245 --> 01:20:10.333
Yes, it\'s a good dream.

01:20:11.096 --> 01:20:12.524
I don\'t think so.

01:20:12.746 --> 01:20:14.989
How is it going to be a good
dream if I\'m killing someone?

01:20:15.189 --> 01:20:17.992
It\'s a great dream, I swear.

01:20:25.932 --> 01:20:27.630
Listen.

01:20:30.138 --> 01:20:35.786
dreaming that you\'re the one
hitting or killing is an excellent dream.

01:20:37.173 --> 01:20:39.240
You can have success, Elder.

01:20:40.568 --> 01:20:42.428
I hope it\'s a good dream.

01:20:44.876 --> 01:20:47.927
But if you dream you
are the one being hit

01:20:48.127 --> 01:20:50.310
that\'s something to worry about.

01:20:52.688 --> 01:20:56.949
- But since I didn\'t get hit...
- You\'ll be fine. Yes.

01:20:57.149 --> 01:20:58.149
Excellent dream.

01:21:00.021 --> 01:21:04.864
When I travel, I\'m going out
there to do my business

01:21:05.082 --> 01:21:08.652
and I dream I hit someone or
something like that, I do very well.

01:21:11.786 --> 01:21:13.237
Excellent.

01:21:15.110 --> 01:21:17.981
And also dream about horses...

01:21:19.386 --> 01:21:22.903
Dream about being an eagle.
Or something like that.

01:21:23.103 --> 01:21:25.933
Is a very good dream.
That is to...

01:21:27.401 --> 01:21:30.468
That is to fly far, to travel far...

01:21:30.685 --> 01:21:32.082
That is a very good dream.

01:21:33.387 --> 01:21:37.244
And if you are riding a horse... Wow!

01:21:37.444 --> 01:21:43.590
You think and analyze
that horses run far.

01:21:43.990 --> 01:21:45.390
Birds fly high...

01:22:15.190 --> 01:22:19.385
The grown-ups
when are they coming back?

01:22:20.776 --> 01:22:24.650
Blind Santiago is ringing six o\'clock,
and it\'s already pretty dark.

01:22:26.453 --> 01:22:28.446
Mother said she wouldn’t be late.

01:22:34.622 --> 01:22:38.311
Aguedita, Nativa, Miguel.

01:22:38.888 --> 01:22:42.944
be careful going around there,
where stooped souls in torment

01:22:43.172 --> 01:22:45.672
have just passed twanging
their memories.

01:22:47.407 --> 01:22:50.208
We\'d better stay right here.

01:22:50.271 --> 01:22:52.771
Mother said she wouldn\'t be late

01:23:00.960 --> 01:23:03.496
Good afternoon, madame.
Do you have tickets to Trujillo?

01:23:09.836 --> 01:23:10.828
Here\'s your change.

01:23:14.938 --> 01:23:18.510
We shouldn\'t fret.
Let\'s keep looking at the boats

01:23:18.710 --> 01:23:20.687
- mine\'s the nicest of all! -

01:23:21.916 --> 01:23:24.278
that we play with the hole day long.

01:23:24.478 --> 01:23:27.324
Without fighting, how it should be:

01:23:27.524 --> 01:23:32.164
they\'ve stayed on the
well water, ready

01:23:32.364 --> 01:23:34.171
loaded with candy for tomorrow.

01:23:35.566 --> 01:23:39.714
So let\'s wait, obedient and
with no other choice

01:23:39.914 --> 01:23:44.466
for the return, the apologies
of the grown-ups always in front

01:23:44.666 --> 01:23:47.968
leaving us the little ones at home

01:23:48.168 --> 01:23:51.013
as if we too couldn\'t go away.

01:23:53.526 --> 01:23:57.738
Aguedita, Nativa, Miguel?

01:24:00.746 --> 01:24:04.253
I call out, I grope in the dark.

01:24:08.608 --> 01:24:13.354
They can\'t have left me all alone,
The only prisoner can\'t be me.

01:26:47.330 --> 01:26:49.445
I\'ll recite \"Dead Idyll\".

01:26:49.645 --> 01:26:50.645
Let\'s hear it.

01:26:50.819 --> 01:26:54.468
But, I don\'t know if
I start correctly.

01:26:54.565 --> 01:26:58.565
- But I know it too.
- Okay, both of you together.

01:26:59.540 --> 01:27:02.723
What would she be doing now

01:27:02.923 --> 01:27:06.944
my sweet Andean Rita
of rush and tawny berry

01:27:07.228 --> 01:27:12.244
now when Byzantium
asphyxiates me, and my blood

01:27:12.444 --> 01:27:15.213
dozes, like this thin
Cognac, inside of me.

01:27:15.371 --> 01:27:19.671
Where would her hands,
that showing contrition

01:27:19.871 --> 01:27:23.738
ironed in the afternoon
whitenesses yet to come

01:27:23.938 --> 01:27:28.457
be now, in this rain that
deprives me of my desire to live.

01:27:28.657 --> 01:27:31.154
What has become of her flannel skirt

01:27:31.354 --> 01:27:33.486
of her toil; of her walk

01:27:33.686 --> 01:27:36.391
of her taste of homemade May rum.

01:27:36.591 --> 01:27:40.447
She must be at the door
watching some cloudscape

01:27:40.647 --> 01:27:44.649
And at length she\'ll say,
trembling: \"Jesus... it\'s so cold!\"

01:27:44.849 --> 01:27:48.078
and on the roof tiles
a wild bird will cry.

01:27:48.278 --> 01:27:50.550
- You see, you do know it.
- Ahh.

01:27:50.829 --> 01:27:53.967
He knows parts of it.
I know all of it.

01:27:56.370 --> 01:28:01.530
When I came from that my land
I made promises not to return

01:28:02.763 --> 01:28:08.523
When I came from that my land
I made promises not to return

01:28:09.495 --> 01:28:15.430
Today I dedicate my sad song
to you, beloved homeland

01:28:15.535 --> 01:28:22.256
Today I dedicate my sad song
to you, beloved homeland

01:29:34.637 --> 01:29:36.886
Santiago, Santiago!

01:29:38.013 --> 01:29:39.941
Don\'t be afraid, Santiago.

01:29:40.141 --> 01:29:41.948
Don\'t be afraid.