00:00:36.520 --> 00:00:40.600
To suddenly have
so many proposals

00:00:41.200 --> 00:00:44.520
and become popular...

00:00:44.600 --> 00:00:46.440
I don't know how to put it.

00:00:46.760 --> 00:00:49.560
It was a little scary for us.

00:00:51.000 --> 00:00:52.440
And especially for mum.

00:00:53.920 --> 00:00:55.360
Always on the phone.

00:00:55.880 --> 00:00:57.560
No, no.

00:00:58.680 --> 00:01:03.680
In this empty house
as cold as reality.

00:01:04.360 --> 00:01:08.320
One day, we got offered
to play in Miami

00:01:10.240 --> 00:01:11.960
on a Tuesday,

00:01:12.280 --> 00:01:16.080
and we said
that we can't on a Tuesday

00:01:16.160 --> 00:01:18.720
because there was a school play

00:01:18.800 --> 00:01:23.800
where Isaac played a chicken.

00:01:25.200 --> 00:01:28.840
So we said: "We are not available."

00:01:29.040 --> 00:01:34.000
Since that love
was not a promise.

00:01:34.760 --> 00:01:36.560
*Hicimos el programa
que teníamos planeado

00:01:36.640 --> 00:01:37.360
para el verano,*

00:01:37.440 --> 00:01:39.880
hicimos conciertos en el campo
con nuestros amigos,*

00:01:39.960 --> 00:01:42.640
hicimos todo lo que pudimos.*

00:01:43.040 --> 00:01:46.880
We continued to do
very simple things.

00:02:42.640 --> 00:02:43.640
I'm Cata.

00:02:43.720 --> 00:02:44.800
I'm Santiago.

00:02:45.080 --> 00:02:47.480
And we are Monsieur Periné.

00:02:47.560 --> 00:02:51.400
Because I have
poison in the teeth

00:02:51.480 --> 00:02:56.480
and I'll bite you in the neck
until you come...

00:02:57.480 --> 00:02:58.480
-Hi.
-How are things?

00:02:59.800 --> 00:03:01.400
-How are you?
-Nice to meet you.

00:03:01.480 --> 00:03:02.960
-Santiago.
-Isaac.

00:03:03.040 --> 00:03:04.120
-Do you speak Spanish?
-Yes.

00:03:04.200 --> 00:03:05.200
-Yes, of course.

00:03:05.280 --> 00:03:06.280
A little.

00:03:06.360 --> 00:03:07.360
Welcome.

00:03:07.440 --> 00:03:09.400
-How are you?
-Thanks for inviting us.

00:03:09.880 --> 00:03:10.880
It's our pleasure.

00:03:10.960 --> 00:03:14.080
It was the first time
I met Catalina

00:03:14.160 --> 00:03:15.600
and Santiago.

00:03:15.680 --> 00:03:17.960
Soy fan de Monsieur Periné.*

00:03:18.800 --> 00:03:20.640
How does it feel like
to be on this trip?

00:03:21.520 --> 00:03:22.520
I'm nervous.

00:03:24.920 --> 00:03:26.880
-We're very pleased.
-Of course.

00:03:28.200 --> 00:03:29.360
What did you like?

00:03:29.440 --> 00:03:31.720
-But I think...
-See you, I think.

00:03:31.800 --> 00:03:32.800
That's it.

00:03:34.400 --> 00:03:37.160
He told us many times

00:03:37.240 --> 00:03:42.120
that he was looking forward to
meeting you.

00:03:42.200 --> 00:03:43.200
Oh, how cute.

00:03:43.280 --> 00:03:44.800
-But...
-Us too.

00:03:45.120 --> 00:03:46.760
-Oh!
-Now that...

00:03:46.840 --> 00:03:47.840
Ah!

00:03:47.920 --> 00:03:49.360
You're heavy.

00:03:49.640 --> 00:03:53.200
They have that attitude
of letting themselves be surprised

00:03:53.440 --> 00:03:57.040
and being open
to sharing and learning.

00:03:57.360 --> 00:04:00.440
We started learning Spanish

00:04:00.520 --> 00:04:03.440
by reading Facebook comments.

00:04:04.640 --> 00:04:08.880
-The method of...
-That's because we're in 2022.

00:04:08.960 --> 00:04:10.360
Yes.

00:04:10.800 --> 00:04:14.480
So one of the first words
I learned was:

00:04:14.800 --> 00:04:16.240
"Blessings".

00:04:18.640 --> 00:04:20.000
What a nice word, right?

00:04:20.080 --> 00:04:21.080
Yes.

00:04:25.240 --> 00:04:26.520
-Cheers!
-Cheers!

00:04:27.720 --> 00:04:28.840
-Hello!
-Hi, Sebas!

00:04:29.160 --> 00:04:30.880
"A virtual hug for everyone".

00:04:31.360 --> 00:04:34.000
Don't worry, just sing.

00:04:34.080 --> 00:04:38.360
Just think about the harmony,
not too high.

00:04:38.960 --> 00:04:39.960
-Okay?
-Okay.

00:04:40.400 --> 00:04:44.400
Let's breathe
and everything will go well.

00:04:45.120 --> 00:04:49.120
How I miss my beautiful savannah
tucked in the mountain range.

00:04:49.200 --> 00:04:54.200
Nora, the "how I miss"
goes deeper.

00:04:54.400 --> 00:04:56.400
You always come in
a little late.

00:04:56.680 --> 00:04:58.440
Un poco más tarde.*

00:04:59.240 --> 00:05:01.040
One, two, three.

00:05:01.440 --> 00:05:03.920
So do I do it from the beginning?

00:05:04.200 --> 00:05:05.200
Exactly.

00:05:09.280 --> 00:05:13.800
How I miss my beautiful savannah
tucked in the mountain range.

00:05:13.880 --> 00:05:15.560
It's perfect, beautiful.

00:05:15.920 --> 00:05:18.760
And it's lovely
that you're a family.

00:05:18.840 --> 00:05:19.840
Yes, wonderful.

00:05:19.920 --> 00:05:22.040
When you get to my age,
you'll say:

00:05:22.760 --> 00:05:23.760
"Wow!

00:05:24.720 --> 00:05:27.160
"I had the best parents in the world."

00:05:28.600 --> 00:05:31.920
I think you're living the dream
that we'd all like to live, right?

00:05:32.000 --> 00:05:35.400
Travel, see the world
next to our family

00:05:36.360 --> 00:05:41.240
in that dynamic of love,

00:05:41.320 --> 00:05:44.920
of peace of mind,
and security, right?

00:05:45.000 --> 00:05:46.400
To know that a family member

00:05:46.480 --> 00:05:49.000
is with them.

00:05:49.080 --> 00:05:50.640
Do you feel good?

00:05:51.800 --> 00:05:53.480
It's just...

00:05:54.080 --> 00:05:56.000
it will fall.

00:05:56.280 --> 00:05:58.120
You're with the hat.

00:05:58.200 --> 00:05:59.440
-Yes?
-Very well.

00:05:59.680 --> 00:06:02.760
One, two, three, four, and...

00:06:13.600 --> 00:06:16.560
Well, "Distance"
is a song by Lisandro Meza,

00:06:16.640 --> 00:06:18.760
a Colombian composer
and accordionist

00:06:18.840 --> 00:06:20.480
who's very important
in our folklore.

00:06:20.560 --> 00:06:24.840
How I miss my beautiful savannah
tucked in the mountain range.

00:06:25.480 --> 00:06:30.320
Waiting for the time
to return to my land.

00:06:31.200 --> 00:06:33.640
I entered the Puenza Valley

00:06:33.720 --> 00:06:36.440
distance that makes me sad

00:06:36.920 --> 00:06:39.160
and in my chest a Cumbia blooms

00:06:39.240 --> 00:06:43.520
from nostalgia,
like a tear that slips away.

00:06:43.680 --> 00:06:46.320
Cumbia of the soul,
Cumbia that's up early

00:06:46.400 --> 00:06:50.240
on Pubenza, with insistence
looking for Cauca.

00:06:50.320 --> 00:06:54.040
Oh, it saddens me!
It saddens me.

00:06:54.120 --> 00:06:56.640
The distance saddens me!

00:06:56.720 --> 00:06:58.560
It's so sad

00:06:58.920 --> 00:07:02.040
to be so far away
from my land, oh, it saddens me!

00:07:02.360 --> 00:07:04.880
It saddens me.

00:07:05.200 --> 00:07:07.680
The distance saddens me!

00:07:08.040 --> 00:07:09.720
It's so sad

00:07:10.040 --> 00:07:12.720
to be so far away
from my homeland.

00:07:12.880 --> 00:07:15.120
Take your hip out a little more.

00:07:18.280 --> 00:07:19.280
Like that.

00:07:19.480 --> 00:07:20.480
Hey!

00:07:21.680 --> 00:07:23.640
And you put some shoulders in.

00:07:24.720 --> 00:07:25.840
-Like...
-Oh!

00:07:30.200 --> 00:07:31.360
-Okay.
-There, there.

00:07:31.440 --> 00:07:33.440
-That's it.
-Exactly, yes, very good.

00:07:33.520 --> 00:07:37.040
For me, Cumbia is punk
of Latin America, without a doubt.

00:07:37.120 --> 00:07:41.520
It's the music of rebellion,
resistance,

00:07:41.920 --> 00:07:45.000
freedom, identity...

00:07:45.080 --> 00:07:46.120
It's street music

00:07:46.200 --> 00:07:48.440
that tells people's stories,

00:07:48.840 --> 00:07:51.080
of what's common, of what's popular.

00:07:54.840 --> 00:07:57.640
Distance makes me so sad.

00:08:02.400 --> 00:08:03.560
Say "kiss".

00:08:03.920 --> 00:08:05.160
-"Kiss!"
-"Kiss!"

00:08:33.640 --> 00:08:34.640
-Hello!
-Hello!

00:08:34.720 --> 00:08:35.840
-Hello!
-God bless you.

00:08:35.920 --> 00:08:37.840
-Welcome to Peru.
-Thank you.

00:08:37.920 --> 00:08:39.120
You sing very well.

00:08:39.560 --> 00:08:42.760
The welcome we received everywhere

00:08:42.840 --> 00:08:44.440
gives us a lot of strength.

00:08:47.200 --> 00:08:51.720
We look forward to
discovering new things,

00:08:51.800 --> 00:08:55.200
and have concerts.

00:08:59.120 --> 00:09:00.920
Me voy a hacer daño.*

00:09:14.480 --> 00:09:17.000
My name is Coco Vega.
I'm a guitarist from Peru,

00:09:17.280 --> 00:09:18.720
a music teacher,

00:09:19.120 --> 00:09:21.800
and I started playing
at the age of nine.

00:09:30.080 --> 00:09:31.280
Peru has...

00:09:31.640 --> 00:09:36.640
a mixed type of music.
It has indigenous airs

00:09:37.040 --> 00:09:38.680
and Spanish tones.

00:09:38.760 --> 00:09:43.520
It's very much influenced
by the African presence.

00:09:43.600 --> 00:09:46.840
It is so varied, so full of mixture

00:09:47.520 --> 00:09:49.440
that once you learn it,

00:09:49.880 --> 00:09:52.880
you don't want to stop knowing more.

00:10:02.760 --> 00:10:04.120
-Hello!
-Hello!

00:10:04.200 --> 00:10:05.800
-Hello, teacher!
-How are you?

00:10:05.880 --> 00:10:06.880
Nice to meet you.

00:10:07.320 --> 00:10:08.680
It's pleasure to meet you.

00:10:08.800 --> 00:10:10.600
Hello, Isaac.
How are you? Nice to meet you.

00:10:10.680 --> 00:10:11.680
I'm good.

00:10:12.200 --> 00:10:13.280
How's it going?

00:10:13.360 --> 00:10:18.360
Very good,
very happy to be here in Lima

00:10:18.440 --> 00:10:20.400
and very happy
to meet you too.

00:10:20.480 --> 00:10:23.040
Well, welcome to Peru,
Welcome to Lima.

00:10:24.440 --> 00:10:28.080
Tell me, what do you know
about Peruvian music?

00:10:28.160 --> 00:10:29.360
We really like

00:10:29.440 --> 00:10:32.960
the art of three-time rhythms
in Peru

00:10:33.040 --> 00:10:36.120
because in Europe,
in France or Germany,

00:10:36.200 --> 00:10:41.200
three-time rhythms
are generally quite basic.

00:10:43.280 --> 00:10:44.280
Of course.

00:10:44.360 --> 00:10:48.280
And here, there are
so many different combinations.

00:10:48.360 --> 00:10:49.360
Yes.

00:10:49.440 --> 00:10:51.160
Different ways to play.

00:10:54.200 --> 00:10:55.200
Yes.

00:10:56.520 --> 00:10:58.320
The first pluck is...

00:10:58.840 --> 00:11:00.400
and the others are muted, right?

00:11:01.320 --> 00:11:02.640
-Yes.
-The first pulse is like this,

00:11:02.720 --> 00:11:04.120
very accurate, but...

00:11:05.080 --> 00:11:06.080
And there are variants.

00:11:06.680 --> 00:11:09.320
The Peruvian waltz
came to these lands

00:11:09.400 --> 00:11:11.560
about 200 years ago.

00:11:11.840 --> 00:11:15.640
Since it arrived via instruments...
The orchestras arrived

00:11:16.600 --> 00:11:19.200
from Europe
to liven up the festivities,

00:11:19.280 --> 00:11:24.280
for example, the birthday
of a landowner's daughter.

00:11:24.360 --> 00:11:27.680
They had huge parties
and brought orchestras from Europe.

00:11:28.120 --> 00:11:32.040
These orchestras were playing
genres like waltz,

00:11:32.120 --> 00:11:34.920
jota, mazurka,
among other genres,

00:11:35.320 --> 00:11:37.080
but waltz was the favourite,

00:11:37.480 --> 00:11:40.400
the one that the
guests most surely liked to dance.

00:11:40.920 --> 00:11:43.000
Somehow, this European waltz

00:11:43.640 --> 00:11:45.240
appealed to the working class too.

00:11:45.320 --> 00:11:47.440
Carers, gardeners,

00:11:48.040 --> 00:11:52.200
the cooks possibly
listened to these melodies

00:11:52.520 --> 00:11:53.560
and they went home

00:11:53.640 --> 00:11:55.840
and recreated these melodies
with their guitars.

00:12:00.360 --> 00:12:01.360
Like that.

00:12:04.200 --> 00:12:05.200
That's it.

00:12:05.440 --> 00:12:07.840
-And the more muted it is...
-Yes.

00:12:07.920 --> 00:12:09.600
-The more hammered it is...
-Yes.

00:12:09.680 --> 00:12:13.080
the better it sounds
like a creole flavour.

00:12:13.160 --> 00:12:16.680
The Peruvian waltz excites me.

00:12:17.800 --> 00:12:21.400
It's very dear to us.

00:12:29.320 --> 00:12:30.800
They say the best way

00:12:30.880 --> 00:12:33.120
music travels the world

00:12:33.560 --> 00:12:36.680
is through misunderstanding it, right?

00:12:37.240 --> 00:12:40.320
It's an odd phrase,
but there's so much truth in it

00:12:40.400 --> 00:12:43.440
because sometimes one communicates
music in a certain way

00:12:43.520 --> 00:12:44.520
or how it feels,

00:12:44.600 --> 00:12:47.000
but listeners understand it differently

00:12:47.080 --> 00:12:49.600
and one goes and tells it to another,

00:12:49.680 --> 00:12:52.800
and music travels,
but it transforms.

00:12:52.880 --> 00:12:56.040
That is what we are doing.

00:13:07.800 --> 00:13:11.800
There was a kind of fusion, right?

00:13:11.880 --> 00:13:12.880
Yes.

00:13:12.960 --> 00:13:16.920
And now I'm returning it to you,
a person from Europe.

00:13:17.720 --> 00:13:21.120
In a way, the genre is going home

00:13:21.200 --> 00:13:23.640
after arriving in Peru
almost 500 years ago.

00:13:23.720 --> 00:13:25.480
Let's see how you'll play it

00:13:25.560 --> 00:13:27.200
-when you get back home.
-Yes.

00:13:31.920 --> 00:13:35.720
It's really the best example

00:13:35.800 --> 00:13:38.160
of beauty that can be born

00:13:38.240 --> 00:13:42.680
when different nations come together.

00:14:21.120 --> 00:14:25.680
I don't even know exactly
how this nightmare started.

00:14:35.880 --> 00:14:40.840
I listen K-pop and Latin music the most.

00:14:46.840 --> 00:14:51.840
I don't really know
how she began to like K-pop.

00:14:59.360 --> 00:15:02.160
Who are your favourite groups?
What do you like?

00:15:02.240 --> 00:15:03.240
-BTS.
-BTS.

00:15:03.320 --> 00:15:05.000
Oh! I'm an ARMY.

00:15:05.080 --> 00:15:07.520
Also, but more Blackpink.

00:15:07.600 --> 00:15:09.360
-Pinklink.
-Look!

00:15:09.960 --> 00:15:10.960
She knew.

00:15:13.320 --> 00:15:16.720
BTS, Twice, Blackpink,

00:15:16.960 --> 00:15:18.600
Itzy, Mamamoo,

00:15:18.680 --> 00:15:20.720
She'z, Exo,

00:15:21.440 --> 00:15:22.440
Red Velvet...

00:15:29.600 --> 00:15:31.640
Who's your favourite BTS member?

00:15:32.280 --> 00:15:33.840
-Jungkook.
-Jungkook?

00:15:33.920 --> 00:15:34.920
Yes.

00:15:35.000 --> 00:15:36.000
And from Blackpink?

00:15:36.080 --> 00:15:37.080
From Blackpink?

00:15:37.160 --> 00:15:38.360
From Blackpink... Jisoo.

00:15:38.440 --> 00:15:39.720
-Ah!
-I can't believe it!

00:15:39.800 --> 00:15:40.800
Jisoo.

00:15:40.880 --> 00:15:43.080
-Lisa.
-Lisa is my second favourite.

00:15:43.160 --> 00:15:44.480
I love Lisa!

00:15:47.320 --> 00:15:49.560
The one I can dance
the best is the cord.

00:15:49.640 --> 00:15:50.640
It's "Voltage".

00:15:50.720 --> 00:15:51.720
Exactly.

00:15:51.800 --> 00:15:52.800
Do you know it?

00:15:52.880 --> 00:15:54.800
-Do you know "Voltage"?
-Oh, no!

00:15:54.880 --> 00:15:57.120
Don't worry. Trust us.

00:15:57.200 --> 00:16:00.440
Here, when we all go out,
we go out normal.

00:16:00.520 --> 00:16:02.640
I really know it to see.

00:16:06.640 --> 00:16:08.560
I try to learn choreographies

00:16:08.640 --> 00:16:11.760
and I also like to
watch what they do.

00:16:22.720 --> 00:16:25.640
I was very happy to see
that there are many people

00:16:25.720 --> 00:16:27.840
that like K-pop a lot

00:16:28.400 --> 00:16:30.640
and they also dance very well.

00:16:38.360 --> 00:16:39.360
Yes!

00:16:44.680 --> 00:16:45.680
But I don't know.

00:16:45.760 --> 00:16:47.760
Yes, but it's fine, it's fine.

00:16:57.000 --> 00:16:58.120
I want to buy everything.

00:17:00.600 --> 00:17:01.880
Ah!

00:17:02.240 --> 00:17:03.400
I can't believe it.

00:17:07.120 --> 00:17:08.880
I want to take them all.

00:17:09.160 --> 00:17:10.200
This one is cool.

00:17:11.200 --> 00:17:13.720
-Keep it there.

00:17:13.800 --> 00:17:15.040
Ah! That's true.

00:17:15.120 --> 00:17:16.120
Ah!

00:18:02.200 --> 00:18:03.200
Hello!

00:18:04.440 --> 00:18:05.440
How's it going?

00:18:05.520 --> 00:18:07.120
-Nice to meet you.
-Nicolás. Nice to meet you.

00:18:07.200 --> 00:18:08.200
-Hello.
-Hello.

00:18:08.280 --> 00:18:09.440
What brings you here?

00:18:10.160 --> 00:18:11.800
-Music.
-Music.

00:18:16.080 --> 00:18:18.440
Do you know that cajon
is from Peru?

00:18:19.160 --> 00:18:22.200
It got to Europe, Spain,
and it became world famous

00:18:22.280 --> 00:18:24.400
practically
through the Flamenco cajon.

00:18:37.200 --> 00:18:38.360
In the middle of this,

00:18:38.440 --> 00:18:41.360
we put a hole
with a radius of 11 cm.

00:18:41.440 --> 00:18:42.800
The Peruvian cajon

00:18:43.560 --> 00:18:48.440
has bass and high pitch,
which are separate from each other.

00:18:49.360 --> 00:18:51.280
That's the high pitch.

00:18:52.840 --> 00:18:53.840
Do you hear it?

00:18:59.160 --> 00:19:02.120
For us, the cajon was
always the instrument

00:19:02.200 --> 00:19:06.200
on which we base
our creole music

00:19:06.280 --> 00:19:07.280
and waltz.

00:19:14.040 --> 00:19:15.040
It's one.

00:19:18.000 --> 00:19:22.760
I don't know if I feel a little old
to learn new things,

00:19:22.840 --> 00:19:26.360
but I'm looking forward
for Isaac to use it

00:19:26.440 --> 00:19:28.520
at our upcoming concerts.

00:19:29.040 --> 00:19:30.680
The only tiny problem

00:19:30.760 --> 00:19:34.880
is that your fingers hurt.

00:19:36.720 --> 00:19:38.200
Bring the bass a little higher.

00:19:38.640 --> 00:19:40.640
Your bass higher, higher.

00:19:40.920 --> 00:19:42.080
Up there.

00:19:45.800 --> 00:19:47.880
And that's where the variations begin.

00:19:52.360 --> 00:19:53.880
The way it's played in Peru is...

00:20:04.640 --> 00:20:05.640
He can have it.

00:20:06.360 --> 00:20:07.360
Seriously?

00:20:07.440 --> 00:20:08.440
Yes.

00:20:08.520 --> 00:20:09.520
Oh, no!

00:20:11.000 --> 00:20:12.000
Oh!

00:20:13.520 --> 00:20:16.120
Only for the plane...

00:20:16.800 --> 00:20:19.360
-Yes, it's for...
-Hand luggage.

00:20:19.440 --> 00:20:20.440
Yes.

00:20:23.640 --> 00:20:24.640
Es mío.*

00:20:25.040 --> 00:20:26.040
No.

00:20:27.000 --> 00:20:28.000
¡Espera!*

00:20:28.960 --> 00:20:30.120
-It's mine.
-No.

00:20:42.080 --> 00:20:43.320
Somos nosotros.*

00:20:46.360 --> 00:20:48.840
Ven a ver, ven.*

00:21:01.520 --> 00:21:04.360
¡Maldita sea!
¿Dónde lo vamos a poner?*

00:21:12.160 --> 00:21:13.160
Es del niño.*

00:21:13.240 --> 00:21:14.480
¿Cómo vamos a hacer?*

00:21:14.560 --> 00:21:15.560
No lo sé.*

00:21:33.280 --> 00:21:36.440
What I really like
about Isaac and Nora,

00:21:36.520 --> 00:21:39.760
is that it's possible
to make projects

00:21:39.840 --> 00:21:41.360
that fit,

00:21:41.440 --> 00:21:44.800
that are spontaneous,

00:21:44.880 --> 00:21:46.560
and fresh...

00:21:46.640 --> 00:21:48.720
More than their talent,

00:21:48.800 --> 00:21:50.680
I want them to enjoy things.

00:21:51.200 --> 00:21:54.640
I think they're
the best children in the world.

00:21:57.200 --> 00:22:00.160
I present to you the famous
Bridge of Sighs.

00:22:00.600 --> 00:22:03.320
It's a lovely bridge
from the Viceregal times

00:22:03.640 --> 00:22:04.840
where couples were a big thing.

00:22:04.920 --> 00:22:07.080
The sigh is something
that's full of love.

00:22:07.160 --> 00:22:09.840
When you sigh for something
that comes from your heart,

00:22:09.920 --> 00:22:11.880
you say: "I love you, I adore you,

00:22:11.960 --> 00:22:14.160
I respect you
with this huge sigh."

00:22:14.240 --> 00:22:17.400
That's the Bridge of Sighs,
which dates quite a while back.

00:22:19.160 --> 00:22:21.960
We have to take
a deep breath

00:22:22.640 --> 00:22:24.600
and think of a wish

00:22:25.320 --> 00:22:27.920
and cross the bridge without breathing.

00:22:28.280 --> 00:22:32.800
If you do it and get to the end,
the wish will come true.

00:22:32.880 --> 00:22:34.400
-Let's go.
-Let's go.

00:22:34.480 --> 00:22:36.520
We need to think of a good wish.

00:22:36.600 --> 00:22:37.600
-Sure.
-Okay.

00:22:39.440 --> 00:22:40.960
Mine is for Isaac.

00:22:41.360 --> 00:22:43.920
Lo hacemos todos a la vez.*

00:22:44.160 --> 00:22:45.160
Okay.

00:23:17.640 --> 00:23:19.000
*Creo que el deseo
de todos los padres es

00:23:19.080 --> 00:23:20.920
*que sus hijos sean felices...

00:23:21.000 --> 00:23:24.880
...que sean felices con sus vidas,
sin importal cuál sea su sitio.*

00:23:24.960 --> 00:23:28.560
A mí que sean músicos o no
me da igual.*

00:23:28.640 --> 00:23:31.240
*De hecho, se trata
de que encuentren su sitio,

00:23:31.320 --> 00:23:32.600
su camino...*

00:23:32.680 --> 00:23:34.440
porque ahí estarán bien.*

00:23:35.320 --> 00:23:36.520
Hooray!

00:23:39.280 --> 00:23:40.440
To us,

00:23:41.000 --> 00:23:43.320
the most important thing
before the music

00:23:43.400 --> 00:23:46.920
is to educate the kids

00:23:47.400 --> 00:23:50.320
and teach them good values.

00:23:50.600 --> 00:23:51.600
Will we swim?

00:23:51.680 --> 00:23:52.680
Yes, please.

00:23:52.760 --> 00:23:54.720
Yo quiero, tengo mi bañador.*

00:23:54.920 --> 00:23:55.920
The butterfly.

00:23:57.640 --> 00:23:58.640
Ta-da!

00:23:58.720 --> 00:23:59.720
¿Podemos ir?*

00:24:00.080 --> 00:24:01.080
Will you wear it?

00:24:04.880 --> 00:24:05.880
Look.

00:24:11.200 --> 00:24:12.800
Isaac and Nora are kids

00:24:13.800 --> 00:24:14.800
and...

00:24:16.560 --> 00:24:19.400
we don't want them to turn into

00:24:19.480 --> 00:24:22.200
the family's source of income.

00:24:23.920 --> 00:24:28.920
We don't need
a luxurious lifestyle.

00:24:30.280 --> 00:24:31.280
It's not possible.

00:24:31.360 --> 00:24:35.720
We don't mind driving
a luxury car,

00:24:36.400 --> 00:24:40.200
to go on vacation

00:24:40.720 --> 00:24:43.760
on the other side of the world...

00:24:44.120 --> 00:24:46.400
-We go to the beach.
-To the beach.

00:25:34.880 --> 00:25:36.280
Nora, we love you!

00:25:37.200 --> 00:25:38.200
Nora!

00:25:39.280 --> 00:25:40.600
-Norita!
-Nora!

00:25:41.680 --> 00:25:42.880
Nora! Nora!

00:26:12.960 --> 00:26:14.520
We're in Arequipa.

00:26:20.600 --> 00:26:23.840
About 3,000 meters high,
something like that.

00:26:32.680 --> 00:26:35.240
My MP3, my cream, my lip gloss.

00:26:36.400 --> 00:26:37.560
Cream for...

00:26:38.080 --> 00:26:39.400
My BTS pin.

00:26:40.240 --> 00:26:41.880
That's for the hair.

00:26:50.280 --> 00:26:53.680
Isaac, ¿puedes dejar
el teléfono?*

00:26:55.520 --> 00:26:57.360
Estoy hablando con mis amigos.*

00:26:58.280 --> 00:27:00.120
I have Instagram and Snapchat,

00:27:00.200 --> 00:27:03.040
and they're very important
right now

00:27:03.120 --> 00:27:05.840
because I can talk
to my girlfriend and friends,

00:27:06.160 --> 00:27:08.440
and I like it very much.

00:27:08.800 --> 00:27:12.320
It's better to look around
because it's for the first time

00:27:12.400 --> 00:27:14.760
than to look at your phone.

00:27:14.840 --> 00:27:18.560
That's all I want
you understand.

00:27:19.560 --> 00:27:23.640
I realise
I'm a little like an old dad

00:27:23.720 --> 00:27:27.800
who always says
the same things, but...

00:27:36.240 --> 00:27:37.240
Por favor.*

00:27:39.840 --> 00:27:40.840
-Hello.
-Hello.

00:27:41.080 --> 00:27:44.960
Would it be possible to test the claves?

00:27:45.040 --> 00:27:46.040
Yes.

00:27:46.880 --> 00:27:48.120
Which one do you like?

00:27:48.200 --> 00:27:49.200
Oh, I like it.

00:27:50.480 --> 00:27:52.680
It has three sounds that would be one...

00:27:52.760 --> 00:27:53.760
Yes.

00:27:56.400 --> 00:27:57.400
Deeper.

00:28:20.680 --> 00:28:22.160
-Hello!
-Hello!

00:28:22.240 --> 00:28:25.000
¡Genial, todo el mercado
para nosotros!*

00:28:25.400 --> 00:28:26.400
Hello!.

00:28:27.480 --> 00:28:29.920
Con el pelo suelto mejor, espera.*

00:28:30.480 --> 00:28:32.360
What I like most about Arequipa

00:28:32.640 --> 00:28:36.960
is the colours. It's very elegant.

00:28:37.600 --> 00:28:39.800
-I would say this one.
-Do you like that?

00:28:39.880 --> 00:28:40.920
Yes, I like it.

00:28:41.000 --> 00:28:42.400
-What do you like the most?
-Yes.

00:28:42.480 --> 00:28:44.600
-Yes. Are you sure?
-Yes.

00:28:44.680 --> 00:28:46.320
-It's the last one.
-Yes.

00:28:46.400 --> 00:28:47.400
Okay.

00:28:50.480 --> 00:28:52.600
*Creo que es tan pequeño
porque de lo contrario

00:28:52.680 --> 00:28:53.840
no se apilarían, ¿sabes?*

00:28:55.280 --> 00:28:56.640
Sí, es pequeño.*

00:28:57.440 --> 00:28:59.200
I have too many hats.

00:29:00.080 --> 00:29:02.080
It will be complicated on the plane.

00:29:03.600 --> 00:29:08.360
This hat is a gift
from a friend in Mexico.

00:29:09.000 --> 00:29:10.000
Okay.

00:29:11.880 --> 00:29:16.320
Then one of my favourites
is the "guajaqueno".

00:29:16.800 --> 00:29:19.560
Papá, me gustan los dos.*

00:29:20.080 --> 00:29:24.560
I've seen that this
style is very famous.

00:29:24.640 --> 00:29:25.960
It's Colombian.

00:29:26.400 --> 00:29:31.040
It's easier to carry because
you can put it in your suitcase.

00:29:31.120 --> 00:29:32.120
It's simpler.

00:29:32.440 --> 00:29:33.840
Where's mum?

00:29:33.920 --> 00:29:37.680
Then I have this one, the Peruvian one,

00:29:37.760 --> 00:29:41.920
which is perhaps the best one I have.

00:29:43.440 --> 00:29:46.960
I think we're going to buy
another three suitcases.

00:29:49.320 --> 00:29:52.000
I don't know how I'm going to put them,
I think...

00:29:52.520 --> 00:29:54.600
I don't know, like this.

00:29:56.120 --> 00:29:57.760
It's a bit ridiculous, but...

00:29:58.080 --> 00:29:59.280
This goes in the suitcase.

00:30:14.600 --> 00:30:19.440
What did
your beautiful eyes do to me?

00:30:19.920 --> 00:30:24.520
They pierced into me

00:30:25.080 --> 00:30:29.720
like a dagger in my chest.

00:30:30.040 --> 00:30:35.040
Though it kills me,
you make me live.

00:30:36.040 --> 00:30:40.360
What did your thoughts do to me?

00:30:41.040 --> 00:30:46.040
I sometimes cry until I laugh.

00:30:46.520 --> 00:30:50.840
I am the tide of feelings

00:30:51.200 --> 00:30:56.200
that never goes down to climb.

00:30:57.040 --> 00:31:01.440
I am the tide of feelings

00:31:01.960 --> 00:31:06.440
that never goes down to climb.

00:31:08.080 --> 00:31:13.080
You take me in this intense swing

00:31:13.480 --> 00:31:18.200
It makes me happy
to see you again.

00:31:18.440 --> 00:31:23.160
I always go
wherever you are.

00:31:23.480 --> 00:31:27.520
I follow you and you the same.

00:31:28.520 --> 00:31:33.240
We ask ourselves
what have we done

00:31:33.960 --> 00:31:38.480
to meet each other that time,

00:31:39.000 --> 00:31:43.760
to stay on top

00:31:43.840 --> 00:31:48.840
and not leave our Eden.

00:31:49.680 --> 00:31:54.200
To stay
here, at the top

00:31:54.280 --> 00:31:59.280
and never leave
our precious Eden again.

00:32:33.400 --> 00:32:37.240
After a long journey
in Colombia,

00:32:37.320 --> 00:32:39.840
we finally have in
our Las Américas square

00:32:39.920 --> 00:32:41.800
our distinguished guests.

00:32:42.600 --> 00:32:47.440
Guests who are loved and dear to us,
Isaac and Nora.

00:32:47.800 --> 00:32:49.680
Welcome to Cerro Colorado.

00:32:49.760 --> 00:32:53.880
Thank you very much for coming
to our colourful land.

00:32:53.960 --> 00:32:57.680
When I saw you,
I swore that I will never forget.

00:32:57.760 --> 00:33:02.760
The district of Cerro Colorado
organized an event

00:33:02.840 --> 00:33:04.280
to welcome us.

00:33:04.360 --> 00:33:06.440
How exciting it is

00:33:06.520 --> 00:33:10.160
to fall in love with you every day.

00:33:11.680 --> 00:33:15.480
Cerro Colorado is a district
that gives a lot of love to people

00:33:15.560 --> 00:33:17.920
and I think that's why
God blesses us

00:33:18.000 --> 00:33:20.560
by bringing such important people
like you

00:33:20.640 --> 00:33:24.920
and these children,
who are the future of everyone.

00:33:25.000 --> 00:33:27.760
They're broadcasting
worldwide

00:33:27.840 --> 00:33:31.960
our Latin music,
our ancient music to make

00:33:32.040 --> 00:33:33.480
young people remember

00:33:33.560 --> 00:33:38.240
that we have great music,
great songs all over the world.

00:33:47.520 --> 00:33:49.320
It's a typical national dance.

00:33:49.400 --> 00:33:50.720
It showcases

00:33:50.800 --> 00:33:53.080
the flirtation
between the couple,

00:33:53.160 --> 00:33:54.440
between the man and woman.

00:33:55.520 --> 00:34:00.240
During the dance,
you'll see how the couple falls in love.

00:34:00.320 --> 00:34:03.920
They go around each other and
get close and almost kiss.

00:34:04.000 --> 00:34:06.120
They separate again
and come together again.

00:34:14.800 --> 00:34:19.760
We want to invite you up here so you can
formally receive

00:34:20.040 --> 00:34:21.800
your passports.

00:34:21.880 --> 00:34:25.000
Isaac, Nora and the parents.

00:34:26.960 --> 00:34:29.480
Nora, I give you this passport

00:34:29.560 --> 00:34:31.160
so you can return to Arequipa

00:34:31.240 --> 00:34:33.120
and our district
of Cerro Colorado.

00:34:33.200 --> 00:34:35.840
Please accept this passport
on behalf of the district.

00:34:35.920 --> 00:34:37.840
It's just symbolic, of course.

00:34:38.360 --> 00:34:42.720
Don't use it in customs
or immigration, please.

00:34:42.800 --> 00:34:46.160
But it has a lot of meaning
for us.

00:34:46.240 --> 00:34:49.120
We really love our city,

00:34:49.200 --> 00:34:51.960
that's why we have
our own symbolic passport.

00:34:52.040 --> 00:34:55.480
Please also receive our currency
Characato de Oro.

00:34:55.880 --> 00:34:59.040
Don't use it either,
but please keep it.

00:34:59.680 --> 00:35:01.160
Kindly receive the carver as well.

00:35:01.720 --> 00:35:04.760
A typical working man
from Cerro Colorado.

00:35:04.840 --> 00:35:07.520
They create these wonders.

00:35:07.600 --> 00:35:11.080
They're the ones who work
this volcanic rock and build it.

00:35:11.160 --> 00:35:13.880
Working men,
persevering men

00:35:13.960 --> 00:35:16.120
who represent our district.

00:35:16.200 --> 00:35:18.440
I'd also like you to bring it
as a remembrance

00:35:18.520 --> 00:35:21.200
so that every time you see it
in your home,

00:35:21.280 --> 00:35:23.400
you'll remember that you were
in Cerro Colorado.

00:35:47.200 --> 00:35:50.160
These extraction sites have
gone through

00:35:50.240 --> 00:35:51.240
generations over generations.

00:35:51.640 --> 00:35:53.440
About three or
four generations

00:35:53.520 --> 00:35:54.760
have passed through here.

00:35:56.240 --> 00:35:59.080
From here, the coat of arms of
Peru looks incredible.

00:35:59.160 --> 00:36:01.360
-And the coat of arms of Arequipa,

00:36:01.440 --> 00:36:02.920
-of our city.
-Yes.

00:36:03.120 --> 00:36:05.080
It has the same drawing,

00:36:05.160 --> 00:36:07.920
the one in
our passports from Arequipa.
-Yes.

00:36:11.720 --> 00:36:13.680
From here, you can see it.

00:36:14.840 --> 00:36:16.320
Please.

00:36:18.280 --> 00:36:20.920
Now, let's move on to extraction site.

00:36:24.760 --> 00:36:28.320
First, we mark
how we cut it.

00:36:28.600 --> 00:36:30.640
-I'm going to mark it.
-He'll do it now.

00:36:30.720 --> 00:36:31.720
We mark it.

00:36:32.440 --> 00:36:34.640
With that pencil.

00:36:34.720 --> 00:36:35.720
Done.

00:36:35.800 --> 00:36:36.800
Then,

00:36:38.640 --> 00:36:39.640
with the dibble.

00:36:41.840 --> 00:36:42.960
Now, we'll see

00:36:43.040 --> 00:36:46.640
how he's going to use
just a few cables to split it

00:36:46.720 --> 00:36:50.080
because the brick will explode.

00:36:51.320 --> 00:36:53.400
Let's try it, okay?

00:36:53.720 --> 00:36:55.360
Sometimes it works.

00:36:56.360 --> 00:36:57.360
We put it in.

00:37:01.120 --> 00:37:04.360
Let's have Isaac in here.

00:37:04.840 --> 00:37:06.160
Watch out for your fingers.

00:37:06.240 --> 00:37:07.600
Where he's standing.

00:37:07.680 --> 00:37:09.360
-Come here.
-Here, yes, there.

00:37:09.440 --> 00:37:10.760
And hit it.

00:37:11.200 --> 00:37:12.200
Without fear.

00:37:12.760 --> 00:37:15.320
Isaac told me:
"It's Thor's hammer."

00:37:18.360 --> 00:37:19.360
Hey!

00:37:19.440 --> 00:37:20.440
Oh!

00:37:30.840 --> 00:37:31.840
Re bemol.*

00:37:33.040 --> 00:37:34.040
¿Estás seguro?*

00:37:34.120 --> 00:37:35.120
Sí.*

00:37:41.680 --> 00:37:42.960
It's a re-flat.

00:37:43.880 --> 00:37:44.880
The note.

00:38:00.880 --> 00:38:05.080
This reminds me of a scene in
"Indiana Jones".

00:38:08.480 --> 00:38:09.960
Who wants to go to the bathroom?

00:38:15.320 --> 00:38:18.040
There's toilet paper from the saddle,

00:38:18.960 --> 00:38:20.400
but it hurts a little.

00:38:21.560 --> 00:38:22.560
Cut.

00:38:29.800 --> 00:38:30.800
Chocolate.

00:38:45.840 --> 00:38:47.160
I came to see Isaac and Nora.

00:38:47.240 --> 00:38:50.120
I'm very happy
that these lovely kids

00:38:50.200 --> 00:38:52.440
who I follow on social media

00:38:52.520 --> 00:38:54.320
are here in Arequipa.

00:38:57.320 --> 00:39:00.480
They way they play

00:39:00.560 --> 00:39:04.760
conveys a lot of feeling
and that's something. It's good.

00:39:08.400 --> 00:39:11.960
It's a recognition of Isaac and Nora.

00:39:12.400 --> 00:39:16.480
A recognition for the art and
music that they bring to us,

00:39:16.720 --> 00:39:17.880
and above all,

00:39:18.120 --> 00:39:22.800
for singing Latin American music.

00:39:24.600 --> 00:39:26.960
-Well, the acoustics are very good.
-Yes.

00:39:27.440 --> 00:39:28.800
It's for music.

00:39:28.880 --> 00:39:31.320
In fact, it's very good.

00:39:31.680 --> 00:39:33.360
-That's good.
-We feel very good.

00:39:33.440 --> 00:39:35.080
Your Spanish is good too.

00:39:35.720 --> 00:39:37.800
We're learning.

00:39:37.880 --> 00:39:41.680
To have Isaac and Nora come
all the way from another continent,

00:39:41.760 --> 00:39:42.840
from France,

00:39:42.920 --> 00:39:46.720
it's impressive,
amazing, spectacular.

00:39:47.280 --> 00:39:50.560
It's an honour for us to have them here.

00:39:53.280 --> 00:39:56.960
The Fénix Theatre
opened in 1824.

00:39:58.560 --> 00:39:59.560
It had no roof.

00:40:00.560 --> 00:40:03.640
People came with their stools
and umbrellas.

00:40:04.880 --> 00:40:09.000
It has resisted six or seven
major earthquakes.

00:40:09.360 --> 00:40:11.480
The last one was in 2001

00:40:12.120 --> 00:40:16.040
where one of the towers of the cathedral
fell down.

00:40:21.720 --> 00:40:22.720
Well...

00:40:22.800 --> 00:40:24.080
Stop eating.

00:40:24.160 --> 00:40:25.880
-Sorry.
-It's the first.

00:40:25.960 --> 00:40:26.960
The first.

00:40:31.760 --> 00:40:33.840
Chocolate.
-To everyone

00:40:33.920 --> 00:40:35.920
wondering where mum is.

00:40:36.000 --> 00:40:37.840
Mum's here, drinking.

00:40:37.920 --> 00:40:39.320
Drinking wine.

00:40:39.480 --> 00:40:41.000
Mum's here.

00:40:41.080 --> 00:40:42.680
Bravo! Bravo!

00:40:46.560 --> 00:40:50.120
-It's good to try the wine from Peru.
-Yes.

00:40:50.200 --> 00:40:53.080
I haven't tried it before.

00:40:53.160 --> 00:40:55.080
-Sure.
-And it's good.

00:41:01.800 --> 00:41:02.920
Did you like the dance?

00:41:03.320 --> 00:41:04.320
Yes.

00:41:05.440 --> 00:41:06.440
Thank you!

00:41:06.520 --> 00:41:08.080
Peru! Peru!

00:41:08.160 --> 00:41:09.520
Peru! Peru!

00:41:09.600 --> 00:41:11.040
Peru! Peru!

00:41:12.960 --> 00:41:14.400
Stop eating...

00:41:15.720 --> 00:41:17.520
But it's fruit.

00:41:26.080 --> 00:41:28.800
"And now, ladies and gentlemen,

00:41:28.880 --> 00:41:31.680
a great duo is here today.

00:41:32.320 --> 00:41:33.720
They never thought

00:41:33.800 --> 00:41:36.720
than an impromptu recording
of 'La Habanera'

00:41:36.800 --> 00:41:39.760
would get a reaction from
all over the world."

00:41:40.480 --> 00:41:45.480
"Please welcome, Isaac and Nora
on their Latin and Love tour."

00:41:53.680 --> 00:41:54.680
Bravo!

00:41:54.760 --> 00:41:55.760
Bravo!

00:41:57.440 --> 00:42:00.320
How are you, Arequipa?

00:42:00.400 --> 00:42:01.400
Good!

00:42:18.280 --> 00:42:22.800
What did your thoughts do to me?

00:42:23.760 --> 00:42:28.480
I sometimes cry until I laugh.

00:42:28.880 --> 00:42:32.320
For three years,
we only read messages,

00:42:32.400 --> 00:42:36.680
comments on social media,
which were all very adorable.

00:42:36.760 --> 00:42:38.520
But finally,

00:42:39.000 --> 00:42:42.480
we meet our audience
in real life.

00:42:50.920 --> 00:42:55.280
I always go
wherever you are.

00:42:55.600 --> 00:42:59.760
I follow you and you the same.

00:43:01.320 --> 00:43:06.320
We ask ourselves
what have we done

00:43:06.640 --> 00:43:11.280
to meet each other that time,

00:43:12.000 --> 00:43:16.480
to stay on top

00:43:16.920 --> 00:43:21.800
and not leave our Eden.

00:43:22.160 --> 00:43:26.640
To stay
here, at the top

00:43:26.720 --> 00:43:31.720
and never leave
our precious Eden again.

00:43:42.200 --> 00:43:43.200
Bravo!

00:43:50.680 --> 00:43:51.680
Bravo!

00:43:52.040 --> 00:43:53.240
Bravo!

00:43:54.000 --> 00:43:55.160
You're the best!

00:43:55.920 --> 00:43:57.120
Come on, Isaac!

00:44:02.400 --> 00:44:07.280
For me, I think
my favourite country was Peru

00:44:07.680 --> 00:44:09.800
And my favourite city was Arequipa.